Color Vision. Spectral Distributions Various Light Sources

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Color Vision Light enters the eye Absorbed by cones Transmitted to brain Interpreted to perceive color Foundations of Vision Brian Wandell Spectral Distributions Various Light Sources

Cones and Rods Cones: color vision Photopic vision Daylight levels Concentrated in fovea (center) Rods: grayscale Low light levels Scotopic vision Peripheral vision Fovial cones Cones and rods Distribution of rods and cones From Foundations of Vision, fig 3.1 & 3.4, Brian Wandell, Stanford University Retinal Response Curves

Demo Java applets from Brown Trichromacy Metamerism Reflectance http://www.cs.brown.edu/research/graphics/research/illus/spectrum/ Metamerism Different spectra appear the same Fundamental principle of Color Reproduction

Colorimetry Measurement of color Color matching experiments Grassman s Laws CIE Standards Color Science Wyszecki & Stiles Color Matching Experiments Match any color by adding any* three primaries *Linearly independent

Color Matching Functions For any three primaries Match monochromatic colors Plot values vs. wavelength To match any spectrum Multiply by CMF Integrate R=645 nm, G=526 nm, B=444 nm Styles and Burch CMF for all real lights have negative lobes Superposition Grassman s Laws S is stimulus, R is response If S a+b = S a + S b Then R a+b = R a +R b Linear system 3x3 matrix Applies to primaries, CMFs and tristimulus values

RGB to XYZ Let X R, Y R, Z R be the CIEXYZ value for R, etc. Then: [R G B] X R Y R Z R = XYZ RGB X G Y G Z G X B Y B Z B Any system of RGB primaries can be transformed to another with a 3x3 matrix Convert CMF s All CMF s are linear transformations of the cone response curves Figures shows cone response transformed to match Stiles and Burch CMF From Foundations of Vision, fig 4.20 Brian Wandell, Stanford University Any CMF can be transformed to another with the same 3x3 matrix used to transform the primaries

Standard primaries Imaginary lights Linear transformation of real lights All positive Standard observer CIE Standard Commission Internationale de l Eclairage Color matching functions (x( ),y( ),z( )) CIE tristimulus values (X,Y,Z) CIE Color Matching CMF s all positive Unit area for each y( ) is luminance Easily encoded in instruments From Foundations of Vision, fig 4.14 Brian Wandell, Stanford University

Chromaticity Coordinates Project X,Y,Z on the (X+Y+Z)=1 plane x = X/(X+Y+Z) y = Y/(X+Y+Z) z = 1-(x+y) Colorfulness separate from Brightness Courtesy of Photo Research Color Appearance Interaction of Color Josef Albers

Matching Patches? Depends on Background

Perceptual Organization of Color Not RGB as in Colorimetry History Opponent Color Originally proposed in 1878 by Herring Hue-cancellation experiments by Jameson & Hurvich (1955) Now accepted as first level processing Definition Lightness, R-G and B-Y axis Color Vision Leo Hurvich

Opponent Color Encoding + + + - + + + + - A R-G Y-B Traditional model Fairchild, Figure 1-13 Afterimages

Color Vision Deficiencies Missing or weak photoreceptor Best described in opponent terms Red-green anomolies Blue-yellow anomolies Very few achromats (no cones) Red-green anomolies most common Perceptual Color Spaces

Munsell Color Space Chroma, Hue, Value 4R 5 (bright red) Perceptually uniform Book of painted chips Now CIE XYZ defined CIELAB and CIELUV Color Difference Spaces 1 unit = just noticeable difference (1 jnd) Lightness (L*) plus two color axis Function of XYZ of color plus XYZ of white CIELAB CIELUV From Principles of Digital Image Synthesis by Andrew Glassner. SF: Morgan Kaufmann Publishers, Fig. 2.4 & 2.5, Page 63 & 64 1995 by Morgan Kaufmann Publishers. Used with permission.

Color Appearance Phenomena Simultaneous contrast Adaptation Light/dark adaptation Chromatic adaptation Geometric effects Spatial frequency Outlines, etc. Simultaneous Contrast After image of surround adds to the color Reality is more complex Identical patch and surround

Effect of Spatial Frequency Spreading Effect Redrawn from Foundations of Vision, fig 6 Impact of Outlines The Bezold Effect

Chromatic Adaption Change in illumination Automatic white balance Scale cone sensitivities von Kries CIELAB formulation Pictures illustrate effect of no adaptation Daylight Tungsten Color Appearance Models Mark Fairchild Hunt s Illustration Original Add cyan filter

Object Colors in Context Original Filter only on pillow Color Appearance Models Models used to predict appearance Beyond tristimulus values CIELAB and its varients RLAB (Fairchild) CIECAM97 Other models Hunt Nayatoni et al. Color Appearance Models Mark Fairchild