MC-12 Software Version 2.0. Release & Errata Notes

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1 MC-12 Software Version 2.0 Release & Errata Notes

2 Manufactured under license from Dolby Laboratories. "Dolby," "Pro Logic," "Surround EX," and the double-d symbol are trademarks of Dolby Laboratories. Manufactured under license from Lucasfilm Ltd. U.S. Patent Nos. 5,043,970; 5,189,703; and/or 5,222,059. European Patent No Other U.S. and foreign patents pending. Lucasfilm and THX are trademarks or registered trademarks of Lucasfilm Ltd. Surround EX is a trademark of Dolby Laboratories. Used under authorization. Lexicon, Inc. 3 Oak Park Bedford, MA USA Tel Fax Customer Support Tel Fax (Sales) Fax (Service) Lexicon Part No Rev 2 10/02 Manufactured under license from Digital Theater Systems, Inc. U.S. Patent Nos. 5,451,942; 5,956,674; 5,974,380; 5,978,762 and other worldwide patents issued and pending. "DTS," "DTS-ES Extended Surround," and "Neo:6" are trademarks of Digital Theater Systems, Inc. 1996, 2000 Digital Theater Systems, Inc. All rights reserved. "Lexicon," "LOGIC7," and the L7 logo are registered trademarks of Harman International Industries, Inc. U.S. Patent Nos. D454,553; D454,860; 5,796,844; 5,870,480 and other worldwide patents issued and pending Lexicon, Inc. All rights reserved. This document should not be construed as a commitment on the part of Lexicon, Inc. The information it contains is subject to change without notice. Lexicon, Inc. assumes no responsibility for errors that may appear within this document.

3 DOCUMENTATION CONVENTIONS This document is a supplement to the MC-12 User Guide (Rev 1). It contains release notes that provide information about the new and enhanced features of Software Version 2.0. It also includes release notes for Software Version 1.1 and errata notes for the MC-12 User Guide (Rev 1). Refer to the user guide for general safety, installation, and operating instructions. This document uses the term "MC-12" to refer to the MC-12 Digital Controller and the MC-12 Balanced Digital Controller unless otherwise specified. The following symbols are used in this document: CAUTION Calls attention to a procedure, practice, condition or the like that, if not correctly performed or adhered to, could result in damage or destruction to part or all of the product. Note: Calls attention to information that is essential to highlight. v1.1 Calls attention to features that were introduced or modified in Software Version 1.1. v2.0 Calls attention to features that were introduced or modified in Software Version 2.0. SETUP INPUTS DVD1 NAME DVD1 INPUT NAME Represents a menu path. Select the menu items identified in grey boxes to reach the menu or parameter identified in the black box. In the example shown above, the SETUP option, INPUTS option, DVD1 input, and NAME parameter must be selected to reach the INPUT NAME menu. The DVD1 input and the DVD1 INPUT SETUP menu are used as examples throughout this document. Whenever the DVD1 input appears as a selection in a menu path, any other input may be substituted. Likewise, whenever the DVD1 INPUT SETUP menu is shown in a figure, any other INPUT SETUP menu may be substituted.

4 Software Version 2.0 Release & Errata Notes Lexicon Zone 2 & Record Zone Volume Control Revised Remote Control Command Matrix Revised INPUT SETUP Menus a ZONE2 IN or RECORD IN TRIGGER SETUP Menu New Listening Modes Enhanced LOGIC7 FILM, LOGIC7 TV & LOGIC7 MUSIC LOGIC7 MUSIC SURROUND dts NEO:6 FILM dts NEO:6 MUSIC NIGHTCLUB CONCERT HALL CHURCH CATHEDRAL DOLBY DIGITAL EX & DOLBY DIGITAL 5.1a LOGIC7 FILM 5.1a LOGIC7 MUSIC 5.1a THX Surround EX & 5.1a THX 5.1a STANDARD 5.1a 2-CHANNEL STATUS Menus STATUS Menu Level Meters 2CH STATUS DOLBY D STATUS dts(-es) STATUS 5.1 ANALOG STATUS 5.1a BYPASS STATUS 2CH BYPASS STATUS DIGITAL STATUS Listening Mode & STATUS Menu Parameter Descriptions Errata Notes Revised Menu Tree Installation Worksheet Index

5 MC-12 v2.0 2 & RECORD ZONE VOLUME CONTROL The front panel volume knob can now be used to adjust Main Zone, Zone 2, and Record Zone volume levels. To use the front panel volume knob to adjust Main Zone volume level, follow the same procedure as in previous software VOLUME -34dB releases. Rotate the volume knob clockwise to increase or counterclockwise to decrease volume level. The horizontal bar graph shown at the right will appear on the on-screen and front panel displays. This graph illustrates the position at which the current Main Zone volume level falls within the entire volume range. As in previous software releases, it is not required to press and hold front panel buttons to use the volume knob to adjust Main Zone volume level. The MC-12 automatically adjusts Main Zone volume level when no front panel buttons are pressed and held while the volume knob is rotated. To use the front panel volume knob to adjust Zone 2 volume level: 1. Press and hold the front panel Zone 2 input selection button that corresponds with the current input source. 2. While pressing and holding the selected button, rotate the volume knob clockwise to increase or counterclockwise to ZONE2 VOLUME -34dB decrease volume level. The horizontal bar graph shown at the right will appear on the on-screen and front panel displays. This graph illustrates the position at which the current Zone 2 volume level falls within the entire volume range. Software Version 2.0 Release & Errata Notes 3. Release the selected front panel Zone 2 input selection button when Zone 2 volume level has been set. To use the front panel volume knob to adjust Record Zone volume level: 1. Press and hold the front panel Record Zone input selection button that corresponds with the current input source. 2. While pressing and holding the selected button, rotate the volume knob clockwise to increase or counterclockwise to RECORD VOLUME -34dB decrease volume level. The horizontal bar graph shown at the right will appear on the on-screen and front panel displays. This graph illustrates the position at which the current Record Zone volume level falls within the entire volume range. 3. Release the selected front panel Record Zone input selection button when Record Zone volume level has been set. Note: When the front panel volume knob is rotated, the MC-12 will adjust Main Zone volume level when: 1. A front panel Main Zone input selection button is pressed and held. 2. No front panel Zone 2 or Record Zone input selection buttons are pressed and held. 3. A remote control input selection button is pressed and held. (Remote control input selection buttons cannot be used to select Zone 2 or Record Zone volume level adjustment, even when the ZONE or REC command bank is active.) 5

6 Software Version 2.0 Release & Errata Notes Lexicon REVISED REMOTE CONTROL COMMAND MATRIX 2 3 LIGHT MAIN ZONE REC SHIFT DVD-1 DVD-2 L D TV SAT VCR 1 This section explains the functions remote control buttons perform when each command bank is active. Remote control buttons are numbered in the remote control figures shown on pages 6 to 10. These numbers correspond to the numbered items in the matrix that begins below. New commands are marked with v2.0 v1.1 indicate the software version in which the command was introduced or revised. The matrix that begins below replaces the matrix that begins on page 2-9 of the MC-12 User Guide (Rev 1). Refer to the user guide for more information about the remote control. CD PVR GAME TAPE TUNER AUX MAIN ZONE REC SHIFT FP BLUE OSD VOL 1 Standby Toggles the MC-12 between on and standby. When the MC-12 is on, pressing this button places the MC-12 into standby and lights the red front panel standby button LED. When the MC-12 is in standby, pressing this button activates all zones that were active in the previous operating session. The front panel standby button LED will no longer be lit. STAT MENU MUTE 2 LIGHT Activates the remote control back-light, illuminating remote control buttons to make them more visible in the dark. The back-light also activates whenever a remote control button is pressed. No matter how the back-light is activated, it automatically fades about 5 seconds after the last remote control button is pressed. 7 / 5 2 CH 3 MAIN Selects the MAIN command bank, which contains commands that control the Main Zone. MUSIC ZONE Selects the ZONE command bank, which contains commands that control Zone 2 and the Main Zone. REC Selects the REC command bank, which contains commands that control the Record and Main Zones. SHIFT Selects the SHIFT command bank, which contains commands that control the Main Zone. 6

7 MC-12 Software Version 2.0 Release & Errata Notes LIGHT MAIN ZONE REC SHIFT MAIN ZONE REC 4 DVD-1 Selects the DVD 1 input for the corresponding zone. Deactivates the Main Zone. SHIFT DVD-1 DVD-2 L D TV CD TAPE SAT PVR TUNER VCR GAME AUX 4 DVD-2 L D TV Selects the DVD 2 input for the corresponding zone. Selects the LD input for the corresponding zone. Selects the TV input for the corresponding zone. Deactivates Zone 2. Deactivates the Record Zone. Sets the LOUDNESS* parameter to ON. FP SAT Selects the SAT input for the corresponding zone. Sets the LOUDNESS* parameter to. BLUE OSD VOL VC R Selects the VCR input for the corresponding zone. Reserved for future expansion. STAT MUTE CD Selects the CD input for the corresponding zone. Increases the BASS* parameter setting in 0.5dB increments. MENU PVR Selects the PVR input for the corresponding zone. Increases the TREBLE* parameter setting in 0.5dB increments. 7 / 5 2 CH GAME Selects the GAME input for the corresponding zone. Increases the TILT EQ* parameter setting in 0.2dB increments. MUSIC TA PE Selects the TAPE input for the corresponding zone. Decreases the BASS* parameter setting in 0.5dB increments. TUNER Selects the TUNER input for the corresponding zone. Decreases the TREBLE* parameter setting in 0.5dB increments. AUX Selects the AUX input for the corresponding zone. Decreases the TILT EQ* parameter setting in 0.2dB increments. * AUDIO CONTROLS menu parameters... Revised Remote Control Command Matrix continues on page 8 7

8 Software Version 2.0 Release & Errata Notes Lexicon Revised Remote Control Command Matrix (continued from page 7) LIGHT MAIN ZONE REC MAIN ZONE REC SHIFT SHIFT DVD-1 DVD-2 L D TV CD TAPE SAT PVR TUNER FP BLUE OSD VCR GAME AUX VOL STAT MUTE MENU FP 6 BLU E 7 OSD Toggles the FRONT PANEL DISPLAY menu STATUS parameter between ALWAYS and its current setting. Toggles the ON-SCREEN DISPLAY menu BACKGROUND parameter between ON and. Toggles the ON- SCREEN DISPLAY menu STATUS parameter between ALWAYS and its current setting. Sets Zone 2 volume level to -15dB. Sets Zone 2 volume level to -30dB. Reserved for future expansion. Sets Record Zone volume level to -15dB. Sets Record Zone volume level to -30dB. Reserved for future expansion. Sets Main Zone volume level to -15dB. Sets Main Zone volume level to -30dB. Sets the AUDIO CONTROLS menu BASS, TREBLE, and TILT EQ parameters to +0.0dB. 7 / 5 2 CH MUSIC 8 Scrolls forward (+) and backward ( ) through available Main Zone listening modes. Activates (+) and deactivates ( ) the TRIGGER 1 OUTPUT when the TRIGGER SETUP menu TRIGGER 1 parameter is set to REMOTE ONLY. Activates (+) and deactivates ( ) the TRIGGER 2 OUTPUT when the TRIGGER SETUP menu TRIGGER 2 parameter is set to REMOTE ONLY. When the MC-12 is powered on, toggles between powering it on (+) and placing it into standby ( ). When the MC-12 is powered off, this button has no effect. 9 VOL Increases (+) and decreases ( ) Main Zone volume level in 1dB increments. Increases (+) and decreases ( ) Zone 2 volume level in 1dB increments. Increases (+) and decreases ( ) Record Zone volume level in 1dB increments. Increases (+) and decreases ( ) Main Zone volume level in 3dB increments. 10 STAT Displays the two-line status of the Main Zone for 2 seconds. Displays the two-line status of Zone 2 for 2 seconds. Displays the two-line status of the Record Zone for 2 seconds. v1.1 Accesses the STATUS menu for the current input source (see page 23). 8

9 MC-12 Software Version 2.0 Release & Errata Notes LIGHT MAIN ZONE REC SHIFT MAIN ZONE REC SHIFT DVD-1 DVD-2 L D 11 MUTE Toggles between lowering Main Zone volume level and restoring Main Zone volume to its original level. Toggles between fully muting Zone 2 volume level and restoring Zone 2 volume to its original level. Toggles between fully muting Record Zone volume level and restoring Record Zone volume to its original level. Toggles between fully muting Main Zone volume level and restoring Main Zone volume to its original level. 12 TV CD TAPE STAT SAT PVR TUNER FP BLUE OSD VCR GAME AUX VOL MUTE MENU Toggles between accessing and exiting the MAIN MENU. 13 Scroll upward ( ) and downward ( ) through menu items. Centers the AUDIO CONTROLS menu ZONE2 BALANCE parameter. v2.0 Increase ( ) and decrease ( ) the output level of the MAIN AUDIO OUTPUT labeled SUBWOOFER L/R. Centers the AUDIO CONTROLS menu RECORD BALANCE parameter. Reserved for future expansion. Centers the AUDIO CONTROLS menu Main Zone BALANCE and FADER parameters. Adjust the AUDIO CONTROLS menu Main Zone FADER parameter forward ( ) and backward ( ). 13 MENU 7 / 5 2 CH Exit the current menu ( ) and select the highlighted menu item ( ). Adjust the AUDIO CONTROLS menu ZONE2 BALANCE parameter left ( ) and right ( ). Adjust the AUDIO CONTROLS menu RECORD BALANCE parameter left ( ) and right ( ). Adjust the AUDIO CONTROLS menu Main Zone BALANCE parameter left ( ) and right ( ). MUSIC 14 7 / 5 Toggles between 7 and 5-channel playback. Reserved for future expansion. Reserved for future expansion. v2.0 Adjusts the MAIN ADV menu INPUT SELECT parameter, cycling through the ANALOG, DIGITAL, and AUTO settings C H Toggles between the selected listening mode and the 2-CHANNEL listening mode. Reserved for future expansion. Reserved for future expansion. v2.0 Toggles between setting the MAIN ADV menu ANALOG BYPASS parameter ON and.... Revised Remote Control Command Matrix continues on page 10 9

10 Software Version 2.0 Release & Errata Notes Lexicon Revised Remote Control Command Matrix (continued from page 9) LIGHT MAIN ZONE REC MAIN ZONE REC SHIFT SHIFT DVD-1 DVD-2 L D TV CD TAPE SAT PVR TUNER VCR GAME AUX FP BLUE VOL OSD STAT MUTE 16 Selects the THX listening mode family. Selects the Dolby listening mode family. Reserved for future expansion. Reserved for future expansion. Reserved for future expansion. Reserved for future expansion. v1.1 Selects the appropriate THX listening mode for the Main Zone. Subsequent presses adjust the SURROUND EX parameter, cycling through the AUTO, ON, and settings (see page 31). v2.0 Selects the appropriate Dolby listening mode for the Main Zone. Subsequent presses adjust the EX DECODING parameter, cycling through the AUTO, ON, and settings (see page 29). MENU Selects the LOGIC7 FILM listening mode family. Reserved for future expansion. Reserved for future expansion. Reserved for future expansion / 5 2 CH MUSIC Selects the LOGIC7 TV listening mode family. Reserved for future expansion. Reserved for future expansion. v2.0 Selects the MONO LOGIC listening mode for 2-channel input sources and the 5.1 MONO LOGIC listening mode for 5.1- channel input sources. Selects the dts-(es) listening mode family. Reserved for future expansion. Reserved for future expansion. v1.1 Selects the appropriate dts(-es) listening mode for the Main Zone. Subsequent presses adjust the ES DECODING parameter for the selected listening mode, cycling through the AUTO, ON, and settings (see page 28). MUSIC Selects the LOGIC7 MUSIC listening mode family. Reserved for future expansion. Reserved for future expansion. v2.0 Selects the LOGIC7 MUSIC SURR listening mode for 2-channel input sources. 10

11 MC-12 Software Version 2.0 Release & Errata Notes MAIN MENU ADJUST AUDIO CONTROLS SETUP SETUP INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS INPUT SETUP DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX DVD1 INPUT SETUP NAME DVD1 DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH FILM (**)D 5.1&&FILM FILM v1.1 V 5.1a 5.1a(%)FILM MAIN ADVANCED v1.1 V ZONE2 IN DIGITAL V RECORD IN DIGITAL RECORD ADVANCED The DVD1 input and the DVD1 INPUT SETUP menu are used as examples throughout this document. Whenever the DVD1 input appears as a selection in a menu path, any other input may be substituted. Likewise, whenever the DVD1 INPUT SETUP menu is shown in a figure, any other INPUT SETUP menu may be substituted. v1.1 INPUT SETUP MENUS SETUP The parameters described in this section have been added to the INPUT SETUP menus. These new parameters are marked with v1.1 the DVD1 INPUT SETUP menu shown above. 5.1a SETUP INPUTS INPUTS DVD1 DVD1 5.1a Accesses the 5.1a menu shown at the right, which can be used to select a preferred listening mode for 5.1-channel analog input sources. Descriptions of the new 5.1-channel analog listening modes begin on page 20. DVD1 INPUT SETUP 5.1a DVD1 5.1a 5.1a(%)FILM 5.1a(%)MUSIC 5.1a STANDARD 5.1a 2-CHANNEL USE LAST ZONE2 IN or RECORD IN SETUP INPUTS DVD1 (ANLG, DIGITAL, DMIX) ZONE2 IN or RECORD IN Control the interaction of the audio input connectors assigned to the selected Zone 2 or Record Zone input. Each INPUT SETUP menu allows the assignment of two audio input connectors, one analog (ANALOG IN) and one digital (DIGITAL IN). The ZONE2 IN parameter replaces the ZONE2 ADV menu INPUT SELECT parameter. The ZONE2 ADV menu is no longer available. The RECORD IN parameter replaces the RECORD ADV menu INPUT SELECT parameter. The RECORD ADV menu is still available. The table shown on the next page describes ZONE2 IN and RECORD IN parameter settings.... ZONE2 IN or RECORD IN continues on page 12 11

12 Software Version 2.0 Release & Errata Notes Lexicon ZONE2 IN or RECORD IN (continued from page 11) ANLG (Analog) DIGITAL DMIX (Downmix) The assigned analog audio input connector is sent to the ZONE 2 or RECORD AUDIO OUTPUTS. The 5.1- channel analog input connector is not compatible with the ZONE 2 or RECORD AUDIO OUTPUTS. Audio is not available in Zone 2 or the Record Zone when the 5.1- channel analog input connector is selected for the Main Zone, unless the 5.1a BYPASS listening mode is also selected for the Main Zone. Analog input sources are sent to all three RECORD AUDIO OUTPUTS. Sources sent to the RECORD AUDIO OUTPUT labeled S/PDIF are sent through A/D conversion before reaching the output. Sources sent to the analog ZONE 2 or RECORD AUDIO OUTPUTS are not sent through A/D conversion. The assigned digital audio input connector is sent to the ZONE 2 or RECORD AUDIO OUTPUTS. The ZONE 2 AUDIO OUTPUTS will mute when an invalid digital audio input source is present. PCM input sources are the only valid digital input sources. Dolby Digital and dts(-es) are not valid digital input sources. Digital input sources are sent to all three RECORD AUDIO OUTPUTS at the same time. Sources sent to the analog ZONE 2 or RECORD AUDIO OUTPUTS are sent through D/A conversion before reaching the output. Sources sent to the RECORD AUDIO OUTPUT labeled S/PDIF are not sent through D/A conversion. A downmixed version of Main Zone audio is sent to the ZONE 2 or RECORD AUDIO OUTPUTS. Downmixes can be generated for Dolby Digital, dts(-es), and 5.1-channel analog input sources. To generate a downmix, the input that is selected in Zone 2 or the Record Zone must also be selected in the Main Zone. Otherwise, the ZONE 2 or RECORD AUDIO OUTPUTS will mute. Main Zone listening mode selection affects the ZONE 2 or RECORD AUDIO OUTPUTS. For example, when the MONO listening mode is selected in the Main Zone, Zone 2 or Record Zone output signals will also be mono. Downmixes cannot be generated when the 5.1a BYPASS listening mode is selected in the Main Zone. It is recommended to set the ZONE2 IN or RECORD IN parameter to DMIX when recording from a DVD player without built-in Dolby Digital or dts-es decoding to a VCR or PVR (e.g. Tivo or Replay TV ). Independent zone monitoring is not available. Note: When a multi-channel input source is present and the playback component includes the appropriate decoder, it is recommended to set the ZONE2 IN or RECORD IN parameter to ANLG for independent zone monitoring. When a multi-channel input source is present and the playback component does not include the appropriate decoder, it is required to set the ZONE2 IN or RECORD IN parameter to DMIX. When this setting is selected, independent zone monitoring is not available. CAUTION When the ZONE2 IN or RECORD IN parameter is set to DIGITAL or ANLG, the MC-12 recognizes some dts-encoded input sources as audio signals (not data signals) and outputs loud digital noise from the ZONE 2 or RECORD AUDIO OUTPUTS. 12

13 MC-12 TRIGGER SETUP MENU SETUP TRIGGERS TRIGGER 1 or 2 MAIN MENU ADJUST AUDIO CONTROLS SETUP TRIGGER 1 or 2 SETUP SETUP INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS TRIGGER SETUP TRIGGER 1 REMOTE TRIGGER 2 REMOTE This section replaces the TRIGGER SETUP section that begins on page 3-35 of the MC-12 User Guide (Rev 1). Selecting the SETUP menu TRIGGERS option prompts the selection of the desired TRIGGER OUTPUT connector. The MC-12 rear panel includes three 12V DC TRIGGER OUTPUT connectors, labeled PWR, 1, and 2. The connector labeled PWR the power TRIGGER OUTPUT connector is not configurable. It is activated when the MC-12 is powered on and deactivated when the MC-12 is placed in standby or powered off. The connectors labeled 1 and 2 are configurable. Selecting a TRIGGER OUTPUT connector on the menu shown above accesses the corresponding TRIGGER SETUP menu shown at the right (TRIGGER 1 or 2 SETUP), which can be used to configure the connector for remote or program operation. The REMOTE ONLY parameter can be used to configure the selected TRIGGER OUTPUT connector for remote operation. All other parameters are referred to as program operation parameters, and can be used to configure the selected connector for program operation when the REMOTE ONLY parameter is set to. The TRIGGER 1 and 2 SETUP menus are shown at the right. The parameters on the right side of these menus are identical regardless of which connector is selected. The parameter values on the right side are adjustable. The TRIGGER 1 and 2 SETUP menus shown at the right indicate default parameter values for each connector.... TRIGGER SETUP Menu continues on page 14 TRIGGER 2 SETUP REMOTE ONLY ON DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX ZONE2 INPUTS RECORD INPUTS &&FILM &&TV &&MUSIC &&MUSIC SURR (**)PLII + (**)PLII MOVIE (**)PLII MUSIC (**)PRO LOGIC NIGHTCLUB CONCERT HALL CHURCH CATHEDRAL 2-CH SURROUND 2-CHANNEL MONO LOGIC MONO SURROUND MONO 5.1&&FILM 5.1&&TV 5.1&&MUSIC 5.1$$&&SurEX (**)DIGITAL EX CHANNEL 5.1 MONO LOGIC 5.1 MONO SURR 5.1 MONO $&$&$&$&FILM $&$&$&$&MUSIC $&$&$&2-CHAN 5.1a(%)FILM 5.1a(%)MUSIC 5.1a STANDARD 5.1a 2-CHANNEL 5.1a BYPASS 2CH BYPASS TRIGGER 1 SETUP REMOTE ONLY ON DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX ZONE2 INPUTS RECORD INPUTS &&FILM &&TV &&MUSIC &&MUSIC SURR (**)PLII + (**)PLII MOVIE (**)PLII MUSIC (**)PRO LOGIC NIGHTCLUB CONCERT HALL CHURCH CATHEDRAL 2-CH SURROUND 2-CHANNEL MONO LOGIC MONO SURROUND MONO 5.1&&FILM 5.1&&TV 5.1&&MUSIC 5.1$$&&SurEX (**)DIGITAL EX CHANNEL 5.1 MONO LOGIC 5.1 MONO SURR 5.1 MONO $&$&$&$&FILM $&$&$&$&MUSIC $&$&$&2-CHAN 5.1a(%)FILM 5.1a(%)MUSIC 5.1a STANDARD 5.1a 2-CHANNEL 5.1a BYPASS 2CH BYPASS 13

14 Software Version 2.0 Release & Errata Notes Lexicon TRIGGER SETUP Menu (continued from page 13) REMOTE ONLY SETUP (ON, ) Configures the selected TRIGGER OUTPUT connector for remote operation. When set to ON, the selected connector is configured for remote operation. It can be activated and deactivated with the remote control commands described on page 8. The MC-12 ignores all other TRIGGER 1 and 2 SETUP menu parameter settings. Program operation parameters set to ON are not associated with the selected connector. When set to, the selected TRIGGER OUTPUT connector is not configured for remote operation, and can be configured for program operation. Note: The TRIGGER OUPUT connectors are deactivated when the MC-12 is placed into standby. However, when configured for remote operation, the connectors are not automatically activated when the MC-12 is powered on. Instead, the connectors must be activated with the remote control commands described on page 8. PROGRAM OPERATION PARAMETERS SETUP TRIGGERS TRIGGERS TRIGGER 1 or 2 TRIGGER 1 or 2 REMOTE ONLY Parameter (ON, ) Configure the selected TRIGGER OUTPUT connector for program operation. With the exception of the REMOTE ONLY parameter, all TRIGGER 1 and 2 SETUP menu parameters are program operation parameters. The REMOTE ONLY parameter must be set to to configure the connector for program operation. When the REMOTE ONLY parameter is set to, the selected connector can be associated with Main Zone inputs and listening modes, Zone 2 input selection, and Record Zone input selection. (Connectors cannot be associated with individual Zone 2 or Record Zone inputs.) When the associated TRIGGER 1 or 2 SETUP menu input or listening mode parameter is set to ON, the selected connector is activated when the input or listening mode is selected and deactivated when the input or listening mode is deselected. When set to, the selected connector is not configured for program operation. NEW LISTENING S New listening modes are available for 2-channel and 5.1-channel analog input sources. The 5.1-channel analog listening modes are not available when the REAR PANEL CONFIG menu 8 STEREO INPUTS option is selected. These listening modes require the REAR PANEL CONFIG menu 5 STEREO & 5.1 ANLG option to be selected so the 5.1-channel analog input connector can be used with A/D conversion and internal processing. Selecting the MAIN MENU ADJUST option accesses the ADJUST menu shown on the next page, which indicates listening modes that have been added or modified since Software Version 1.0. The DOLBY Pro Logic listening modes have been renamed, and the DOLBY DIGITAL listening mode now includes EX decoding. The 5.1 BYPASS listening mode is now called 5.1a BYPASS. Descriptions of these new listening modes begin on the next page. Other listening mode descriptions begin on page 5-2 of the MC-12 14

15 MC-12 Software Version 2.0 Release & Errata Notes v2.0v v1.1 V V v2.0 V V v2.0 V V v2.0v v1.1 V V v1.1 V V v1.1 V V ADJUST &&FILM &&TV &&MUSIC &&MUSIC SURR (**)PLII + (**)PLII MOVIE (**)PLII MUSIC (**)PRO LOGIC NIGHTCLUB CONCERT HALL CHURCH CATHEDRAL 2-CH SURROUND 2-CHANNEL MONO LOGIC MONO SURROUND MONO 5.1&&FILM 5.1&&TV 5.1&&MUSIC 5.1$$&&SurEX (**)DIGITAL EX CHANNEL 5.1 MONO LOGIC 5.1 MONO SURR 5.1 MONO $&$&$&$&FILM $&$&$&$&MUSIC $&$&$&2-CHAN 5.1a(%)FILM 5.1a(%)MUSIC 5.1a STANDARD 5.1a 2-CHANNEL 5.1a BYPASS 2CH BYPASS v2.0 MUSIC SURROUND ADJUST User Guide (Rev 1). Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). v2.0 LOGIC7 FILM, LOGIC7 TV & LOGIC7 MUSIC An enhanced version of LOGIC7 decoding has been added to the LOGIC7 FILM, LOGIC7 TV, and LOGIC7 MUSIC listening modes. The enhanced version of LOGIC7 monitors and examines the input source, adjusting the listening mode to optimize playback. The result is a higher, superior level of performance with a wider range of input sources. Note: Listening modes introduced in Software Version 2.0 are not compatible with earlier software versions. When reverting from Software Version 2.0 to a previous software version, these listening modes might cause false configuration settings. MUSIC SURR A proprietary Lexicon listening mode, similar to the MUSIC SURROUND listening mode in previous Lexicon products. Designed for playback of 2-channel stereo music sources recorded in real spaces and recordings that contain added reverb. Extracts ambient sounds from input sources and sends them to the side and rear speakers. Stereo information is shared between the front and center speakers. Front steering is relaxed compared to the LOGIC7 MUSIC listening mode. Recommended for classical music sources, which are often recorded in real spaces with added reverb to enhance the stereo mix. This listening mode also works well with live venues such as concerts. Default Parameter Value Values VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB FRONT STEERING MSURR, MSURR, MUSIC, FILM SOUND STAGE NEUTRAL REAR, NEUTRAL, FRONT 5 SPKR ENHANCE ON, ON BASS ENHANCE, ON SURR ROLL 7.0kHz 500Hz to 20.0kHz, REAR DLY SET 15ms, 1ms to 30ms * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 15

16 R R Software Version 2.0 Release & Errata Notes Lexicon NEO:6 FILM v1.1 v1.1 ADJUST FILM Designed for playback of matrix-encoded PCM digital stereo film sources. Systems that include side and rear channels will derive six separate channels (rear channels will be parallel) and systems with only side or rear channels will derive five separate channels. The.1 LFE channel is generated through bass management in the MC-12. NEO:6 MUSIC o o ADJUST MUSIC Designed for playback of non-matrix-encoded PCM digital stereo music sources. Systems that include side and rear channels will derive six separate channels (rear channels will be in parallel) and systems with only side or rear channels will derive five separate channels. The.1 LFE channel is generated through bass management in the MC-12. Note: dts NEO:6 FILM is not included on the 2-CH menu. This listening mode is available with 44.1kHz and 48kHz PCM digital input sources. It is not available with analog input sources. Note: dts NEO:6 MUSIC is not included on the 2-CH menu. This listening mode is available with 44.1kHz and 48kHz PCM digital input sources. It is not available with analog input sources. Default Parameter Value Values * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Default Parameter Value Values * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 16

17 MC-12 Software Version 2.0 Release & Errata Notes v2.0 v2.0 ADJUST Generates early reflections that simulate small, intimate listening spaces. Designed for music sources that benefit from the addition of room reflections, especially music sources that lack ambience in the recording. Sends early reflections to the front, side, and rear channels. Default Parameter Value Values CENTER DEPTH 11 0 to 18 SPEECH DETECT ON ON, SIZE 5m 4m to 20m LIVENESS 196ms 30ms to 20.2s PRE-DELAY 5ms, 1ms to 100ms ROLL 9.0kHz 500Hz to 20.0kHz, EFFECT LVL +3dB -12dB to +6dB NIGHTCLUB * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). HALL ADJUST Generates early reflections that simulate hall listening spaces. Sends early reflections to all channels and mixes with the direct signal in the front left and right channels. Default Parameter Value Values CENTER DEPTH 12 0 to 18 SPEECH DETECT ON ON, SIZE 20m 4m to 20m LIVENESS 1.72s 30ms to 20.2s PRE-DELAY, 1ms to 100ms ROLL 2.4kHz 500Hz to 20.0kHz, EFFECT LVL -2dB -12dB to +6dB CONCERT HALL * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 17

18 Software Version 2.0 Release & Errata Notes Lexicon v2.0 v2.0 ADJUST CHURCH Uses a reverb algorithm to emphasize the rich, smooth, reverberant decay characteristic of small and medium listening spaces with long reverberation time relative to their size, such as churches and chambers. Uses a reverb algorithm inherited from Lexicon professional products, which are relied upon by the majority of recording engineers to add ambience to recordings. ADJUST CATHEDRAL Uses a reverb algorithm to emphasize the rich, smooth, reverberant decay characteristic of large listening spaces with long reverberation time relative to their size, such as cathedrals. Uses a reverb algorithm inherited from Lexicon professional products, which are relied upon by the majority of recording engineers to add ambience to recordings. Default Parameter Value Values CENTER DEPTH 5 0 to 18 SPEECH DETECT ON ON, SIZE 20m 4m to 30m MID RT 1.56s 24ms to 24.3s BASS RT s 0.2 to 2.0 x MID RT PRE-DELAY 24ms, 1ms to 100ms ROLL 2.4kHz 500Hz to 20.0kHz, EFFECT LVL -3dB -12dB to +6dB * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Default Parameter Value Values CENTER DEPTH 12 0 to 18 SPEECH DETECT ON ON, SIZE 30m 4m to 30m MID RT 3.72s 24ms to 24.3s BASS RT 4.47s 0.2 to 2.0 x MID RT PRE-DELAY 23ms, 1ms to 100ms ROLL 3.1kHz 500Hz to 20.0kHz, EFFECT LVL -8dB -12dB to +6dB * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 18

19 MC-12 Software Version 2.0 Release & Errata Notes DOLBY DIGITAL EX & DOLBY DIGITAL v2.0 DIGITAL EX ADJUST Available when Dolby Digital EX decoding is engaged. Dolby Digital EX decoding is engaged when: the EX DECODING parameter is set to ON the EX DECODING parameter is set to AUTO and a flagged, encoded 5.1-channel Dolby Digital input source recorded with Dolby Digital Surround EX is present Refer to page 29 for more information about the EX DECODING parameter. Designed for playback of 5.1-channel Dolby Digital sources recorded with Dolby Digital Surround EX. Uses matrix decoding to extract or derive a surround back channel from the surround left and surround right channels. Recommended for 5.1-channel Dolby Digital sources recorded with Dolby Digital Surround EX. This listening mode can be used for standard Dolby Digital-encoded sources with mixed results. DOLBY DIGITAL ADJUST DIGITAL EX DIGITAL Available when Dolby Digital EX decoding is not engaged. Dolby Digital EX decoding is not engaged when: the EX DECODING parameter is set to the EX DECODING parameter is set to AUTO and a 5.1-channel Dolby Digital input source that was not recorded with Dolby Digital Surround EX is present no side or rear speakers are selected The MC-12 cannot detect non-flagged, encoded 5.1-channel Dolby Digital input sources recorded with Dolby Digital Surround EX. Refer to page 29 for more information about the EX DECODING parameter. Designed for playback of 5.1-channel Dolby Digital sources that were not recorded with Dolby Digital Surround EX. Decodes 5.1 discrete channels from 5.1-channel Dolby Digital sources. The five main channels are full frequency. The.1 channel, often referred to as the LFE channel, has a limited frequency range up to 120Hz. Recommended for 5.1-channel Dolby Digital sources that were not recorded with Dolby Digital Surround EX. Default Parameter Value Values EX DECODING AUTO AUTO, ON, COMPRESSION AUTO, ON, LFE MIX +0.0dB -10.0dB to +0.0dB * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 19

20 Software Version 2.0 Release & Errata Notes Lexicon LOGIC7 FILM v1.1 v1.1 ADJUST 5.1a FILM A proprietary Lexicon listening mode. Designed for playback of 5.1-channel analog film sources. Converts the 5.1-channel analog input into digital audio for internal LOGIC7 decoding. Derives seven channels from the 5.1-channel analog input. Allows the 5.1-channel analog input to utilize bass management, audio controls, crossovers, and speaker distance calibration. LOGIC7 MUSIC ADJUST 5.1a MUSIC A proprietary Lexicon listening mode. Designed for playback of 5.1-channel analog music sources. Converts the 5.1-channel analog input into digital audio for internal LOGIC7 decoding. Derives seven channels from the 5.1-channel analog input. Allows the 5.1-channel analog input to utilize bass management, audio controls, crossovers, and speaker distance calibration. Default Parameter Value Values VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB 5 SPKR ENHANCE ON ON, BASS ENHANCE ON, RE-EQUALIZER ON ON, REAR DLY SET 15ms, 0 to 30ms LFE MIX +0.0dB to +0.0dB * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Default Parameter Value Values VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB 5 SPKR ENHANCE ON ON, BASS ENHANCE ON, RE-EQUALIZER ON, REAR DLY SET 15ms 0 to 30ms, LFE MIX +0.0dB to +0.0dB * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* See page 5-17 for more information* Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 20

21 MC-12 Software Version 2.0 Release & Errata Notes 5.1a THX Surround EX & 5.1a THX v1.1 THX SurEx ADJUST 5.1a SurEX Available when Surround EX decoding is engaged. Surround EX decoding is engaged when the SURROUND EX parameter is set to ON. Refer to page 31 for more information about the SURROUND EX parameter. Designed for playback of 5.1-channel analog film sources. Converts the 5.1-channel analog input into digital audio for internal THX processing Allows the 5.1-channel analog input to utilize Surround EX decoding, re-equalization, bass management, audio controls, crossovers, and speaker distance calibration. Default Parameter Value Values RE-EQUALIZER ON ON, SURROUND EX ON ON, * LFE MIX +0.0dB to +0.0dB See page 5-17 for more information** See page 5-17 for more information** * The AUTO setting is NOT available for the 5.1a THX listening modes. * Refers to the MC-12 User Guide (Rev 1). Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). v1.1 THX ADJUST 5.1a Available when Surround EX decoding is not engaged. Surround EX decoding is not engaged when the SURROUND EX parameter is set to. Refer to page 31 for more information about the SURROUND EX parameter. Designed for playback of 5.1-channel analog film sources. Converts the 5.1-channel analog input into digital audio for internal THX processing Allows the 5.1-channel analog input to utilize re-equalization, bass management, audio controls, crossovers, and speaker distance calibration. 21

22 Software Version 2.0 Release & Errata Notes Lexicon STANDARD v1.1 v1.1 ADJUST 5.1a STANDARD Designed for playback of 5.1-channel analog sources. Converts the 5.1-channel analog input into digital audio for internal processing Sends identical signals (with appropriate time delay) to the MAIN AUDIO OUTPUTS labeled SIDE L and REAR L, as well as SIDE R and REAR R. Allows the 5.1-channel analog input to utilize bass management, audio controls, crossovers, and speaker distance calibration. When these features are not utilized, this listening mode is similar to the 5.1a BYPASS listening mode. Parameter See page 5-17 for more information* See page 5-17 for more information* * Refers to the MC-12 User Guide (Rev 1). Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 2-CHANNEL ADJUST Designed for recording 5.1-channel analog sources to stereo recording devices. Converts the 5.1-channel analog input into digital audio, using a LOGIC7-encoding process to downmix it to two channels. This is recommended for recording from a DVD-A or multichannel SACD player to a CD-R or another 2-channel recording format. Default Parameter Value Values CENTER MIX +0dB -25 to +5dB SURROUND MIX +0dB -5 to +5dB CNTR DLY SAMPLES to +127 MASTER LEVEL +0dB -5 to +5dB LFE MIX +0.0dB to +0.0dB SUB L/R LVL +0dB, -30 to +12dB 5.1a 2-CHANNEL * Refers to the MC-12 User Guide (Rev 1). See page 5-17 for more information* Listening mode menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 22

23 MC-12 Software Version 2.0 Release & Errata Notes STATUS MENUS SHIFT STAT STATUS menus provide information about the current input source and listening mode. Unlike most menus, STATUS menus cannot be accessed through the selection of menu options. Rather, the remote control SHIFT-STAT command sequence must be executed. This command sequence is described below. When this command sequence is executed, the STATUS menu that appears depends on whether a 2-channel, Dolby Digital, dts(-es), 5.1-channel analog, or unknown digital input source is present. If a 5.1-channel analog input source is present, the STATUS menu that appears also depends on whether the MAIN ADV menu ANALOG BYPASS parameter is set to ON or. To access and navigate the STATUS menu for the current input source: 1. Press the remote control SHIFT button to activate the SHIFT command bank. 4. Press the remote control MENU 5 and 6 arrows to scroll upward and downward through the complete list of parameters on the current page. The name of the highlighted parameter will appear on the front panel display. Note: STATUS menu parameters provide information about the current input source and listening mode. These parameters cannot be adjusted. STATUS MENU LEVEL METERS Most STATUS menus contain level meters that indicate fluctuating input levels in the front left (L), center (C), front right (R), surround left (SL), surround right (SR), surround back (SB), and LFE channels. Different combinations of level meters appear on each STATUS menu. The SB level meter will appear when a 6.1-channel input source is present, or when a 5.1-channel input source is present and the ES DECODING parameter is set to ON for the selected listening mode. 2. Press the remote control STAT button. The first page of the STATUS menu for the current input source will appear on the on-screen and front panel displays. All STATUS menus are shown on page 27. All level meters appear in combinations of green, yellow, and red when the on-screen display has a blue-screen background. Green indicates low input levels, yellow indicates normal input levels, and red indicates the onset of overload. 3. Press the STAT button again to access the second page of the STATUS menu. If the STATUS menu does not include a second page, pressing the STAT button a second time will exit the menu. If the STATUS menu does include a second page, press the STAT button a third time to exit the menu. 23

24 Software Version 2.0 Release & Errata Notes 2CH STATUS Available when the remote control SHIFT-STAT command is executed and a 2-channel input source is present. Features L and R level meters. v1.1 D STATUS Lexicon Available when the remote control SHIFT-STAT command is executed and a Dolby Digital input source is present. Features L, C, R, SL, SR, and LFE level meters. Parameter INPUT INPUT TYPE SAMPLE RATE Values The name of the selected input The name of the selected listening mode ANLG, DOLBY D, PCM 44.1kHz, 48kHz, 88.2kHz, 96kHz STATUS menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). Parameter Values INPUT The name of the selected input The name of the selected listening mode CHANNELS 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0 BIT RATE 32 to 640kbps EX ENCODING MATRIX, NONE SAMPLE RATE 48kHz 2.0 ENCODING ON, DIALOG SET -31 to 0dB MIX ROOM SMALL, LARGE CENTER MIX LVL -3.0dB, -4.5dB, -6.0dB SURROUND MIX LVL +0.0dB, -3.0dB, -6.0dB STATUS menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 24

25 MC-12 v1.1 STATUS Available when the remote control SHIFT-STAT command is executed and a 6.1-channel dts(-es) input source is present, or when a 5.1-channel dts(-es) input source is present and the ES DECODING parameter is set to ON for the selected listening mode. Features L, C, R, SL, SR, SB, and LFE level meters. The SB level meter will appear under the conditions described in the Status Menu Level Meters section on page 23. Parameter Values INPUT The name of the selected input The name of the selected listening mode CHANNELS 3/3.1, 3/2.1 BIT RATE to kbps ES ENCODING DISCRETE, MATRIX, NONE WORD LENGTH 16bits, 20bits, 24bits SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz STATUS menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). Software Version 2.0 Release & Errata Notes 5.1 ANALOG STATUS Available when the remote control SHIFT-STAT command is executed and all of the following conditions are met: - A 5.1-channel analog input source is present. - The REAR PANEL CONFIG menu 5 STEREO & 5.1 ANLG option is selected. - The INPUT SETUP menu ANALOG IN parameter is set to 5.1 ANALOG. - The MAIN ADV menu INPUT SELECT parameter is set to AUTO or ANALOG. When set to AUTO, digital input sources cannot be present. - The MAIN ADV menu ANALOG BYPASS parameter is set to. Parameter INPUT INPUT TYPE SAMPLE RATE Values The name of the selected input The name of the selected listening mode ANLG 96kHz STATUS menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 25

26 Software Version 2.0 Release & Errata Notes v1.1 BYPASS STATUS Available when the remote control SHIFT-STAT command is executed and all of the following conditions are met: - A 5.1-channel analog input source is present. - The REAR PANEL CONFIG menu 5 STEREO & 5.1 ANLG option is selected. - The INPUT SETUP menu ANALOG IN parameter is set to 5.1 ANALOG. - The MAIN ADV menu INPUT SELECT parameter is set to AUTO or ANALOG. When set to AUTO, digital input sources cannot be present. - The MAIN ADV menu ANALOG BYPASS parameter is set to ON. Parameter INPUT INPUT TYPE Values The name of the selected input 5.1a BYPASS BYP STATUS menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 2CH BYPASS STATUS Lexicon Available when the remote control SHIFT-STAT command is executed and all of the following conditions are met: - A 2-channel analog input source is present. - The INPUT SETUP menu ANALOG IN parameter is set to the input connector receiving the input source. - The MAIN ADV menu INPUT SELECT parameter is set to AUTO or ANALOG. When set to AUTO, digital input sources cannot be present. - The MAIN ADV menu ANALOG BYPASS parameter is set to ON. Parameter INPUT INPUT TYPE Values The name of the selected input 2CH BYPASS BYP STATUS menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). 26

27 MC-12 v2.0 STATUS Available when the remote control SHIFT-STAT command is v1.1 executed and a sample rate is detected and an unknown digital input source is present. When the input source is identified, the appropriate STATUS menu will appear on the on-screen display. Software Version 2.0 Release & Errata Notes Parameter Values INPUT The name of the selected input The name of the selected listening mode INPUT TYPE --- SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz STATUS menu parameter descriptions begin on page 28 of this document and on page 5-20 of the MC-12 User Guide (Rev 1). STATUS Menus 2CH STATUS INPUT INPUT TYPE SAMPLE RATE db L R X X v1.1 v1.1 (**)D STATUS PG1 (**)D STATUS PG2 INPUT CHANNELS BIT RATE EX ENCODING SAMPLE RATE 2.0 ENCODING DIALOG SET MIX ROOM CENTER MIX LVL db L C R SL SR LFE SURROUND MIX LVL X X X X X X v1.1 STATUS PG1 INPUT CHANNELS BIT RATE db L C R SL SR SB LFE X X X X X X X v1.1 STATUS WORD LENGTH SAMPLE RATE PG ANALOG STATUS INPUT INPUT TYPE SAMPLE RATE v1.1 v a BYPASS STATUS INPUT INPUT TYPE 2CH BYPASS STATUS INPUT INPUT TYPE DIGITAL STATUS INPUT INPUT TYPE SAMPLE RATE db L C R SL SR LFE X X X X X X

28 Software Version 2.0 Release & Errata Notes Lexicon LISTENING & STATUS MENU PARAMETER DESCRIPTIONS This section contains additions and modifications to the listening mode and STATUS menu parameter descriptions that begin on page 5-20 of the MC-12 User Guide (Rev 1). v1.1 ENCODING (MATRIX, NONE) Indicates whether or not matrix encoding is present in the input signal. When the parameter value is MATRIX, matrix encoding is present in the input signal. When the parameter value is NONE, matrix encoding is not present in the input signal. v2.0 RT (0.2 x MID RT) to (2.0 x MID RT) Full Name: Low-frequency Reverberation Time Depends on the MID RT parameter setting, which depends on the SIZE parameter setting. The BASS RT parameter is expressed as a multiplier of the MID RT parameter. The BASS RT parameter should be set to 1.0 x the MID RT parameter setting for more natural effects in smaller spaces. CAUTION Setting the BASS RT or MID RT parameters to a high value might produce undesirable or damaging audio. v1.1 RATE (32 to 3072kbps) Indicates the rate at which the input signal is encoded. A higher bit rate indicates that less compression was used during the encoding process. v2.0 DEPTH (0 to 18) Adjusts the amount of processing applied to the center channel, changing the perceived distance of the center speaker. Higher settings increase and lower settings decrease the perceived distance of the center speaker. v1.1 MIX LVL (-3.0dB, -4.5dB, -6.0dB) Indicates the relative level of the center channel that was used during the mixing process. v1.1 SET (-31 to 0dB) Indicates the dialog normalization value applied to the input signal. Dolby Digital input sources reproduce dialog at 31 decibels below full-scale (-31dBFS). When the dialog normalization value of the incoming signal is higher or lower, the DIALOG SET parameter indicates the amount of adjustment the MC-12 makes to normalize dialog to -31dBFS. v2.0 LVL (-12dB to +6dB) Adjusts the amount of ambience or reverb mixed into all MAIN AUDIO OUTPUTS v1.1 DECODING (AUTO, ON, ) Controls the dts-es decoding feature. When set to AUTO, the MC-12 engages dts-es decoding for flagged dts-es-encoded input sources. The MC-12 does not engage dts-es decoding for other dts input sources, including non-flagged dts-es-encoded input sources. When set to ON, the MC-12 engages dts-es decoding for all dts(-es) input sources. When set to, the MC-12 disengages dts-es decoding for all dts(-es) input sources. 28

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