TN008. Technical Note DIRAC STIMULI

Similar documents
TN010. Technical Note E-MU 0202 USB. Installation, setup and calibration with Dirac

TN003. Technical Note USING THE DIGITAL INPUT OF THE DIGIGRAM VXPOCKET

Using Liberty Instruments PRAXIS for Room Sound Convolution Rev 9/12/2004

Digital Audio. Amplitude Analogue signal

IN-VEHICLE POWERTRAIN NOISE EVALUATION. DISCOM Mobile

A new Audacity feature: room objective acustical parameters calculation module

PRODUCT DATA. Protector Type Uses and Features

PRODUCT DATA. PULSE Reflex 8700 PULSE Reflex Base 8702, 8704, 8706 PULSE Reflex Core. PULSE Reflex PULSE Labshop GUI.

PRODUCT DATA. PULSE SPC Time Insight Type 8601-S. Uses and Features

PULSE Indoor Pass-by and Exterior Noise Contribution Analysis System

COS 116 The Computational Universe Laboratory 4: Digital Sound and Music

MODELLING OF ROOM ACOUSTIC PARAMETERS USING MLS TECHNIQUE AND NUMERICAL SIMULATION

Aliki User Manual. Fons Adriaensen

SPECIAL NOTE: For accurate test results, the IEC standard needs to be observed under all conditions and circumstances.

COS 116 The Computational Universe Laboratory 4: Digital Sound and Music

Be sure you have Audacity AND the LAME Encoder installed. Both are available in the Software Installation Center.

P R O D U C T D A T A

PRODUCT DATA. Conformance Test System for PSTN Telephones Base System Type 6711 (version 2.0)

PRODUCT DATA. BK Connect Loudness and Overall Analysis Applet Type 8490-D-N-SYS. Uses and Features

Cost-effective & Flexible Solution

PRODUCT DATA. PULSE Indoor Pass-by Noise Testing Type 7793 with Optional Exterior Noise Contribution Analysis. Uses and Features

P R O D U C T D A T A

P R O D U C T D A T A

Audacity: How- To. Import audio (a song or SFX) Before we start. Import song into Audacity

2013 Copyright Brüel & Kjær. All rights reserved

CSC 101: Lab #7 Digital Audio Due Date: 5:00pm, day after lab session

Avigilon Control Center Web Client User Guide

Principles of Audio Coding

Morset Sound Development. User s Guide

Recording Your Audio and Creating Your MP3 File using Audacity

PRODUCT DATA. Voice Testing Software for Hands-free Equipment Type 7909-S1. Uses and Features

Page 1. Arrakis Systems 6604 Powell St. Loveland, CO

PRODUCT DATA. Wideband Ear Simulator Type 4195-Q for Production Line Testing of Telephones

PRODUCT DATA. PULSE Data Manager Type Uses and Features


NON-SELLABLE PRODUCT DATA

User Guide. Version 4 for Windows

Selection tool - for selecting the range of audio you want to edit or listen to.

Perceptual coding. A psychoacoustic model is used to identify those signals that are influenced by both these effects.

BROADBAND ULTRASOUND 2-CHANNEL USB INTERFACE

XO Hosted PBX Custom Voic Greetings LAST UPDATED: 21 Mar 2013

AT-LP2D-USB Turntable. Software Guide

XO Hosted PBX Recording Custom Greetings LAST UPDATED: 21 Mar 2013

Audacity Tutorial C. Stanley

PRODUCT DATA. ODEON Room Acoustics Modelling Software Types 7835, 7836 and 7837

Tech Day Camtasia. What is Camtasia Studio?

Part 9. Advanced Acoustical Investigations ADVANCED ACOUSTICAL INVESTIGATIONS

VS1063 ENCODER DEMONSTRATION

Audio Studio Guide Version: 3.5 Author: Ton Valkenburgh Date: January 8,

Both LPC and CELP are used primarily for telephony applications and hence the compression of a speech signal.

Proceedings of Meetings on Acoustics

Speech-Coding Techniques. Chapter 3

Proceedings of the SEM IMAC XXX Conference Jan. 30 Feb. 2, 2012, Jacksonville, FL USA 2011 Society for Experimental Mechanics Inc.

Multimedia Systems Speech I Mahdi Amiri February 2011 Sharif University of Technology

VS-2480 Q&A BASIC FUNCTIONS. Q: What are the main differences between VS-2480 and VS-1880/1680? Q: Are the audio data compressed?

Sound Lab by Gold Line. Noise Level Analysis

Make Your Pictures Come to Life with Photo Story 3

Introducing Audio Signal Processing & Audio Coding. Dr Michael Mason Snr Staff Eng., Team Lead (Applied Research) Dolby Australia Pty Ltd

Setting UP the UMI-1 with True RTA

PRODUCT DATA. Reporting Module Type 7832

EE482: Digital Signal Processing Applications

Audio Controller i. Audio Controller

Manual operations of the voice identification program GritTec's Speaker-ID: The Mobile Client

GETTING STARTED WITH DJCONTROL INSTINCT AND DJUCED UK US

WaveLab Pro 9.5 WaveLab Elements 9.5

TTR500 Series Vector Network Analyzers Demonstration Guide

Speech Upload & Annotation Tool User Guide for Instructors

Room Acoustics. CMSC 828D / Spring 2006 Lecture 20

WaveLab Pro 9.5 WaveLab Elements 9.5

PXR 1506 / WATT MIXER AMPLIFIER

Audacity Tutorial Recording With Your PC

G-Stomper Audio Editor V Audio Editor Overview... 2

How to Make a Podcast

Microsoft Visio Working with Connectors

D CLIENT for DIRECTOR/DIRECTOR PRO Series Publishing System Operator s Guide

AUDIOVISUAL COMMUNICATION

P R O D U C T D A T A

Quick Guide to Getting Started with:

About sounds and Animate CC

COMP : Practical 11 Video

Introducing Audio Signal Processing & Audio Coding. Dr Michael Mason Senior Manager, CE Technology Dolby Australia Pty Ltd

_APP B_549_10/31/06. Appendix B. Producing for Multimedia and the Web

Audio Recording. Technology in a Box. Box Contents: USB microphone Audacity Directions. What you can do:

How to Use Audacity to Create MP3s

2.4 Audio Compression

Audiograbber (convert audio-cd to mp3)

Embedding Audio into your RX Application

The LENA Advanced Data Extractor (ADEX) User Guide Version 1.1.2

Digital Signage Player Management Software

Creating a YouTube Video in PowerPoint 2010

Working with Sound in PowerPoint

Digital Recording and Playback

User guide. Stereo Microphone STM10

1. Selection Tool allows selection of specific portions of the waveform on the timeline

Bengt Johansson Vibraphon, Gärdesvägen 10, Vaxholm, Sweden,

ARCHAEOLOGICAL 3D MAPPING USING A LOW-COST POSITIONING SYSTEM BASED ON ACOUSTIC WAVES

VOX Recorder v1.0 DESCRIPTION. A sound recorder used to monitor audio and only record when audio reaches a user selected level.

3 USING NERO BURNING ROM

PHOTO DVD MAKER USER MANUAL

Adobe Sound Booth Tutorial

Transcription:

TN008 Technical Note DIRAC STIMULI January 2008

This page intentionally left blank. Copyright 2008 Acoustics Engineering January 2008 2

Table of Contents 1 Introduction...5 2 Basic stimuli...5 2.1 MLS...5 2.2 Sweep...6 3 Filters...7 3.1 Pink + Blue filters...8 3.2 Speech filters...8 4 External stimuli...9 5 Using the stimuli on the Dirac CD...10 5.1 WAVE files...11 5.2 MP3 files...13 6 References...13 Copyright 2008 Acoustics Engineering January 2008 3

This page intentionally left blank. Copyright 2008 Acoustics Engineering January 2008 4

1 Introduction Dirac provides many internally generated stimuli for different measurement situations. The Acoustics Engineering website, and the Dirac product CD contain a number of stimuli in different formats that can be used effectively in open loop measurements. This technical note describes the available stimuli. 2 Basic stimuli The basic stimuli that Dirac generates internally are the Maximum Length Sequence (MLS), and the sweep. The different stimuli can be selected in the measurement dialog. Fig 1: Dirac Measurement dialog - Stimulus selection 2.1 MLS The MLS [1][2] is a pseudo random binary sequence having a flat frequency spectrum. MLS stimuli have been popular in impulse response measurement systems because they can be Copyright 2008 Acoustics Engineering January 2008 5

generated using a simple shift register, and because deconvolving the response to an MLS stimulus can be performed very quickly using a cross correlation based on the Hadamard Transform. An MLS signal is rather sensitive to system nonlinearities and time-variance. These effects cause spikes or noise that are distributed over the full length of the response, but are particularly visible in the impulse response tail, and reduce the INR [6] or the IR decay range. 2.2 Sweep The sweep [3] consists of a sine wave that slowly changes over time from the lower to the upper edge of the spectrum. The sweep is less sensitive to time-variance, but sounds more intrusive. There are two sweep variants in Dirac: the linear sweep (lin-sweep), where the frequency increases linearly over time, and the exponential sweep (e-sweep), where the frequency increases exponentially over time. Note that the e-sweep is sometimes referred to as a logsweep in the literature. The linear sweep is comparable with the MLS in the sense that it also has a flat (white) frequency spectrum. The e-sweep has a pink (1/f) spectrum, and therefore has equal energy in each octave band. This property of the e-sweep is useful in the many situations where it is difficult to get a good signal to noise ratio at lower frequencies. The e-sweep also has the property that noise caused by system non-linearities or time-variance, can easily be separated from the actual impuls response. Bandlimiting With MLS signals, all the energy is spread evenly over the full spectrum for the duration of the stimulus. This in contrast with sweep signals where all energy is concentrated at a single frequency for each moment in time. This concentrated energy can cause problems for speakers at very low frequencies and at very high frequencies. To prevent damage to the sound source, it is possible to use bandlimited sweeps that only excite frequencies relevant for the measurement of acoustical parameters. In Dirac the bandlimited sweeps can be enabled in the Options dialog on the Measurements tab: Copyright 2008 Acoustics Engineering January 2008 6

Fig 2: Options dialog - Sweep bandlimiting 3 Filters The basic stimuli described above can be filtered to handle specific measurement situations. The available filters can be selected in the Measurement dialog. Copyright 2008 Acoustics Engineering January 2008 7

Fig 3: Measurement dialog - Filter selection 3.1 Pink + Blue filters In some measurement situations it is difficult to reach acceptable INR values in the lower frequency bands. This may for instance be due to higher background noise levels at low frequencies, or due to a lower output level from the sound source at these frequencies. Increasing the power output in the low frequency bands can help alleviate the problem. The e- sweep stimulus has a 1/f spectrum that can be used effectively in these situations. The flat MLS or sweep stimuli spectra can be shaped to 1/f by the pink filter. To compensate for the pink filter, a blue filter is used on the recorded signal before the deconvolution calculations. The Pink+Blue filters are only available for the MLS and lin-sweep stimuli. 3.2 Speech filters For speech intelligibility measurements [5] where the actual background noise is relevant, it is necessary to use test signals that have a prescribed (speech-like) spectrum. For this purpose, Dirac has female and male speech filters for STI and STITEL measurements, and a RASTI filter for RASTI measurements. These filters will shape the (initially flat) spectrum of a Copyright 2008 Acoustics Engineering January 2008 8

stimulus to conform to the requirements set out in IEC 60268-16 [4]. Note that the speech filters are only available for the MLS and lin-sweep stimuli. 4 External stimuli The internal stimuli generated by Dirac are normally fed to a sound source, while a microphone connected to the PC is used to record the response. Fig 4: Closed loop measurement In some situations it is very inconvenient or even impossible to have a direct connection from a PC to both the sound source and the microphone(s), for instance when the stimulus has to be fed into an existing PA system. For these situations Dirac allows the use of external stimuli being played from a CD- or MP3-player. Fig 5: Open loop measurement The MLS or sweep signals that are played by the external source must match exactly the stimuli generated by Dirac. Therefore the basic stimuli have been included on the Dirac CD as PCM data files (.wav files) and compressed MP3 files. Copyright 2008 Acoustics Engineering January 2008 9

Impulse and noise stimuli In addition to the basic stimuli (MLS and sweep), two other external stimuli can be used with Dirac. An external impulse can be generated with an alarm gun or a balloon. The recording of the external impulse immediately gives the room's impulse response, and no deconvolution calculations are performed. The reproducibility of external impulses is usually not very good. In external noise measurements, a noise signal is fed to both the sound source and the receiver. Dirac deconvolves the noise signal with the measured room response to recover the impulse response. The external noise method is of course not an open loop measurement as a connection from the PC to the sound source is still required. Fig 6: External noise and impulse measurements 5 Using the stimuli on the Dirac CD The Dirac product CD contains a variety of files in the stimuli folder and its sub folders. These files can be used to create an audio CD, or can be copied directly to a playback device such as an MP3 player. It is important to setup Dirac correctly when using these external stimuli. In particular, the following settings must correspond to the properties of the external stimulus: Basic stimulus (e.g. MLS, lin-sweep or e-sweep) Sequence length Sample rate Bandlimiting option (for sweeps only) When either of these settings is not correct, the resulting impulse response will be unusable. Copyright 2008 Acoustics Engineering January 2008 10

5.1 WAVE files The MLS stimuli are all contained in the folder Stimuli\Allpass\MLS. They consist of a single sequence with a 48 khz sample rate. The length of the sequence is encoded in the filename; the file named MLSnn.wav has a length of 2^nn samples. For instance MLS17.wav has a length of 2^17 = 131072 samples. At 48 khz this is 2^17/48000 = 2.7 seconds. To use this sequence on a CD, you will first have to change the sample rate to 44.1 khz, which you can do using the following procedure: 1. Open the required sequence (MLSnn.wav) in Dirac. 2. From the File menu select Change Sample Format... 3. Change the Sample rate to 44100 Hz. 4. Make sure the Resample option remains unchecked. 5. Click OK and save the file. Fig 7: Changing the sample rate Each sweep stimulus is contained on the Dirac product CD in 4 different variants as determined by the bandlimiting option (Stimuli\Allpass\ vs. Stimuli\Bandlimited\), sweep type (esweep vs lsweep), and sample rate (44 vs. 48). Note that you cannot change the sample rate of the sweep sequences (as described above for the MLS), because the sweep start- and endfrequencies are dependent on the sample rate. Because starting a measurement at the exact moment the playback of a sequence starts is practically impossible, it is necessary to concatenate the sequence a number of times. Also, a deconvolution based measurement requires the sequence to be played back at least twice. The first sequence to build up a steady state soundfield, followed by a sequence for the measurement. If averaging is to be used, the number of sequences needs to be increased Copyright 2008 Acoustics Engineering January 2008 11

correspondingly. You can use most sound editing software to concatenate a number of sequences in a single.wav file. You can of course also use Dirac as follows: 1. Open the required sequence in Dirac. 2. Press Ctrl-A to select the entire sequence, and Ctrl-C to copy the sequence to the clipboard. Alternatively, use the Edit menu to Select and Copy the sequence. 3. Click on the first sample in the impulse response window. The status bar of this window should now display a position and length of 0. Fig 8: Insert position If selecting the correct insertion point using the mouse proves too difficult, you can choose Select... from the Edit menu and fill the dialog as depicted below: Fig 9: Select 4. Press Ctrl-V (or select Paste on the Edit menu) to insert the sequence from the clipboard. 5. Repeat steps 3 and 4 until the required number of sequences have been concatenated, and save the file. When saving.wav files Dirac adds specific information to the file describing the measurement setup. This information can be seen and changed in the File Properties dialog Copyright 2008 Acoustics Engineering January 2008 12

in Dirac. Some programs (such as Windows Explorer) will not accept these.wav files when creating an audio CD. To remove the extra information from the.wav files, you can select the alternate.wav format from the 'Save as type' dropdown in the 'Save As' dialog: Dirac will not write the extra information, and the resulting file(s) can be used by Windows Explorer to create an audio CD. Note that you cannot write a single sequence to a CD, and then have the CD player repeat this sequence. The CD player will leave gaps between the sequences, which will ruin the measurement. 5.2 MP3 files MP3 players have a number of advantages over CD players for field measurements. These are the same reasons that have made the MP3 player the most popular digital media player. The Dirac product CD contains a number of MP3 files that can be used with any MP3 player. All MP3 files consist of a sequence that is repeated for 10 minutes. At the end of the file there is a 10 second pause to prevent an unnoticed automatic repeat by the MP3 player. The MP3 files were encoded at a constant bit rate of 160 kbit/s using the Lame encoder. The sequences used to create the MP3 files have a sample rate of 44100 Hz. The basic MLS and (bandlimited) sweep sequences are contained in the folder Stimuli\MP3. The length of the basic sequence is part of the filename. For instance: 'ESWP 12s.mp3' is based on an e-sweep sequence with a duration of 12 seconds. The folder Stimuli\MP3\Speech contains speech filtered MLS and lin-sweep sequences that can be used for speech intelligibility measurements. For more information on the use of speech filters for speech intelligibility measurements, refer to the Dirac help file. Copyright 2008 Acoustics Engineering January 2008 13

6 References [1] M.R. Schroeder: Integrated-impulse method for measuring sound decay without using impulses. Journal of the Acoustical Society of America 66 (1979) 497-500 [2] D.D. Rife, J. Vanderkooy: Transfer-function measurements with maximum length sequences. Journal of the Audio Engineering Society 37 (1989) 419 444 [3] S. Müller, P. Massarani: Transfer-function measurements with sweeps. Journal of the Audio Engineering Society 49, No.6 (2001) 443 471 [4] IEC 60268-16 Sound system equipment. Part 16: Objective rating of speech intelligibility by speech transmission index. [5] TN002 : Measuring speech intelligibility using DIRAC http:///files/ TN002.pdf [6] TN007 : Impulse To Noise Ratio INR http:///files/tn007.pdf Copyright 2008 Acoustics Engineering January 2008 14

Acoustics Engineering develops systems for the prediction and measurement of acoustical parameters, resulting in user-friendly tools that enable you to perform fast and accurate acoustical measurements and calculations. For information on our products, please contact Acoustics Engineering Email: info@acoustics-engineering.com Phone/Fax: +31 485 520996 Mail: Website: Acoustics Engineering Groenling 43-45 5831 MZ Boxmeer The Netherlands Brüel & Kjær is the sole worldwide distributor of Dirac. For information on Dirac, please contact your local B&K representative or the B&K headquarters in Denmark: Brüel & Kjær Email: info@bksv.com Phone: +45 45 80 05 00 Fax: +45 45 80 14 05 Mail: Website: Brüel & Kjær A/S Skodsborgvej 307 DK-2850 Nærum Denmark www.bksv.com Copyright Acoustics Engineering 2007 All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronical or mechanical, without the prior written permission of Acoustics Engineering. Copyright 2008 Acoustics Engineering January 2008 15