Catalogo 2018 Camera 1

Transcription

1 Catalogo 2018 Camera 1

2 MOVIE PEOPLE S.p.a Sede operativa Via Carlo Porta, Cologno Monzese (MI) tel fax Sede legale Via Pontaccio, Milano D-VISION MOVIE PEOPLE S.r.l Via R. B. Bandinelli Roma tel fax MOVIE PEOPLE Bari ex S.S. Km Capurso (BA) tel fax VV83 2

3 RENTAL CONDITIONS Rental constitutes acceptance without reservation of our general rental conditions, after having read and signed the contract or delivery note for acceptance or approval. 1 2 The equipment taken by the tenant or on his behalf it is deemed granted andrecognized in perfect working condition. The tenant must notify the date of the possible return of the rented equipment and any subsequent possible variation of the same date. 3 The material is delivered to the tenant at the MOVIE PEOPLE s headquarters, which in turn issues a regular delivery note, a copy of which is returned to the MOVIE PEOPLE signed by the tenant or the person who, on behalf of tenant, is designate of taking over. The rent of the material starts from the day of delivery. 4 The transport of equipment is always at the expense of the conductor and at his own risk RENT The rental equipment can be used in Italy; for used abroad the tenant undertakes to ask to MOVIE PEOPLE a written permission and the preparation of necessary documentation. The tenant, upon receipt of the material, must sign an irrevocable insurance policy against damages in favor of the MOVIE PEOPLE for the value of the rented equipment, according to the value indicated by MOVIE PEOPLE or resulting from inventory. The insurance policy must cover all types of transport risk with car, train, ship and plane; all risks for damages produced of atmospheric events, accidents, etc., including the loss of the equipment. In the event that the equipment must be: lost, damaged, stolen or burned, the tenant will have to notify within 24 hours after occur of the event at MOVIE PEOPLE by registered mail. The tenant is responsible for the material to the extent of the value indicated by MOVIE PEOPLE, or by inventory in accordance with point 7. MOVIE PEOPLE can therefore at any time request to the tenant an immediate compensation of the equipment and the payment of the rental. If the tenant has fulfilled the obligations that preceding the duty paid or owed to the MOVIE PEOPLE by insurance, it will be paid or will be leave to the same tenant. Every damage or breakage of the equipment rented it will be fixed by MOVIE PEOPLE or by the same manufacturer of the equipment and it will be charged to the tenant. The tenant undertakes to not modify, or to have him modify, not to repair, or to be repaired the rented equipment, unless otherwise written consent of MOVIE PEOPLE. The undertakes to, prejudice against him any responsibility for the value of the equipment and the rent, to make known to all the liabilities, if any third parties acting on attachment or seizure or other enforcement measure or interim relief of rented equipment, that the material is owned by the MOVIE PEOPLE, communicating the same to any action taken by third parties. If of special equipment hire, the tenant undertakes with the insurance policy or responding personally to pay damages at property or persons, staff or stranger caused by accidents derived from the rented equipment or its use. No discount on rental or reduction of the rental period will be allowed to the tenant due to the forced immobilization of the material, both for the film stop, both for production delays, and for any other reason. For defects or breakdown of the rented equipment, even from hidden defects, the tenant can not demand that the pure and simple replacement of parts or pa and, when it is impossible to replace without delay, the return of equivalent material, without the right with no benefits for the loss of use of the rented property. MOVIE PEOPLE do not accept any responsibility for late delivery, that is defects in operation or full or partial accident during the shooting, or causing stop of the movie, being the independent rental rates on the value or realization of a film produced with the help of hired equipment. MOVIE PEOPLE excludes all warranty and responsibility for any direct or indirect damage suffered by the client lessee or by a third party, as a result of the inefficient operation of the equipment rented (Film damage, missed or delayed filming, etc.) REDELIVERY The material is delivered in proper perfect condition. The equipment must be delivered at the MOVIE PEOPLE s headquarters. The rental wil be stoped the day to redelivery of the equipment MOVIE PEOPLE do not accept partial deliveries of parts of the same unit. The rental days will be calculated until full and complete return of the device specific material. If the equipment returns damaged, the tenant must pay compensation equivalent to the rental price for the duration of the repair work. The material must be redelivery in the hours of the warehouse opening. Any delay in the redelivery of the material is considered as an extension of the rental itself, to pay compensation for additional damages, in accordance with Art C.C. Every missing item of the equipment rented will be substitute by MOVIE PEOPLE and it will be attribute to client to the the price of the new market in Italy. If the return of the rented equipment occurs within 12 hours it will be considered stopped the previous day evening. PAYMENT MOVIE PEOPLE applies in to the invoices prices indicated in its price list. The payment, where otherwise indicated, is meant for cash. Invoices are issued weekly. We do not accept claims on invoices after 5 days of issue. Only curt in charge is to Milan only curt. If he was being used tax charges are duty to the tenant. 3

4 Index pag 5 CAMERAS 31 LENSES 47 CAMERA ACCESSORIES 58 DIGITAL VIDEO 63 EXPENDABLES 4

5 CAMERAS 5

6 ARRI ALEXA SXT PLUS PL Mount 6

7 ARRI ALEXA SXT PLUS TECHNICAL DATA Camera Type Sensor Photo Sites Operating Modes Frame Rates White Balance Color Correction Weight 35 format film-style digital camera with an electronic viewfinder, a 16:9, 6:5, 4:3 or Open Gate switchable active sensor area, built-in support for the ARRI Wireless Remote System and the cmotion cvolution lens control system, built-in filter holder, Lens Data System, integrated shoulder arch and receptacles for 15 mm lightweight rods 35 format ALEV III CMOS sensor with Bayer pattern color filter array Sensor Mode 16: x 1620 used for ARRIRAW 16: x 1620 down sampled to 1920 x 1080 for HD-SDI, ProRes HD 16:9 and DNxHD HD 16: x 1612 down sampled to 2048 x 1152 for ProRes 2K 16: x 1778 used for ProRes 3.2K 16:9 Sensor Mode 6: x 2160 used for ARRIRAW 4:3 Full 2868 x 2150 down sampled to 2048 x 1536 for ProRes 2K 4:3 Sensor Mode 4: x 2160 used for ARRIRAW 4:3 Cropped Sensor Mode Open Gate 3414 x 2198 used for ARRIRAW Open Gate 16:9, 4:3, 6:5 or Open Gate sensor modes. Switching takes approx. 60 seconds. All sensor modes available in ARRIRAW and ProRes. 16: fps 6: fps 4: fps Open Gate fps Presets for 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000 (daylight cool). Automatic calculation or manual white balance for 2000 to Kelvin, adjustable in 100 K steps While white balance changes the red/blue hue of the image, color correction changes green/magenta. Adjustable range from -12 to +12 CC. 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values. ALEXA SXT Plus body with PL mount: 6.9 kg/15.1 lbs. ALEXA SXT Plus body with PL mount, electronic viewfinder, viewfinder cable and handle: 8.4 kg/18.6 lbs. 7

8 ARRI ALEXA MINI PL Mount 8

9 ARRI ALEXA MINI TECHNICAL DATA Size (HxWxL) 140x125x185 mm Weight 2.3 g Sensor 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array 16:9 Photo sites HD: 2880x1620 (3168x1772) (with surround view) 2K: 2868x1612 (3154x1764) 3.2K: 3200x1800 (3424x1926) 4K UHD: 3200x1800 (3424x1926) Shutter lectronic shutter, 5.0 to Lens mounts Titanium PL mount with L-Bus connector and LDS HD 1920x1080 2K Cine 16:9 2048x1152 2K Cine 4:3 2048x1536 Recording formats 3.2K 3200x1800 4K UHD 3840x2160 ARRIRAW 2.8K 16:9 2880x1620 ARRIRAW 2.8K 4:3 2880x2160 Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level < 20 db(a) at standard frame rates -20 C to +50 C (-4 F to % humidity max, non-condensing Environmental Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen and military-grade connector to camera Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops. Custom control Optional GPIO interface for integration with custom control interfaces. Power input Lemo 8-pin, V DC 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded Video outputs audio and metadata, SDI-6G interface to external CODEX recorder Inputs SDI-Genlock (optional activation through ARRI Service), timecode (in and output) 9

10 ARRI ALEXA STUDIO 4:3 XR PLUS PL Mount Optical viewfinder - Zero delay, artifact-free, natural motion portrayal - Bright and sharp full color image - Accurate color fidelity and white balance - Best way to judge focus - Easy on the eye - Works without power - Compatible with 8x and 10x 435 and 8x ARRICAM eyepieces, extensions and heated eyecups - Spherical or anamorphic viewing, optic blocks for 2x or 1.3x anamorphic de-squeeze available - Can be replaced with ALEXA Electronic Viewfinder Rotating Mirror Shutter - Film-like motion portrayal - No rolling shutter artifacts Internal motorized ND filter (ND 1.4) Built-in remote control features - Real-time wired or wireless remote control of lens and camera - Plug and play with ARRI Wireless Remote System (WRS) - Compatible with cmotion cvolution lens control systems Additional outputs - A second MON OUT (1.5G HD-SDI) - A third RS accessory power out Included DNxHD license Electronic horizon in electronic viewfinder (optional) and metadata Lens synchronization for 3D Built-in tilt and roll sensors 10

11 ARRI ALEXA 4:3 XR PLUS PL Mount Built-in remote control features - Real-time wired or wireless remote control of lens and camera - Plug and play with ARRI Electronic Control System (ECS) - Compatible with cmotion cvolution lens control systems Additional outputs - A second MON OUT (1.5G HD-SDI) - A third RS accessory power out Included DNxHD license Electronic horizon in viewfinder and metadata Lens synchronization for 3D Built-in tilt and roll sensors 11

12 ARRI ALEXA M XT PL Mount Separate camera body and light weight head - Up to 50 m/160 ft operating range with hybrid SMPTE cable. - Up to 1 km/0.6 miles operating range when head is powered separately. - Controls and media can be kept in easy reach Highest flexibility on the set Small form factor and low weight of head for lightweight and size-critical camera and 3D applications 12

13 ARRI ALEXA PL Mount Smallest and lightest ALEXA camera Most affordable ALEXA camera 16:9 sensor SxS Module ProRes or DNxHD recording to SxS PRO or SxS PRO+ cards Dual recording: same footage simultaneously onto two cards ARRIRAW T-Link 13

14 ARRI AMIRA SH 200 FPS PL Mount Sensor Type 35mm format ARRI ALEV III CMOS (28.17x18.13) 3414 x 2198: 3200x1800 (4K UHD) 2880 x 1620 (HD), Sensor Pixel Count 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154x1764 (2K) 1920x1080 ProRes HD and HD outputs, 2048 x 1152 Recording Pixel Count ProRes 2K, 3840 x 2160 Pro Res 4K UHD and UHD outputs Lens Mounts PL mount w/ Hirose connector and LDS Shutter Electronic shutter, 5.0 to Exposure Index EI 160 to EI 3200 (EI 800 base sensitivity) 14+ stops over the entire sensitivity range from EI 160 to Exposure Latitude EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1) Integrated motorized ND Filters FSND 0.6, 1.2, 2.1 Viewfinder AMIRA Multi Viewfinder MVF-1 (OLED and LCD) 14

15 PHANTOM FLEX 4K PL Mount Sensor size 27.6 x 15.5mm Resolution 4096 x x 1080 Frame rate x x 2304 Base ISO 1250 Latitude 10 Stops 12 Bit RAW Bit Rate / Format / Time 32GB fps 512GB 2500fps Record Times 4.8 seconds at 1000 fps, 4096 x 2160 resolution and into 64 GB of internal memory Weight 5 kg CINESTATION PHANTOM For Phantom Flex 4K CINEMAG PHANTOM 256 GB 15

16 PHANTOM FLEX 2K PL Mount Sensor size 25.6 x 16 mm Resolution 2560x1440, 1080 Frame rate 2560x Base ISO 1250 Latitude 10 Stops 12 Bit RAW Bit Rate / Format / Time 32GB fps 512GB 2500fps Record Times 2,500 fps = 4.5 seconds 2,500 fps = 1:15 minutes Weight 5 kg CINESTATION PHANTOM For Phantom Flex 2K CINEMAG PHANTOM 256 GB 16

17 RED WEAPON 8K S35 PL Mount Sensor Type Sensor Pixel 8192 x 4320 Sensor size Dynamic range Construction Redcode RAW Apple ProRes Avid codecs Construction HELIUM 35.4 Megapixel CMOS mm x mm (Diagonal: mm) stops Carbon Fiber 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 422 HQ, 422 and 422 LT at 4K ( ) up to fps 4444 XQ and 4444 at 2K ( ) up to 120 fps 422 HQ, 422 and 422 LT at 2K ( ) up to 120 fps DNxHR HQX at 4K ( ) 12-bit up to fps DNxHR HQ, SQ and LB at 4K ( ) 8-bit up to fps DNxHR 444 at 2K ( ) 12-bit up to 120 fps Carbon Fiber 17

18 RED WEAPON PL Mount Sensor Type Sensor Pixel Count Sensor size Construction RED DRAGON 19.4 Megapixel CMOS 6144 (h) x 3160 (v) 6144 (h) x 3160 (v) Carbon Fiber Operating temperature 0 C to 40 C Storage temperature 20 C to 50 C Color management Audio Remote control Monitor Output Monitor option Supports , , , and D LUTs Variable number of 3D LUT outputs with DSMC² expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 khz Optional 2 additional channels with DSMC² expander module, uncompressed, 24-bit 48 khz Integrated REDLINK WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC² expander module 3G-SDI (HD-SDI) and HDMI with DSMC² expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI Only) SMPTE Timecode, HANC Metadata, 24-bit 48 khz Audio DSMC² RED Touch 4.7 LCD, DSMC² RED Touch 7.0 LCD and DSMC² RED EVF (OLED) with cable-free connection RED Touch 9.0 LCD, RED Touch 7.0 LCD, RED Touch 5.0 LCD, RED PRO 7 LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC² LEMO Adaptor A and LCD/EVF cable 18

19 RED EPIC DRAGON PL Mount Sensor Pixel array S/N Ratio Dynamic range Max image area Lens coverage Acquisition formats Temperature range 19 MEGAPIXEL RED DRAGON 6144 (h) x 3160 (v) 80 db stops 6144 (h) x 3160 (v) 30.7mm (h) x 15.8mm (v) x 34.5 mm (d) 6K RAW (2:1, 2.4:1) 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1) 4.5K RAW (2.4:1) 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1) 3K RAW (16:9, 2:1 and Anamorphic 2:1) 2K RAW (16:9, 2:1 and Anamorphic 2:1) 1080p RGB (16:9) 720p RGB (16:9) Operating Range: 0 C to +40 C (32 F to 104 F) Storage Range: 20 C to +50 C ( 4 F to 122 F) 19

20 SONY PMW-F55 PL Mount 8.9MP Super 35mm CMOS Image Sensor Internal 4K/2K/HD Recording Electronic Global Shutter Highly Modular Design Optional 4K/2K RAW Recorder Up 240 fps 2K with Optional AXS-R5 Native FZ-Mount and PL-Mount Adapter Dynamic Range Rated at 14 Stops Wider Color Gamut than Film SxS Pro+ Media Cards 20

21 SONY PXW-FS7 PL Mount Super 35 Sized CMOS Sensor Sony E-Mount UHD Up to 60 FPS, HD Up to 180 FPS 4096 x 2160 Via External Recorder XAVC-I, XAVC-L, MPEG-2 XAVC-I Up to 600 Mb/s Dual XQD Memory Card Slots Dual HD/3G-SDI & HDMI Output 21

22 SONY PXW-FS5 PL Mount Super 35-Sized CMOS Sensor Sony E-Mount UHD at 24/30 FPS, HD Up to 240 FPS XAVC Long, AVCHD Recording Codecs 2 x SD Media Card Slots HD/3G-SDI & HDMI Output Supports Wi-Fi and NFC Dual HD/3G-SDI & HDMI Output 22

23 CANON C300 PL Mount CANON C300 MARK II Super 35 mm CMOS Sensor 4K,1920x /50i, 23.98/25p True 24p Canon XF AVC H.264 Codec CANON EOS C300 Super 35 mm-size CMOS Sensor 1920x /50i, 23.98/25p, True 24p Canon XF Codec - 4:2:2 50 Mb/s MPEG-2 23

24 BLACK MAGIC PL Mount BLACK MAGIC PRODUCTION CAMERA 4K 4K Super 35mm Sensor with Global Shutter Records 4K (3840x2160) & HD (1920x1080) ProRes 422 Codecs (HQ, 422, LT, & Proxy) Compressed CinemaDNG RAW (4000x2160) 12 Stops of Dynamic Range Built-In SSD Recorder 6G-SDI Output for Ultra HD via One Cable 5" Touchscreen LCD (800x480 Resolution) BLACK MAGIC CINEMA CAMERA 2.5K Image Sensor 12-bit RAW, ProRes, and DNxHD Formats 13 Stops of Dynamic Range 23.98, 24, 25, 29.97, 30p Frame Rates LCD Touchscreen with Metadata Entry SDI Video Output and Thunderbolt Port Mic/Line Audio Inputs Records to Removable SSD Drives BLACK MAGIC is equipped with PL MOUNT DENZ BLACK MAGIC PRODUCTION CAMERA 4K 24

25 BLACK MAGIC PL Mount BLACK MAGIC POCKET CINEMA CAMERA Super 16mm Sized Image Sensor Active Micro Four Thirds Lens Mount 13 Stops of Dynamic Range Records Full HD 1920x1080 CinemaDNG RAW Apple ProRes 422 (HQ) at 220 Mbps 3.5" LCD Display with 800x480 Resolution Uses SDXC and SDHC Memory Cards EN-EL20 Compatible Rechargeable Battery HDMI, LANC, 3.5mm Audio Input and Output BLACK MAGIC MICRO CINEMA CAMERA Super 16mm-Sized Image Sensor Active Micro Four Thirds Lens Mount 13 Stops of Dynamic Range Records Full HD 1920x1080 CinemaDNG RAW Apple ProRes 422 (HQ) at 220 Mbps Ultra-Compact Design Expansion Port with Radio Control Ports SDHC/SDXC Memory Card Slot HDMI & Composite Output, 3.5mm Audio In BLACK MAGIC MICRO CINEMA CAMERA 25

26 Various Digital Cameras PL Mount SONY NEX-FS700E RED-ONE MYSTERIUM-X PANASONIC LUMIX GH-4 26

27 Various Digital Cameras EF Mount Canon EOS 5D MARK III Black Magic Cinema Camera Canon EOS C300 Canon EOS 5D Mark II Canon EOS 7D Sony α7s Sony α7s II Telecamera Sony NEX-FS700E Sony PXW-FS7 Various Digital Cameras B4 Mount and other PANASONIC AG-HPX2700E PANASONIC AG-HPX255EJ PANASONIC AG-HPX500E PANASONIC AG-HPX250PJ 27

28 Various Digital Cameras B4 Mount and other PANASONIC AJ-PX270 PANASONIC AG-HPX171E PANASONIC AG-HVX200E PANASONIC DVX 100B SONY HD DIGITALE HVR-Z7E SONY HD HVR-Z5E SONY DVCAM DSR-PD170P CANON XF100 28

29 Various Digital Cameras B4 Mount and other SONY HD HXR-MC1P PANASONIC AG-HMR10EU With cable 3-20 m Q-BALL Image Sensor Lens Scan Formats Aspect 16:9 or 4:3 Shutter speed Minimum illum. Focus System 1/3 2 M pixel CMOS 10 x zoom - 5.1mm - 51mm angle of view 720p/1080i - 50/59.94Hz 625/50 (PAL) and 525/59.94hz (NTSC) ½ to 1/1000sec. ICR off mode: 12 F1.8 ICR on mode : 1 lux (typical) Manual or Auto Max-Min Pan e Tilt speed 360 in 30-4 s Dimensions Weight ø 115 mm / h 210 mm 1,3 kg GO-PRO HERO4 Dimensions with case (HxLxD) Wheigt with case Video Time Lapse Video steps 71,3 x 71 x 39 mm 152 g H.264 codec mp4 0, s 29

30 Various Digital Cameras B4 Mount and other 3D PANASONIC AG-3DP1D Twin 4.6 to 79mm - 17x Zoom Lenses 3D Shooting Control and Assist Functions Dual 1/3" 1920 x MOS Sensors 14-bit DSP, 20-bit Internal Processing 6 Gamma Modes, 6 Scene Files U.S. and European Standards Compatible Variable Frame Rates AVC-Intra Recording to P2 Media Cards Gen Lock TC In/Out 3D PANASONIC AG-3DA1 Full HD 3D Camcorder (2) 1920 x MP 3MOS Sensors Captures AVCHD Video to SD Cards 1080/60i, 50i, 30p, 25p, 24p (Native) 720/60p, 50p HD-SDI, HDMI, Dual XLR 30

31 Film Cameras 35 mm Arricam studio 4 perf Arricam studio 3 perf Arricam studio 2 perf Arricam Lite 4 Perf Arricam Lite 3 Perf Arricam Lite 2 Perf Arriflex 535B 4 Perf Arriflex 535B 3 Perf Arriflex 435 Xtreme 4 Perf Arriflex Perf Aaton 35 III 16 mm Arriflex 416 HS Arriflex SR3 Aaton A-MINIMA Super 16 31

32 LENSES 32

33 Anamorphic Lenses ARRI ZEISS ANAMORPHIC LENSES 28 mm T mm T mm T mm T mm T mm T mm T mm T mm T2.8 COOKE ANAMORPHIC PRIME LENSES 32 mm T mm T mm T mm T mm T2.3 33

34 Anamorphic Lenses ANGENIEUX OPTIMO A2S T4.5 ANGENIEUX OPTIMO T4.0 ANGENIEUX OPTIMO AS2 T4.0 Angenieux Optimo T4.5 Cooke Varotal MKII T5.6 Kowa Anamorphic Lenses set 40 T T T T2.8 34

35 Standard Lenses Set S.35 SET LENSES LEICA SUMMILUX-C T SET LENSES LEICA SUMMICRON-C T SET LENSES COOKE S5 T

36 Standard Lenses Set S.35 SET LENSES ARRI ZEISS MASTER PRIME T mm Master Prime T mm Master Prime T mm Master Prime T mm Master Prime T mm Master PrimeT mm Master Prime T mm Master Prime T mm Master Prime T mm Master Prime T1.3 SET LENSES COOKE S4 T mm Cooke S4 T2 14 mm Cooke S4 T2 16 mm Cooke S4 T2 21 mm Cooke S4 T2 27 mm Cooke S4 T2 35 mm Cooke S4 T2 65 mm Cooke S4 T2 135 mm Cooke S4 T2 150 mm Cooke S4 T2 180 mm Cooke S4 T2 36

37 Standard Lenses Set S.35 SET LENSES ARRI ZEISS ULTRA PRIME T mm Ultra Prime T mm Ultra Prime T2 12 mm Ultra Prime T mm Ultra Prime T mm Ultra Prime T mm Ultra Prime T mm Ultra Prime T mm Ultra Prime T1.9 SET LENSES COOKE SPEED PANCHRO TLS T2.3 REHOUSED SET LENSES COOKE S2/S3 PANCHRO T2.3 REHOUSED

38 Standard Lenses Set S.35 SET LENSES LEITZ T mm Leitz T mm Leitz T2.3 SET LENSES ZEISS PLANAR T mm Zeiss T mm Zeiss T mm Zeiss T mm Zeiss T mm Zeiss T mm Zeiss T2.1 SET LENSES ZEISS DISTAGON T mm Zeiss T1.3 SET LENSES CANON K-35 T1.5/ mm Canon K-35 T mm Canon K-35 T mm Canon K-35 T2 200 mm Canon K-35 T2.8 SET LENSE ZEISS DISTAGON T SET ARRI MACRO ZEISS T mm Arri Macro Zeiss T3 200 mm Arri Macro Zeiss T mm Arri Planar T3 38

39 Special Lenses ARRI ZEISS VARIABLE PRIME T2.2 Zeiss Variable Prime Lenses VP T2.2 Zeiss Variable Prime Lenses VP T2.2 Zeiss Variable Prime Lenses VP T2.2 SET CLAIRMONT SWING & SHIFT T SET ARRI SHIFT & TILT T

40 Special Lenses SKATER SCOPE SYSTEM P+S TECHNIK T5.6 OPTEX PERISCOPE / BORESCOPE T3.2 / T T-REX SUPERSCOPE SYSTEM P+S TECHNIK T7.1 Leica Zoom: 5, Zeiss Zoom: 5,

41 Special Lenses 200 mm Canon T2 200 mm Nikon T2 300 mm Canon mm Nikon T mm Canon T mm Canon T mm Canon T5.6 Zoom Canon T5.6 PL 16 mm Lenses ZEISS ULTRA 16 T1.3 SET , ZEISS ULTRASPEED SET 16 mm 9, Zoom Angenieux 7/81 mm T 2.4 Zoom Angenieux 11,5/138 mm T 2.3 Zoom Zeiss 11/110 mm T 2.1 Obbiettivo Arvic 7 mm T 1.3 Obbiettivo Arvic 8 mm T

42 EF Mount Lenses ZEISS COMPACT PRIME CP.2 OB. SERIES 21 T T T T T T2.1 Zeiss Compact Prime CP.2 15 mm T2.9 EF Zeiss Compact Prime CP.2 18 mm T3.6 EF Zeiss Compact Prime CP mm T2.1 EF Zeiss Compact Prime CP mm T2.1 EF Zeiss Compact Prime 50 Macro T2.1 EF CANON OB. SERIES 14 F F F F F F1.4 Canon Macro 50 mm T2.5 Canon Macro EF 100 mm T2.8 Canon Extender EF 2x II Zoom Canon EF mm F2.8 Zoom Canon EF mm F4 IS Zoom Canon EF mm F2.8 Zoom Canon EF mm F2.8 Zoom Canon EF mm IS F2.8 Zoom Canon EF mm F Zoom Canon EF mm F2.8 IS Zoom Canon HD 9x5,5 Zoom Canon HD 11x4,7 Zoom Canon HD 21x7,5 Zoom Canon HD 21x7,5 CINE STYLE Zoom Canon HD 13x4,5 Zoom Fujinon HD 22x7,8 Optex HDEC Macro 120 mm Zoom Canon 33x14,5 mm Zoom Canon HD 40x10 mm 42

43 B4 Mount Lenses ZEISS DIGI PRIME SET T CANON HD-EC SET T Standard Zoom ANGENIEUX OPTIMO T3.2 43

44 Standard Zoom ANGENIEUX OPTIMO STYLE T3.5 ANGENIEUX OPTIMO T2.8 ANGENIEUX OPTIMO 19,5-94 T2.6 44

45 Standard Zoom ANGENIEUX OPTIMO T2.2 ANGENIEUX OPTIMO LIGHTWEIGHT T2.8 ANGENIEUX OPTIMO LIGHTWEIGHT T2.6 ANGENIEUX OPTIMO LIGHTWEIGHT T2.6 45

46 Standard Zoom FUJINON CABRIO PREMIERE T2.9 FUJINON CABRIO PREMIERE T2.9/4.0 46

47 Standard Zoom ZOOM CANON CN-E T2.8 ZOOM CANON CN-E T2.8 CANON CN7x17 KAS S CINE SERVO mm T

48 Standard Zoom ZOOM CANON CN-E T2.95/3.7 ARRI/FUJINON ALURA LWZ mm T2.8 ARRI/FUJINON ALURA LWZ mm T2.8 48

49 Standard Zoom COMPACT ZOOM CZ mm T2.9 COMPACT ZOOM CZ mm T2.9 COMPACT ZOOM CZ mm T2.9 49

50 Standard Zoom 50

51 CAMERA ACCESSORIES 51

52 FREE FLY MOVIE 10 Designed for Hand-Held Use For DSLRs and Cinema Cameras up to 12 lb Keeps Horizon Level & Counteracts Drift Single and Dual Operator Control Modes Supports DSMX and SBUS RC Transmitters Bluetooth Interface for Configuration Software for Android and Windows Shot Recorder Remembers Camera Position Two Batteries and a Charger Included UAV Conversion Kit Available Separately 52

53 DJI RONIN Supports Cameras up to 8 Pounds Precision of Control: ±0.02 Transmitter for Remote Pan/Tilt Control Tool-Less Balance Adjustment System Assistant Software for ios and Windows Bluetooth Wireless Interface for Setup Silent Mode For Quiet Operation USB and PowerTap Power Outputs 53

54 Camera Accessories Heads ARRIHEAD OCONNOR 2575 HEADS OCONNOR 2060HD HEAD SACHTLER VIDEO 60 (9+9) CARTONI C40 HEAD CARTONI MAXIMA HEAD CARTONI SIGMA HEAD SACHTLER VIDEO 30 (7+7) CARTONI LAMBDA HEAD CARTONI LAMBDA 3 AXES CARTONI SPINHEAD 54

55 Camera Accessories Heads AIR FLOATTER HEAD RONFORD7 MKIV HEAD Grip Bazooka Elemack Tall Leg Bowl/Mitchell Baby Leg Bowl/Mitchell Hi- Hat Ronford Bowl/Mitchell Steadybag Raincover Alexa Raincover Arri 435/535 Cartoni C20 Head Swing Head (Tango) Swing Head (Bogie) Dutch Head C40 Mitchell 3-Way Leveller Spider Base Plate Movie Grip Cheeseplate 55

56 Camera Accessories Elettronic accessories and more ARRI ULTRASONIC DISTANCE MEASURE UDM ARRI REMOTE ALEXA CONTROL UNIT RCU-4 RAINDEFLECTOR SCHULTZ SPRAY-OFF MINI 6X6 Raindeflector FGV 6X6 Raindeflector Spintec 4X4 Director Viewfinder Mitchell 35 mm Director viewfinder movie camera support 35 mm Director viewfinder Kish 16 mm 56

57 Camera Accessories Elettronic accessories and more Low Mode for Steadycam (Alexa) Arri 435/535 Shoulder set Arri Sr3 Shoulder set Arri Alexa/Alexa MINI Shoulder set Easyrig Vario 5 Easyrig Cinema 3 Easyrig Cinema 2,5 Teleprompter Wireless Focus Control Digi Fox Wireless Focus Control Mag Fox EASYRIG CINEMA 3 57

58 Camera Accessories Elettronic accessories and more WIRELESS CONTROL MAGNUM CHROSZIEL ARRI WIRELESS CONTROL UNIT WCU-4 With Zoom - Focus - Iris ARRI WIRELESS CONTROL UNIT WCU-3 With Zoom - Focus - Iris ARRI WIRELESS SINGLE AXIS UNIT SXU-1 Wireless Control Preston Set With Zoom - Focus - Iris Micro Force V+F2 Zoom Control Microforce Preston Digital-2 Zoom Control 58

59 Camera Accessories Matte box and follow focus Arri Matte Box 6X6 MB-14 Arri Matte Box 4X5.6 MB-18 Arri Matte Box 4X4 MB-16 Arri Matte Box 4X5.6 MB-19 Arri LMB-25 4X5.65 Clip On Arri LMB-15 4X5.65 Clip On Arri LMB-6 6.6X6.6 Clip On Arri LMB-4 6.6X6.6 Clip On Arri LMB-3 4X4 Clip On Arri LMB-1 4X5.65 Clip On Chrosziel 4X4 Matte-Box Chrosziel 4X5.65 Clip On Follow Focus Arri Ff-5 HD Follow Focus Arri Ff-4 Follow Focus Arri Ff-3 Follow Focus Chrosziel Follow Focus Arri Ff-2 Mini Follow Focus Arri MFF-1 Filter & diopters 4X4 Filters 4X5,65 Filters 6X6 Filters Tiffen 4x5.65 ND IR ( ) set of 5 filters Tiffen 4x5.65 ND IR 1.8 filter Tiffen 4x5.65 ND IR 2.1 filter Tiffen 4x5.65 hot mirror filter Tiffen 4x5.65 T1 IR filter 59

60 Camera Accessories Filter & diopters Schneider 4x5.65 True-Cut 750/680 filter Schneider 4x5.65 platinum IR ( ) Schneider 4x5.65 platinum ND IR 1.8 filter Schneider 4x5.65 platinum ND IR 2.1 filter Vantage True Pola frame 4x5,65 Gecko-Cam pola frame 4x5,65 Tiffen 6.6x6.6 ND IR ( ) SET OF 5 filters Tiffen 6.6x6.6 ND IR 1.8 filter Tiffen 6.6x6.6 ND IR 2.1 filter Tiffen 6.6x6.6 hot mirror filter Tiffen 6.6x6.6 T1/2 IR filter Schneider 6.6x6.6 True-Cut 750/680 filter Tiffen True-Streak blue 6.6x6.6 ( mm) Tiffen round diopters set (114 mm) Round Diopters Set 77mm Tiffen round Diopters Set (138 mm) Round diopters set for ANG. HR / Tiffen Split round Diopters Set (138 mm) Trucks Magliner Senior truck Magliner Junior truck Kartmaster truck 60

61 Camera Accessories Underwaters AMPHIBICO For Red Epic SCUBACAM Arri Alexa Mini DIVEROSS For Canon 5D MK II / MK III AMPHIBICO PHENOM For Sony Z1E 61

62 DIGITAL VIDEO 62

63 Digital Video Monitor TV LOGIC XWM 175W 17 TRANSVIDEO CINEMONITOR HD 15 MONITOR ASTRO DM MONITOR TRANSVIDEO STARLIGHT OLED 5 63

64 Digital Video Monitor Monitor TV-Logic VFM-056W 5,6 Monitor TV-Logic VFM-058W Monitor TV-Logic LVM Monitor Marshall V-LCD 70xp 7 HD-SDI Monitor Marshall V-LCD 70xhb 7 HDMI With HD-SDI Conversion Monitor Marshall V-LCD70XP 7 HDMI Monitor Panasonic BT-LH80WE LCD HD 8 Monitor Panasonic BT-LH910WE LCD HD 9 Monitor Sony PVM-740 Oled 7,4 Monitor Tv-Logic LVM-095W HD 9 Monitor Tv-Logic LVM-173W-3G HD 17 Monitor Sony PVM-1741 Oled 17 Monitor Bon BXM-183R3G 18 Monitor Panasonic BT-LH1760/ Monitor Panasonic LCD Bt-LH1850E 18 Monitor Panasonic LCD Bt-LH ,5 Monitor TV-Logic LVM-242W 24 Monitor TV-Logic LVM-247W HD 24 Monitor Sony LCD LDM Monitor Panasonic BT-LH2550E 25 Monitor Panasonic BT-3DL Monitor Panasonic BT-LH2600WE 26 Monitor Panasonic TH-42PWD7UY 42 plasma Monitor 3D Samsung 46 64

65 Digital Video Recorder OVIDE Q-TAKE SMART ASSIST VANTAGE PSU-3 HD SOUND DEVICE PIX240i VIDEO DEVICE PIX-E7 65

66 Digital Video Recorder Aja Ki Pro Quad Odyssey 7Q Aja Ki Pro Aja Mini Ki Pro Panasonic AG-HPG20E Panasonic AJ-HPM110E Panasonic AG-HPD24 Nano Flash Recorder Atomos Samurai Blade Panasonic AG-HMR10 More Cobham Hd-Sdi Transmitter Teradek Bolt Pro 300 Teradek Bolt Pro 600 Teradek Bolt Pro 2000 Boxx Meridian HD-SDI Transmitter CW-5HD Wevi HD-SDI Transmitter Paralinx Arrow + HD-SDI/HDMI Transmitter Mixer HD Panasonic AV-HS410E Mixer HD Panasonic AV-HS450 Mixer HD Panasonic AW-HS50 Hd Aja 3GDA SDI Distributor Aja HD10MD3 Downconverter Video Printer Black & White Sony UP-890 Panasonic AG-HMR10 66

67 Expandebles Black gaffer tape 5 cm Flourescent gaffer tape 2,5 cm Velcro 5 cm (Price per meter) Kenro Kenair Air Duster Gecko Eye Cushion 67

68 Ultimo aggiornamento - 08/01/

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