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Transcription:

LOEW

3 11 Light Loew is a geometric based sans serif influenced by the early industrial designer s. 14 Medium 18 XBold Loew is a geometric ba font influenced by the industrial designer s. P mechanical shapes are adjusted to give the ch right form, function an These subtle human to combined with the tec provide great readabil large and small point s versatile sans serif fon and honest geometry wide range of modern Details include over 80 with alternative lower Loew is a geometric based s influenced by the early indu Pure mechanical shapes are to give the characters the ri and usability. These subtle h combined with the technica great readability at both larg sizes. Loew is a versatile san simple and honest geometr range of modern application

OHA A blend of optical refinements & geometric construction result in a near perfect circle, for both uppercase & lowercase O

OUR SUCCESS IS A VICTORY FOR PURITY, INTEGRITY FOR GIVING A DAMN. JONY IVE We re surrounded by anonymous, poorly made objects. It s tempting to think it s because the people who use them don t care just like the people who make them. But what we ve shown is that people do care. It s not just about aesthetics. They care about things that are thoughtfully conceived & well made. We make & sell a very, very large number of (hopefully) beautiful, well-made things. 12 44

abcdefgh nopqrstu 1234567 100 Thin - XBold loew glyp

IJKLM 100 Thin Italic - XBold Italic VWXY ;.: (-) PHSET

(FORM, FUNCTION AND USABILITY) BLUE COLLAR PURE fanatical care beyond the obvious Simplicity & Focus dauerhafte SYNERGY our products are tools & we don t want design to get in the way

intuitive INQUISITIVE AND CURIOUS SIMPLE I m very aware of an incredible tradition in the UK of designing and making minimalistisch HONEST The beauty is in the clear expression of function CLARITY

MENU

68 Thin simplicity isn t simple. Designing anything of consequence is incredibly challenging. Our goal is to try to bring a calm and simplicity to what are incredibly complex problems so that you're not aware really of the solution, you're not aware of how hard the problem was that was eventually Simplicity is not the absence of clutter, that is a consequence of simplicity. Simplicity is somehow essentially describing the purpose and place of an object & product. The absence of clutter is just a clutter-free product. That's not simple. solved. The quest for simplicity has to pervade 13 Medium every part of the process. It really is fundamental.

A AB 76 Black - Thin ABC ABCD ABCDE ABCDEF ABCDEFG ABCDEFGH

MASTER WEIGHTS 120 Black - Bold - Thin abcde abcde abcde

I IJ 76 Black talic - Thin Italic IJK IJKL IJKLM IJKLMN IJKLMNO IJKLMNOP.

OPENTYPE FEATURES X1234567890 X1234567890 Lining Figures Oldstyle Figures Numerator/Denominator Superscript/Subscript Small Caps X1₂ X³₄ 78 Thin X567890

OPENTYPE FEATURES aaa ABCDEFGHIJKLMN OPQRSTUVWXYZ SMALL CAPS

OPENTYPE FEATURES (!?,. &) 22 240 11. :, ;!?(){}[]_\/&% * # @ ^. " ' - ~ ± ½ ¼ ¾ ⅛ ⅜ ⅝ ⅞ = + > <

40 HEAVY. A COMPLETE DISPLAY WEIGHT WITH OVER 800 CHARACTERS. FREE. A COMPLETE DISPLAY WEIGHT WITH OVER 800 CHARACTERS. FREE. A COMPLETE DISPLAY WEIGHT WITH OVER 800 CHARACTERS. FREE. «Heavy A COMPLETE WEIGHT.

Rapid-Prototyping HALLMARK form and colour defines your perception of the nature of an object SLEEK, MINIMALIST VIBE intuitive the shape, the form defines its function 0.00 (Design drives the technology, not the other way around) BONA FIDE

Q 76 Heavy QR QRS QRST QRSTU QRSTUV QRSTUVW QRSTUVW*

OPENTYPE FEATURES Heavy fiffj $ ƒ ff ffi ffl fi fl ffj fj fh Th ch ct sp st fb 22 240 11

a OPENTYPE FEATURES 100 Heavy áẵẩằǎậàå ặǟẫảạąãā ềëếėēêęẽ ẻèẽễệéȩë

*XYZ OPENTYPE FEATURES 20 210 Heavy ÁĂẮẶẰẲẴǍÂ ẤẬẦẨẪÄǞẠÀ ẢĀĄÅÃḄĆČÇĊ ÐĎḒĐḌḎÉĚȨÊ ẾỆỀỂỄËĖẸÈẺ ĒĘẼĞǦĢĠĦḤÍǏ ÎÏḮİỊÌỈĪĮĨĶĹĽḼĻ ĿḶŁḾŃŇṊŅṄṆ ŊÑÓǑÔỐỘỒỔỖ ÖȪỌÒỎƠỚỢỜỞ ỠŐŌṒṐØǾÕṌÞ ŔŘŖŚŠŞȘṢŦŤŢṰ ȚṬṮÚǓÛÜǗǙǛǕ ỤÙỦƯỨỰỪỬỮŰ ŪŲŮŨẂŴẄẀÝ ŶŸỴ Ỳ Ỷ Ỹ Ź Ž Ż Ẓ

MADE IN BRITAIN 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 it s hard to overestimate the influence of jony ive. the last decade has belonged to him. 40

TOMORROW DOESN T WAIT FOR THE MAN WHO DESIGNS IT.