AVID 2K Digital Cinema Package - DCP Creation Workflow Using OpenDCP

Similar documents
Adobe Premiere Pro - How to Make a 5.1 HD 1920 x 1080 QuickTime using your Surround Sound Mix

AVID - How to Make a 1920 x Surround Sound QuickTime Using Your Surround Sound Mix

Version x June 2016

Quick start guide to CuteDCP v1.9.0

Quick start guide to CuteDCP for Premiere Pro v1.5.0

USING SOUNDMINER V4PRO - V4.5

DaVinci Resolve to AVID - How to make AVID Project and.mxf MediaFiles

Larson Studios Delivery Specifications April 2015

User Guide Version February 2018

Export a Quicktime movie with 5.1 Surround sound in Premiere Pro

Cut Film and video editing term that defines the immediate and complete change (or transition) from one image to another

Larson Studios Delivery Specifications April 2015

Preparing Video Files for the Aja Ki Pro

Using Canon C300 MXF footage in Media Composer v6 and v7

DCIMastering FOCUS SHEET. Marquise Technologies 2012 Page 1

SoundCode Exchange MXF Users Guide

The folder Icon allows you to create a folder for placing export settings for file management and organization.

PRODUCTION BACKBONE DAM TV PRODUCTION INGEST/DELIVERY PROCESS. Post files to PBB Storage Drop ALE into Hot Folder CONCEPTUAL ALE.

Operations Manual. version 2.4 RTM

The following table lists the formats and resolutions available when you work with XDCAM media: 8 MPEG 30 MPEG 40 MPEG 50 MPEG-4 (proxy media) 4 or 8

QUBE CINEMA. User Guide. Version 2.6

Avid Symphony Editing Collaboration Guide. a tools for storytellers

MediaNXS. Complete I/O Solution

New Features in Final Cut Pro 6

INTRODUCTION... 3 OVERVIEW... 4 DAILIES CREATION STEPS... 5 ADDITIONAL METADATA USING ALE ONE STEPALE RE-LINK ADDITIONAL RESOURCES...

AVID - Creating Subtitle Deliverables for Film Festivals and Packages

Waves. LoAir. User Guide

CinemaDNG RAW Workflow for Blackmagic Cameras

Export Audio Mixdown

Flip4Mac Image Server Component

Page 1 3/6/08 How to make a 4:3 DVD from High Def or Standard Def Media

Davinci Resolve - Final Conform and Color Correction Project Setup - Import.xml and Quicktime Exported From Adobe Premiere Pro

DigiTranslator. Version 2.0.1

BORIS FX. Boris AAF Transfer Last updated February 18, Release Notes. System Requirements

The AiM Codec for Windows and OSX

Media Composer Features List

ALEXA Dailies using Resolve 9

Compressor User Guide

Release of CLIPSTER V 5.7

R&S VENICE Supported File Formats. Supplement

A project is the basic file type in Cubase, in the same way that a document is the basic file type in Microsoft Word.

DejaEdit. User manual. DejaEdit version 1.2 CAN Film 1

Release Notes Page 1. Avid. digidesign AudioVision 4.1v9 Release Notes. May 18, Arming tracks 3 and 4 only on external edit decks now works.

Implementation of Digital Cinema Mastering System

Starting a Project. Section 1

You cannot use the Animation Key button to remove animation on a clip, track, or timeline effect when there are expressions in that effect.

Decoder Plug-In USER MANUAL

.AAF.OMF.AAF.OMF.AAF.AAF.AAF

UNFINISHED MASTER 720p TECHNICAL SPECIFICATIONS

Chapter3 Recording Images with the Camera

ALEXA & AMIRA Dailies using Resolve 15.2

Reel Delivery: Design for Media Distribution Spring Class 11

ilovehue.net FROM FCP TO RESOLVE Mathieu Marano

Nikon Capture NX "How To..." Series

Revision 4.1.x /2.x.x [ ] Creating Media for Modulo Player & Kinetic

Flip4Mac XDCAM. Components Version 2.1 T E L E S T R E A M Telestream, Inc.

Owner s Manual. for Mac OS/X. Version 1.0. November Copyright 2004, Minnetonka Audio Software. All rights reserved.

Basic Editing in Adobe Premiere

Contents 1 Introduction A Dolby E Primer - Getting Started Main Screen Metadata Settings...12

Nikon Capture NX "How To..." Series

Microcontroller Compatible Audio File Conversion

BONES. PlayoutMaster. 1

Avid Xpress Pro for the Independent Filmmaker. Avid Post Production

IMPORTING, ORGANIZING, EXPORTING, AND SAVING. MyGraphicsLab: Adobe Photoshop CS6 ACA Certification Preparation for Visual Communication

All available panels can be found under the Window pull-down menu. Timeline Main panel. Where media clips are combined and edited

WAV Manager (V2.1) operation manual (for Macintosh)

DeckLink SDI. DeckLink SDI. No other capture cards have more video and audio connections than DeckLink!

OWNER S MANUAL. 1 Overview

Using EDIUS to Prepare 4K (QFHD) Material for Playback on Two T2 iddrs. Fumiaki Ogura January 2015

CINEFILE QUICK START MANUAL

Integrating Dolby Atmos into CLIPSTER

Inserting multimedia objects in Dreamweaver

Exercise 2M. Managing Session Data and Media Files - Music. Objectives

CuteDCPTools v2.0.0 A DCP Remastering station inside Adobe After Effects Users Manual

Ardour3 Video Integration

VThis App Note USING VANTAGE PLAYBACK SERVICE FOR AVID INTERPLAY TRANSFER ENGINE. App Note

Pro Tools TDM 5.1.3cs11 Update (Mac OS 9 Only)

Avid Editing Application

Avid Viewpoint: The Promise of AS-02

tools for storytellers

Click New Project from the Premiere Pro Welcome screen, or select File > New Project.

HOW TO Use Microsoft Expression Encoder

BLUEFISH444 ADOBE QUICK START v5.13.2

AudioTools AWE. User Manual

Sound Editing in Final Cut Pro 10.3

Find out what you re missing in Media Composer

What s New in Pro Tools LE 6.4

4.562/4.502 Spring 2015 Architecture in Motion Graphics Prepared by: Takehiko Nagakura Last revised:

Optimizing A/V Content For Mobile Delivery

Be sure you have Audacity AND the LAME Encoder installed. Both are available in the Software Installation Center.

Adobe Premiere. Digital Media Commons 129 Herring Hall. (713)

idvd Authoring Program


Creating Avid Projects, and Media Sharing with Small Tree TitaniumZ

EDITING GUIDE (EDIT SUITES)

Pro Tools Getting Started

Creating a short stop motion animation with Adobe Photoshop CC. Open Adobe Photoshop CC. A note about embedding

SPE Dailies Solutions. SPE Tech / PMC / Colorworks / 24P Dailies 6/07/11

ADOBE 9A Adobe Premiere Pro CS4 ACE. Download Full Version :

Page Content. Inserting Text To add text to your document, you can type the text directly or use Cut or Copy and Paste or Paste Special.

Transcription:

AVID 2K Digital Cinema Package - DCP Creation Workflow Using OpenDCP To create a 2K file for the DCP you have to create a QuickTime that is either of the following aspect ratios 1998 x 1080 for Flat DCPs or 2048 x 858 for Scope DCP's Here is how to create the correct Quicktime In AVID If you already have a AVID project that is 23.98 then change the Format to the DCI settings shown below or create a NEW AVID 2K project. "Flat" DCP>Open the AVID Project > Go to the Format Tab>Change the Presets to the following 1998 x 1080 2K 23.98 "Scope" DCP>Open the AVID Project > Go to the Format Tab>Change the Presets to the following 2048 x 858 2K 23.98 Next do one of the following things:

Link to the QuickTime media that you would like to use > go to >Tools Source Browser Navigate to the file you want to use for the Video Image 2K and click on Link Make a new Sequence or Duplicate your existing Picture Locked Timeline Title the sequence Name of Project DCP Check the Audio Project Settings and make sure it's set to 24 Bit 48K Click On the Settings Tab>Audio Project Make sure the sample rate is 48KhZ and the Bit Depth is 24 Close the dialog by pressing the red X Import the Stereo or 5.1 audio into the project Go to >File>Import> or Input (8.5) Import Media

Click on Options Make sure the audio looks like this Multi Chanel Audio None Turn off Autodectect Broadcast Wave Mono Groups Turn Off Subframe Alignment to Broadcast Wave Start Time Click OK Navigate to your 5.1 audio and click Imp ort

Select 23.98 as the timecode most likely and OK to all clips Once the audio and video are in the project edit them into the 2K timeline with audio edited in the 6 audio tracks in the following order 1-6 as L, R, C, LFE, LS, RS, and check the file for sync and look for any problems with the Image and Sound. Note CENTER channel has dialog. Once finished export to make the DCP files. Select each audio track separately. Choose Channel 1

Select the timeline in the Bin

Export Audio First File>Export

click on Options Choose Audio>Direct Out> Leave all other settings as shown and click Save Sample Rate 48 khz Bit Depth 24 Bit Audio Format Wave

Choose where to save and title the file with the correct track (L, R, C, Lfe, Ls, or Rs click Save Do the same thing for every track 1-6

Choose Audio>Mono> Leave all other settings as shown and click Save Sample Rate 48 khz Bit Depth 24 Bit Audio Format Wave Choose where to save and title the file with the correct track (L, R, C, Lfe, Ls, or Rs click Save

After you have exported all audio tracks 1-6 start the Video export. Select the Video track only Select the timeline in the Bin Make sure that the timeline is set to FULL Green and 10 Bit if available on the timeline "Video Quality Menu"

Choose File > Export> Click on Options

Choose Graphic as the Export Type Tiff Graphic Format Width and Height 1998 x 1080 for a Flat DCP or 2048 x 858 is the setting for a Scope DCP

Choose Automatic Color Dept and No Compression Click OK Choose a New Folder to save the sequential files to and click Save You can close AVID after the file exports.

Next we need to pull down the audio to match the 24 Frame Video. Open a new ProTools session Choose.wav and 24 bit Sample Rate 48khz Click OK Save the session to a hard drive When the session opens go to >Import>Audio

Navigate to the AIFF files to import. Note the Channels export as shown below. A1 = Left Channel A2 = Right Channel A3 = Center Channel A4 = Low Frequency (LFE) A5 = Left Surround A6 = Right Surround Click Copy All Click Apply SRC Choose the 48Khz (pull up/down to 48.48-1% Up NTSC to Film Choose a folder to save the converted files and click "Done" The files will begin converting (adding pulldown to the audio tracks) and will be saved to the destination folder Choose to add to New Track when prompted.

Make sure there is audio in all the tracks This is an example of the files needed to make the DCP Folder of the sequential Tiffs and the 6 Channels of Pulled Down audio converted to 48.048

Open the application "OpenDCP" Click on the JPEG2000 tab Choose the default settings shown here. Click on Input Directories and navigate to the location of the folder that contains the sequential TIFFS to bring into the application.

Choose the folder that holds all the sequential TIFFS and click on "Choose" Click on Output Directory

Create a folder to put your converted file in and click on "Choose"

Shown here Input and Output directories are set and make sure that XYZ transform and DPX Logarithmic are checked Then Click Convert Conversion will begin When completed the dialog will show this message

Next make an MXF of the converted file In Open DCP> Click on the MXF Tab Choose Type JPEG2000

Choose the Picture Input> the file that was just created in the JPEG2000 tab

Choose a destination for the Picture Output

Choose the Picture Input and Output destination and then choose "Create MXF"

Next on the same window change the file type from JPEG2000 to WAV Click on Mono 5.1 Then click on Input Files for each of the surround channels of audio Then choose a destination to saave the sound MXF and click on Create MXF

Example:

Conversion should complete quickly Next click on the DCP tab Click on the Title Generator Title the DCP file with the modifiers Title Type Aspect Ratio Language Audio Type > either 5.1-7.1 or LtRt Stereo Standard and package type Click OK

Next select the Picture and Sound MXF's that we just made in the MXF Tab You will eventually click on Create DCP but you have to make a destination folder first. Copy the Title of the DCP that you just created in the title Generator Create a new folder and title it the name of the DCP Title from above Title the folder here

Now choose Create DCP Choose the folder to save the DCP to and click "Choose" This is the File Structure of the DCP DCP creation will complete and show this message. The Last Step is to put the file on a Linux formatted hard drive for delivery. See this link Linux - Format a Hard Drive in Ubuntu - Use Grad Suite G CMB 4.112