suas das maior do o simples soma é que todo a partes
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1 suas das maior do o simples soma é que todo a partes Aquino
2 Aquino is a display calligraphic stencil typeface inspired by a liturgic book made by portuguese friar Tomás Aquino in 1735 Collectaneum Sacri Ordinis Cisterciensis ad usum Congregationis S. Mariae de Alcobaça. Friar Aquino s Calligraphy shows a distinctive typographic flavour with a uniform and consistent execution of the serifed letters. He also wrote with unconnected strokes, resulting in stencillike letterforms. Aquino, is a typographic interpretation of Aquino s calligraphy, aiming to reproduce its overall feeling and rhythm as much as possible. We analysed and followed the structures of Aquino s minuscules, and used as models lowercase letters from different parts of the book: index, text, musical notations, captions, etc. The design of the uppercase letters however is mostly original, as we decided to make them more consistent with the lowercase shapes and their logic of construction, instead of reproducing Aquino s decorative majuscules. Aquino comes in five weights, from thin to bold, for more versatility in contemporary use.
3
4 Aquino Medium, 196 pt Bright Aquino Light, 130 pt M. Proust Aquino Thin, 98 pt Congregation Aquino Regular, 60 pt O Templo Shintuísta Aquino Light, Aquino Bold, 36 pt Mesopotamia volume trinta e dois
5 Aquino Bold, 196 pt Meigo Aquino Medium, 98 pt Cisterciensis Aquino Thin, 60 pt Pearl inside the shell Aquino Regular, 36 pt Commercial & political withdrawal Aquino Regular, Aquino Medium, 18 pt Quae nota domesticae turpitudinis non inusta vitae tuae est? quod privatarum rerum dedecus non haeret in fama? quae lubido ab oculis, quod facinus a manibus Quae nota domesticae turpitudinis non inusta vitae tuae est? quod privatarum rerum dedecus non haeret in fama? quae lubido ab oculis, quod facinus
6 Glyph set A B C D E F G H I J K L M N O P Q R S T U V W X Y Z À Á Â Ã Ä Ā Ă Å Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ È É Ê Ě Ë Ē Ĕ Ė Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Ì Í Î Ĩ Ï Ī Ĭ İ Į Ĵ Ķ Ĺ Ľ Ļ Ł Ŀ Ń Ň Ñ Ņ Ŋ Ò Ó Ô Õ Ö Ō Ŏ Ő Ø Ǿ Œ Ŕ Ř Ŗ Ś Ŝ Š Ş Ș Ť Ţ Ŧ Ù Ú Û Ũ Ü Ū Ŭ Ů Ű Ų Ẁ Ẃ Ŵ Ẅ Ỳ Ý Ŷ Ÿ Ź Ž Ż Ð Þ a b c d e f g h i j k l m n o p q r s t u v w x y z à á â ã ä ā ă å ą æ ǽ ć ĉ č ċ ç ď đ è é ê ě ë ē ĕ ė ę ĝ ğ ġ ģ ĥ ħ ì í î ĩ ï ī ĭ į ı ĵ ij ķ ĸ ĺ ľ ļ ł ŀ ń ň ñ ņ ŋ ò ó ô õ ö ō ŏ ő ø ǿ œ ŕ ř ŗ ś ŝ š ş ș ß ſ ť ţ ŧ ù ú û ũ ü ū ŭ ů ű ų ẁ ẃ ŵ ẅ ỳ ý ŷ ÿ ź ž ż ð þ Th ſ fb ffb ff ff ff fh ffh fi fi ffi fj ffj fk ffk fl fl ffl ct ct ct ct st st st st gi tt tt tt tt v w ẃ ŵ ẅ ẁ a à á â ã ä ā ă å ą a à á â ã ä ā ă å ą a à á â ã ä ā ă å ą a à á â ã ä ā ă å ą æ ǽ d ď đ d ď đ e è é ê ě ë ē ĕ ė ę f f g ğ ĝ ģ ġ g ğ ĝ ģ ġ g ğ ĝ ģ ġ k k ķ ķ ĸ œ p r ŕ ř ŗ s ś ŝ š ş ș s ś š ŝ ş ș t ŧ ť ţ ț t ŧ ť ţ ț t ŧ ť ţ ț t ŧ ť ţ ț u ù ú û ũ ü ū ŭ ů ű ų u ù ú û ũ ü ū ŭ ů ű ų x z ź ž ż f f f g ğ ĝ ģ ġ ğ ĝ ģ ġ g ğ ĝ ģ ġ g ğ ĝ ģ ġ h ħ ĥ j ȷ ĵ p s ś š ŝ ß x y ý ŷ ÿ ỳ z ź ž ż Q b h ħ ĥ h ĥ k ķ l ĺ ľ ļ ŀ p p þ g ğ ĝ ģ ġ r ŕ ř ŗ s ś š ş ŝ ș st st st st y ý ŷ ÿ ỳ C Ć Č Ç Ĉ Ċ G Ğ Ĝ Ģ Ġ S Ś Š Ş Ŝ Ș Y Ý Ŷ Ÿ Ỳ 1., : ;!? ' " - - _ ( ) [ ] { } ( ) [ ] & * ª º $ ƒ # ¼ ½ ¾ % / \ < > + ± = Ω µ π ~ ^ Accessible through OpenType features
7 OpenType features Uppercase and Lowercase took no small part in the success of this, now considered, by some, a master piece of the typographic stop-motion movie genre. Their performance was deemed truly amazing by the Vigário Times and breathtaking by O Mundo Errático. The two actors enjoyed great success and admiration in many parts of the world. Director Abreu, perhaps influenced by the huge success of the two characters, included a picture of Lowercase s face in his 2001 remake of the 2008 classic One Thousand Words. Uppercase and Lowercase took no small part in the success of this, now considered, by some, a master piece of the typographic stop-motion movie genre. Their performance was deemed truly amazing by the Vigário Times and breathtaking by O Mundo Errático. The two actors enjoyed great success and admiration in many parts of the world. Director Abreu, perhaps influenced by the huge success of the two characters, included a picture of Lowercase s face in his 2001 remake of the 2008 classic One Thousand Words. In the original manuscript some letters have alternative shapes and swashes used either for decoration or for filling the gaps. The most frequent and usable were reproduced as Open Type features. Contextual alternates Terminal forms Swashes Initial forms Stylistic alternates Old style numerals
8 OpenType features bhklp Stylistic set 01 bhklp g Stylistic set 02 g r Stylistic set 03 r s Stylistic set 04 s y Stylistic set 05 y CGS Stylistic set 06 CGS Y Stylistic set 07 Y 1 Stylistic set 08 1
9 OpenType features Uppercase forms Old-style numbers vw Initial forms v w adefgkprstuxz Terminal forms adefgkprstuxz fo fa to ta ty go ga sy au du uu Contextual alternates (also activated by the Ligatures feature) fo fa to ta ty go sy ya au du uu Qui of og oh oj op os oy oz oß Swashes Qui of og oh oj op os oy oz oß fi fl fj ff fb ffb fh ffh ffj fk ffk Th ct st gi tt Ligatures (also activates contextual alternates) fi fl fj Discretionary ligatures ff fb ffb fh ffh ffj fk ffk Th ct st gi tt
10 Aquino 5 fonts Thin Light Regular Medium Bold ABCDEFGHIJKLM nopqrstuvwxyz & ABCDEFGHIJKLM nopqrstuvwxyz & ABCDEFGHIJKLM nopqrstuvwxyz & ABCDEFGHIJKLM nopqrstuvwxyz & ABCDEFGHIJKLM nopqrstuvwxyz &
11 Aquino Typeface designed by Rui Abreu and Ricardo Santos
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