CORE. Core compentence: our characters. With your level of quality, you don t have to shy away from Hollywood.

Similar documents
The Ultimate Career Guide For The Web & Graphics Industry

Case Study: The Pixar Story. By Connor Molde Comptuer Games & Interactive Media Year 1

Printing in Cuyahoga Heights since 1918

April 2017 CORPORATE PROFILE. w w w. o r a n g e v f x. c o m. Contact Top Floor, Babani Villa, 34 Ajose Street, Lawanson,Surulere, Lagos, Nigeria

SkillsUSA Business and Industry Video Production

Chapter 3! Planning and Design! 2012 Elsevier, Inc. All rights reserved.

CG: Computer Graphics

Potential candidates should their CV with visual portfolio to

mobile friendly? Google s survey shows there are three key points to a mobile-friendly site:

Richard Williams Study Circle Handout: Disney 12 Principles of Animation. Frank Thomas & Ollie Johnston: The Illusion of Life

Rowland s Motion Graphics Video Process

THE ART OF STOP-MOTION ANIMATION BY KEN A. PRIEBE DOWNLOAD EBOOK : THE ART OF STOP-MOTION ANIMATION BY KEN A. PRIEBE PDF

Once you know the tools, the technical aspect ends and the creative process starts.

DEMAND INCREASE GROWTH

But the foundation of marketing success is the quality and size of your permission-based list.

Keyframe Animation. Animation. Computer Animation. Computer Animation. Animation vs Modeling. Animation vs Modeling

GCE AS/A Level 1182/01-A FILM STUDIES FM2 British and American Film

itunes U Guidelines Creating your itunes U site

EIAA European Mobile Internet Use Executive Summary

7th Annual. LOOKBOOK The Modular Approach to Modern Digital Marketing

Deliver your message to an audience of passionate Anime and Gaming fans.

DRIVING RESULTS. People come to Viber to connect, share and call for free.

COMP371 COMPUTER GRAPHICS

THE DEFINITIVE AUTHORITY ON ALL THINGS VISUAL EFFECTS. VFX Voice. Your Pipeline to Entertainment s Top Influencers

The Art of Graphic Designing

Brand Development Web Design Interactive Marketing

Video Marketing in the Education Industry Push your Business to the next Level!

Inbound Website. How to Build an. Track 1 SEO and SOCIAL

Animation. 8 GB of RAM. Table of Contents

Get More Out of Hitting Record IT S EASY TO CREATE EXCEPTIONAL VIDEO CONTENT WITH MEDIASITE JOIN

Stop-Motion Animation

Mars Spiders. DigitalAgency + + +

Introduction to List Building. Introduction to List Building

How Pixar Tells a Story By Rachel Slivnick 2018

SMS Starter Kit. A Guide to Nonprofit Text Messaging Campaigns

GIFs are nothing new, but their use is more popular than ever. Here s why brands should include them as part of their content marketing strategy.

XINSURANCE: Spreading the Word with SEO

OPEN YOUR MIND TO A WORLD OF 3D MODELING

2D ANIMATION SOFTWARE Which is Best?

Transforming Your Web Presence

DESIGN WHITE PAPER EVERYTHING IS BEAUTIFUL. POP IS EVERYTHING.

List Building Income

Career Coaching + Consulting

Three-Dimensional Computer Animation

3D Animation DESCRIPTION. EXAM INFORMATION Items

DMS Projects. Benefits of Using the DMS Projects Matrix. DMS Analytic

Landmark half-billion-euro deal ushers in new era for European handball

The Samsung Builder Appliance Program. It s a new day for the industry.

TRINET INTERNET SOLUTIONS, INC.

WEBINARS FOR PROFIT. Contents


Basics that You Should Consider for End-Of Year Fundraising

GIULIO PRESTIGIACOMO. It s me, Giulio. Years experience. I date regularly. What being an Art Director means to me. Be humble.

Mind Your Business: Partnering on <em>princess and the

simple usage, striking effect

B.A.B.E. Framework. Business Audience Brand Everything Digital Website Blogging Social

Thank You. Hello. Special offer

Digital Marketing Manager, Marketing Manager, Agency Owner. Bachelors in Marketing, Advertising, Communications, or equivalent experience

ELIJAH LIST MEDIA KIT

Video Creation. Attract Engage Convert

January, European Animation, VFX & Games Industry Strategies, Trends & Opportunities. digital.vector. Animation, VFX & Games Market Research

Capital Markets Seminar Hendrik Klindworth, Founder & CEO

simple usage, striking effect

VIDEO PRODUCTION INFORMATION

How to Improve Digital Marketing with Video. Allison Benson and Jamie Kelly

Sign up for the Barco University experience Best in class, first in business

CONTACT PONTUS WELLGRAF

Contest Description 3D Game Art Post-Secondary

BSkyB Sky Go Extra SVOD Service

Online Copywriting. The Importance of Effective Online Content Writing for Your Business

Getting the most from your websites SEO. A seven point guide to understanding SEO and how to maximise results

STRATEGY STATEMENT OF QUALIFICATIONS

Social media webcasting guide:

Text Messaging Helps Your Small Business Perform Big

Marketing Guide to Increase Sales

DISNEY PIXAR INSIDE OUT: THE ESSENTIAL GUIDE (DK ESSENTIAL GUIDES) BY DK

CS475/CS675 - Computer Graphics. Lecture 16: Principles of Animation

Geo-Restricted In-Video Annotations

BBT ( Broad Based Technology ) Leo Hayes High School Fredericton, NB

PMP Certification Program

The Copyright Law Behind a $600M Startup and Millennials' Favorite Form of Expression

VIDEO 1: WHY IS SEGMENTATION IMPORTANT WITH SMART CONTENT?

REELZCHANNEL TV About Movies

CASE STUDY, PRESS ROOM:

Meet our Example Buyer Persona Adele Revella, CEO

Education 2020 How to Build a National Training Business

Your Student s Head Start on Career Goals and College Aspirations

Table of Contents INTRODUCTION TO VIDEO MARKETING... 3 CREATING HIGH QUALITY VIDEOS... 5 DISTRIBUTING YOUR VIDEOS... 9

GUIDE. The Definitive Guide to. Video SEO. Toll-Free

The Benefits of SMS as a Marketing and Communications Channel From The Chat Bubble written by Michael

Ways to Drive Higher Webinar Attendance with . BrightTALK TM

// EDITORIAL PASSION. Why we do what we live for. Every progress on earth is achieved by brilliant visionaries who. common.

GROW YOUR BUSINESS WITH AN ALL-IN-ONE REAL ESTATE PLATFORM

APMP Certification. Webinar presentation by: Mark Wigginton Regional Director, Shipley Associates September 11, 2013

CMO Briefing Google+:

3 Steps to a Great Website

Digital Media II. EXAM INFORMATION Items. Points. Prerequisites. Grade Level. Course Length. Career Cluster. Performance Standards

BEST SUBJECT LINES OF

Digital Insight PUSHING YOUR SEO TO ITS LIMITS

Autodesk Product Design Suite. The flexibility to innovate in one cost-effective package.

Transcription:

CORE COMPETENCY Core compentence: our characters page 1 Animated characters are our passion and the cornerstone of our company. They are what puts us in a league with the best and brightest in our field. After 19 years of experience in the business, our imagination and creativity know no boundaries. And in our creative process, we still like to dream up the most incredible, most sublime, most outrageous ideas. It s how we can come up with the kinds of characters no one in the world has ever seen before. With your level of quality, you don t have to shy away from Hollywood. -Roland Emmerich about FIFTYEIGHT, 2011

? 3D-CHARACTERS You need a CG character? page 2 More and more corporations and agencies are using animated characters as role models and to add an emotional dimension to their products and services. And there s a good reason for this: The increasing popularity of computer and video games (more than 25 million people over the age of 14 are gamers in Germany alone) and computer-animated blockbuster movies are increasingly blurring the lines between virtuality and reality. The growing acceptance of, and identification with, computer-generated characters reaches across all age groups and social strata.

? CG CHARACTERS How do our virtual characters dazzle audiences? page 3 - By adding strong emotional appeal and differentiation to messages. - By becoming recognizable and captivating attention. - By drawing viewers in and eliminating boundaries. - By providing opportunities for identification. - By being memorable and creating associative thought patterns. - By having a high entertainment and infotainment value. - By turning brand icons into real sympathy driver

TEAM page 4 The four managing directors and our core team at FIFTYEIGHT have been working together since the company s founding on all aspects of client projects, from production to character animation. Additionally, FIFTYEIGHT can draw on an extensive network of international specialists who can join projects as needed. Depending on the scale and requirements of a project, we can supplement all necessary manpower from within our circle of trusted, experienced associates. Company management Timm Osterhold: Director, Head of Animation & Character Animation Max Zimmermann: Head of Character Design, 3D Design & Conceptualization Siham Morick: Executive Producer, Head of Sourcing & Communication Marc Eckart: Commercial and Strategic Lead, Head of FIFTYEIGHT PRODUCTS

CLIENTS page 5 Lufthansa Henkel

USP page 6 What makes FIFTYEIGHT stand out? (Aside from winning over 40 international awards): - Our core competency: We have been in this segment longer than most of our competitors. Even before the first animated blockbuster, Toy Story, hit cinemas, FIFTYEIGHT had been offering computer-generated animation services. - Outstanding creative potential paired with highly experienced production background in our niche market. - Corporate experience and well-familiar with politics. Yet we can be independent and Art House, whenever a project allows for it. - Our mission statement: 3D-character animation is still the highest art in our business, and we have attained mastery in it. - Broad skill set from ideation to development of ideas into final implementation, including storyboard creation, directing services, production and post-production all the way into merchandising. And to really put it in a nutshell: Our talent for combining the latest technology with emotional messaging.

ABOUT page 7 FIFTYEIGHT is an award-winning, creatively focused studio for 3D character design and computer-generated animation (CG). With headquarters in Frankfurt, FIFTYEIGHT has been providing a comprehensive service offering to clients in the international advertising industry for more thand 19 years. The list of FIFTYEIGHT customers includes international advertising agencies and global corporations. The FIFTYEIGHT team consists of artists and specialists from a variety of backgrounds, all providing their individual expertise as well as a wealth of experience in the development of computer-generated characters and CG brand icons. FIFTYEIGHT offers clients the full scope of CG production services, paired with efficient, state-of-the-art corporate communication capabilities. Our mission at FIFTYEIGHT is to develop powerful ideas and ensure their successful implementation at every step of the way. We always strive to meet our clients requirements and expectations while staying focused on the specific parameters of each individual project. Through it all, our unique style of using the latest CG technology to convey highly emotional messages remains a cornerstone of our comprehensive service offering.

SERVICE OFFERING What we do page 8 Character design and animation Development of characters and brand mascots Creating from scratch or artistically expanding brand icons Facelifting existing brand mascots and icons Translating existing 2D-characters into CG-animations Producing classic commercials, viral videos, web animations, print visuals and interactive projects that require full understanding of a brand s universe as well as state-of-the-art implementation with the right dose of emotional messaging.

REFERENCES FIFTYEIGHT Quality! page 9 We ve built a solid track record of successfully marketed ideas. With 19 years of experience in our core business, we can count on valuable expertise built during large-scale projects for corporate clients. Mr Clean: 2001 FIFTYEIGHT developed the CG-character for client P&G, which advanced to become lead character for their global campaign. 2001-2012 Production partner for all Western European and North American TV-productions (over 250 TV-commercials to date). Pépito: 2002 FIFTYEIGHT developed the CG-character for client LU Danone (France and Benelux countries). 2002-2011 Production partner for all TV-productions (30 TV-commercials to date). Over 30% sales increase after introducing the 3D-character to French audiences. Mr. Pritt: Re-design of 3D-character for client Henkel and development of pitch video clip for global campaign. Both concepts came out on top in several rounds of pitches and market research panels. Since 2013, the new Mr. Pritt is used internationally on all products and POS-materials. Tassen: Created by FIFTYEIGHT as a digital holiday greeting, the first short movie about two quarrelsome bowls went viral within a minimal amount if time. Sequels on the official TASSEN YouTube Channel now have logged over 24 million views and counting. The characters from the videos are successfully marketed as real-life products, entirely manufactured in Germany (sold by FIFTYEIGHT PRODUCTS).

CREATIVE CONSULTING Dropping knowledge page 10 Lectures 3 dimensional emotionality in advertising agencies (e.g. for creatives, producers and art-buyers) Consulting on team building and creative leadership (e.g. assembly and coaching of a creative team on-site at Telekom offices) Lectures for specialized media sponsored by industry clients (e.g. lecture tour Emotionality in animation across Germany for Nintendo) Teaching engagements at colleges and universities (e.g. lectures on character animation at German Filmschool, Berlin) Panel lectures at postproduction conventions & festivals.

CONCLUSION page 11 Generally speaking, the application of traditional keyframe animation techniques also the norm at leading animation studios such as Disney, Pixar and Dreamworks is a must-have in our everyday work as animators. This gives us access to controlled exaggeration by ways of Squash-and-Stretch technology, which creates the sympathetic and emotional impression left by a computer-generated character in the minds of viewers. Through it all, our underlying philosophy remains unchanged: A design or an animation can only be as good as the person behind the computer creating it. To us, a successful character animation always draws on the interplay of skilled character development and the acting talent of the 3D-artist playing the character. And much like actors in real life, the artist needs to have the rare ability to emphasize with the character and make the audience feel something. Everything else is just a matter of (highly complex) technology. Siham Morick Timm Osterhold Marc Eckart Max Zimmermann or in real-time at phone +49 69 48 000 55 0