Changing the background image and lighting maps

Making a Custom Environment in Showcase There are several tools in development for Showcase to help you create custom environments. This document outlines when to use these tools, and other tips and tricks for getting the job done. There are four steps involved in this process, each building on the last: 1. Change the background image and lighting maps. 2. Create a new environment with built in tools and standard geometry. 3. Calibrate the environment. 4. Edit the dome geometry This document also describes how to create custom dome geometry in Maya and hand edit the a3e file, and provides supplementary workflows and troubleshooting information. Changing the background image and lighting maps This section assumes that you can supply a background image one with low dynamic range (jpg, png, and tiff) and in Latitude Longitude format. The first thing to do when customizing an environment is to change the background image and lighting maps. Replace the background image For example, suppose that the reflections and lighting of the Exhibit Hall environment look good with a model, but the background image needs to be changed to provide different context. You can do this with the Generic environment, which is editable. 1. Switch to the Generic environment, then right-click on its preview icon and select Properties to open the Environment Properties window.. Figure 1: RMB over the Generic environment to open the Environment Properties window

2. The background image is actually a property of a material assigned to an environment dome. To change the background image, edit the material properties for the environment dome geometry. Click the Wall Material button, and the Floor Material button to edit the material currently assigned to the wall and floor, respectively. This is usually an Image Map material with the only editable attributes being the image assigned to it, and the mapping it uses (parametric, planar etc.) Figure2: Change the background image by editing the material on the geometry dome. Changing the background image this way does not change reflections or lighting. Note: The Wall and Floor Transform buttons are not used in this particular workflow. Replace the Lighting Map Files (IBL) 1. To change the reflections and other IBL maps, use the Lighting overrides to browse to new IBL maps. For example, replace the Generic IBL maps with those from the Exhibit Hall.

Figure3: Replace the IBL maps with those from another environment. Note: The Highlight map is often referred to as a specular map. 2. At this point you can also: Change the overall brightness and color using the Environment Properties Lighting Overrides. Change the preview icon for the environment by right-clicking on the environment s icon then selecting Set image. Rename the environment. Save the edited environment 1. First create a new library: a. In Showcase, press the E key to display the Environment interface. b. On the Environment Libraries tab, click Manage and select Add Environment Library from the menu to create a new Library: Figure5: Adding an Environment Library 2. Save your edits to the environment Library for later use.

Right-click on the environment icon and select Save to Environment Library. The new environment appears in the Environment Overlay UI section of the library for later use. Notes on changing the IBL maps Most of the images that make up environments are HDR (High Dynamic Range). It is common to encounter HDR images in the following formats:.hdr,.tiff (32-bit per channel),.exr. The IBL maps are in the Showcase Library are currently in.exr format to save on disk space. Showcase supports:.hdr : both reading and writing.exr : reading only You can create replacement IBL maps using: Showcase HDRShop Photoshop CS3 extended, or ATI s CubeMapGen Refer to Showcase Help for resolution and aspect ratio requirements for IBL images. Figure 4: Example of IBL maps-: background, reflect, specular (highlight), and diffuse Creating a new environment with built-in tools and standard geometry Showcase has a built-in method for importing an HDR image and creating an environment from it. This method creates the necessary components of an environment: A3e file and a folder with: Background image 3 IBL maps Geometry dome Thumbnail preview Import an HDR panoramic image 1. To import an HDR image to be used as a new environment for Showcase, right-click on the Generic Environment icon and select Create Environment IBL.

Figure6: RMB over the Generic Environment to evoke the Create IBL command 2. Browse to an HDR image. (You might be prompted to create a folder to save the new environment to.) The Create IBL button at the bottom of the window becomes enabled when an HDR image is specified. The image must have a: 2:1 width to height ratio if it s in latitude longitude layout. 3:4 width to height ratio if it s in vertical cross layout. 1:1 width to height ratio if it s in mirrored ball/spherical layout. HDR images are often very large (for example, 6000 x3000 pixels= 80MB). As such, the image may take a few seconds to read-in before the Create IBL button becomes enabled. 3. Click the Create IBL button to create the new environment. Tweak the results of IBL creation The initial results achieved by the Create Environment IBL can vary greatly depending on the HDR image used If the Environment is a little too light or dark, use the built-in controls for adjusting the environment IBL maps. These are in the Environment Properties Window: Figure 7: The Environment Properties window Lighting Overrides

These Lighting overrides can adjust the whole environment. You can also adjust individual maps. For example, it is common to increase only the highlight map (specular map) value. Note: The attributes in the window are covered further on in this document. Room Transforms button Rotates the IBL maps. The effect of rotating the IBL maps is only visible in reflections. To rotate the visible background, you must rotate the dome itself. The IBL contrast slider will have no effect until the contrast midpoint is also changed. Environment too bright or overexposed If the resulting environment is obviously way too bright and overexposed, the original HDR image may need to be pre-processed in Photoshop or HDRShop. Important Note: All HDR images are not created equal and the results produced by Showcase will depend heavily on the light value range in the HDR image. For this reason it is strongly recommended that you set the image s exposure in Photoshop: Figure8: Using Photoshop to correct overexposed images

Calibrating the environment After creating the Environment IBL maps, you need to calibrate them relative to the material library and other environments. To do this, it is helpful to import an object into the scene and evaluate how the new environment illuminates it. Showcase has a few materials to help with this task. These are found in the Miscellaneous tab of the Materials Library: IBL Diffuse Effect IBL Highlight Effect IBL Reflection Effect Calibrate relative to IBL Effect materials 1. When applied to an object in the scene, these materials will reflect only one of the IBL maps, Diffuse, Highlight and Reflection respectively. a. Create a new scene. b. Import a sphere, and duplicate it twice. c. Translate the spheres so that all are visible. d. Bake ambient shadow on the spheres (select Scene > Create Ambient Shadows). 2. Apply a different IBL Effect material to each sphere. Figure9: IBL Effect materials applied to spheres a. Switch from the new environment to any other (such as the Docks environment). b. Observe how much the materials appear to change. Figure 10: Switching to another environment reveals that the new environment (previous image) is too dark by comparison

3. Return to the new environment and adjust the IBL Lighting Overrides until the change in materials is appropriate to the background image. This is a subjective task. You are eyeballing it. Figure 11: Environment properties IBL lighting overrides Notes on using the lighting overrides Changes to the Environment Lighting Overrides are visible only when there is an object in the scene. IBL changes are only visible in reflections. Calibrate against a similar environment Compare the new environment to several library environments, but weigh any decisions towards a similar lighting model if possible. That is: If the new environment is a daytime shot with trees, calibrate against the Country Road. If the new environment is a dark shot (nighttime or underground) with concrete structures, calibrate against Night Plaza. If the new environment is a daytime shot with bright sunlight in a wide open space, calibrate against the Sepulveda or Dry Lake bed environments. Typical edits to environment properties Increase overall IBL value (Brightness) Decrease saturation Change contrast levels: Set the contrast midpoint to either.5 or 2 Change the IBL contrast (Changing the contrast without changing the contrast midpoint will have zero effect.) After making global changes to all the maps, it is often necessary to further adjust individual maps, for example:

reduce saturation on diffuse map to.5 increase IBL effect of diffuse map to 1.5 reduce saturation on highlight map to.5 increase IBL effect of highlight map to 2 Figure 12: Before and after environment calibration Assign Yellow Car Paint to a sphere and confirm that it does not appear to have a green tint. If so, the Diffuse and Highlight maps are probably too saturated. (This is noticeable in environments with lots of bright blue sky). Assign White Car Paint to a sphere and confirm that it is not overexposed. If so try lowering the IBL Effect of the highlight map. Assign Black Car Paint to a sphere and confirm that it is not underexposed. If so, try increasing the IBL Effect of the diffuse map. Editing the dome geometry Positioning the dome geometry The Environment Properties window also provides controls for positioning the dome geometry. The Room, Wall, and Floor Transform buttons are for translating and scaling the dome geometry. This is necessary when: The environment looks way too big or small for the scene. The environment needs to be rotated to provide an optimal view. In this case, geometry rotations need to match the IBL map rotations (an option in the Environment Properties window).

Figure14: Room Transformations will allow the background to be rotated Note: The effect of rotating the Environment geometry does not affect reflections. Rotate the geometry first, and then rotate the IBL maps with the same values. Use the Room Transforms button in the Environment Properties window to rotate the geometry Switching the dome geometry Some HDR images may appear distorted when seen on the Generic s default dome geometry. For example, tall buildings or trees can appear to curve as they near the top of the dome. For this reason, you can specify a different Dome geometry (apf) file in the Environment Properties window. Figure15: Changing the geometry to correct distortion. The following geometry can be interchanged fairly easily: Counrtyroad.apf Docks.apf Has straight sides which is good for buildings or scenes with trees. The Docks has a planar mapped ground. It is designed to have a separate image assigned to the floor. For example, a repeating tile pattern. DryLakeBed.apf Very large, useful for vast, open spaces. Generic.apf GreenRoom.apf:

Note: The GreenRoom has a third material for the ceiling which is not accessible via the Environment Properties window. The UV layout of this environment supports a single image mapped repeatedly onto all four walls. Sepulveda.apf Figure16: Relative sizes and shapes of existing dome geometry When the environment s dome is switched, the material that was assigned to the previous apf file may not display correctly. This is because the new file may have differently named walls and floors and this can break the material s link to the object. This problem can be corrected by making sure that the correct Wall geometry is listed in the Wall s pull down menu. Use the Wall Material and Floor Material buttons to edit the material currently assigned to the wall. This is usually an Image Map material with the only editable attributes being the image assigned to it, and the mapping it uses. Figure 17: Defining the correct wall geometry Creating custom dome geometry in Maya (The following procedure assumes a working knowledge of Maya) You may want to create custom environment geometry to match specific HDR images. An example of this is the Exhibit Hall environment. It uses a rectangular geometry instead of the usual hemisphere. This reduces the distortion which can be seen in the final result.

Load the apf plug-in To create custom geometry in Maya, the Autodesk packet file plug-in must be loaded. In Maya version 7 and up: 1. Go to Window > Settings and Preferences > Plug-in manager 2. Click the Load button. 3. Browse to the appropriate Plug-in folder, located in C:\Program Files\Autodesk\Showcase2008\maya\ (There is a separate folder for each version of Maya which contains the Plug-In). Create geometry domes 1. Create a polygon object in the desired shape of the environment (for example, sphere with flattened bottom, cube with arched roof etc ). 2. Make the polygon object in two pieces: Dome and Ground, and name them accordingly. Note that Showcase relies on the naming of the Ground object to cast ground shadows. The average size of a Showcase environment is 2000cm (for automotive) 2. Group the Ground and Dome together as Room. Figure 18: Required naming convention of geometry for use as Showcase environment. Figure 19: Examples of some useful shapes for environments 3. Center the pivot point of the Room group to the center of the Ground object. 4. Center the Room at the origin:

Figure 20: Room is at the origin and its pivot point is centered on the Ground. 5. Modify > Freeze transformations on all the objects. 6. Export the Room objects as an apf file. 7. Flip all normals so that they face inward. To preview this in Maya, turn OFF double sided in the objects attribute editor (uncheck Attribute Editor > Render > Double Sided) The object representing the floor should be centered at the origin. 8. The geometry must have an orderly UV layout, that is, no overlapping UVs. Figure 21: Orderly, non-overlapping UV layout is required for the projected Surface Shader workflow

Place the background image (The following workflow assumes that you have already used the built-in tools to create the IBL maps and background image.) There are several ways to change the position of the background image as it appears on the dome: Edit the Dome s UVs Edit the Dome s material in Showcase Edit the background image placed on the dome The third method is described here: 1. A projected Surface Shader can be created in Maya to quickly provide a new background image which will fit perfectly onto the new geometry. In this case, the shading map is used to place the image, and mental ray is used to render a new version of the image which will fit the UVs of the model. 2. Assign a Surface Shader to all the surfaces in the geometry dome. a. Map the Surface Shader s Out Color to a file texture: select the As Projection option when doing so. b. Set the projection type to spherical. c. Browse to the background image (in latitude longitude format) and use it as the file texture for the out color. d. In Maya, press the 6 hotkey (texture shading ON) to see the placement of the image on the geometry interactively. If the resolution of the image is not clear enough, increase it by switching to High Quality Rendering in the panel view options: Figure 22: Maya High Quality Rendering in the main view d. Use the Surface Shader s place3dtexture s handle to rotate and translate the image and align it correctly with the geometry.

Figure 23: The Surface Shaders outcolor is positioned with the place3dtexture handle Bake the new background image using mental ray 1. Select all the dome geometry and then: a. Right-click on the dome geometry and select Baking > Edit attributes > texture. This opens the Bake Set window. Set the attributes as shown below:

Figure 24: Mental Ray Bake Set attributes. Note: The resulting image, named baked will be saved to \projects\default\renderdata\mentalray\lightmap b. To render the new image, select Lighting/Shading > Batch Bake > Mental Ray. This displays the Bake Set overrides. c. Click the Convert and Close button.

Figure 25: rendering the new background image via Lighting/Shading>BatchBake (Mental ray) d. Copy the image from \projects\default\renderdata\mentalray\lightmap to the new environment folder. Figure 26: Original image and the newly rendered layout to support the custom geometry

Undocumented Maya export to apf tip When exporting an apf file from Maya, note the following: The apf file has materials imbedded in it. Any images associated with this file will be found and displayed parametrically, if the images are in the same directory as the apf file. If a Shading Map effect is desired on the apf file, do the following: 1. In Maya, assign a Phong material. 2. Make all of its values the lowest possible values: (0 black, or move the slider to the left). 3. Map an image to incandescence. The result will be an apf file which will automatically have the equivalent of: Shading map in Maya Image Map in Showcase Figure 27: This set up of a Phong will be interpreted by Showcase as an Image Map material.

Appendix A: Hand editing the a3e file Prerequisites: This portion of the workflow assumes that the user has: Some experience editing xml, or other scripting language. A basic environment as created by Showcase s built in tools. This environment is named MyEnviro (for example). A custom geometry dome built in Maya A new background image rendered out of Maya which matches the custom geometry s UV layout. Note: Showcase scene files have an.a3s extension. Showcase environments have an.a3e extension. Edit the MyEnviro a3e file (which is xml format text) so that it references the new geometry. To do this, a sample file is useful for copying model and material statements from. Create a sample file with the new model and materials: 1. Create a new Showcase scene. 2. Import the custom dome geometry into the scene. 3. Press the M key to display material library. 4. Select the Ground object and assign an Image Map to it : a. Select Materials > Miscellaneous > Image Map. b. Source the new background image (previously rendered in Maya) and use it for the material s color. c. Rename the material Floor. 5. Select the Dome object and assign an Image Map to it. a. Source the new background image (rendered in Maya) and use it for the material s color. b. Rename the material Walls. 6. Save the scene. For example, name it TestEnviro. 7. Open both TestEnviro.a3s and MyEnviro.a3e in WordPad and compare the models section at the top. Note: The MyEnviro.a3e file has an additional light statement in the models section (highlighted in red below, the models are highlighted in blue). Do not overwrite the lighting statement in the next step. Copy the models from the test file to the environment file The simplified syntax of the models section of the a3e file looks something like this: <models> <import group <light type=" </light> </models> 1. Here is the full version of the Testenviro.a3s models section (has no lighting statement).

Note that the <models> section can be very long in the case of custom geometry with many polygon objects. <models> <import group_based_names="1" src="generic.apf" original="c:\temp\generic.apf" name="generic.apf"> <child node="generic.apf:fileroot"> </child> </import> <group urto="1" name="generic.apf:fileroot"> <child node="generic.apf:room"> </child> </group> <group urto="1" name="generic.apf:room"> <child node="generic.apf:ground"> </child> <child node="generic.apf:dome"> </child> </group> <group urto="1" name="generic.apf:ground"> <child node="generic.apf:ground-mesh"> </child> </group> <lod_group urto="1" name="generic.apf:ground-mesh"> </lod_group> <group urto="1" name="generic.apf:dome"> <child node="generic.apf:dome-mesh"> </child> </group> <lod_group urto="1" name="generic.apf:dome-mesh"> </lod_group> </models> a. Compare this to the MyEnviro.a3e models section: <models> <import group_based_names="1" src="env.apf" original="env.apf" name="env.apf"> <child node="env.apf:fileroot"> </child> </import> <group urto="1" name="env.apf:fileroot"> <child node="env.apf:env"> </child> </group> <group urto="1" name="env.apf:env"> <child node="env.apf:ground"> </child> <child node="env.apf:dome"> </child> </group> <group urto="1" name="env.apf:ground"> <child node="env.apf:ground-mesh"> </child> </group> <lod_group urto="1" name="env.apf:ground-mesh"> </lod_group> <group urto="1" name="env.apf:dome"> <child node="env.apf:dome-mesh"> </child>

</group> <lod_group urto="1" name="env.apf:dome-mesh"> </lod_group> <light type="directional" name="exhibition_2light"> <parameter type="string" name="castsshadows" value="true"> <parameter type="string" name="explicitlighttype" value="directional"> <parameter type="double3" name="lightcolor" value="1.0 1.0 0.98"> <parameter type="double3" name="lightcolor" value="0.632045654083 0.624242621316 0.608636555784 1.0"> <parameter type="double4" name="lightdirection" value="-0.265066887112-0.773454767137 0.575766678915 1.0"> <parameter type="double4" name="lightposition" value="-265.067031399-773.455188159 575.766992327 1.0"> </light> </models> 3. Paste the models section from the TestEnviro.a3s (marked in blue) into MyEnviro.a3e. 4. Save the edit s to myenviro.a3e and test that the environment still loads in Showcase (the materials assignments will be lost at this point). Copy the materials and material assignments from the test file to the environment file Note: The material assigned to the ground must be of type Unlit to receive shadows. 1. Here is an example of a materials section of an a3s file. <materials name="miscellaneous"> <material type="a3s::unlit" name="image Map[0]" label="floor"> <parameter type="string" name="diffuseibl" value="none"> <parameter type="string" name="diffuselight" value="none"> <parameter type="string" name="diffusesource" value="texture"> <parameter type="string" name="specularibl" value="none"> <parameter type="string" name="specularlight" value="none"> <parameter type="string" name="specularsource" value="none"> </material> <material type="a3s::unlit" name="image Map" label="walls"> <parameter type="string" name="diffuseibl" value="none"> <parameter type="string" name="diffuselight" value="none"> <parameter type="string" name="diffusesource" value="texture"> <parameter type="string" name="specularibl" value="none">

<parameter type="string" name="specularlight" value="none"> <parameter type="string" name="specularsource" value="none"> </material> </materials> 2. Copy paste the entire materials section from the test file and use it to overwrite the materials section in the MyEnviro.a3e file. 3. Do the same for the material assignments: <material_assignments> <material_assignment visible="" material="miscellaneous::image Map" target="drive.apf:dome-mesh"> </material_assignment> <material_assignment visible="" material="miscellaneous::image Map[0]" target="drive.apf:ground-mesh"> </material_assignment> </material_assignments> Note that the material is assigned to the dome using its name, not its label; the label is what you would see as the material name within Showcase, but the under the hood name of the material is Miscellaneous::Image Map in this case. Its label is Walls. 4. Save the edits to MyEnviro.a3e, and load the file into a new Showcase session to preview MyEnviro. 5. Align the environment IBL to the custom geometry dome. 6. In the process of creating and exporting a custom dome Set the default light direction for the new environment Showcase environments and materials can be affected by an environment light. When this control is ON, the light and shadow direction is read from the environment (unless you have specifically overridden it for your scene by changing the value in the aforementioned control). To get the appropriate positional values for the light in the MyEnviro.a3e file, you must: 1. Create a new Showcase scene. 2. Switch to MyEnviro. 3. Import an object into the scene and assign a reflective material to it. (Materials > Miscellaneous > IBL Reflection Effect) 4. Switch on scene shadows. (Scene > Environment Lights and Shadows > Illuminates and Casts Shadows) 5. Position the light so that it matches the direction of your IBL images. 6. Move the shadow until it looks right. 7. Alternate method: a. Face the reflective object.

b. Find the reflection of the sun in the object. (That is, position the camera so that the environment light is behind you.) c. Ctl-click to place the highlight. 8. Avoid making the light very close to the horizon, and thereby casting excessively long shadows. 9. Save the scene as MyEnviro_lightPosition.a3s. 10. Open the MyEnviro_lightPosition.a3s file in WordPad and look for the lightposition statement (at the top of the file, at the end of the models section). a. Copy the following positional information (highlighted in red): <light type="directional" name="genericlight"> <parameter type="string" name="castsshadows" value="true"> <parameter type="string" name="explicitlighttype" value="directional"> <parameter type="double4" name="lightcolor" value="1.0 1.0 1.0 1.0"> <parameter type="double4" name="lightdirection" value="0.0 0.0 1.0 1.0"> <parameter type="double4" name="lightposition" value="0.0 0.0 1000.0 1.0"> </light> b. Paste this positional information from MyEnviro_lightPosition.a3s into the same respective location in MyEnviro.a3e. c. Save the file and test it in Showcase on a new scene. Turn on scene shadows and import an object to confirm that the shadows appear in the correct location for MyEnviro. Appendix B: Supplementary workflows Hand editing a copy of an existing environment One of the simplest ways to customize an environment is to start with a copy of another environment. This copy can be made from within Showcase by right-clicking on an environment and then selecting Save to Environment Library. For this example, assume that the generic environment was copied, and the IBL maps were also copied from the common folder. Alternately, the folder itself can be manually copied from an explorer window. In this latter case, the copied environment will need the following edits: 1. Rename the environment folder: TestEnviro 2. Rename the environment.a3e file inside this folder: TestEnviro.a3e 3. Edit the TestEnviro.a3e file in WordPad and change the header name : Before: <?xml version="1.0" encoding="utf-8"?> <environment_description name="generic" image="generic.tif">

After: <?xml version="1.0" encoding="utf-8"?> <environment_description name="testenviro" image="generic.tif"> Figure28: Generic environment s folder contents. Note that the IBL maps for this environment are not located here. For this example, it is necessary to copy the IBL maps from the support\environments\common folder. Figure29: Typical contents of an environment folder (Night Plaza shown) Note that the.mayaswatches folder contains pre-rendered material swatches. It is optional to include this or not. Changing the environment s icon In Showcase you can set image for any custom environment. This is the simplest way to create a new icon. You may opt to edit the environment s icon, in this case Generic.tif, in Photoshop (to add text or a logo). Be careful not to remove the icon s transparency: 1. Ctl-click the icon s layer to select it. 2. Open another image which represents the new environment (for example, a saved image of a sphere in the environment). 3. Select the image and copy it to the clipboard. 4. Ctl-Shift-V to paste the image into the Generic.tif. 5. Ctl-T to transform the pasted image into place (make it smaller). 6. Ctl-E to merge the pasted layer down. 7. Save the image and rename it TestIcon.tif Editing the a3e file to source the new icon 1. Open the testenviro.a3e file in WordPad.

Before: <?xml version="1.0" encoding="utf-8"?> <environment_description name="testenviro" image="generic.tif"> After: <?xml version="1.0" encoding="utf-8"?> <environment_description name="testenviro" image="testicon.tif"> 2. Launch Showcase and verify that the copied environment can be displayed, and appears with its new name and icon. Changing the IBL maps At this point, the images that make up the environment can be safely edited. These images are HDR (High Dynamic Range). It is common to encounter HDR images in the following formats:.hdr,.tiff,.exr. Showcase supports: a..hdr, both reading and writing b. and.exr, just reading c..tiff (32-bit per channel) is unsupported A common edit is to switch all the IBL maps with new ones. These new maps may have been created by Showcase, HDRShop, Photoshop, or ATI s CubeMapGen. Refer to the help documentation for the specifics on optimal resolutions for these images. For the purposes of this example, assume that there are four new maps which are to replace the existing ones: NewTest_background.png This is a latitude longitude normal image such as a.jpeg. tiff (8-bit/channel) or.png Reflect_new.hdr vertical cross Diffuse_new.hdr vertical cross Specular_new.hdr vertical cross The IBL maps are in the Library environments are currently in.exr format to save on disk space. If the new replacement maps are in a different format, the testenviro.a3e will need to be edited accordingly: 1. Scroll to the bottom of the.a3e file and look for: <lighting type="ibl" name="genericibl"> <cube_map name="reflect"> <image name="cube" src="../common/reflectcommon1.exr"/> </cube_map> <cube_map name="diffuse"> <image name="cube" src="../common/diffusecommon1.exr"/> </cube_map> <cube_map name="specular"> <image name="cube" src="../common/specularcommon1.exr"/> </cube_map>

</lighting> 2. Change to: <lighting type="ibl" name="genericibl"> <cube_map name="reflect"> <image name="cube" src="reflect_new.hdr"/> </cube_map> <cube_map name="diffuse"> <image name="cube" src="diffuse_new.hdr"/> </cube_map> <cube_map name="specular"> <image name="cube" src="specular_new.hdr"/> </cube_map> </lighting> Note: The../Common/ was edited out. This is because the IBL maps were copied from the common folder to their current location with the TestEnviro folder. 3. Test that the new files are showing up in Showcase. Changing the background image 1. To change the background image, it is necessary to edit the material which is assigned to the dome geometry. Look for the materials section (at the bottom, just above the lighting) : <material name="backdrop" type="unlit"> <parameter name="diffusesource" type="string" value="texture"/> <parameter name="diffusetonemap" type="string" value="value"/> <parameter name="ibltone" type="string" value="global"/> <parameter name="diffusetexture" type="string" value="generic.png"/> <parameter name="minfilter" type="string" value="linear"/> <parameter name="magfilter" type="string" value="linear"/> <parameter name="sided" type="string" value="single"/> </material> And change it to (overlook the line wrap below): <material name="backdrop" type="unlit"> <parameter name="diffusesource" type="string" value="texture"/> <parameter name="diffusetonemap" type="string" value="value"/> <parameter name="ibltone" type="string" value="global"/> <parameter name="diffusetexture" type="string" value="newtest_background.png"/> <parameter name="minfilter" type="string" value="linear"/> <parameter name="magfilter" type="string" value="linear"/> <parameter name="sided" type="string" value="single"/> </material> 2. Test that the new background is showing up in Showcase by switching to another enviro and then back. Appendix C: Troubleshooting It is important to test any changes to a hand edited environment every step of the way: a single syntax error will break the file.

Showcase saves explicit paths to images and apf files. If you are planning to share your new environment with another user, you may want to edit out these explicit paths. Showcase will look in the current environment folder for any images/files regardless. In Showcase, make sure that the IBL reflections are aligned with the visible background: 1. Import a sphere and assign an IBL Reflection Effect material. 2. Press the Home key to get to the home view. This is the initial view seen when the environment is first seen. 3. Rotate the environment geometry to get the best possible view. (Most Showcase environments are rotated so that the main light source appears to be just over (and slightly behind) the users right shoulder.) 4. Save the changes to the environment. 5. Switch to a bird s eye view of the sphere. Rotate the Environment IBL to match the dome geometry s rotations (if any). 6. When previewing edits as they re made: a. Switch to another environment. b. Save any image edits done in Photoshop etc c. Reload the environment. Editing the a3e files may require a restart of Showcase for changes to be seen. Editing the dome geometry requires a restart of Showcase for changes to be seen. Be aware of the operating system s tendency for one application to put a lock on files so that another application may not overwrite it. In this case, error messages are not always apparent.