English II ( 능률 ) 3 과기출모음

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1 English II ( 능률 ) 3 과기출모음 1. 다음글의밑줄친부분중어법상틀린것은? 1) ( 교과서 3과 ) Stephen Rosenbaum, one of the visual effects supervisors, said, "With Avatar, we transformed motion capture into performance capture." The actors 1performing as the Na'vi wore motion capture suits and their performances were filmed in a warehouse. Then, the actors wore special equipment which held a small camera in front of their faces. 52 dots were marked on key muscles of each actor's face so that the camera could trace their movements and capture their detailed facial expressions. The actors' body and facial movements could then be applied to their Na'vi characters, 2giving them realistic looks and expressions. 3Using the facial cameras saved time as the visual effects team didn't have to wait to adapt the movements to facial expressions. Instead, they could see them together in a live preview, which included the animated alien characters and the computer generated scenery. The actors saw each other 4running around the warehouse in motion capture suits. Cameron, however, watched them 5moved around in a virtual landscape. 2. 다음글에서전체흐름과관계없는문장은? 2) (3과) Body movements are easier to capture than facial expressions. Gollum, from The Lord of the Rings movie series, was the product of an early use of this technique. 1 The actor provided Gollum s voice and filmed scenes with other actors while wearing a white suit, so that he could be digitally inserted later. 2 Then he wore a dark suit with reflective balls on it to perform Gollum s movements. 3 The location of the balls corresponded with points on Gollum s body. 4 As a result, Gollum's facial expressions became so realistic and natural. 5 The technique was very successful and the visual effects team won an Oscar for their work. Still, there was room for improvement. It was hard to control Gollum s face. [3-4] 다음을읽고물음에답하시오. (3과) In 2009, James Cameron filmed the movie Avatar. Its plot centered on the Na vi, aliens living on a moon called Pandora. In the story, the Na vi and humans had to appear together on screen in many scenes. Cameron wanted to direct the film while the actors were moving around the set, just like in a live-action movie. This (A)[disrupted / generated] a huge challenge for the visual effects team. Stephen Rosenbaum, one of the visual effects supervisors, said, With Avatar, we (B)[transformed / transplanted] motion capture into performance capture. ( 가 )The actors performed as the Na vi wore motion capture suits and their performances filmed in a warehouse. Then, the actors wore special equipment which held a small camera in front of their faces. 52 dots were marked on key muscles of each actor s face so that the camera could trace their movements and capture their (C)[delayed / detailed] facial expressions. The actors body and - 1 -

2 facial movements could then be applied to their Na vi characters, giving them realistic looks and expressions. 3. (A)~(C) 에들어갈어휘가맞게짝지어진것은? 3) (A) (B) (C) 1 generated transformed detailed 2 disrupted transplanted detailed 3 generated transplanted delayed 4 generated transformed delayed 5 disrupted transformed detailed 4. 밑줄친 ( 가 ) 에서어법상어색한두곳을찾아바르게고치시오. 4) 1) -> 2) -> [5-6] 다음을읽고물음에답하시오. (3과) Facial expressions are much more difficult to capture than body movements because they are smaller and more subtle. The 2004 film The Polar Express was the first completely animated film to use both motion and facial captures. Actor Tom Hanks played six different roles in the film. 80 markers were attached to his body and 152 to his face. 8 cameras recorded his body movements, and 56 cameras recorded his face. After shooting, the visual effects team analyzed the actor s facial expressions. (A) Although this system created technically sophisticated results, they were not very realistic. One major problem was that the actor s eye movements could not be captured. (B) The director of The Polar Express, Robert Zemeckis, solved this problem in his next animated film, Beowulf, in In addition to the usual markers, electrodes were attached to each actor s face in order to sense the muscles that control eye movement. (C) Then, they were "retargeted onto the face of the animated character. The markers positions helped to determine the positions of his facial muscles, and they were matched to the character s facial muscles. 5. 글의흐름에맞게 (A)~(C) 의순서를알맞게배열한것은? 5) 1 (A)-(B)-(C) 2 (B)-(A)-(C) 3 (B)-(C)-(A) 4 (C)-(A)-(B) 5 (C)-(B)-(A) 6. 영화 <The Polar Express> 에대하여위글의내용과일치하지않는것은? 6) 1 모션캡쳐와페이셜캡쳐둘다이용하여애니메이션으로만들어진최초의영화이다. 2 배우의몸의움직임보다얼굴표정을기록하는데더많은카메라가사용되었다

3 3 배우의눈의움직임을포착하는데있어서문제점이발견되었다. 4 배우의눈에전극을붙여근육들을감지하는기술을사용하였다. 5 표시물을이용해배우의얼굴근육의위치를알아내캐릭터의근육에맞추어졌다. 7. 주어진글다음에이어질글의순서로가장적절한것은? 7) [ 교3] Facial expressions are much more difficult to capture than body movements because they are smaller and more subtle. The 2004 film The Polar Express was the first completely animated film to use both motion and facial captures. (A) One major problem was that the actor's eye movements could not be captured. The director of The Polar Express, Robert Zemeckis, solved this problem in his next animated film, Beowulf, in In addition to the usual markers, *electrodes were attached to each actor's face in order to sense the muscles that control eye movement. As a result, the eyes of the characters seemed more natural and realistic. (B) After shooting, the visual effects team analyzed the actor's facial expressions. Then, they were "retargeted" onto the face of the animated character. The markers' positions helped to determine the positions of his facial muscles, and they were matched to the character's facial muscles. Although this system created technically sophisticated results, they were not very realistic. (C) Actor Tom Hanks played six different roles in the film. 80 markers were attached to his body and 152 to his face. 8 cameras recorded his body movements, and 56 cameras recorded his face. 1 (A) - (C) - (B) 3 (B) - (C) - (A) 5 (C) - (B) - (A) 2 (B) - (A) - (C) 4 (C) - (A) - (B) [8-9] 다음글을읽고물음에답하시오. The a[sustained / suspected] development of film-making technologies has already brought some incredible films to movie theaters throughout the world. (A), it is hard to predict how the film industry will be b[transformed / translated] by new technologies in the future. Some experts speculate that they will create a new genre of film. Others even wonder about the possibility of bringing dead actors back to "life" on the screen. Whatever the future holds, it seems certain that viewers will be able to c[depreciate / appreciate] the dynamic and detailed movements of virtual characters (B) the magic of movie technology. 8. 위글의괄호 a, b, c 에서알맞은말을골라바르게연결한것은? 8) - 3 -

4 a b c 1 sustained transformed depreciate 2 suspected translated depreciate 3 sustained translated appreciate 4 suspected translated appreciate 5 sustained transformed appreciate 9. 위글의빈칸 (A), (B) 에들어갈말로가장적절한것은? 9) (A) 1 However 2 Therefore 3 Besides 4 However 5 Therefore (B) thanks to in spite of thanks to in spite of instead of [10-11] 다음글을읽고물음에답하시오. A monster with green skin walks slowly across the movie screen. It turns and looks into the camera, raising its eyebrows and smiling. (A) Its expressions look very natural just like a human being's. (B) A cat with a hat and in boots fights with villains showing off his splendid fencing skills. (C) His actions are so real, and people can see the fine movements of his fur and muscles throughout the movie. (D) His big, lovely eyes arouse a for him. (E) They're the product of two advanced movie technologies: motion capture, which records body movements, and facial capture, which records facial expressions. 10. 위글의 (A)~(E) 중주어진문장이들어갈알맞은곳은? 10) They're not actors in masks. 1 (A) 2 (B) 3 (C) 4 (D) 5 (E) 11. 위글의빈칸 a에들어갈말로가장적절한것은? 11) 1 antipathy 2 apathy 3 aloofness 4 sympathy 5 synthesis [12-14] 다음글을읽고물음에답하시오. Body movements are (A) to capture than facial expressions. Animators simply film actors aperforming a motion and draw the characters onto each individual frame of the movie. banother way is more complicated, yet more efficient. Animators put tiny markers all over the actors' bodies, and record their movements using several cameras

5 Gollum, from The Lord of the Rings movie series, cwas the product of an early use of this technique. The actor provided Gollum's voice and filmed scenes with other actors dwhile wearing a white suit, so that he could be digitally inserted later. Then he wore a dark suit with reflective balls on it to perform Gollum's movements. The location of the balls corresponded with points on Gollum's body. The technique was very successful and the (B) effects team won an Oscar for their work. (C), there was room for improvement. It was hard to control Gollum's face. The actor's expressions were filmed to determine ethat muscles in his face were used, but the animators could only use this as a guide for animation. 12. 위글의밑줄친 a~e 중어법상어색한것은? 12) 1 a 2 b 3 c 4 d 5 e 13. 위글의빈칸 (A), (B) 에들어갈말로가장적절한것은? 13) (A) 1 easier 2 harder 3 more intricate 4 easier 5 harder (B) auditory auditory visual visual tactile 14. 위글의빈칸 (C) 에들어갈말로가장적절한것은? 14) 1 Nevertheless 3 Similarly 5 For instance 4 In addition 2 In the end 15. 다음글의괄호 (A), (B), (C) 에서알맞은말을골라바르게연결한것은? 15) The sustained development of film-making technologies has already (A)[been brought / brought] some incredible films to movie theaters throughout the world. However, it is hard to predict (B)[how / what] the film industry will be transformed by new technologies in the future. Some experts speculate that they will create a new genre of film. Others even wonder about the possibility of bringing dead actors back to "life" on the screen. (C)[Whatever / However] the future holds, it seems certain that viewers will be able to appreciate the dynamic and detailed movements of virtual characters thanks to the magic of movie technology. (A) (B) (C) 1 been brought how Whatever 2 been brought what However 3 brought what Whatever - 5 -

6 4 brought what However 5 brought how Whatever [16-18] 다음글을읽고물음에답하시오. A monster with green skin walks slowly across the movie screen. It turns and looks into the camera, arising its eyebrows and smiling. Its expressions look very natural just like a human being's. A cat with a hat and in boots fights with villains showing off his splendid fencing skills. His actions are so real, and people can see the fine movements of his fur and muscles throughout the movie. bhis big, lovely eyes arouse sympathy for him. They're not actors in masks. They're the product of two advanced movie technologies: motion capture, which records body movements, and facial capture, which records facial expressions. Body movements are easier to capture than facial expressions. Animators simply film actors cperforming a motion and draw the characters onto each individual frame of the movie. ( 가 )Another way is more complicated, yet more efficient. Animators put tiny markers all over the actors' bodies, and record their movements using several cameras. Gollum, from The Lord of the Rings movie series, was the product of an early use of ( 나 )this technique. The actor provided Gollum's voice and filmed scenes with other actors dwhile wearing a white suit, so that he could be digitally inserted later. Then he wore a dark suit with (A) balls on it (B) Gollum's movements. The location of the balls corresponded with points on Gollum's body. ( 다 )The technique was very successful and the visual effects team won an Oscar for applying ( 라 )it to the movie world at the very first. Still, there was room for improvement. It was hard to control Gollum's face. ethe actor's expressions were filmed to determine (C) muscles in his face were used, but the animators could only use ( 마 )this as a guide for animation. 16. 위글의빈칸 (A), (B), (C) 에들어갈가장적절한것은? 16) (A) (B) (C) 1 reflective to perform what 2 reflected performing what 3 reflective performing what 4 reflected to perform which 5 reflective to perform which 17. 위글의밑줄친 a~e 중어법상어색한것은? 17) 1 a 2 b 3 c 4 d 5 e 18. 위글의 ( 가 )~( 마 ) 중가리키는대상이나머지넷과다른하나는? 18) 1 ( 가 ) 2 ( 나 ) 3 ( 다 ) 4 ( 라 ) 5 ( 마 ) - 6 -

7 English II ( 능률 ) 3 과기출모음 1) 5 2) 4 3) 1 4) 1) performed -> performing 2) filmed -> were filmed 5) 4 6) 4 7) 5 8) 5 9) 1 10) 5 11) 4 12) 5 [e that which] 13) 4 14) 1 15) 5 16) 5 17) 1 18) 5-7 -