THE CRACKLING RAINBOW COMET

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Transcription:

THE CRACKLING RAINBOW COMET A short drama by Laura King This script is for evaluation only. It may not be printed, photocopied or distributed digitally under any circumstances. Possession of this file does not grant the right to perform this play or any portion of it, or to use it for classroom study. www.youthplays.com info@youthplays.com 424-703-5315

The Crackling Rainbow Comet 2016 Laura King All rights reserved. ISBN 978-1-62088-593-2. Caution: This play is fully protected under the copyright laws of the United States of America, Canada, the British Commonwealth and all other countries of the copyright union and is subject to royalty for all performances including but not limited to professional, amateur, charity and classroom whether admission is charged or presented free of charge. Reservation of Rights: This play is the property of the author and all rights for its use are strictly reserved and must be licensed by the author's representative, YouthPLAYS. This prohibition of unauthorized professional and amateur stage presentations extends also to motion pictures, recitation, lecturing, public reading, radio broadcasting, television, video and the rights of adaptation or translation into non-english languages. Performance Licensing and Royalty Payments: Amateur and stock performance rights are administered exclusively by YouthPLAYS. No amateur, stock or educational theatre groups or individuals may perform this play without securing authorization and royalty arrangements in advance from YouthPLAYS. Required royalty fees for performing this play are available online at www.youthplays.com. Royalty fees are subject to change without notice. Required royalties must be paid each time this play is performed and may not be transferred to any other performance entity. All licensing requests and inquiries should be addressed to YouthPLAYS. Author Credit: All groups or individuals receiving permission to produce this play must give the author(s) credit in any and all advertisements and publicity relating to the production of this play. The author's billing must appear directly below the title on a separate line with no other accompanying written matter. The name of the author(s) must be at least 50% as large as the title of the play. No person or entity may receive larger or more prominent credit than that which is given to the author(s) and the name of the author(s) may not be abbreviated or otherwise altered from the form in which it appears in this Play. Publisher Attribution: All programs, advertisements, flyers or other printed material must include the following notice: Produced by special arrangement with YouthPLAYS (www.youthplays.com). Prohibition of Unauthorized Copying: Any unauthorized copying of this book or excerpts from this book, whether by photocopying, scanning, video recording or any other means, is strictly prohibited by law. This book may only be copied by licensed productions with the purchase of a photocopy license, or with explicit permission from YouthPLAYS. Trade Marks, Public Figures & Musical Works: This play may contain references to brand names or public figures. All references are intended only as parody or other legal means of expression. This play may also contain suggestions for the performance of a musical work (either in part or in whole). YouthPLAYS has not obtained performing rights of these works unless explicitly noted. The direction of such works is only a playwright's suggestion, and the play producer should obtain such permissions on their own. The website for the U.S. copyright office is http://www.copyright.gov.

COPYRIGHT RULES TO REMEMBER 1. To produce this play, you must receive prior written permission from YouthPLAYS and pay the required royalty. 2. You must pay a royalty each time the play is performed in the presence of audience members outside of the cast and crew. Royalties are due whether or not admission is charged, whether or not the play is presented for profit, for charity or for educational purposes, or whether or not anyone associated with the production is being paid. 3. No changes, including cuts or additions, are permitted to the script without written prior permission from YouthPLAYS. 4. Do not copy this book or any part of it without written permission from YouthPLAYS. 5. Credit to the author and YouthPLAYS is required on all programs and other promotional items associated with this play's performance. When you pay royalties, you are recognizing the hard work that went into creating the play and making a statement that a play is something of value. We think this is important, and we hope that everyone will do the right thing, thus allowing playwrights to generate income and continue to create wonderful new works for the stage. Plays are owned by the playwrights who wrote them. Violating a playwright's copyright is a very serious matter and violates both United States and international copyright law. Infringement is punishable by actual damages and attorneys' fees, statutory damages of up to $150,000 per incident, and even possible criminal sanctions. Infringement is theft. Don't do it. Have a question about copyright? Please contact us by email at info@youthplays.com or by phone at 424-703-5315. When in doubt, please ask.

CAST OF CHARACTERS GUY, 18, male, a hometown boy. AMBER, 18, female, headed for city lights. ACKNOWLEDGMENTS The Crackling Rainbow Comet premiered at Onion Man Productions' Harvest Collection of Short Plays, Lionheart Theater, Norcross, Georgia, May 28-June 7, 2015.

The Crackling Rainbow Comet 5 (Lights up on a roof of a suburban garage with two lawn chairs. GUY is sitting in one of the chairs. AMBER is standing.) AMBER: Do you think the fireworks will start soon? GUY: Be patient for once in your life. AMBER: I have to finish packing. GUY: You'll have time for that. AMBER: There's the party, too. GUY: Oh, yeah. I forgot. AMBER: No, you didn't. GUY: No, I didn't. AMBER: Are you sure you won't come? It's just over at the China Palace. We could split the sweet and sour pork. GUY: Who'll be sweet? AMBER: You, I hope. GUY: No, thanks. I don't feel like listening to everyone gush about your new job. (Amber and Guy are quiet.) AMBER: What time is it? GUY: It's almost time. AMBER: I really gotta go. GUY: Sit down. It'll start any minute. AMBER: (Sitting:) Fine. GUY: Best view in town. AMBER: I always liked it here. GUY: Me, too. AMBER: Remember the first year we came up here?

6 Laura King GUY: You were afraid we'd get in trouble for being on the roof. AMBER: Excuse me, but I was only 12. GUY: You were never really 12. AMBER: I sure wasn't used to hanging out with boys on the roofs of garages. GUY: But I tempted you with my magnetic charm and way with words. AMBER: And bountiful supply of Twizzlers. GUY: But that wasn't the real reason. AMBER: Nope. GUY: You had to stay to see the... GUY AND AMBER: Crackling Rainbow Comet. AMBER: You said it was the best of all the fireworks. GUY: It is. AMBER: You said it would soar through the sky and explode in a fiery ball of color. GUY: Leaving nothing but smoldering sparks in its wake. AMBER: You wouldn't let me take my eyes off the sky. GUY: I didn't want you to miss it. AMBER: You told me if I turned away for one minute, it would be gone and I'd miss it. GUY: But you didn't. AMBER: No. It was beautiful. It's still my favorite. GUY: Mine, too. AMBER: I would like to see it one more time.

The Crackling Rainbow Comet 7 GUY: Then stay for a while. AMBER: All right. For a while. (They watch the sky.) GUY: It'll be weird not having you around. AMBER: I'll come back to visit. GUY: No, you won't. AMBER: No, I won't. GUY: Ever since we met I knew you wouldn't stay here. AMBER: Couldn't stay here. GUY: Is it really that bad? AMBER: What's bad is staying in the same place doing the same things over and over for the rest of your life. GUY: Like me. AMBER: I didn't say that. GUY: But that's what you meant. AMBER: I guess it was. GUY: Is that why you broke up with me? AMBER: Let's not do this again. GUY: I want to know. AMBER: You already know. GUY: Because I can't go with you? AMBER: Won't go with me. GUY: What am I going to do in the city? AMBER: You could get a job like me.

8 Laura King GUY: Yeah, right. Can you see me working at a big publishing house? They wouldn't mind if I showed up in jeans and a flannel shirt, would they? AMBER: You can buy new clothes. I'll take you shopping. GUY: It's not the clothes, it's me. I'm a jeans and flannel shirt kind of guy. And you're a... AMBER: What? GUY: A...fiery ball of color. AMBER: (Standing and looking away:) I gotta go, Guy. I can't miss the party. I'm the guest of honor. GUY: (Standing:) Don't let me keep you. AMBER: You're not. GUY: Why did you even meet me here tonight? AMBER: You don't have to get mad. GUY: I'm not mad. AMBER: You're yelling. GUY: I don't get it. Why are you here? AMBER: I'm here because...because...oh, I don't know. GUY: Nostalgia? Obligation? Guilt? AMBER: What do I have to feel guilty about? If anyone should feel guilty, it's you. GUY: Me? AMBER: Trying to make me feel bad about going away. Can't you understand? This is my chance to stop listening to your stories and start living my own. GUY: All this is just to get away from me?

The Crackling Rainbow Comet 9 AMBER: Guy, we've been stuck in these suburbs living side by side our whole lives. We're finally out of school and free to do whatever we want. Don't you want to see something else? GUY: Right now, I can see everything I need from the roof of this garage. AMBER: It's not a big enough view for me. GUY: It always comes back to this, doesn't it? AMBER: Not anymore. I'm leaving. GUY: I thought you wanted to see the Crackling Rainbow Comet one more time. AMBER: You'll have to watch for it by yourself. (Amber starts to exit.) GUY: I heard you. (Amber stops and turns back to Guy.) AMBER: What? GUY: I heard what you said. Want to read the entire script? Order a perusal copy today!