PASIG Digital Preservation BOOTcamp Best* Practices in Preserving Common Content Types: AudioVisual files

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1 PASIG Digital Preservation BOOTcamp Best* Practices in Preserving Common Content Types: AudioVisual files Kara Van Malssen AudioVisual Preservation Solutions MAY 22, 2013

2 File 1 File 2 File 3 Format PDF 1.2 PDF 1.2 PDF 1.4 File 1 File 2 File 3 Format PDF 1.2 PDF 1.2 PDF 1.4 Page Count Encryption Yes No Yes File Size 1 MB 120 MB 2 MB Valid No Yes No Well-formed Yes Yes Yes

3 File 1 File 2 File 3 Format.mov.mov.mp4

4 Containers and Encoded Essence

5 Container Essence

6 Container Essence

7 Types of possible Data Within AV Containers Video Audio Text Metadata Image Captions Subtitles Chapters Attachments Timecode Matroska Container Specifica1on

8 formats{ common video File Container QuickTime (.mov) DV (.dv) MPEG-4 (.mp4) MPEG-2 (.mpg) AVI (.avi) MXF (.mxf) Matroska (.mkv) Flash Video (.flv)

9 formats{ COmmon video stream encoding MPEG-2 MPEG-4 (H.264, AVCHD, etc) DV ProRes JPEG2000 FFV1 Theora Sorenson Uncompressed*

10 Formats{ common audio File Container WAV (.wav) BWF (.wav) MP3 (.mp3) MP2 (.mp2) AIFF (.aiff) FLAC (.flac)

11 formats{ COmmon audio stream encodings PCM MP3 AAC Windows Media Audio AC3 FLAC

12 ffmpeg -codecs Codec encoder/decoder A codec is a device or computer program capable of encoding or decoding a digital data stream or signal. The word codec is a portmanteau of "coder-decoder" or, less commonly, "compressordecompressor". -

13 A Primer on Codecs for Moving Image and Sound Archives Chris Lacinak

14 More info on AV file formats/stream encodings:

15 Significant properties/ characteristics?

16 Some additional important AV file characteristics... General Video audio data rate duration file size *other embedded data color space sampling rate aspect ratio bit depth frame size channels frame rate bit depth pixel format chroma subsampling

17 MPEG-4 Encoding Data rate = 3500 Kbps

18 MPEG-4 Encoding Data rate = 1000 Kbps

19 MPEG-4 Encoding Data rate = 250 Kbps

20 Data Rate & File Size VIDEO 1 hour 210 Mb/s 92 GB VIDEO 1 hour 50 Mb/s 22 GB VIDEO 1 hour 25 Mb/s 11 GB VIDEO 1 hour 1.5 Mb/s 1 GB AUDIO 1 hour 4.6 Mb/s 2 GB AUDIO 1 hour 128 Kb/s 56 MB

21 Data Rate, File Size & Usage VIDEO 1 hour 210 Mb/s 92 GB Preserva1on Master VIDEO 1 hour 50 Mb/s 22 GB Preserva1on Master or Mezzanine VIDEO 1 hour 25 Mb/s 11 GB Preserva1on Master or Mezzanine VIDEO 1 hour 1.5 Mb/s 1 GB Access Copy AUDIO 1 hour 4.6 Mb/s 2 GB Preserva1on Master AUDIO 1 hour 128 Kb/s 56 MB Access Copy

22 Digital AV File Types for Archival Purposes Preservation Master = highest possible data rate, open and interoperable encoding, appropriate container format Mezzanine (access / edit master) = medium data rate, open and interoperable encoding, appropriate container format Proxy (access copy) = low data rate, any encoding, any container

23 mediainfo [filename] ffmpeg -f lavfi -i mandelbrot -t 10 -c:v v210 v210.avi command-spiration: ffmpeg4archivists, Dave Rice & Misty De Meo, AMIA 2012

24 mediainfo [filename]

25 ffprobe -show_format -show_streams -show_data -show_error -show_versions [filename]

26 exiftool [filename]

27 Preservation format?

28 AUDIO reformatting = linear PCM / BWF (WAV) ~ min 24 bit / 48 KHz IASA, EBU, US-FADGI

29 ANALOG MIGRATION (grossly oversimplified) composite or s-video component Uncompressed DV Pro Res... Uncompressed DV MPEG- 2 Uncompressed DV DNx

30 DIGITAL MIGRATION (fairly oversimplified) firewire DV

31 H.264

32 DV XDCam HD MPEG2

33

34 But what format should I use? Budget? Infrastructure? Access requirements? Scale? Mission & Goals? Sustainability?

35 ...It depends if there was a standard or best practice, I would point you to it

36 1. Know your files well 2. Understand your options Recommendations 3. Make informed decisions 4. Test before you transcode 5. Sustainability criteria is important!

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