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1 Computer Graphics (Fall 2008) COMS 4160, Lecture 19: Illumination and Shading 2 Radiance Power per unit projected area perpendicular to the ray per unit solid angle in the direction of the ray Symbol: L(x,ω) (W/m 2 sr) Flux given by dφ = L(x,ω) cos θ dω da Radiance properties Radiance is constant as it propagates along ray Derived from conservation of flux Fundamental in Light Transport. dφ = Ldω da = L dω da = dφ dω = da r dω = da r da da dω da = = dω da r L = L 1 2 Radiance properties Sensor response proportional to radiance (constant of proportionality is throughput) Far away surface: See more, but subtends smaller angle Wall equally bright across viewing distances Consequences Radiance associated with rays in a ray tracer Other radiometric quants derived from radiance

4 Brdf Viewer plots Demo Diffuse Torrance-Sparrow Anisotropic bv written by Szymon Rusinkiewicz

5 Analytical BRDF: TS example One famous analytically derived BRDF is the Torrance-Sparrow model. T-S is used to model specular surface, like the Phong model. more accurate than Phong has more parameters that can be set to match different materials derived based on assumptions of underlying geometry. (instead of because it works well ) Torrance-Sparrow Assume the surface is made up grooves at the microscopic level. Assume the faces of these grooves (called microfacets) are perfect reflectors. Take into account 3 phenomena Shadowing Masking Interreflection Torrance-Sparrow Result Other BRDF models Fresnel term: allows for wavelength dependency Geometric Attenuation: reduces the output based on the amount of shadowing or masking that occurs. Empirical: Measure and build a 4D table How much of the macroscopic surface is visible to the light source f F( θ i) G( ωi, ωr) D( θh) = 4cos( θi)cos( θr) How much of the macroscopic surface is visible to the viewer Distribution: distribution function determines what percentage of microfacets are oriented to reflect in the viewer direction. Anisotropic models for hair, brushed steel Cartoon shaders, funky BRDFs Capturing spatial variation Very active area of research Complex Lighting So far we ve looked at simple, discrete light sources. Real environments contribute many colors of light from many directions. Environment Maps Instead of determining the lighting direction by knowing what lights exist, determine what light exists by knowing the lighting direction. The complex lighting of a scene can be captured in an Environment map. Just paint the environment on a sphere. Blinn and Newell 1976, Miller and Hoffman, 1984 Later, Greene 86, Cabral et al. 87

6 Demo Conclusion All this (OpenGL, physically based) are local illumination and shading models Good lighting, BRDFs produce convincing results Matrix movies, modern realistic computer graphics Do not consider global effects like shadows, interreflections (from one surface on another) Subject of next unit (global illumination) What s s Next Have finished basic material for the class Texture mapping lecture later today Review of illumination and Shading Remaining topics are global illumination (written assignment 2): Lectures on rendering eq, radiosity Historical movie: Story of Computer Graphics Likely to finish these by Dec 1: No class Dec 8, Work instead on HW 4, written assignments Dec 10? will be demo session for HW 4

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