Photography Basics: Telling a story though the lens
Knowing your camera
Modes A (Green rectangle)- Auto P -Program Mode AV-Aperture Priority TV- Shutter Priority M- Manual A-DEP- Auto Depth of Field
Modes Auto- automatic Descriptions Program Mode- Set ISO, and exposure AV mode- Set aperture, and shutter TV mode- Set shutter speed, and ISO Manual Mode- Set aperture, shutter, and ISO A-Dep Mode- Set what is in focus (Apeture) 01
Front 01
Back 01
Top 01
Side 01
Bottom 01
ISO/Aperture/Shutter Speed/Exposure
The Exposure Triangle ISO- Noise! Aperture -Depth of Field! Shutter Speed- Motion Blur 01
Aperture f/1.2-f/11! Lower number! Larger iris! Less light! Less in focus! Higher number! Smaller iris! More light! Less in focus
Shutter speed 30 seconds-8000 seconds! Slower speed= More light/motion blur! Higher speed= Less light/freezes motion 1/20 sec 1/250 sec
Breakout Session
ISO ISO 100-3200+! Lower ISO= Less light/less noise! Higher ISO= More light/more noise
ISO Use lowest ISO for cleaner picture.! Use tripod with slower shutter speeds.! If the shutter speed is less than the focal length, use a tripod.! Use IS (Image Stabilisation) on your lens if you don t have a tripod for slower shutter speeds. 01
Metering Modes
Metering Modes Different modes determine how much of the frame is used for exposing correctly Evaluate/Center = Use most of the screen Partial/Spot= Use less of the screen
Evaluative metering This is a general purpose metering mode suited for portraits and even backlit subjects. The camera sets the exposure automatically to suite the scene. Partial metering Effective when the background is much brighter than the subject due to backlighting, etc. Partial metering covers about 9.4% of the viewfinder area at the center. Spot metering This is for metering a specific spot of the subject or scene. The metering is weighted at the center covering about 2.3% of the viewfinder area. When spot metering is set, the spot metering circle will be displayed in the viewfinder. Center weighted average metering The metering is weighted at the center and then averaged for the entire scene.
White Balance Use the setting most appropriate for the lighting conditions. Use different settings to change the mood. Can change in post if shooting in RAW.!
Breakout Session
Focusing Choose point closest to the subject. Make sure subject is in focus. Use manual and live view. Eyes of portraits should be focus point.
Lights & Film School Video Headroom, Leadroom, & Framing Play
Breakout Session Compostion
Rule of Thirds
Symmetry
Patterns yhkph erlemrsm;
Fill the Frame/Cropping
Leading Lines
Background/Depth of Field taemufchjrifugif;/ jrif;ugif;teuf f/1.8 f/4 f/8 f/16
Framing
Breakout Session
Breakout Session Lenses
Lenses rsefbdvl;rsm; Zoom Ring Image Stabilization yhk. cdkifchhwnfjcif; Focus Ring tv,fa[dk.tugif; Focal Length zrf;xm;wjht &Snf
Wide Angle (10-24 mm) Can fit more in the photo. Less depth of field. Can sometimes distort.! 10 mm 17 mm
Fixed Lens One focal length Usually lower aperture (usually f/1.2-f/2.8) Better picture quality and lighter than zooms.! Canon 50mm/f.8!
Telephoto (100mm and up) Take pictures far away. Compresses background. Use higher shutter speed. IS (Image Stabilisation) lens, or tripod to avoid motion blur. Affects depth of field -Longer focus length -Depth of field= Shallower 300 mm
Homework 1.) Tell a 1 min story with still images! 2.) Use the different compositions that we discussed! 3.) Remember to make sure you have the correct settings for where you are shooting!