Preview Only. Legal Use Requires Purchase. The Defibrillator JAZZ ADRIEN RE INSTRUMENTATION

Similar documents
Preview Only. Legal Use Requires Purchase. Mack the Knife JAZZ

KJOS CONCERT BAND GRADE 4 WB418F $8.00 ANDREW BOYSEN, JR. SAMPLE TIME STREAMS (AFTER TRICYCLE)

Symbiopholie! A Proud and Crazy March. Jonathan Dagenais. Instrumentation:

Echoes of Egypt Featuring THE NILE; BUILDING THE PYRAMIDS; SANDSTORM; HOMAGE TO THE SUN GOD, RA and THE PHARAOHS. Preview Only

Dan Tramte. 3-branes. for three percussionists and fixed electroacoustics

Duration: 5:05. Medium-Difficult. Psalm 130. Kenneth Bray ( ) BC976. for Brass Choir PREVIEW ONLY

Extra Conductor Score: $8.00. Style: Rock Grade Level: 1.5. Arranged by Paul Clark. For reference only.

I g n a t i a n E x e r c i s e s

SAMPLE ANDREW BOYSEN, JR. PULSE C O N S E R V A T O R Y E D I T I O N S NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA

Patrick Reed. A Thesis

BOUND FOR SOUTH AUSTRALIA

.= ca.36. q = q. = ca.60. u u u u. 2008, Odhecaton Z Music (BMI)

Centennial Tribute SAMPLE. Written for California State University, Fresno (est. 1911) John Bliss

For Grace Episcopal Church, Anniston, Alabama. On the Third Day (A Celebration of Life) Preview Only PATRICK ROSZELL (ASCAP) INSTRUMENTATION

By My Side Neil A. Kjos Music Company San Diego, California

Hints and Hauntings. for contrabass and stereo digital sound. Kirsten Volness

Preview Only. Legal Use Requires Purchase JAZZ. Inspired by and Dedicated to Oscar Peterson

T HREE REALLY M AD TENORS

March, Boy Scouts of America (1916) Editorial Notes

Battle With the Frost Giants. from The Hammer of Asgard. David Marlatt

KJOS CONCERT BAND GRADE 5 JB97F $9.00 JACK STAMP. Junket SAMPLE. Neil A. Kjos Music Company San Diego, California

For Grace Episcopal Church, Anniston, Alabama. On the Third Day (A Celebration of Life) Preview Only PATRICK ROSZELL (ASCAP) INSTRUMENTATION

SAMPLE BRUCE YURKO. Ankrovag Fanfare A JACK STAMP SUITE. the first movement of. Neil A. Kjos Music Company San Diego, California

SONATA. for Violin and Piano JACOB BERANEK

FULL SCORE. Dreidel Dance

FIVE. Saxophone Quartet & Drums/Percussion. Bruce Pennycook Austin, Texas. December 2011 BMI Inc., New York

For Rhythm Section: Piano, Bass & Drumset

FOR ONLY REPRODUCTION PROHIBITED. KendorMusic.com

IGOR STRAVINSKY. Excerpts from THE RITE OF SPRING. Arranged by Robert Buckley INSTRUMENTATION

Aubrie Powell. Promenade. for orchestra. Duration 8 minutes

Extra Conductor Score: $8.00. Style: Rock Grade Level: 2.5 WHAT'S YOUR HURRY? Rob Vuono, Jr.

Concerto for Trombone

Guy Bergeron Arranger, Composer, Director, Interpreter, Publisher, Teacher

Guy Bergeron Arranger, Composer, Director, Interpreter, Publisher, Teacher

Preview Only L ESPRIT DU TOUR. Legal Use Requires Purchase. (Fanfare for Lance) By Randol Alan Bass. Instrumentation

Moon on one side, Sun on the other

T h e H i g h l a n d / E t l i n g F u l l O r c h e s t r a S e r i e s. Selections from American Suite. Preview Only

Producing For A While

Cecilia Damström. Op.34. Via Crucis. String Quartet 21'

Triangles!(2012)! For$flute,$violin$and$piano$ $ Adam$Mirza$

Rusty Banks. 2ba4. Tuba, Stereo Playback, and Boomboxes

Songs from Bedlam. for solo baritone voice and chamber orchestra. Jess Langston Turner

Schoonenbeek Kees Arranger, Composer, Director, Publisher, Teacher

Pe h-ōe-jī Unicode Correspondence Table

Frits Leffef Arranger, Composer, Interpreter, Publisher, Teacher

Harriet. I. Araminta's Escape II. Stranger in a Strange Land III. Moses. for Wind Symphony. O'Neal Douglas [2010] Commissioned by

EN Drum Kit Examples

Anthony Hedges Arranger, Composer, Publisher

Guy Bergeron Arranger, Composer, Director, Interpreter, Publisher, Teacher

,

Let The Heavens Rejoice. Let all the heav ens re joice and all the B E /B F/B B. earth be glad. Give glo ry to God in the E /B F/B B E /B

One advantage that SONAR has over any other music-sequencing product I ve worked

March, The Thunderer (1889)

SAMPLE. HONORIS CAUsA. Timothy mahr KJOS CONCERT BANDVVORKS FOR THE SAKE OF HONOR NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA

SAMPLE TIMOTHY BROEGE. The Water Is Wide A JACK STAMP SUITE. the fourth movement of. Neil A. Kjos Music Company San Diego, California

Copying is illegal. Review copy only. b b b b. - w. œ œ. w - œ œœ œ. œ œ. J Ï - - œ - œ - - & b b b b 4 Œ. Tu es Petrus SAT(B)B and Organ*

Liviu Marinescu HARMONIC FIELDS. for chamber ensemble version 1

$9.00. Mark Camphouse SAMPLE

U OF U PERCUSSION STUDIO

Fantasia and Fugue in C Minor

Stewart Copeland. Bears from Mikrokosmos. Sample begins on following page

W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE. Preview Only REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV

MICHAEL SCHACHTER. FREYLEKHE TANZEN for Symphony Orchestra PERUSAL SCORE (2011) DURG MUSIC, INC.

Meditation From The Triumph of Time

City, University of London Institutional Repository

MARCH: THE LION S GATE. Preview Only. Mvt. I from the suite SEA TO SKY RALPH FORD (ASCAP) INSTRUMENTATION

March, The Gladiator (1886)

Body Position Always move the instrument to accommodate the body and not the body to accommodate the instrument.

Preview Only. Legal Use Requires Purchase. Asturias Leyenda from Suite Española Op.47 CONCERT BAND. Grade 3½

Jason Freeman Prior Art for chamber ensemble C Score

Mike Forbes. Instrumentation. 1 - Conductor s Full Score 8 - Violin Violin Viola 5 - Violoncello 5 - Double Bass.

James Grant / Grantwood Music Press (ASCAP) /

God, My Savior. Assembly, Cantor, SAB Choir, Keyboard, and Guitar. Dan Schutte Melody adapted from Salve Mater Misericordiae. Œ œ.

John O Gallagher. Twelve-Tone Improvisation A Method for Using Tone Rows in Jazz

550 copies for World Meeting of Families 2018, Dublin, Ireland LAWTON, arr. TATE Faithful Is the Lord

You Gather In the Outcast. Assembly, SATB Choir, Keyboard, and Guitar. œ œ œ œ œ œ œœ. . œ

CS 111: Program Design I Lecture # 7: First Loop, Web Crawler, Functions

Durham E-Theses REZAEI, MARIAM

SAMPLE. Kyrie/Lord, Have Mercy 39. j œ œ œ. & b 4 4. j œ. œ œ. œ œ œ. œ œ œ. J œ. œ œ œ. œ œ. œ œ œ. Mass of Saint Ann. Ed Bolduc

Sifting Through the Ruins

Cecile Chaminade. Sample. Cortège. arranged for concert band by Patrick J. Burns

œbœ œ j œ bœ œbœ J œ œ œ œ j œ œ œ œ œ œ # œ œ j œ # œ œ œ #œ œ œ œ œ bœ œbœ œ j œ œ œ œ œ Œ Œ Œ Œ œ j œ œ œ œ œ œ œ œ œ bœbœ œ œnœ J & - œ j Œ Œ œ

Concerto for Double Bass

Preview Only. Mvt. III from the suite SEA TO SKY INSTRUMENTATION

RETURN FILTERS. BYPASS VALVE Setting: 170 kpa (1,7 bar) ± 10% WORKING TEMPERATURE From -25 to C

A note for note transcription of Rick Margitza performing Cry Me A River

ARGENTA MUSIC CHANT. for contrabass and piano SHEILA SILVER

MM SATB divisi a cappella

THE HUNCHBACK OF NOTRE DAME From Film Score / Concerto for Voice, Cello and Bass Flute

Math Section 2.2 Polynomial Functions

O LORD, MY GOD. for S.A.T.B. and keyboard with optional Instrumental Parts and InstruTrax CD* œ œ. œ œ œ œ œ. Preview Only. Pedal harmonically.

Jarkko Hartikainen. Radix. a brass quintet

INFERNO FOR ORCHESTRA HAU-WEI CHANG

Void: for Orchestra. University of Arkansas, Fayetteville. Jared Aragon University of Arkansas, Fayetteville

SAMPLE. ANDREW BOYSEN Jr. STAMP A JACK STAMP SUITE. the fifth movement of. Neil A. Kjos Music Company San Diego, California

IV. The Coordination Training Program

STEVEN BRYANT. Paean. Symphonic Band (2011)

This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 3.0.

joyride For concert BAND MICHAEL MARKOWSKI

General Guidelines for Voicings the Brass Section

Transcription:

a divisio o Alred JAZZ The Deirillator Coductor 1st E Alto Saxohoe 2d E Alto Saxohoe 1st B Teor Saxohoe 2d B Teor Saxohoe E Baritoe Saxohoe 1st B Trumet 2d B Trumet rd B Trumet 4th B Trumet ADRIEN RE INSTRUMENTATION 1st Tromoe 2d Tromoe rd Tromoe Bass Tromoe Guitar Chords Guitar iao Bass Otioal/Alterate arts C lute Tua Hor i (Doules 1st Tromoe) 1st Baritoe TC/B Teor Saxohoe (Doules 1st Tromoe) 2d Baritoe TC/B Teor Saxohoe (Doules 2d Tromoe) rd Baritoe TC/B Teor Saxohoe (Doules rd Tromoe) revie Oly

NOTES TO THE CONDUCTOR The Deirillator is asically a heavy shule chart ith some uaces or the sectios that are otated as shule, mae sure the drummer does ot lase ito a tyical sig eighth-ote groove The dierece or a shule is a more exaggerated atter o the sare ad the ride cymal, ith a dotted eighth/sixteeth cocet ut ot quite that rigid thi o the syllales che-to-acc-o as a model hoetic soud i a trilet (or a loose dotted eighth/sixteeth) atter ith a accet o acc as eat There is a strog aceat to a shule Measures 9 52 ad 81 94 are mared 1/2 time eel I have ritte a trilet atter that icludes alteratig cymals or some rhythmic variety I this is too diicult, a closed hi-hat cosistig o simle shule eighths ould also or just e sure that there is a heavy ac-eat o eat ad the ass drum atters are layed as ritte, ut ot too loud This ill esure the 1/2 time eel is accurate Measures 99 105 cotai a rie, ut more traditioal sig iterlude Mae sure that this sectio souds lie a tyical ig ad sig y elimiatig the heavy ac-eat layig a sig eighth ote atter o the ride cymal ill or ell here Measure 106 is a comlete rea do A hi-hat clic o eat 2 as ritte is all that is eeded Go ac to the heavy shule rom measure 107 to the ed The ass art is ritte ith a otioal lo E-lat I your ass layer does ot have a electric 5-strig ass ith a lo B strig, disregard the otes i aretheses ad lay as ritte The irst melody statemet is at measure 7 direct the layer to dig i ith coidece The melody throughout icludes a ritte out tur, as i measure 7 I this orametatio is diicult to lay at irst, simly elimiate it As the musicias ecome more comortale ith the melody, add it later Measures 27 28 are arraged as a yramid Mae sure each acgroud etrace is ot too loud i order to crescedo ad evetually climax o eat 4 o measure 28 Straight mutes are ritte i trumets i the 1/2 time eel iterlude sectio I there are ot eough straight mutes, eel ree to exerimet ith hatever comiatio o mutes you may have It is a iterlude sectio so it should t e too loud Lastly, havig everyoe lay the articulatios as ritte ill hel tighte u the soud o the esemle ad also hel achieve the heavy shule eel The marcato or rooto accet is layed ith a daht articulatio, detached ad ot too short At measure 81, the rass ad ari sax have a doo-dit teuto/staccato articulatio o the eighth otes ee it simle ad ot too loud lease ejoy! Adrie Re Adrie Re revie Oly Adrie Re is a comoser, arrager, educator ad erormer throughout the greater DC/Baltimore ad Norther Virgiia area Re holds a Doctor o Arts degree rom Ball State Uiversity ad is a music roessor at oth Sheadoah Uiversity ad Lord airax Commuity College A roliic ad versatile erormer, Re is curretly a memer o Souled Out Bad hich erorms over 150 dates a year o the east coast

CONDUCTOR 47S 1st EÑ Alto Saxohoe 2d EÑ Alto Saxohoe 1st BÑ Teor Saxohoe 2d BÑ Teor Saxohoe EÑ Baritoe Saxohoe 1st BÑ Trumet 2d BÑ Trumet rd BÑ Trumet 4th BÑ Trumet 1st Tromoe 2d Tromoe rd Tromoe Bass Tromoe Guitar iao (Electric) Bass c c c c c c c c c c c c c c c c c Heavy Shule å = 112-120 c 1 ride cym 2 THE DEIBRILLATOR # # ( ) ot 4 5 2010 BELWIN-MILLS UBLISHING COR, (ASCA) a divisio o ALRED MUSIC All Rights Reserved icludig ulic erormace # # # # # # # # # 6 ~7} /Tts /Tts /Teors /Teors Á Á revie Oly 7 # # # # By ADRIEN RE 8

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass Á - - ( ) 9 # # # # D 7 10 D 7 11 # # # # # # # # EÁ Á - - # EÁ Á - - 12-2 - ( ) 1 # # # # D 7 D 7 revie Oly 14 D 7 15 B 7 B 7 B 7 # # # # The Deirillator 16 A 7 A 7 A 7

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass ill 17 # # # # # # # # # # # # Gõ # 7 EÁ Á # # # # Gõ # 7 EÁ Á - # - Gõ # 7 EÁ Á cr cym # 18 19 - - 20 # # ( ) 21 # # # # # # # # # (4) 22 {2} Á Á Á revie Oly 2 # # # # The Deirillator 24

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass Á Á - - ( ) 25 # # # # D 7 D 9 # 26 # # Û Û D 7 27-4 - - - # # # # # # #- - - - EÁ Á EÁ Á - # EÁ Á - 28 ( ) 29 # # # # D 9 D 9 0 D 7 revie Oly {1} /Tt 1 B 9 B 9 B 9 1 # # # # The Deirillator 2 A 9 A 9 A 9

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass # - - - # - - - # - - - B; # # B; ## # B; - - # #- # #- # # # # #- # - - - 4 EÁ Á EÁ Á - # - EÁ Á - Á To Harmo mute To Harmo mute To Straight mute To Straight mute 5-5 - 6 # # ( ) 7 Harmo mute Harmo mute Straight mute Straight mute 8 {9} Hal-time eel D 9 D 9 revie Oly D 9 - - ride cym HH 9 - - - - - - E 9 E 9 The Deirillator E - 9-40

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass \ \ \ 41 # # # 7 7 7 42 B È B Í B Í 4 Cï Cï Cï (4) 44-6 - È È È - - 45 # # # B 9 D9 # B 9 D9 # - B 9 D9 46 cr cym N- N- N - A - - A - A D 9 N D 9 revie Oly D A - 9-47 - - - - - - - - - - - - E 9 E 9 The Deirillator E 9 - - 48

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass \ \ \ 49 # # # Oe Oe Oe Oe 7 B È 7 7 B È 50 B È A 2/C B 9/D A 2/C B 9/D A 2/C B 9/D 51 cr cym #- # - # - #- A # # # - - - E 9sus4-7 - # - EÁ Á E 9sus4 EÁ - Á # - 52 Shule E 9sus4 EÁ Á - 5 54 # # revie Oly ( ) 55 The Deirillator # # # # # # # # # 56

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass Solo sectio {57} 1st Time Oly 1st Time - Oly 1st Time - Oly Solo 1st time 1st Time - Oly GÁ 1st Time - Oly 1st Time - Oly 1st - Time Oly 1st Time - Oly 1st Time - Oly Á - 1st Time - Oly 1st Time - Oly Á Á- - 1st Time Oly Esemle hits 1st time, Regular groove 2d time Solo 2d time egis here 57 () Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly # Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly Bacgrouds 2d Time Oly 58 2d time hit Cr Cym ( ) 59 2d time hit Cr Cym - 8 - # # # # D 9 D 9 D 9 # 60 E 9 D 7 61 # - # - - # #- # # - #- D ö - - EÁ Á - D ö - EÁ Á EÁ Á - - 62 2d time hit Cr Cym GÁ Á revie Oly ( ) ~~ ~~ ~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ 6 # E 7 D 7 The Deirillator D 7 D 7 64

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass 1 C7 65 B 7 B 7 B 7 B 7 A 7 A 7 66 A 7 ill 67 Aõ A 7 # # # # Gõ # 7 EÁ Á # # # # Gõ # 7 EÁ Á # Gõ # 7 EÁ Á # 68-9 - GÁ # # 69 # # 70 # # # # revie Oly ( ) 71 The Deirillator 1st Time Oly # 1st Time Oly # # 1st Time Oly # # 1st Time Oly # 1st Time Oly # 1st Time Oly # 1st Time Oly # 1st Time Oly 1st Time Oly 1st Time Oly 1st Time Oly 1st Time Oly 72

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass 2 D 7 7 B 7 B 7 B 7 B 7 A 7 A 7 A 7 74 # A 7 # B7 # # B7 # ## B7 75-10 - - - C # 7 # #- # #- # # - # #- # B7 # # # - - 76 EÁ Á EÁ Á - # - EÁ Á - Á 77 78 # # revie Oly 79 The Deirillator 80 ed solos ed solos ed solos ed solos

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass {81} Hal-time eel 1/2 time eel - - - - - - - - D 7 D 7 D 7-81 - - - - - - - - E 7 E 7 E 7-82 # # - - - - N - - - - - - - 9sus4 - - - 9sus4 9sus4 8-11 - # # 7 B; # # 7 B; # # # # 7 B; 84 cr cym - - - - N - A B Í B Í A NA - A B Í 85 - - - - - Cï Cï - Cï 86 - - - - # È È È - revie Oly 87 The Deirillator - # - # - # # - # # # lay # # # B 9 # B 9 D9 # D9 # # - B 9 D9 88 cr cym

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass - A - - - N - - - - D 7 D 7 D 7-89 # # # # - - - - - - - - E 7 E 7 E 7-90 - 12 - # # - - N - - - - - - - 9sus4 9sus4 - - - 9sus4 91 7 B È 7 7 92 B È B È cr cym A /C B 9/D A /C B 9/D revie Oly A /C B 9/D 9 The Deirillator #- #- # - # # # - A # - # # - - - E 9sus4 E 9sus4 EÁ Á EÁ EÁ - # - E 9sus4 94 EÁ Á -

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass Shule 95 96 # # ( ) 97-1 - cr cym ill 98 {99} Sig - - Í - - # - Í - Í #- - Í - - # - Í - Í - - Í Í # - Í - # - Í - - Í - Í - - Í EÁ Á EÁ Á EÁ - Á EÁ - Á # - EÁ Á # - EÁ Á sig! o shule 99 # # # # /Saxes revie Oly 100 The Deirillator - - - - # - - #- - - - # - - - - # - - # - - - - - - EÁ Á EÁ Á EÁ - Á EÁ - Á # - EÁ Á # - EÁ Á 101

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass # # # # /Saxes 102 D 7 D 7 D 7 10 104-14 - - - - - # - #- - - - # - - - # - - # - - - - - EÁ Á EÁ Á EÁ - Á EÁ - Á # - # - EÁ Á EÁ Á 105 # # # # D 7 106 {1 07} Shule B 7 revie Oly 107 B 7 # # # # The Deirillator 108 A 7 A 7

Bari Tt 1 Tt 2 Tt Tt 4 T 1 T 2 T Bass T Gtr o (Elec) Bass - - - # - - - # - - - # - - - B7 # ## B7 109 - - # #- # #- # # # # #- # - - - 110 EÁ Á - # - EÁ Á - oe hh 111-15 - 112 # # ( ) 11 # # # # # # # # # 114 revie Oly ill 115 The Deirillator U U # U U U U # U U U U U U U B ö U B ö U U B ö U U 116

revie Oly

revie Oly

revie Oly alredcom