LEICA SUMMARIT-M 75 mm f/2.4

Similar documents
LEICA SUMMARIT-M 50 mm f/2.4

LEICA SUMMARON-M 28 mm f/5.6

Optical design. Floating Element

LEICA ELMARIT-M 28 mm f/2.8 1

LEICA ELMARIT-M 28 mm f/2.8 ASPH. 1

LEICA VARIO-ELMAR-R mm f/3,5-4 ASPH. 1

LEICA ELMAR-M 24 mm f/3.8 ASPH. 1

LEICA SUMMILUX-M 21 mm f/1.4 ASPH. 1

LEICA Elmarit-S 45mm f/2.8 ASPH./CS

LEICA SUMMILUX-M 35 mm f/1.4 ASPH. 1

LEICA VARIO-ELMAR-TL mm f/ ASPH.

LEICA TS-APO-ElmAr-S 120 MM f/5.6 ASPH.

The new Leica Summarit-M family

AF-S DX VR Zoom-Nikkor mm f/4-5.6g IF-ED (3.6x)

TechSpec Large Format. # mm FL f/2. Techspec Large Format Fixed Focal Length Lens.

Rodenstock Lenses for Enlarging and CCD Photos and Video

LEICA MANUFACTURING. The art of lens production.

List Price (EUR) 325. mft Mount SLR Magic CINE Lenses

TECHSPEC COMPACT FIXED FOCAL LENGTH LENS

Macro telephoto lens: no compromises, no restrictions The Irix 150mm f/2.8 MACRO 1:1

NOKTON 40mm F1.2 Aspherical E-mount INSTRUCTION MANUAL

Leica R lenses. by Erwin Puts. June 2005 Chapter 14: LEICA VARIO-ELMAR-R mm f/4.0

TECHSPEC UC SERIES FIXED FOCAL LENGTH LENSES

Rodenstock Products Photo Optics / Digital Imaging

Macro Lens, Extension Tubes, or Close-Up Filters?

Rodenstock Lenses for Professional Photography

NOKTON 42.5mm F0.95 INSTRUCTION MANUAL

Data Sheet. Rodenstock Photo Optics. HR Digaron Macro 105 mm f/5.6. High-performance macro lens for scales from 1:4 to 4:1

Photographed by AORTA with an X1D-50c XCD 90mm (1/250 sec; ƒ/5.6; ISO 800)

3,5/18. Distagon Tm 3,5/18. Carl Zeiss SLR Lenses. Focusing on the perfect moment

12X Zoom. Incredible 12X (0.58-7X) magnification for inspection of a wider range of parts.

ratio of the volume under the 2D MTF of a lens to the volume under the 2D MTF of a diffraction limited

NOKTON 17.5mm F0.95 Aspherical INSTRUCTION MANUAL

Geometrical Optics. Chapter General Comments. 1.2 Snell s Law

AP Physics: Curved Mirrors and Lenses

LEICA APS-C SYSTEM. TRUE GREATNESS.

INFINITY-CORRECTED TUBE LENSES

SUPER WIDE-HELIAR 15mm F4.5 Aspherical III E-mount INSTRUCTION MANUAL

ULTRA WIDE-HELIAR 12mm F5.6 Aspherical III E-mount INSTRUCTION MANUAL

20mm F2 FE MF / 20mm F2 FE AF

What lenses are available What focal length do you need? Cleaning What s the difference between a 105mm macro and a 105mm telephoto?

Digital Imaging Study Questions Chapter 8 /100 Total Points Homework Grade

ZEISS Lenses for 24 x 36 mm area sensors and 43 mm line scan

Rodenstock Products Photo Optics / Digital Imaging

Leica R-Lenses. April 2005 Chapter 12: mm lens. by Erwin Puts. _ LEICA VARIO-ELMAR-R mm f/4

Flat-Field Mega-Pixel Lens Series

Sharp Eyes for Large Format Photography

THE FUTURE IS BIG LARGE FORMAT CINE LENSES

Leica R-Lenses. October 2003 Chapter 5: 19 mm and 24 mm lenses. by Erwin Puts. LEICA ELMARIT-R 19 mm f/2.8 LEICA ELMARIT-R 24 mm f/2.

Photo Optics digital and analog

TELECENTRIC LENSES INNOVATION STARTS HERE... Global Design & Support Rapid Prototyping Volume Manufacturing & Pricing

Working with your Camera

Refractive Optical Design Systems Any lens system is a tradeoff of many factors Add optical elements (lens/mirrors) to balance these Many different

4. Refraction. glass, air, Perspex and water.

Carl Zeiss Compact Prime CP.2 Lenses

Machine Vision Systems

INTRODUCTION TO PHOTOMACOGRAPHY

SP AF 17-50mm F/2.8 XR Di-II VC LD Aspherical [IF] (Model B005)

Refraction at a single curved spherical surface

Rubber Shade for Lens Converters & Broadcast Lenses.

index of refraction-light speed

Ray Optics. Ray model Reflection Refraction, total internal reflection Color dispersion Lenses Image formation Magnification Spherical mirrors

Part Images Formed by Flat Mirrors. This Chapter. Phys. 281B Geometric Optics. Chapter 2 : Image Formation. Chapter 2: Image Formation

HELIAR-HYPER WIDE 10mm F5.6 Aspherical E-mount INSTRUCTION MANUAL

The image is virtual and erect. When a mirror is rotated through a certain angle, the reflected ray is rotated through twice this angle.

Chapter 12-Close-Up and Macro Photography

Refractive Optical Design Systems Any lens system is a tradeoff of many factors Add optical elements (lens/mirrors) to balance these Many different

COMUNICAÇÃO DE NOVIDADE. Introducing the light bazooka-a new approach to the ultra-telephoto zoom

MML-PL25HR. 4-M3 (For Securing Lens) M3 Hexagonal Socket Set Screw (4 Screws Enclosed) ø ø19

TELECENTRIC LENSES INNOVATION STARTS HERE... Global Design & Support Rapid Prototyping Volume Manufacturing & Pricing

Compact Prime and Zoom lenses ZEISS Mount Change Instructions

Lens Design. Craig Olson. Julie Bentley. Field Guide to. John E. Greivenkamp, Series Editor SPIE. SPIE Field Guides. Volume FG27

Vertrieb durch: Polytec GmbH Polytec Platz 1-7 D Waldbronn Tel: +49(0)7243 / Fax: +49(0)7243 /

PAPER 2 THEORY QUESTIONS

GEOMETRIC OPTICS. LENSES refract light, so we need to know how light bends when entering and exiting a lens and how that interaction forms an image.

Measuring microscope MS1

Dispersion (23.5) Neil Alberding (SFU Physics) Physics 121: Optics, Electricity & Magnetism Spring / 17

Section 10. Stops and Pupils

Lenses for Digital Photography

AP* Optics Free Response Questions

Sensitivity range Manual setting from ISO 160/23 to ISO 2500/35

OPTI-502 Optical Design and Instrumentation I John E. Greivenkamp Final Exam In Class Page 1/12 Fall, 2017

TS-E50mm f/2.8l MACRO TS-E90mm f/2.8l MACRO TS-E135mm f/4l MACRO

Lens Design I. Lecture 4: Properties of optical systems III Herbert Gross. Summer term

Chapter 7: Geometrical Optics

Light: Geometric Optics

FA Lens Catalog

Lens Design I. Lecture 1: Basics Herbert Gross. Summer term

ONE MARK QUESTIONS GEOMETRICAL OPTICS QUESTION BANK

Jupiter-3 Focal Length Adjustment

TS-E17mm f/4l TS-E24mm f/3.5l II Instructions

LENS OB-SWIR50/1.4 P/N C0810

ZEISS lenses for rangefinder cameras Overview

LEICA SF 58. Professional high-end system flash

LENS TECHNOLOGY. Sigma lens technology--what photographers always rely on when they want to express themselves through images.

Algebra Based Physics

Precise Eye High Mag Fixed Lenses

Technical Data Sheet. PEAK Measuring Microscope 2008 Series

SP mm F/2.8 Di VC USD (Model A009)

Introduction to Photography

Transcription:

Technical Data. Illustration : Lens Leica Summarit-M 75 mm f/.4 Order number Black anodized: 6 Silver anodized: 6 Angle of view (diagonal, horizontal, vertical) For 5 mm (4 x 6 mm): /7 / ; for M ( x 7 mm): 4 / /4, equivalent focal length of approx. mm Optical design Number of elements/groups: 6/4 Position of entrance pupil in front of the bayonet: 5.6 mm Focusing range: m to infinity Distance setting Aperture Bayonet Filter thread Lens hood Dimensions and weight Scala: combined meter/feet-increments Smallest object field: for 5 mm: 7 x 6 mm, for M: 7 x 6 mm Largest reproduction ratio: :7. Setting/type: click stops, half steps Smallest aperture: f/6 Number of aperture blades: Leica M quick-change bayonet E46 Screw-on Length: approx. 6.5 mm (without lens hood) Diameter: approx. 55 mm/59 mm (without/with lens hood) Weight: approx. 5 g/5 g (without/with lens hood) Page of I As at March 6 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 557 WETZLAR I GERMANY I Telephone +49()644-- I Fax +49()644-- I www.leica-camera.com

ENGINEERING DRAWING LENS SHAPE Illustrations : The Leica Summarit-M 75 mm f/.4 is a new short telephoto lens that is significantly smaller and lighter than Summicron lenses with the same focal length, but still offers the image quality that is the hallmark of Leica M lenses. Combined with the 5 mm Summarit-M, it makes up an ideal shooting outfit with a useful lens speed that opens up fascinating composition options for Leica M photographers. The lens is a double Gauss lens incorporating six lenses in four groups. There are three lenses each placed on the front and the back the aperture, with the lens reducing the field curvature arranged closely to the image plane. Four lenses are made of special glass types with anomalous partial dispersion, two of which have a very high refractive power. Page of I As at March 6 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 557 WETZLAR I GERMANY I Telephone +49()644-- I Fax +49()644-- I www.leica-camera.com

MTF DIAGRAMS Aperture Blende Stop.4.4 Aperture Blende Stop 5.6 5.6 6 6 4 4 6 9 5 6 9 5 Aperture Blende Stop 4. 4. 6 4 6 9 5 Y' [mm] Sagittal structures Tangential structures MTF GRAPHS The MTF is shown in each case for the maximum aperture and the aperture value 4. and 5.6 for long focusing distances (infinity). The contrast is plotted for 5,,, 4 lines/mm for the height of the format for tangential (dashed line) and sagittal structures (continuous line) for white light. The plots for 5 and lines/mm provide an impression of the contrast performance for coarser object structures and the and 4 lines/mm plots document the resolving power for fine and finest object structures. Page of I As at March 6 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 557 WETZLAR I GERMANY I Telephone +49()644-- I Fax +49()644-- I www.leica-camera.com

Distortion Relative Verzeichnung Distortion 5 4 - - - -4-5 6 9 5 Effektive Effective Verzeichnung Distortion 9 6 6 9 5 X'[mm] VIGNETTING 6 5.6 4..4 4 6 9 5 Sagittal structures Tangential structures Distortion VIGNETTING Distortion is the deviation of the real image height (in the picture) from the ideal image height. The relative distortion is the percentage deviation. The ideal image height results from the object height and the magnification. The image height of.6 mm is the radial distance between the edge and the middle of the image field for the format 4 mm x 6 mm. The graph of the effective distortion illustrates the appearance of straight horizontal and vertical lines in the picture. Vignetting is a continous decrease of the illumination to the edges of the image field. The graph shows the percentage loss of illumination over the image height. % means no vignetting. Page 4 of I As at March 6 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 557 WETZLAR I GERMANY I Telephone +49()644-- I Fax +49()644-- I www.leica-camera.com

Depth of field table Aperture Stop Magnification.4. 4. 5.6.. 6..7.694 -.76.69 -.77.69 -.7.67 -.74.6 -.7.675 -.77.664 -.74 /7..9.9 -.9.9 -.9.4 -.97.7 -.94.6 -.94.57 -.94.9 -.97 /9.9.97 -..96 -..9 -..97 -..96 -.4.946 -.6.94 -.9 /... -.. -..7 -..6 -.4.4 -.6. -.9.9 -.4 /.9.5.47 -.5.47 -.5.45 -.55.4 -.57.4 -.6. -.65. -.7 /.95 -.6.94 -.6.9 -.9. -..4 -..7 -..7 -.4 /4.6. -..6 -.5. -..74 -..64 -.47.5 -.69.6-4. / 7. - 9.4 7. - 9.9 6.75-9. 6.6 -. 5.4 -.7 5. - 6.4 4.6 -. /4.7 69. - 6.9-4.7 -.5 -.4-5.5 -.7 - / Aperture Stop,4,,5 4 5 6 7 9 Page 5 of I As at March 6 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 557 WETZLAR I GERMANY I Telephone +49()644-- I Fax +49()644-- I www.leica-camera.com

Aperture Stop,,,5 4 5 6 7 9 Aperture Stop 4,,,5 4 5 6 7 9 Page 6 of I As at March 6 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 557 WETZLAR I GERMANY I Telephone +49()644-- I Fax +49()644-- I www.leica-camera.com

Aperture Stop 5,6,,5 4 5 6 7 9 Aperture Stop,,,5 4 5 6 7 9 Page 7 of I As at March 6 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 557 WETZLAR I GERMANY I Telephone +49()644-- I Fax +49()644-- I www.leica-camera.com

Aperture Stop,,5 4 5 6 7 Aperture Stop 6,,5 4 5 6 ] Page of I As at March 6 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 557 WETZLAR I GERMANY I Telephone +49()644-- I Fax +49()644-- I www.leica-camera.com