DC8C 3
Table of Contents Installation 3 Top bar/preset system 4 Upper controls 5 Lower left controls 6 Lower right controls 7 Easy mode controls 8 The four Easy modes 9 Tips and tricks 10 Global settings 11 Credits 12 Page 4 Page 5 Pages 6 Page 7 2
Installation Windows: Plugins - VST, VST3 and AAX (32- and 64-bit) download and unzip the installer from the user area Run DC8C3-installer.exe and follow the instructions If you re using a VST host, make sure, that you specify the correct VST-plugin-folder during install Troubleshooting: If you get an error message before or during the installation process, it is very likely due to a false positive from your active virus scanner. In this case either add DC8C3-installer.exe to your whitelist or temporarily disable the scanning during the install process. Apple macos: Plugins - AU, VST, VST3 and AAX (32- and 64-bit) download and unzip the installer from the user area open the DC8C3.dmg and drag the DC8C3 plugins to the shown plugin folder locations Troubleshooting: in case you re getting a message, that the installer can t be executed, because it is from an unidentified developer or not downloaded from the App store, do the following: Go to System Preferences -> Security & Privacy In the General Tab of the Security & Privacy window click on the lock icon in the bottom left to be able to make changes. select "Anywhere" in the section "Allow applications downloaded from: Now try to install DC8C3 again. 3
Klanghelm DC8C 3 - Manual Top Bar & Preset System click on the Klanghelm logo to enter the global settings (see page 13) click to switch between EASY and EXPERT mode click to enter the preset menu. go to next preset go to previous preset select the oversampling factors for realtime and for offline render operation GUI size Meter mode: VU or Peak Sets the reference level not only for the VU meter but also for the saturation. Drag or use your mouse wheel to change the value. Click to switch between two plugin states. To copy one state to the other enter the preset menu and select copy A to B or copy B to A depending on which state is active. click to load a preset file from disk You can also click to enter a value with your keyboard. resets the plugin to its default state The states are saved with the session. copies the current plugin state to clipboard. You can use paste from clipboard in another instance of the plugin to apply these settings to that instance or you can paste that into a text document to share it with other users. saves the current state as the default state, that is recalled whenever you load a new instance saves the current state as a preset onto your hd. Please make sure, that the preset is saved into your UserPresets-folder in order to make it visible in the USER category click on paste from clipboard to apply a copied state to the current plugin instance. factory preset categories your own presets can be recalled from here. In case you want to delete (some of) them, they are located here: macos: /Users/<username>/Library/Klanghelm/DC8C3/ UserPresets/ Windows: C:/Users/<username>/AppData/Roaming/Klanghelm/ DC8C3/UserPresets/ Note: SIZE, OS, CAL, METER and AGC parameters are excluded in the factory presets. The DEFAULT preset include these parameters. There s an option in the global settings, whether or not the aforementioned parameters are being recalled with the user presets and A/B states. See page 11 4
Upper controls Activate external sidechaining side-chain-lowpass cutoff frequency in Hz Switches the steepness of the side-chain high-pass filter from 6 to 12dB Saturation: 3 states: Off: no saturation Orange: light saturation Red: heavier saturation Side-chain listen incl. filters Click to enable Automatic Gain Compensation: The calculated output level is based on the RMS-difference between input level and compressed signal. It gets recalculated (and applied) each time when a gain affecting control is being changed. This calculated output gain level is saved with the session. It is recommended to leave AGC OFF when using automation, since it might lead to undesired results when automating. NOTE: - When AGC is ON and you quickly move controls, that influence the gain reduction amount, big output level changes can occur when the new calculated output volume is being applied after your control move - When AGC is ON, you can still fine-tune the output level with the make-up control - When switching AGC off, the output control is set to the AGC-calculated output level plus the finetuned output level to avoid level jumps - When switching AGC on, the output control is being reset to 0 to avoid level jumps - The output control is also being reset to 0, when you re switching presets and AGC is on. RMS detection time in ms, When set to 0.0 DC8C3 acts as a peak compressor side-chain-tilt in db: If set to negative values: - bigger influence on the gain reduction by low frequencies if set to positive values: - bigger influence on the gain reduction by high frequencies Switches the steepness of the side-chainlowpass filter from 6 to 12dB side-chain-lowpass cutoff frequency in Hz Saturation amount Click on the meter to bypass the plugin Position of the saturation: precompression, post-compression or side chain only Clean input gain in db output/make-up gain in db See also AGC-description Enables a soft clipper at the output of the plugin mix control in %: 0%: dry signal, 100%: compressed signal When engaged, the release of the detector and the actual compression release time depend on each other. This allows a smoother release characteristic. Channel separation of the gain reduction in % 0%: mono/stereo 100%: dual mono 5
Lower left controls Determines (in %), how much of the compressed signal is fed back to the detector. So you can have a feedforward compressor (when set to 0%) or feedback compression (when set to 100%) and everything in-between Amount of gain reduction smoothing in %: determines how sensitive DC8C3 reacts to changes in gain reduction. when set to 0 % (OFF) no smoothing takes place. When set to 100 % DC8C3 changes its gain reduction very slowly Sets the amount of the selected compression curve (%) 0%: hard knee compression curve 100%: selected curve only Selects the compression curve SOFT very soft knee NOSE accentuates the point around the threshold, gets softer at higher levels SPIKE spiky, aggressive curve Threshold in db Enables negative-ratiomode, for dramatic, obvious compression. More suited for compression effects than controlling dynamics. Range control in db Limits the max. gain reduction to a user definable value Compression ratio x:1 Main timing operational mode: NORMAL great allrounder CLEAN perfectly clean compression without harmonics generation SMASH ultrafast compression, almost clipper-like. LIMIT when ATTACK, ATTACK PROG DEP, GR SMOOTH and RMS TIME set to 0, DC8C3 performs brickwall-limiting. 6
Lower right controls Pre-delay of the compressor in ms, Determines the time, before the compressor reacts to the input signal Controls the program dependency of the Attack When set to negative values, the attack gets slower the higher the signal level is, if set to positive values the higher the signal level the faster the attack Sets the time in ms, the compressor hold its gain reduction before the release kicks in Controls the program dependency of the release When set to negative values, the release gets faster the higher the gain reduction level is, if set to positive values the higher the gain reduction the slower the release If set to zero no release program dependency is taking place Multiplies the currently chosen attack time by a factor of 10 Release time in ms Attack time in ms when engaged, the attack curve changes from a standard logarithmic curve to a s- shaped curve, letting more of the transients pass If pressed, the release curve changes from a standard logarithmic curve to a s-shaped curve, resulting in a more relaxed release behavior 7
EASY mode controls Saturation amount Activate external sidechaining Click to enable Automatic Gain Compensation: The calculated output level is based on the RMS-difference between input level and compressed signal. It gets recalculated (and applied) each time when a gain affecting control is being changed. This calculated output gain level is saved with the session. It is recommended to leave AGC OFF when using automation, since it might lead to undesired results when automating. NOTE: - When AGC is ON and you quickly move controls, that influence the gain reduction amount, big output level changes can occur when the new calculated output volume is being applied after your control move - When AGC is ON, you can still fine-tune the output level with the make-up control - When switching AGC off, the output control is set to the AGC-calculated output level plus the fine-tuned output level to avoid level jumps - When switching AGC on, the output control is being reset to 0 to avoid level jumps - The output control is also being reset to 0, when you re switching presets and AGC is on. When lit, DC8C3 operates in dual mono configuration side-chain-lowpass cutoff frequency in Hz mix control in %: 0%: dry signal, 100%: compressed signal Threshold in db Release time in ms Compression ratio x:1 Select an easy mode. See page 9 Attack time in ms output/make-up gain in db NOTE: when switching modes, the selected attack and release time don t change. However, the position of the controls might change, since each Easy mode has its own attack and release time range. 8
Description of the four EASY-Modes THE FOUR EASY MODES To get a feeling for different compression character of each style, set all controls to its default value (double click on each knob). Then lower the threshold until you get around 4-5 db gain-reduction. Now switch through the four styles. The differences in character should be obvious now. NOTE 1: when switching modes, the selected attack and release time don t change. However, the position of the controls might change, since each Easy mode has its own attack and release time range. NOTE 2: As opposed to earlier versions of DC8C3 you can now switch to EXPERT mode without changing the sound. EXPERT isn t a fifth mode anymore, but just offers you more control over the compression, you ve started in one of the Easy modes. However, if you make adjustments in EXPERT mode and then switch back to EASY mode, the EASY mode is fully adapted again and overrides changes done in EXPERT mode to keep the selected EASY mode intact. Bear in mind, that the EASY mode controls function as macro controls, tweaking multiple parameters dynamically at once, e.g. the attack control can also change the amount of program decency depending on the selected EASY mode. So if you want to do deeper tweaking by switching to EXPERT it is advised to stay in EXPERT mode. SMOOTH The slowest of the 4 easy modes. Invisible compression action, smooth gain riding / leveling Suited for bus duties, vocals, strings, synth pads PUNCH Set and forget punchy, natural compression, great all-purpose, workhorse compressor. Go-to track compressor. Shines on the drum bus too. SNAP String VCA-style compression. This is the transient spitting machine. a gain reduction around -2 db might already be enough to spice up drums. Also suitable to emphasize the attack of guitar/bass guitar signals. Be careful with the output knob: the differences between transients and the rest of the signal can be huge. CRUSH The opposite to SMOOTH mode. Lots of compression artifacts (distortion). You can use it to completely destroy the dynamics and/or misuse DC8C3 as a distortion device. Very fast compression characteristics, similar to FET-style compression. CRUSH is based on the SMASH operational mode from the EXPERT view. 9
Tips and tricks Please try out the presets. They should give enough starting points for your own explorations into the various compression flavors you can get out of DC8C3 DC8C3 is able to perform very clean compression even at very fast settings (In CLEAN mode) When doing massive gain reduction you should know, that from time to time transient information will pass (popping) through. You can compensate for that by increasing RELEASE and/or HOLD TIME. When CLEAN COMP is off, you can reach true zero attack, i. e. Transients can be killed completely if desired If you want true 0.0 ms attack you should also set the RMS TIME, PRE-ATTACK and GR-SMOOTH to 0. The LIMIT mode is not intended to replace your favorite mastering limiter. Think of it as analog style limiting. Best used in conjunction with the soft clipper at the output (click on the LED below the OUTPUT control to activate). If you set ATTACK, PRE ATT, PROG DEP (attack) and GR SMOOTH to 0 DC8C performs zero latency brick-wall limiting. When switching on the DETECTOR SMOOTH and THE S-RELEASE CURVE you can lower the distortion more. 10
Global Settings Sets the mouse drag behavior when moving a knob on the GUI Sets the mouse drag sensitivity when moving a knob on the GUI when ticked, an explanation is shown, when hovering over a control Use this option to determine, whether or not the GUI Size, oversampling options, calibration setting and AGC are being recalled with AB-states and user presets If your host doesn t support different latencies for realtime and offline processing, you can use this option to apply the realtime OS setting during offline rendering too to keep things in sync. If you want to benefit from different OS settings for realtime and offline and your host doesn t apply latency changes for offline processing, you need to disable the dynamic latency reporting (see below) Click on the hyperlink to visit the Klanghelm website Click to save the global settings and close the menu. The global settings are saved to: macos: /Users/<username>/Library/ Klanghelm/DC8C3/settings.xml Windows: C:/Users/<username>/AppData/ Roaming/Klanghelm/DC8C3/settings.xml If running into issues, simply delete this file and the factory default global settings will be used again. If your host doesn t support different latencies for realtime and offline processing, you can also disable the dynamic latency reporting completely to keep things in sync. In this case the reported latency of the plugin is being set to fixed 128 samples regardless of the OS settings. 11
Credits Code and GUI: Tony Frenzel Manual: Tony Frenzel Special thanks to the beta testers. VST and VST3 are trademarks of Steinberg Media Technologies GmbH. Audio Unit is a trademark of Apple, Inc. AAX is a trademark of Avid, Inc. 12