Photo Studio Optimizer

Size: px
Start display at page:

Download "Photo Studio Optimizer"

Transcription

1 CATIA V5 Training Foils Photo Studio Optimizer Version 5 Release 19 September 008 EDU_CAT_EN_PSO_FF_V5R19

2 Photo Studio Optimizer Objectives of the course Upon completion of this course you will be able to use the various Photo Studio Optimizer tools to enhance the quality of your photo realistic images. Targeted audience Industrial Stylists and Designers Prerequisites CATIA V5 Fundamentals, Photo Studio 0.5 day

3 Table of Contents (1/) Introduction to Photo Studio Optimizer 5 Accessing the Photo Studio Workbench 6 User settings: Photo Studio 7 D Textures 8 Bump Mapping 1 What is Bump Mapping? 1 Defining the Bump Mapping Parameters 1 Global Illumination 16 What is Global Illumination? 17 Setting the Light Parameters for Global Illumination 18 Setting the Shooting Parameters 19 Caustics 0 What about Caustics? 1 Setting the Light Parameters Setting the Caustic Parameters Visual Effects What about Visual Effects? 5 Setting the Depth of Field 6

4 Table of Contents (/) Defining the Glow Parameters 7 Cartoon Rendering 8

5 Introduction to Photo Studio Optimizer In this lesson you will see V5 Photo Studio Optimizer user interface

6 Accessing the Photo Studio Workbench Photo Studio Optimizer is a set of advanced capabilities which are added to the original capabilities of the Photo Studio workbench. You can access the Photo Studio Workbench by clicking on Start > Infrastructure > Photo Studio

7 User Settings: Photo Studio Using Photo Studio settings, the rendering computation can be automatically distributed on remote workstations through a network. The rendering time is drastically reduced, particularly for huge mock-ups. 1 Click on Tools > Options > Infrastructure > Photo Studio > Satellites Declare the workstations (satellites) here (installation and customization on satellites is required) Up to 8 CPU can be used simultaneously. All platforms are available. The local host will allocate and distribute all the necessary data to the participating satellites, which, in turn, will process the rendering then return the final result back to the local host.

8 D Textures In this lesson you will learn how to use D textures on components.

9 What is a D Texture? What is a D texture? When using a D texture, a picture file is projected on the object using a specific projection method. Using a D texture is as sculpting the object directly in the material. The texture is very realistic and gives the illusion of relief. It can be customized through its own parameters (examples : complexity, amplitude, turbulence, ) Which D textures can I use? CATIA Photo Studio Optimizer provides 5 different types of D textures: Marble Vein Alternate vein Rock Chessboard

10 Applying a D Texture 1 Select the material properties Click on the Texture tab Select the D texture from the list Activate the ray traced preview to visualize the final result in the dialog box In real time in the D viewer, the corresponding texture image is mapped onto the geometry to give a rough visualization of the effect. The final result is only seen in the rendered image.

11 Editing a D Texture Define the main color of the material Define the complexity of the motif of the texture Define the object surface perturbation Define the bump mapping Position and scale the texture

12 Bump Mapping In this lesson you will learn how to use bump mapping.

13 What is Bump Mapping? The bump mapping allows to simulate, using lighting effect, a perturbation of the surface of an object. This simulation modifies the aspect of the surface of the object. The perturbation is computed based on the contrast of the texture pixels. For example, bright colors are displayed above dark colors, creating a D effect on the object.

14 Defining the Bump Mapping Parameters (1/) 1 Access the material properties from the contextual menu 1 Select the Texture tab Define the Bump mapping amplitude Value of Bump parameter: 0: no bump effect >0: bright color above dark color <0: dark color above bright color Bump mapping is also available for D textures

15 Defining the Bump Mapping Parameters (/) Computation result without activating the bump mapping Computation result with activation of the bump mapping

16 Global Illumination In this lesson you will learn how to create more realistic images using the global illumination.

17 What is Global Illumination? What is global illumination? Global illumination simulates indirect illumination of objects by reflection of light coming from diffuse surfaces. This functionality allows indirect lighting effects among which caustics and color bleeding. What are photons? Photons are energy particles emitted into the scene by a light source. Once emitted, these energy particles take different paths as they bounce from one object to another. A photon path can evolve in two ways: - photons are either absorbed by an object they hit (through reflection or transmission) and in that case the path ends - photons get lost in space without hitting another object and the path is infinite. Maximum number of reflections and refractions are defined by the user photons

18 Setting the Light Parameters for Global Illumination 1 From the contextual menu of the light, click on Properties 1 Select Indirect Illumination Activate photon emission 5 Set the intensity factor (0 to 100). It corresponds to the light intensity of the photons. It will be combined with the intensity parameter of the Lighting tab It is recommended to be close to 1 Define the maximum number of photons to be used for the computation of the image ( to ). A low value can create puddles

19 Setting the Shooting Parameters 1 Double-click the shooting in the tree 1 Select Indirect Illumination Activate Global illumination computation Define the number of photons to be used to compute the global illumination intensity for each pixel (1 to ). 5 5 Define the area where photons have to be used to compute global illumination intensity for each pixel. Automatic computation is done if value is Do not take into account object ambient coefficient for rendering computation

20 Caustics In this lesson you will learn how to use caustics.

21 What about Caustics? What are caustics? Caustics can be defined as small localized lighting effects created by specular light interactions (reflection or refraction) onto a diffuse surface. A typical example of caustics would be the light pattern cast on the bottom of a swimming pool by the wave pattern on the water surface.

22 Setting the Light Parameters 1 Select the Properties from the contextual menu of the Light source. 1 Select Indirect Illumination Activate photons emission Define the maximum number of photons to be used for the computation of the caustics ( to ). This number must be lower than the number defined for global illumination

23 Setting the Caustic Parameters 1 Double-click the shooting in the tree 1 Select Indirect Illumination Activate caustics computation Define the number of photons to be used to compute caustics for each pixel (1 to ) 5 Define the area where photons have to be used to compute caustics for each pixel. Automatic computation is done if value is Do not take into account object ambient coefficient for rendering computation

24 Visual Effects In this lesson you will learn how to add visual effects.

25 What about Visual Effects? Depth of field : This visual effect makes objects that are not in focus (far from the camera target) appear blurry, thus giving a sense of depth to the image Glow: This effect generates a halo around bright pixels of the rendered image. This glow not only gives an impression of greater brightness, but it can also interfere with the visibility of nearby pixels, thus improving the realism of images by adding effects which perceptually expand and enhance the perceived dynamic range. This effect is obtained thanks to a filter applied onto the image at the end of the rendering as a post-processing. Depth of field and glow effects work independently from each other.

26 Setting the Depth of Field 1 Double-click the shooting in the tree Select the Effects tab Activate the Depth of field Define Confusion radius (radius of the camera origin from which rays are sent) The smallest the radius, the sharpest the result Blur area Sharp area

27 Defining the Glow Parameters 1 Double-click the shooting in the tree Select the Effects tab Activate the Glow Define the parameters : Threshold : pixel intensities to be processed for glow effect Intensity : how bright the glow will be Size : size of the glow Flare intensity : makes the rainbow more or less visible Flare diffusion : Set the width of the rainbow Radial line size : size of the streaks Star effect : length and arrangement of the streaks

28 Cartoon Rendering (1/) You will learn to generate a rendered image showing the drawing of contours around the geometry to create a cartoon-style effect. 1 Double-click the shooting in the tree Select the Effects tab Activate Cartoon Adjust the various parameters for Cartoon: Contours only : display only the contours of the drawing Contour thickness : thickness of the contour line when using Contours only or Ink pen effect Ink pen effect : Make the thickness of the contour line dependent on its orientation

29 Cartoon Rendering (/) Ink pen effect Thickness : 0.5 Ink pen effect Thickness : 0.1 Contours only Thickness : 0.5

30 To Sum Up... In this course you have seen: How to use D textures How to use bump mapping How to use global illumination How to compute caustics How to add visual effects

Chapter 11. Caustics and Global Illumination

Chapter 11. Caustics and Global Illumination 11 and Global Illumination Chapter 11 Direct illumination occurs when a light source directly illuminates an object or objects in a scene. Indirect illumination occurs if light illuminates objects by reflection

More information

There are many kinds of surface shaders, from those that affect basic surface color, to ones that apply bitmap textures and displacement.

There are many kinds of surface shaders, from those that affect basic surface color, to ones that apply bitmap textures and displacement. mental ray Overview Mental ray is a powerful renderer which is based on a scene description language. You can use it as a standalone renderer, or even better, integrated with 3D applications. In 3D applications,

More information

A Brief Overview of. Global Illumination. Thomas Larsson, Afshin Ameri Mälardalen University

A Brief Overview of. Global Illumination. Thomas Larsson, Afshin Ameri Mälardalen University A Brief Overview of Global Illumination Thomas Larsson, Afshin Ameri Mälardalen University 1 What is Global illumination? Global illumination is a general name for realistic rendering algorithms Global

More information

Render methods, Compositing, Post-process and NPR in NX Render

Render methods, Compositing, Post-process and NPR in NX Render Render methods, Compositing, Post-process and NPR in NX Render Overview What makes a good rendered image Render methods in NX Render Foregrounds and backgrounds Post-processing effects Compositing models

More information

Computer Graphics. Lecture 13. Global Illumination 1: Ray Tracing and Radiosity. Taku Komura

Computer Graphics. Lecture 13. Global Illumination 1: Ray Tracing and Radiosity. Taku Komura Computer Graphics Lecture 13 Global Illumination 1: Ray Tracing and Radiosity Taku Komura 1 Rendering techniques Can be classified as Local Illumination techniques Global Illumination techniques Local

More information

Consider a partially transparent object that is illuminated with two lights, one visible from each side of the object. Start with a ray from the eye

Consider a partially transparent object that is illuminated with two lights, one visible from each side of the object. Start with a ray from the eye Ray Tracing What was the rendering equation? Motivate & list the terms. Relate the rendering equation to forward ray tracing. Why is forward ray tracing not good for image formation? What is the difference

More information

Part I The Basic Algorithm. Principles of Photon Mapping. A two-pass global illumination method Pass I Computing the photon map

Part I The Basic Algorithm. Principles of Photon Mapping. A two-pass global illumination method Pass I Computing the photon map Part I The Basic Algorithm 1 Principles of A two-pass global illumination method Pass I Computing the photon map A rough representation of the lighting in the scene Pass II rendering Regular (distributed)

More information

Computer Graphics. Lecture 10. Global Illumination 1: Ray Tracing and Radiosity. Taku Komura 12/03/15

Computer Graphics. Lecture 10. Global Illumination 1: Ray Tracing and Radiosity. Taku Komura 12/03/15 Computer Graphics Lecture 10 Global Illumination 1: Ray Tracing and Radiosity Taku Komura 1 Rendering techniques Can be classified as Local Illumination techniques Global Illumination techniques Local

More information

Illumination Algorithms

Illumination Algorithms Global Illumination Illumination Algorithms Digital Lighting and Rendering CGT 340 The goal of global illumination is to model all possible paths of light to the camera. Global Illumination Global illumination

More information

Global Illumination. COMP 575/770 Spring 2013

Global Illumination. COMP 575/770 Spring 2013 Global Illumination COMP 575/770 Spring 2013 Final Exam and Projects COMP 575 Final Exam Friday, May 3 4:00 pm COMP 770 (and 575 extra credit) Projects Final report due by end of day, May 1 Presentations:

More information

COM337 COMPUTER GRAPHICS Other Topics

COM337 COMPUTER GRAPHICS Other Topics COM337 COMPUTER GRAPHICS Other Topics Animation, Surface Details, Global Illumination Kurtuluş Küllü based on the book by Hearn, Baker, and Carithers There are some other important issues and topics that

More information

Lighting. To do. Course Outline. This Lecture. Continue to work on ray programming assignment Start thinking about final project

Lighting. To do. Course Outline. This Lecture. Continue to work on ray programming assignment Start thinking about final project To do Continue to work on ray programming assignment Start thinking about final project Lighting Course Outline 3D Graphics Pipeline Modeling (Creating 3D Geometry) Mesh; modeling; sampling; Interaction

More information

The Animation Process. Lighting: Illusions of Illumination

The Animation Process. Lighting: Illusions of Illumination The Animation Process Lighting: Illusions of Illumination Lighting = realism Although real people versus real clay/plastic is up to textures Realistic lighting = render time Some properties of lights Colour

More information

Global Illumination. CSCI 420 Computer Graphics Lecture 18. BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Ch

Global Illumination. CSCI 420 Computer Graphics Lecture 18. BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Ch CSCI 420 Computer Graphics Lecture 18 Global Illumination Jernej Barbic University of Southern California BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Ch. 13.4-13.5] 1 Global Illumination

More information

Caustics - Mental Ray

Caustics - Mental Ray Caustics - Mental Ray (Working with real caustic generation) In this tutorial we are going to go over some advanced lighting techniques for creating realistic caustic effects. Caustics are the bent reflections

More information

9. Illumination and Shading

9. Illumination and Shading 9. Illumination and Shading Approaches for visual realism: - Remove hidden surfaces - Shade visible surfaces and reproduce shadows - Reproduce surface properties Texture Degree of transparency Roughness,

More information

03 RENDERING PART TWO

03 RENDERING PART TWO 03 RENDERING PART TWO WHAT WE HAVE SO FAR: GEOMETRY AFTER TRANSFORMATION AND SOME BASIC CLIPPING / CULLING TEXTURES AND MAPPING MATERIAL VISUALLY DISTINGUISHES 2 OBJECTS WITH IDENTICAL GEOMETRY FOR NOW,

More information

SAMPLING AND NOISE. Increasing the number of samples per pixel gives an anti-aliased image which better represents the actual scene.

SAMPLING AND NOISE. Increasing the number of samples per pixel gives an anti-aliased image which better represents the actual scene. SAMPLING AND NOISE When generating an image, Mantra must determine a color value for each pixel by examining the scene behind the image plane. Mantra achieves this by sending out a number of rays from

More information

Lecture 18: Primer on Ray Tracing Techniques

Lecture 18: Primer on Ray Tracing Techniques Lecture 18: Primer on Ray Tracing Techniques 6.172: Performance Engineering of Software Systems Joshua Slocum November 16, 2010 A Little Background Image rendering technique Simulate rays of light - ray

More information

Global Illumination. Global Illumination. Direct Illumination vs. Global Illumination. Indirect Illumination. Soft Shadows.

Global Illumination. Global Illumination. Direct Illumination vs. Global Illumination. Indirect Illumination. Soft Shadows. CSCI 480 Computer Graphics Lecture 18 Global Illumination BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Ch. 13.4-13.5] March 28, 2012 Jernej Barbic University of Southern California

More information

Advanced Graphics. Path Tracing and Photon Mapping Part 2. Path Tracing and Photon Mapping

Advanced Graphics. Path Tracing and Photon Mapping Part 2. Path Tracing and Photon Mapping Advanced Graphics Path Tracing and Photon Mapping Part 2 Path Tracing and Photon Mapping Importance Sampling Combine importance sampling techniques Reflectance function (diffuse + specular) Light source

More information

Global Illumination CS334. Daniel G. Aliaga Department of Computer Science Purdue University

Global Illumination CS334. Daniel G. Aliaga Department of Computer Science Purdue University Global Illumination CS334 Daniel G. Aliaga Department of Computer Science Purdue University Recall: Lighting and Shading Light sources Point light Models an omnidirectional light source (e.g., a bulb)

More information

Computer Graphics Global Illumination

Computer Graphics Global Illumination Computer Graphics 2016 14. Global Illumination Hongxin Zhang State Key Lab of CAD&CG, Zhejiang University 2017-01-09 Course project - Tomorrow - 3 min presentation - 2 min demo Outline - Shadows - Radiosity

More information

Lighting Models. CS116B Chris Pollett Mar 21, 2004.

Lighting Models. CS116B Chris Pollett Mar 21, 2004. Lighting Models CS116B Chris Pollett Mar 21, 2004. Outline Overview Light Sources Surface Lighting Effect Basic Illumination Models Overview An illumination model (lighting model) is used to calculate

More information

Global Illumination. Why Global Illumination. Pros/Cons and Applications. What s Global Illumination

Global Illumination. Why Global Illumination. Pros/Cons and Applications. What s Global Illumination Global Illumination Why Global Illumination Last lecture Basic rendering concepts Primitive-based rendering Today: Global illumination Ray Tracing, and Radiosity (Light-based rendering) What s Global Illumination

More information

Topic 12: Texture Mapping. Motivation Sources of texture Texture coordinates Bump mapping, mip-mapping & env mapping

Topic 12: Texture Mapping. Motivation Sources of texture Texture coordinates Bump mapping, mip-mapping & env mapping Topic 12: Texture Mapping Motivation Sources of texture Texture coordinates Bump mapping, mip-mapping & env mapping Texture sources: Photographs Texture sources: Procedural Texture sources: Solid textures

More information

Global Illumination. Global Illumination. Direct Illumination vs. Global Illumination. Indirect Illumination. Soft Shadows.

Global Illumination. Global Illumination. Direct Illumination vs. Global Illumination. Indirect Illumination. Soft Shadows. CSCI 420 Computer Graphics Lecture 18 Global Illumination Jernej Barbic University of Southern California BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Angel Ch. 11] 1 Global Illumination

More information

Computer Graphics Global Illumination

Computer Graphics Global Illumination ! Computer Graphics 2013! 14. Global Illumination Hongxin Zhang State Key Lab of CAD&CG, Zhejiang University 2013-10-30 Final examination - Friday night, 7:30PM ~ 9:00PM, Nov. 8th - Room 103 (?), CaoGuangBiao

More information

Fog and Cloud Effects. Karl Smeltzer Alice Cao John Comstock

Fog and Cloud Effects. Karl Smeltzer Alice Cao John Comstock Fog and Cloud Effects Karl Smeltzer Alice Cao John Comstock Goal Explore methods of rendering scenes containing fog or cloud-like effects through a variety of different techniques Atmospheric effects make

More information

Level of Details in Computer Rendering

Level of Details in Computer Rendering Level of Details in Computer Rendering Ariel Shamir Overview 1. Photo realism vs. Non photo realism (NPR) 2. Objects representations 3. Level of details Photo Realism Vs. Non Pixar Demonstrations Sketching,

More information

Lighting & 3D Graphics. Images from 3D Creative Magazine

Lighting & 3D Graphics. Images from 3D Creative Magazine Lighting & 3D Graphics Images from 3D Creative Magazine Contents Introduction Definitions 3D Lighting Basics 3D Light Sources Lighting Controls & Effects Brightness & Colour Shadows Hotspot And Falloff

More information

Ok, so to get started we will take a look at the settings in the Render setup. If we were to take a render right now this is what we would see...

Ok, so to get started we will take a look at the settings in the Render setup. If we were to take a render right now this is what we would see... Caustics - V-Ray In this tutorial we are going to go over some advanced lighting techniques for creating realistic caustic effects using the V-Ray renderer. Caustics function in V-Ray much like they function

More information

The V-Ray installer will automatically remove any previous installations. This will allow you to seamlessly upgrade from previous versions.

The V-Ray installer will automatically remove any previous installations. This will allow you to seamlessly upgrade from previous versions. Overview This guide is to serve as a reference for installing V-Ray for 3ds Max and 3ds Max Design. Please refer to the Glossary page for specific terms used in this document. If you experience any problems,

More information

Ray Tracing. CSCI 420 Computer Graphics Lecture 15. Ray Casting Shadow Rays Reflection and Transmission [Ch ]

Ray Tracing. CSCI 420 Computer Graphics Lecture 15. Ray Casting Shadow Rays Reflection and Transmission [Ch ] CSCI 420 Computer Graphics Lecture 15 Ray Tracing Ray Casting Shadow Rays Reflection and Transmission [Ch. 13.2-13.3] Jernej Barbic University of Southern California 1 Local Illumination Object illuminations

More information

Recollection. Models Pixels. Model transformation Viewport transformation Clipping Rasterization Texturing + Lights & shadows

Recollection. Models Pixels. Model transformation Viewport transformation Clipping Rasterization Texturing + Lights & shadows Recollection Models Pixels Model transformation Viewport transformation Clipping Rasterization Texturing + Lights & shadows Can be computed in different stages 1 So far we came to Geometry model 3 Surface

More information

Topic 11: Texture Mapping 11/13/2017. Texture sources: Solid textures. Texture sources: Synthesized

Topic 11: Texture Mapping 11/13/2017. Texture sources: Solid textures. Texture sources: Synthesized Topic 11: Texture Mapping Motivation Sources of texture Texture coordinates Bump mapping, mip mapping & env mapping Texture sources: Photographs Texture sources: Procedural Texture sources: Solid textures

More information

Caustics - Mental Ray

Caustics - Mental Ray Caustics - Mental Ray In this tutorial we are going to go over some advanced lighting techniques for creating realistic caustic effects. Caustics are the focused patterns of light which form after light

More information

Rendering: Reality. Eye acts as pinhole camera. Photons from light hit objects

Rendering: Reality. Eye acts as pinhole camera. Photons from light hit objects Basic Ray Tracing Rendering: Reality Eye acts as pinhole camera Photons from light hit objects Rendering: Reality Eye acts as pinhole camera Photons from light hit objects Rendering: Reality Eye acts as

More information

Corona Sky Corona Sun Corona Light Create Camera About

Corona Sky Corona Sun Corona Light Create Camera About Plugin menu Corona Sky creates Sky object with attached Corona Sky tag Corona Sun creates Corona Sun object Corona Light creates Corona Light object Create Camera creates Camera with attached Corona Camera

More information

Rendering Part I (Basics & Ray tracing) Lecture 25 December 1, 2015

Rendering Part I (Basics & Ray tracing) Lecture 25 December 1, 2015 Rendering Part I (Basics & Ray tracing) Lecture 25 December 1, 2015 What is rendering? Generating an image from a 3D scene model Ingredients Representation of 3D geometry Specification for camera & lights

More information

Luxo Jr. (Pixar, 1986) Last Time. Real Cameras and Ray Tracing. Standard Rasterization. Lights, Cameras, Surfaces. Now Playing:

Luxo Jr. (Pixar, 1986) Last Time. Real Cameras and Ray Tracing. Standard Rasterization. Lights, Cameras, Surfaces. Now Playing: Now Playing: Luxo Jr. (Pixar, 1986) Giant Steps From Giant Steps Recorded May 4-5, 1959 John Coltrane - Tenor Sax Tommy Flanagan - Piano Paul Chambers - Bass Art Taylor - Drums Real Cameras and Ray Tracing

More information

COMP371 COMPUTER GRAPHICS

COMP371 COMPUTER GRAPHICS COMP371 COMPUTER GRAPHICS SESSION 15 RAY TRACING 1 Announcements Programming Assignment 3 out today - overview @ end of the class Ray Tracing 2 Lecture Overview Review of last class Ray Tracing 3 Local

More information

Topic 11: Texture Mapping 10/21/2015. Photographs. Solid textures. Procedural

Topic 11: Texture Mapping 10/21/2015. Photographs. Solid textures. Procedural Topic 11: Texture Mapping Motivation Sources of texture Texture coordinates Bump mapping, mip mapping & env mapping Topic 11: Photographs Texture Mapping Motivation Sources of texture Texture coordinates

More information

Ray Tracing. Kjetil Babington

Ray Tracing. Kjetil Babington Ray Tracing Kjetil Babington 21.10.2011 1 Introduction What is Ray Tracing? Act of tracing a ray through some scene Not necessarily for rendering Rendering with Ray Tracing Ray Tracing is a global illumination

More information

Advanced Graphics. Global Illumination. Alex Benton, University of Cambridge Supported in part by Google UK, Ltd

Advanced Graphics. Global Illumination. Alex Benton, University of Cambridge Supported in part by Google UK, Ltd Advanced Graphics Global Illumination 1 Alex Benton, University of Cambridge A.Benton@damtp.cam.ac.uk Supported in part by Google UK, Ltd What s wrong with raytracing? Soft shadows are expensive Shadows

More information

I have a meeting with Peter Lee and Bob Cosgrove on Wednesday to discuss the future of the cluster. Computer Graphics

I have a meeting with Peter Lee and Bob Cosgrove on Wednesday to discuss the future of the cluster. Computer Graphics Announcements Assignment 4 will be out later today Problem Set 3 is due today or tomorrow by 9am in my mail box (4 th floor NSH) How are the machines working out? I have a meeting with Peter Lee and Bob

More information

ART 268 3D Computer Graphics Texture Mapping and Rendering. Texture Mapping

ART 268 3D Computer Graphics Texture Mapping and Rendering. Texture Mapping ART 268 3D Computer Graphics Texture Mapping and Rendering Texture Mapping Is the way in which a material is wrapped around an object. The default method is UVW mapping (see below). When you drag a material

More information

Photorealism: Ray Tracing

Photorealism: Ray Tracing Photorealism: Ray Tracing Reading Assignment: Chapter 13 Local vs. Global Illumination Local Illumination depends on local object and light sources only Global Illumination at a point can depend on any

More information

Oso Toon Shader. Step 1: Flat Color

Oso Toon Shader. Step 1: Flat Color Oso Toon Shader By default the Oso Toon Shader has most of the same elements of standard Iray Uber Shader, that it is based on. However, there are some additional functions that allow OTS to do some dramatic

More information

Raytracing CS148 AS3. Due :59pm PDT

Raytracing CS148 AS3. Due :59pm PDT Raytracing CS148 AS3 Due 2010-07-25 11:59pm PDT We start our exploration of Rendering - the process of converting a high-level object-based description of scene into an image. We will do this by building

More information

THEA RENDER ADAPTIVE BSD ENGINE

THEA RENDER ADAPTIVE BSD ENGINE THEA RENDER ADAPTIVE BSD ENGINE ADAPTIVE (BSD) ENGINE Adaptive (BSD) is the name of the biased engine inside Thea Render. This engine is a biased one (this is why we use the abbreviation "BSD") as it uses

More information

Chapter 4- Materials and Textures

Chapter 4- Materials and Textures Chapter 4- Materials and Textures Materials and textures are what change your model from being gray to brilliant. You can add color, make things glow, become transparent like glass or make them look like

More information

CMSC427 Advanced shading getting global illumination by local methods. Credit: slides Prof. Zwicker

CMSC427 Advanced shading getting global illumination by local methods. Credit: slides Prof. Zwicker CMSC427 Advanced shading getting global illumination by local methods Credit: slides Prof. Zwicker Topics Shadows Environment maps Reflection mapping Irradiance environment maps Ambient occlusion Reflection

More information

CSE 167: Introduction to Computer Graphics Lecture #6: Lights. Jürgen P. Schulze, Ph.D. University of California, San Diego Fall Quarter 2016

CSE 167: Introduction to Computer Graphics Lecture #6: Lights. Jürgen P. Schulze, Ph.D. University of California, San Diego Fall Quarter 2016 CSE 167: Introduction to Computer Graphics Lecture #6: Lights Jürgen P. Schulze, Ph.D. University of California, San Diego Fall Quarter 2016 Announcements Thursday in class: midterm #1 Closed book Material

More information

Global Rendering. Ingela Nyström 1. Effects needed for realism. The Rendering Equation. Local vs global rendering. Light-material interaction

Global Rendering. Ingela Nyström 1. Effects needed for realism. The Rendering Equation. Local vs global rendering. Light-material interaction Effects needed for realism Global Rendering Computer Graphics 1, Fall 2005 Lecture 7 4th ed.: Ch 6.10, 12.1-12.5 Shadows Reflections (Mirrors) Transparency Interreflections Detail (Textures etc.) Complex

More information

diffuse diffuse reflection refraction diffuse mapping diffuse reflection reflection filter mapping mapping reflection

diffuse diffuse reflection refraction diffuse mapping diffuse reflection reflection filter mapping mapping reflection Matières 1 2 3 mapping diffuse reflection diffuse transparency reflection refraction diffuse mapping diffuse reflection diffuse reflection filter mapping bump mapping mapping mapping diffuse reflection

More information

A free open source modelling/rendering software

A free open source modelling/rendering software A free open source modelling/rendering software Rendering In short, rendering is the process of generating an image from a model or set of models in a scene file. Different styles ie. Photorealistic(Cycles),

More information

Chapter 4- Blender Render Engines

Chapter 4- Blender Render Engines Chapter 4- Render Engines What is a Render Engine? As you make your 3D models in, your goal will probably be to generate (render) an image or a movie as a final result. The software that determines how

More information

CMSC427 Shading Intro. Credit: slides from Dr. Zwicker

CMSC427 Shading Intro. Credit: slides from Dr. Zwicker CMSC427 Shading Intro Credit: slides from Dr. Zwicker 2 Today Shading Introduction Radiometry & BRDFs Local shading models Light sources Shading strategies Shading Compute interaction of light with surfaces

More information

Design Visualization with Autodesk Alias, Part 2

Design Visualization with Autodesk Alias, Part 2 Design Visualization with Autodesk Alias, Part 2 Wonjin John Autodesk Who am I? Wonjin John is an automotive and industrial designer. Born in Seoul, Korea, he moved to United States after finishing engineering

More information

Final Project: Real-Time Global Illumination with Radiance Regression Functions

Final Project: Real-Time Global Illumination with Radiance Regression Functions Volume xx (200y), Number z, pp. 1 5 Final Project: Real-Time Global Illumination with Radiance Regression Functions Fu-Jun Luan Abstract This is a report for machine learning final project, which combines

More information

Computer Graphics. Lecture 14 Bump-mapping, Global Illumination (1)

Computer Graphics. Lecture 14 Bump-mapping, Global Illumination (1) Computer Graphics Lecture 14 Bump-mapping, Global Illumination (1) Today - Bump mapping - Displacement mapping - Global Illumination Radiosity Bump Mapping - A method to increase the realism of 3D objects

More information

Lighting affects appearance

Lighting affects appearance Lighting affects appearance 1 Source emits photons Light And then some reach the eye/camera. Photons travel in a straight line When they hit an object they: bounce off in a new direction or are absorbed

More information

AWE Surface 1.0 Documentation

AWE Surface 1.0 Documentation AWE Surface 1.0 Documentation AWE Surface is a new, robust, highly optimized, physically plausible shader for DAZ Studio and 3Delight employing physically based rendering (PBR) metalness / roughness workflow.

More information

CSCI 4972/6963 Advanced Computer Graphics Quiz 2 Tuesday April 17, 2007 noon-1:30pm

CSCI 4972/6963 Advanced Computer Graphics Quiz 2 Tuesday April 17, 2007 noon-1:30pm CSCI 4972/6963 Advanced Computer Graphics Quiz 2 Tuesday April 17, 2007 noon-1:30pm Name: RCS username: This quiz is closed book & closed notes except for one 8.5x11 (double-sided) sheet of notes. Please

More information

Raycast Rendering Maya 2013

Raycast Rendering Maya 2013 2000 2012 Michael O'Rourke Raycast Rendering Maya 2013 (See also the Intro to Lights and Rendering tutorial for an introduction to the basics of rendering an image) Concept There are several algorithms

More information

Topic 9: Lighting & Reflection models 9/10/2016. Spot the differences. Terminology. Two Components of Illumination. Ambient Light Source

Topic 9: Lighting & Reflection models 9/10/2016. Spot the differences. Terminology. Two Components of Illumination. Ambient Light Source Topic 9: Lighting & Reflection models Lighting & reflection The Phong reflection model diffuse component ambient component specular component Spot the differences Terminology Illumination The transport

More information

Bioluminescence Chris Fontas & Forrest Browning

Bioluminescence Chris Fontas & Forrest Browning Bioluminescence Chris Fontas & Forrest Browning Introduction Our goal for the final project was to render a bioluminescent organism. Bioluminescence is a type of luminescence (cold light) resulting from

More information

RAYTRACING. Christopher Peters INTRODUCTION TO COMPUTER GRAPHICS AND INTERACTION. HPCViz, KTH Royal Institute of Technology, Sweden

RAYTRACING. Christopher Peters INTRODUCTION TO COMPUTER GRAPHICS AND INTERACTION. HPCViz, KTH Royal Institute of Technology, Sweden DH2323 DGI15 INTRODUCTION TO COMPUTER GRAPHICS AND INTERACTION RAYTRACING HPCViz, KTH Royal Institute of Technology, Sweden http://kth.academia.edu/christopheredwardpeters Based on DGI12 notes by Carl

More information

COMPUTER GRAPHICS AND INTERACTION

COMPUTER GRAPHICS AND INTERACTION DH2323 DGI17 COMPUTER GRAPHICS AND INTERACTION INTRODUCTION TO RAYTRACING Christopher Peters CST, KTH Royal Institute of Technology, Sweden chpeters@kth.se http://kth.academia.edu/christopheredwardpeters

More information

Topic 9: Lighting & Reflection models. Lighting & reflection The Phong reflection model diffuse component ambient component specular component

Topic 9: Lighting & Reflection models. Lighting & reflection The Phong reflection model diffuse component ambient component specular component Topic 9: Lighting & Reflection models Lighting & reflection The Phong reflection model diffuse component ambient component specular component Spot the differences Terminology Illumination The transport

More information

Shadows. COMP 575/770 Spring 2013

Shadows. COMP 575/770 Spring 2013 Shadows COMP 575/770 Spring 2013 Shadows in Ray Tracing Shadows are important for realism Basic idea: figure out whether a point on an object is illuminated by a light source Easy for ray tracers Just

More information

Advanced Rendering CHAPTER. Render Window. Learning Objectives. Image Pane

Advanced Rendering CHAPTER. Render Window. Learning Objectives. Image Pane CHAPTER Advanced Rendering Learning Objectives After completing this chapter, you will be able to: Make advanced rendering settings. Set the resolution for a rendering. Save a rendering to an image file.

More information

Texture Mapping. Images from 3D Creative Magazine

Texture Mapping. Images from 3D Creative Magazine Texture Mapping Images from 3D Creative Magazine Contents Introduction Definitions Light And Colour Surface Attributes Surface Attributes: Colour Surface Attributes: Shininess Surface Attributes: Specularity

More information

Image Synthesis. Global Illumination. Why Global Illumination? Achieve more photorealistic images

Image Synthesis. Global Illumination. Why Global Illumination? Achieve more photorealistic images Part I - Photorealism 1 Why? Achieve more photorealistic images All images are from MentalRay s website 2 Computer Science Dept. Technion Page 1 3 4 Computer Science Dept. Technion Page 2 5 From Alexander

More information

The Rendering Equation & Monte Carlo Ray Tracing

The Rendering Equation & Monte Carlo Ray Tracing Last Time? Local Illumination & Monte Carlo Ray Tracing BRDF Ideal Diffuse Reflectance Ideal Specular Reflectance The Phong Model Radiosity Equation/Matrix Calculating the Form Factors Aj Ai Reading for

More information

Recall: Basic Ray Tracer

Recall: Basic Ray Tracer 1 Recall: Ray Tracing Generate an image by backwards tracing the path of light through pixels on an image plane Simulate the interaction of light with objects Recall: Basic Ray Tracer Trace a primary ray

More information

CS452/552; EE465/505. Intro to Lighting

CS452/552; EE465/505. Intro to Lighting CS452/552; EE465/505 Intro to Lighting 2-10 15 Outline! Projection Normalization! Introduction to Lighting (and Shading) Read: Angel Chapter 5., sections 5.4-5.7 Parallel Projections Chapter 6, sections

More information

Interactive Real-Time Raycasting

Interactive Real-Time Raycasting Interactive Real-Time Raycasting CS184 AS4 Due 2009-02-26 11:00pm We start our exploration of Rendering - the process of converting a high-level object-based description into a graphical image for display.

More information

Advanced Distant Light for DAZ Studio

Advanced Distant Light for DAZ Studio Contents Advanced Distant Light for DAZ Studio Introduction Important Concepts Quick Start Quick Tips Parameter Settings Light Group Shadow Group Lighting Control Group Known Issues Introduction The Advanced

More information

Photo Studio. Preface What`s New? Getting Started Basic Tasks Advanced Tasks Workbench Description Customizing Glossary Index

Photo Studio. Preface What`s New? Getting Started Basic Tasks Advanced Tasks Workbench Description Customizing Glossary Index Photo Studio Preface What`s New? Getting Started Basic Tasks Advanced Tasks Workbench Description Customizing Glossary Index Dassault Systèmes 1994-2000. All rights reserved. Preface Welcome to Version

More information

Illumination Models and Surface-Rendering Methods. Chapter 10

Illumination Models and Surface-Rendering Methods. Chapter 10 Illumination Models and Surface-Rendering Methods Chapter 10 Illumination and Surface- Rendering Given scene specifications object positions, optical properties of the surface, viewer position, viewing

More information

Shading, lighting, & BRDF Theory. Cliff Lindsay, PHD

Shading, lighting, & BRDF Theory. Cliff Lindsay, PHD Shading, lighting, & BRDF Theory Cliff Lindsay, PHD Overview of today s lecture BRDF Characteristics Lights in terms of BRDFs Classes of BRDFs Ambient light & Shadows in terms of BRDFs Decomposing Reflection

More information

Biased Monte Carlo Ray Tracing

Biased Monte Carlo Ray Tracing Biased Monte Carlo Ray Tracing Filtering, Irradiance Caching, and Photon Mapping Henrik Wann Jensen Stanford University May 23, 2002 Unbiased and Consistent Unbiased estimator: E{X} =... Consistent estimator:

More information

Today. Global illumination. Shading. Interactive applications. Rendering pipeline. Computergrafik. Shading Introduction Local shading models

Today. Global illumination. Shading. Interactive applications. Rendering pipeline. Computergrafik. Shading Introduction Local shading models Computergrafik Matthias Zwicker Universität Bern Herbst 2009 Today Introduction Local shading models Light sources strategies Compute interaction of light with surfaces Requires simulation of physics Global

More information

CS 325 Computer Graphics

CS 325 Computer Graphics CS 325 Computer Graphics 04 / 02 / 2012 Instructor: Michael Eckmann Today s Topics Questions? Comments? Illumination modelling Ambient, Diffuse, Specular Reflection Surface Rendering / Shading models Flat

More information

Homework #2. Shading, Ray Tracing, and Texture Mapping

Homework #2. Shading, Ray Tracing, and Texture Mapping Computer Graphics Prof. Brian Curless CSE 457 Spring 2000 Homework #2 Shading, Ray Tracing, and Texture Mapping Prepared by: Doug Johnson, Maya Widyasari, and Brian Curless Assigned: Monday, May 8, 2000

More information

critical theory Computer Science

critical theory Computer Science Art/Science Shading, Materials, Collaboration Textures Example title Artists In the recommend real world, two the main following: factors determine the appearance of a surface: basic understanding what

More information

REAL-TIME GPU PHOTON MAPPING. 1. Introduction

REAL-TIME GPU PHOTON MAPPING. 1. Introduction REAL-TIME GPU PHOTON MAPPING SHERRY WU Abstract. Photon mapping, an algorithm developed by Henrik Wann Jensen [1], is a more realistic method of rendering a scene in computer graphics compared to ray and

More information

CS354R: Computer Game Technology

CS354R: Computer Game Technology CS354R: Computer Game Technology Real-Time Global Illumination Fall 2018 Global Illumination Mirror s Edge (2008) 2 What is Global Illumination? Scene recreates feel of physically-based lighting models

More information

Planets Earth, Mars and Moon Shaders Asset V Documentation (Unity 5 version)

Planets Earth, Mars and Moon Shaders Asset V Documentation (Unity 5 version) Planets Earth, Mars and Moon Shaders Asset V0.4.4 Documentation (Unity 5 version) Charles Pérois - 2015 Introduction 2 Table des matières 1. Introduction...3 2. Release Notes...4 3. How to Use...6 1. Set

More information

Today. Anti-aliasing Surface Parametrization Soft Shadows Global Illumination. Exercise 2. Path Tracing Radiosity

Today. Anti-aliasing Surface Parametrization Soft Shadows Global Illumination. Exercise 2. Path Tracing Radiosity Today Anti-aliasing Surface Parametrization Soft Shadows Global Illumination Path Tracing Radiosity Exercise 2 Sampling Ray Casting is a form of discrete sampling. Rendered Image: Sampling of the ground

More information

Illumination. The slides combine material from Andy van Dam, Spike Hughes, Travis Webb and Lyn Fong

Illumination. The slides combine material from Andy van Dam, Spike Hughes, Travis Webb and Lyn Fong INTRODUCTION TO COMPUTER GRAPHIC S Illumination The slides combine material from Andy van Dam, Spike Hughes, Travis Webb and Lyn Fong Andries van Dam October 29, 2009 Illumination Models 1/30 Outline Physical

More information

Graphics for VEs. Ruth Aylett

Graphics for VEs. Ruth Aylett Graphics for VEs Ruth Aylett Overview VE Software Graphics for VEs The graphics pipeline Projections Lighting Shading VR software Two main types of software used: off-line authoring or modelling packages

More information

Virtual Reality for Human Computer Interaction

Virtual Reality for Human Computer Interaction Virtual Reality for Human Computer Interaction Appearance: Lighting Representation of Light and Color Do we need to represent all I! to represent a color C(I)? No we can approximate using a three-color

More information

Advanced Maya Texturing and Lighting

Advanced Maya Texturing and Lighting Advanced Maya Texturing and Lighting Lanier, Lee ISBN-13: 9780470292730 Table of Contents Introduction. Chapter 1 Understanding Lighting, Color, and Composition. Understanding the Art of Lighting. Using

More information

Intro to Ray-Tracing & Ray-Surface Acceleration

Intro to Ray-Tracing & Ray-Surface Acceleration Lecture 12 & 13: Intro to Ray-Tracing & Ray-Surface Acceleration Computer Graphics and Imaging UC Berkeley Course Roadmap Rasterization Pipeline Core Concepts Sampling Antialiasing Transforms Geometric

More information

Chapter 5- Materials & Textures

Chapter 5- Materials & Textures Chapter 5- Materials & Textures As mentioned in the past chapter, materials and textures are what change your model from being gray to brilliant. You can add color, make things glow, become transparent

More information

CSE 681 Illumination and Phong Shading

CSE 681 Illumination and Phong Shading CSE 681 Illumination and Phong Shading Physics tells us What is Light? We don t see objects, we see light reflected off of objects Light is a particle and a wave The frequency of light What is Color? Our

More information

Path Tracing part 2. Steve Rotenberg CSE168: Rendering Algorithms UCSD, Spring 2017

Path Tracing part 2. Steve Rotenberg CSE168: Rendering Algorithms UCSD, Spring 2017 Path Tracing part 2 Steve Rotenberg CSE168: Rendering Algorithms UCSD, Spring 2017 Monte Carlo Integration Monte Carlo Integration The rendering (& radiance) equation is an infinitely recursive integral

More information