Introduction: -The Beat Kangz
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2 Introduction: Thank you for choosing Beat Thang Virtual as part of your creative process. As artists ourselves, we know how important this decision is. We understand that you have many products to choose from, and we greatly appreciate the fact that you decided to go with ours. We have worked very hard over the past few years to bring this concept to fruition. We have done our best to incorporate the features and functions that would most enhance the electronic musician s creative process. We hope that this product will give you many years of enjoyment, enhance your creative workflow, and serve as a tool that facilitates your ultimate success. Please let us know how this works for you. We will continue to refine our line of products using your input. Our goal is to be as responsive as possible to user feedback. We value your input, and we are dedicated to making our products the best that they can be. We appreciate you. Peace. -The Beat Kangz
3 Beat Thang Virtual version Getting Started - Basic Operations Overview We know you are exited and ready to try out your new gear. So, we've compiled this quick overview of some basic operations to get you started. Please go on to read the General Information and Systems Settings Sections. Then you'll be knowledgeable enough to be dangerous. The Beat Thang Virtual interface is fairly intuitive; so if you just want to play after that, then feel free. If you want to get into the intimate details, then check the support section of our website for the latest full documentation. Most importantly, do you and have fun! General Layout of the User Interface (UI) Please take a moment to familiarize yourself with the basic anatomy of the software. The rest of the manual will make much more sense if you do. Let's start with an overview of the main sections:
4 Basic Terms and Definitions - Please take a moment to look over these basic terms (even if you already know them). These terms define the basic logic and structure behind the Beat Thang Virtual's organization and workflow. Understanding this section insures that we are on the same accord, and you get the most out of this manual: Sample - A digital recording of a sound. This software ships with a library of over 3000 samples. You can also create your own and store them in a user location. Pad One of the 13 pentagonal shapes located at the bottom of the BTV software screen. These represent physical drum triggers. Sounds are assigned to them and can be triggered using your computer keyboard, controller device, or through MIDI. Bank - This is a group of 12 pads (or 1 octave). There are 8 banks total in every Kit. (96 sounds total per kit). Use BANK up and down buttons to access banks. Kit A collection of samples. By organizing samples into Kits, you can easily access several samples simultaneously. You can also assign multiple samples (up to 16) to a single Pad for a layered sound. Instrument A sound that is pitched across all or part of the eight octave (8 bank) key range. Track A discrete location that can have a different Kit or Instrument assigned to it. There are 8 internal tracks and 8 external (for sequencing other MIDI instruments). Tracks are accessed by pressing buttons 1-8. Tracks 9-16 are accessed by pressing the 9/16 button, and then 1-8 buttons respectively. Pattern A looped beat composed using various Kits and Instruments assigned to multiple Tracks. Song A string of patterns. In the Song mode, patterns may be chained together to create arrangements that are saved as songs. Navigation You can click any button on the User interface (UI) in order to access the various functions of this software. You can also click editable lines in the Beat Thang Virtual s audition /edit window directly. You can move the cursor forward through the data locations by pressing the TAB button. In order to move backwards use TAB + SHIFT buttons. Use the UP and DOWN arrow keys to change the value of each setting. You can also "click and drag" in many cases to change values or
5 to move kits, patterns or samples from the browser to the audition /edit window or the pads (samples only). Basic Audio /MIDI Setup The first time you run Beat Thang Virtual, you will have to make sure that audio and MIDI signals are properly routed in and out of the software. Otherwise, you will get no sound. Here's how to do it: 1. Click the SYSTEM button beneath the audition /edit window. 2. The System Settings dialog appears. 3. If you have a MAC, set the "Audio Input" to "Built-in Input" or "Built-in Microphone" (depending on the source that you want to sample from). "Audio Output" should be set to "Built-in Output" or whatever other driver might be available (if you have an external audio interface). 4. On a PC, select any available ASIO driver. You may have to download one. We recommend "asio4all" (free download at if you do not have a dedicated audio interface and driver. If you do have an audio interface, then use its ASIO drivers for input and output. NOTE: Now that your audio is properly configured, you can trigger and monitor sounds by pressing a,w,s,e,d,f,t,g,y,h,u,j, or k on your computer keyboard. If you would rather use an external MIDI controller as a trigger, then you will have to set the "Midi Input Port" (in the same Systems Settings Dialog) to whatever MIDI driver or plug and play controller that you have installed. Otherwise Beat Thang Virtual will not be triggered. How to trigger a sound * Click a pad with your mouse -OR* Press a,w,s,e,d,f,t,g,y,h,u,j, or k on your computer keyboard -OR* Use a MIDI controller (keyboard, pad, drum triggers, etc.). Most controllers must be on and present before launching Beat Thang Virtual.
6 How to create a new pattern (make a beat) 1. Click the PATTERN button with your mouse. 2. press NEW at the bottom of the audition / edit screen. 3. set the tempo in the BPM window (or tap the TEMPO button located in the pad section) 4. Click and drag a Kit (or instrument) over from the Browser window on the left. Drop it directly into the Kit window. Use your MIDI controller or click the pads (or a, w, s, e, d, f, t, g, y, h, u, j, and k keys on your computer keyboard) to audition sounds. Use BANK up and down (to the right of the track buttons) to access all the banks (octaves) of sounds. 5. hit the record button (you are now record ready).
7 6. Hit PLAY (now you're recording) and tap out your beat on track1. If you don't like what you did, hit the UNDO (function key) and begin again. 7. Select a new track by changing the number in the track window, or simply clicking a track button. 8. repeat steps 4 through 7 to overdub tracks. How to rename a pattern (beat) 1. While auditioning a pattern (works the same with kits, instruments, songs or samples), click the "File" soft key. 2. You will be asked for the new name of the object. 3. Use left / right arrow keys and keyboard to type new name. 4. You cannot rename objects that are not writable (factory data). How to save changes 1.To save any change press the SAVE button located below the audition / edit screen. Use left / right arrow keys and keyboard to type a new name. 2. If the object being saved is not savable, you will be asked to rename it. 3. When Prompted, Press the Cancel (soft key) to abort the save, or OK (soft key) to save the changes.
8 General Information Modes There are four basic modes: SONG, PATTERN, KIT and INST. There are four buttons on the left side of the audition / edit window by the same name (respectively). By clicking either one of these buttons, you can enter that mode and edit, rename or create new songs, patterns, kits or instruments. When a mode button is clicked it will remain lit and you will see its parameters in the audition /edit window until you switch to a different mode. Soft Keys You will notice 4 data locations at the bottom of the audition / edit window. These are "Soft Keys". As you go through the various modes and functions of the Beat Thang Virtual, The audition / edit screen will change accordingly. You will also notice the soft keys changing accordingly. Click them directly and use the up/ down arrows to change their values as needed. You can also move the cursor forward from soft key to soft key by pressing the TAB button (move backwards by using TAB + SHIFT buttons). Notice the "<" and ">" symbols on either side of the soft key row. Clicking these icons will move you forward (or back) to the next or previous set of soft keys (if another set exists).
9 Function Keys Below the audition /edit window is a row of buttons called function keys. They control the main functions of the software. Their operations are as follows: EDIT - allows you to modify songs, patters, kits and instruments. SAVE - a touch of this button saves all modifications. EXIT - hit this anytime you want to return to the previous screen. UNDO - clicking this button will take you a step back in the edit history. INS/COPY - using this function, you can copy and paste track and pad data. DELETE - using this function, you can delete kits, patterns, pads, songs and sequence data. EXPORT - click this to bounce your composition down to a stereo audio file. File can then be imported into other audio software. SYSTEM - here you can access all the general systems settings of the software DATA - (Functionality to come in subsequent versions) SAMPLE - use this function when you want to make a digital recording of a sound, edit it, and save it.
10 System Settings The Systems function is used to edit global machine settings. Press the SYSTEM button to access and change the following settings: *Audio Input here you can choose the device for input to the Thru channel and sample recording (where you select mic input etc) *Audio Output - this is where you choose the device for sound output from the Virtual. Here the line output path to your speakers is selected. (Must be an ASIO driver). * Buffer Size - this is where you control how much data is processed per buffer. This allows you to fine tune the performance of the software based on the task that you would like to perform. The higher the buffer size, the longer the latency (the time it takes to hear a sound after you strike the pad). So, if you want a tighter performance on the pads, then set a lower
11 buffer size. But if you want to run more effects, then set your buffer higher. * MIDI Input Port - choose the device to use as an external controller (keyboard with USB, Pad controller etc) * MIDI Input Channel - the MIDI channel that BeatThang will listen on. To listen to all channels, select Omni. * MIDI Output Port - choose the device that the BeatThang will output external midi tracks to; (a sound module or keyboard perhaps). * Pitch Bend Range changes the number of semitones that the pitch bend slider will bend a note. Half the range is lower than the samples natural pitch, half is higher. 2 is the traditional setting (but try 12 for crazy pitch changes). * Pitch Bend Mode determines whether the pitch bend control affects a single track or all tracks. * PPQ for new patterns - the Parts Per Quarter Note (PPQ) at which new patterns will record and play back. Changing this does not affect patterns which have already been recorded. The higher PPQ is set, the more resolution you have to record sequenced notes. * User Data Path determines where user data (the samples, kits, patterns, etc. that you create) will be saved. * Beat Indicator Button determines which button will be used to trigger tap tempo function. ***
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