Carlo Porta 3 Pontaccio Cologno Monzese (MI) Italy Milan Italy

Transcription

1 CAMERA department

2 MOVIE PEOPLE S.p.a headquarter registered office Carlo Porta 3 Pontaccio Cologno Monzese (MI) Italy Milan Italy info@moviepeople.it camera@moviepeople.it moviepeople.it D-VISION MOVIE PEOPLE S.r.l R. B. Bandinelli Rome Italy info@d-visionitalia.com d-visionitalia.com MOVIE PEOPLE Bari ex S.S. Km Capurso (BA) Italy bari@moviepeople.it

3 GENERAL HIRE CONDITIONS The rental implies acceptance without reservation of our general rental conditions, after having read and signed the contract or delivery note for acceptance or approval. DELIVERY 1 - The equipment taken over by the renter or on his behalf is considered accepted or recognized in perfect condition operation. 2 - The renter must communicate the date of return of the rented equipment and any subsequent and possible change of the same date. 3 - The equipment is delivered to the renter at the MOVIE PEOPLE headquarter, which issues regular delivery note, the copy of the latter will be returned to MOVIE PEOPLE signed by the renter or by those responsible for taking over. 4 - The fee of the equipment start from the day of delivery. 5 - The transport of the equipment is always the responsibility of the renter. RENTAL 6 - The rented equipment can be used in Italy. In case of use abroad the renter agrees to ask the MOVIE PEOPLE a written authorization and the preparation of the related documentation. 7 - The renter, when received the rented equipment, must signed an irrevocable insurance policy against damage, in favour of MOVIE PEOPLE, according to the value indicated by the MOVIE PEOPLE or resulting from the inventory. The insurance must include all risks of transport by car, train, ship, plane and all risks due to damage caused by atmospheric events, accidents, etc., including the loss of the equipment. 8 - In case of loss, deterioration, theft, fire of the equipment, the conductor must notify MOVIE PEOPLE within 24 hours from the moment in which the event takes place by registered letter. The renter is responsible for the equipment up to the value indicated by the MOVIE PEOPLE or inventory, according to point (7). MOVIE PEOPLE can request the immediate compensation of the material and the payment of the relative fee at any time. If the tenant has carry out the obligations that precede the indemnity paid or due to MOVIE PEOPLE from insurance, the equipment will be paid or will be sold to the renter himself. 9 - Any failure or breakage of the material during the rental, it will be repaired by MOVIE PEOPLE or from the manufacturer of the equipment and debited to the tenant. The tenant undertakes not to modify, or to have it modified by third parties or not to repair, or to have the rented equipment repaired by third parties, unless otherwise agreed in writing by MOVIE PEOPLE The tenant agrees, remaining responsible for the value of the equipment, the tenant must inform all third party creditors who act for fore closure or other executive or precautionary measure of the rented material, that the material is owned by MOVIE PEOPLE, communicating to it any actions taken by third parties In the case of special equipment rental, the tenant must hire a MOVIE PEOPLE technician to be employed, with functions of consignee, stops any liability of the tenant himself, pursuant to Art of the Italian Civil Code The material provided for hire by MOVIE PEOPLE am prepared in accordance with current regulations and the renter who will provide for the installation and connections, also through third parties, must scrupulously observe the safety regulations for what concerns him, assuming all and full criminal responsibility, civil and fiscal. The tenant undertakes, with insurance policy or by responding personally, to refund damages to things or to people, employees or strangers, caused by accidents originating from the rented equipment or its use No discount of fee or reduction of the duration of the rental will be allowed to the renter due to the forced immobilization of the equipment, both for reasons of stoppage of the film, both for production delay, and for any other cause For defects or breakdowns of the rented equipment, even coming from hidden defects, the renter can not expect the pure and simple replacement of the piece and, in case of impossibility to replace without delay, the exchange with equivalent material, without right no compensation for failure to use the rented property MOVIE PEOPLE assume no responsibility for delayed deliveries (operating defects or total or partial claims occurring during shooting), or that cause the stop of shooting, being the rental rates independent of the value or the realization of the film produced with the help of the rented equipment. MOVIE PEOPLE exclude any warranty or liability for any direct or indirect damage suffered by the renter or third party, as a result of the inefficient operation of the rented equipment (damage to the equipment, missing or delayed shooting, etc.)

4 GENERAL HIRE CONDITIONS The rental implies acceptance without reservation of our general rental conditions, after having read and signed the contract or delivery note for acceptance or approval. RESTITUTION 16 - The material must be returned in efficient conditions, in order and in perfect condition The material must be returned to the MOVIE PEOPLE headquarters The freight ends on the day of delivery Partial deliveries of parts of the same appliance are not accepted; the rental days will be calculated until full and complete return of the material In the event that the equipment is damaged again, the tenant must pay compensation equivalent to the rental price for the duration of the repair work The material must be returned during the opening hours of the warehouse Any delay in the return of the material is considered as an extension of the rental itself, except for compensation for major damage, pursuant to Art of the Italian Civil Code Each item missing when the equipment returns will be replaced by MOVIE PEOPLE and charged to the customer, at the price of the new market in Italy If the return of the rented equipment takes place within 12 hours, it is considered to have ceased on the evening of the previous day. PAYMENT 25 - MOVIE PEOPLE S.p.A applies the prices indicated in its price list Payment, unless otherwise indicated, means cash Invoices are issued weekly; we do not accept claims on invoices after 5 days from their issue The exclusive court of jurisdiction is that of Milan In case of use, the tax charges are due to the tenant.

5 Index 6 CAMERAS 34 LENSES 57 CAMERA ACCESSORIES 71 DIGITAL VIDEO 77 EXPENDABLES

6 CAMERAS 6

7 ARRI ALEXA SXT PLUS PL MOUNT You will found the "DATASHEET" in the next page 7 CAMERAS

8 Datasheet Camera Type 35 format film-style digital camera with an electronic viewfinder, a 16:9, 6:5, 4:3 or Open Gate switchable active sensor area, built-in support for the ARRI Wireless Remote System and the cmotion cvolution lens control system, built-in filter holder, Lens Data System, integrated shoulder arch and receptacles for 15 mm lightweight rods Sensor 35 format ALEV III CMOS sensor with Bayer pattern color filter array Photo Sites Sensor Mode 16: x 1620 used for ARRIRAW 16: x 1620 down sampled to 1920 x 1080 for HD-SDI, ProRes HD 16:9 and DNxHD HD 16: x 1612 down sampled to 2048 x 1152 for ProRes 2K 16: x 1778 used for ProRes 3.2K 16:9 Sensor Mode 6: x 2160 used for ARRIRAW 4:3 Full 2868 x 2150 down sampled to 2048 x 1536 for ProRes 2K 4:3 Sensor Mode 4: x 2160 used for ARRIRAW 4:3 Cropped Sensor Mode Open Gate 3414 x 2198 used for ARRIRAW Open Gate Operating Modes 16:9, 4:3, 6:5 or Open Gate sensor modes. Switching takes approx. 60 seconds. All sensor modes available in ARRIRAW and ProRes. Frame Rates 16: fps 6: fps 4: fps Open Gate fps White Balance Pre-sets for 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000 (daylight cool). Automatic calculation or manual white balance for 2000 to Kelvin, adjustable in 100 K steps Colour Correction While white balance changes the red/blue hue of the image, colour correction changes green/magenta. Adjustable range from -12 to +12 CC. 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values. Weight ALEXA SXT Plus body with PL mount: 6.9 kg/15.1 lbs. ALEXA SXT Plus body with PL mount, electronic viewfinder, viewfinder cable and handle: 8.4 kg/18.6 lbs. 8 CAMERAS

9 ARRI ALEXA MINI PL MOUNT You will found the "DATASHEET" in the next page 9 CAMERAS

10 Datasheet Size (HxWxL) Weight Sensor Photo sites (with surround view) 140x125x185 mm 2.3 g 35 mm format ARRI ALEV III CMOS with Bayer pattern colour filter array 16:9 HD: 2880x1620 (3168x1772) 2K: 2868x1612 (3154x1764) 3.2K: 3200x1800 (3424x1926) 4K UHD: 3200x1800 (3424x1926) Shutter lectronic shutter, 5.0 to Lens mounts Recording formats Colour output Look control Adjustable image Titanium PL mount with L-Bus connector and LDS HD 1920x1080 2K Cine 16:9 2048x1152 2K Cine 4:3 2048x K 3200x1800 4K UHD 3840x2160 ARRIRAW 2.8K 16:9 2880x1620 ARRIRAW 2.8K 4:3 2880x2160 Rec 709, custom look or Log C Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false colour White balance Sound level Environmental Viewfinder Wi-Fi remote control Custom control Power input Video outputs Inputs Manual and auto white balance < 20 db(a) at standard frame rates -20 C to +50 C (-4 F to % humidity max, non-condensing Splash and dust-proof through sealed electronics Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen and military-grade connector to camera Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops. Optional GPIO interface for integration with custom control interfaces. Lemo 8-pin, V DC 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder SDI-Genlock (optional activation through ARRI Service), time-code (in and output) 10 CAMERAS

11 ARRI ALEXA STUDIO 4:3 PLUS PL MOUNT Optical viewfinder - Zero delay, artefact-free, natural motion portrayal - Bright and sharp full colour image - Accurate colour fidelity and white balance - Best way to judge focus - Easy on the eye - Works without power - Compatible with 8x and 10x 435 and 8x ARRICAM eyepieces, extensions and heated eye-cups - Spherical or anamorphic viewing, optic blocks for 2x or 1.3x anamorphic de-squeeze available - Can be replaced with ALEXA Electronic Viewfinder Rotating Mirror Shutter - Film-like motion portrayal - No rolling shutter artefacts Internal motorized ND filter (ND 1.4) Built-in remote control features - Real-time wired or wireless remote control of lens and camera - Plug and play with ARRI Wireless Remote System (WRS) - Compatible with cmotion cvolution lens control systems Additional outputs - A second MON OUT (1.5G HD-SDI) - A third RS accessory power out Included DNxHD license Electronic horizon in electronic viewfinder (optional) and metadata Lens synchronization for 3D Built-in tilt and roll sensors 11 CAMERAS

12 ARRI ALEXA 4:3 PLUS PL MOUNT Built-in remote control features - Real-time wired or wireless remote control of lens and camera - Plug and play with ARRI Electronic Control System (ECS) - Compatible with cmotion cvolution lens control systems Additional outputs - A second MON OUT (1.5G HD-SDI) - A third RS accessory power out Included DNxHD license Electronic horizon in viewfinder and meta-data Lens synchronization for 3D Built-in tilt and roll sensors 12 CAMERAS

13 ARRI ALEXA M XT PL MOUNT Separate camera body and light weight head - Up to 50 m/160 ft operating range with hybrid SMPTE cable. - Up to 1 km/0.6 miles operating range when head is powered separately. - Controls and media can be kept in easy reach Highest flexibility on the set Small form factor and low weight of head for lightweight and size-critical camera and 3D applications 13 CAMERAS

14 ARRI ALEXA PL MOUNT Smallest and lightest ALEXA camera Most affordable ALEXA camera 16:9 sensor SxS Module ProRes or DNxHD recording to SxS PRO or SxS PRO+ cards Dual recording: same footage simultaneously onto two cards ARRIRAW T-Link 14 CAMERAS

15 ARRI AMIRA SH 200fps PL MOUNT Sensor Type Sensor Pixel Count Recording Pixel Count Lens Mounts 35mm format ARRI ALEV III CMOS (28.17x18.13) 3414 x 2198: 3200x1800 (4K UHD) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154x1764 (2K) 1920x1080 ProRes HD and HD outputs, 2048 x 1152 ProRes 2K, 3840 x 2160 Pro Res 4K UHD and UHD outputs PL mount w/ Hirose connector and LDS Shutter Electronic shutter, 5.0 to Exposure Index Exposure Latitude Integrated motorized ND Filters FSND 0.6, 1.2, 2.1 Viewfinder EI 160 to EI 3200 (EI 800 base sensitivity) 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1) AMIRA Multi Viewfinder MVF-1 (OLED and LCD) 15 CAMERAS

16 VISION RESEARCH PHANTOM FLEX 4K PL MOUNT Datasheet Sensor size 27.6 x 15.5mm Resolution 4096 x 2304 Frame rate Base ISO 1250 Latitude Bit Rate / Format / Time Record Times Weight x x x Stops 12 Bit RAW 32GB fps 512GB 2500fps 4.8 seconds at 1000 fps, 4096 x 2160 resolution and into 64 GB of internal memory 5 kg CINESTATION PHANTOM For Phantom Flex 4K CINEMAG PHANTOM 256 GB 16 CAMERAS

17 VISION RESEARCH PHANTOM FLEX 2K PL MOUNT Datasheet Sensor size 25.6 x 16 mm Resolution 2560x1440, 1080 Frame rate Base ISO 1250 Latitude Bit Rate / Format / Time Record Times Weight 2560x Stops 12 Bit RAW 32GB fps 512GB 2500fps 2,500 fps = 4.5 seconds 2,500 fps = 1:15 minutes 5 kg CINESTATION PHANTOM For Phantom Flex 2K CINEMAG PHANTOM 256 GB 17 CAMERAS

18 RED WEAPON MONSTRO 8K VV PL MOUNT Datasheet Sensor Type Sensor Pixel 8192 x 4320 Sensor size Dynamic range Redcode RAW Apple ProRes Avid codecs Construction MONSTRO 35.4 Megapixel CMOS mm x mm (Diagonal: mm) 17+ stops 8K Full Format ( ), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K ( ) up to fps ProRes 4444 XQ and ProRes 4444 at 2K ( ) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K ( ) up to 120 fps DNxHR HQX at 4K ( ) 12-bit up to fps DNxHR HQ, SQ and LB at 4K ( ) 8-bit up to fps DNxHR 444 at 2K ( ) 12-bit up to 120 fps DNxHD 444 and HQX ( ) 10-bit up to 120 fps DNxHD HQ, SQ and LB ( ) 8-bit up to 120 fps Carbon Fiber 18 CAMERAS

19 RED WEAPON HELIUM 8K S35 PL MOUNT Datasheet Sensor Type Sensor Pixel 8192 x 4320 Sensor size Dynamic range Construction Redcode RAW Apple ProRes Avid codecs Construction HELIUM 35.4 Mega-pixel CMOS mm x mm (Diagonal: mm) stops Carbon Fiber 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 422 HQ, 422 and 422 LT at 4K ( ) up to fps 4444 XQ and 4444 at 2K ( ) up to 120 fps 422 HQ, 422 and 422 LT at 2K ( ) up to 120 fps DNxHR HQX at 4K ( ) 12-bit up to fps DNxHR HQ, SQ and LB at 4K ( ) 8-bit up to fps DNxHR 444 at 2K ( ) 12-bit up to 120 fps Carbon Fiber 19 CAMERAS

20 RED WEAPON PL MOUNT Datasheet Sensor Type Sensor Pixel Count Sensor size Construction RED DRAGON 19.4 Mega-pixel CMOS 6144 (h) x 3160 (v) 6144 (h) x 3160 (v) Carbon Fiber Operating temperature 0 C to 40 C Storage temperature 20 C to 50 C Colour management Audio Remote control Monitor Output Monitor option Supports , , , and D LUTs Variable number of 3D LUT outputs with DSMC² expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 khz Optional 2 additional channels with DSMC² expander module, uncompressed, 24-bit 48 khz Integrated REDLINK WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC² expander module 3G-SDI (HD-SDI) and HDMI with DSMC² expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI Only) SMPTE Timecode, HANC Metadata, 24-bit 48 khz Audio DSMC² RED Touch 4.7 LCD, DSMC² RED Touch 7.0 LCD and DSMC² RED EVF (OLED) with cable-free connection RED Touch 9.0 LCD, RED Touch 7.0 LCD, RED Touch 5.0 LCD, RED PRO 7 LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC² LEMO Adaptor A and LCD/EVF cable 20 CAMERAS

21 RED EPIC DRAGON PL MOUNT Datasheet Sensor Pixel array S/N Ratio Dynamic range Max image area Lens coverage Acquisition formats Temperature range 19 MEGA-PIXEL RED DRAGON 6144 (h) x 3160 (v) 80 db stops 6144 (h) x 3160 (v) 30.7mm (h) x 15.8mm (v) x 34.5 mm (d) 6K RAW (2:1, 2.4:1) 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1) 4.5K RAW (2.4:1) 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1) 3K RAW (16:9, 2:1 and Anamorphic 2:1) 2K RAW (16:9, 2:1 and Anamorphic 2:1) 1080p RGB (16:9) 720p RGB (16:9) Operating Range: 0 C to +40 C (32 F to 104 F) Storage Range: 20 C to +50 C ( 4 F to 122 F) 21 CAMERAS

22 SONY PMW-F55 PL MOUNT 8.9MP Super 35mm CMOS Image Sensor Internal 4K/2K/HD Recording Electronic Global Shutter Highly Modular Design Optional 4K/2K RAW Recorder Up 240 fps 2K with Optional AXS-R5 Native FZ-Mount and PL-Mount Adapter Dynamic Range Rated at 14 Stops Wider Color Gamut than Film SxS Pro+ Media Cards 22 CAMERAS

23 SONY PXW-FS7 PL / EF MOUNT Super 35 Sized CMOS Sensor Sony E-Mount UHD Up to 60 FPS, HD Up to 180 FPS 4096 x 2160 Via External Recorder XAVC-I, XAVC-L, MPEG-2 XAVC-I Up to 600 Mb/s Dual XQD Memory Card Slots Dual HD/3G-SDI & HDMI Output 23 CAMERAS

24 SONY PXW-FS5 PL / EF MOUNT Super 35-Sized CMOS Sensor Sony E-Mount UHD at 24/30 FPS, HD Up to 240 FPS XAVC Long, AVCHD Recording Codecs 2 x SD Media Card Slots HD/3G-SDI & HDMI Output Supports Wi-Fi and NFC Dual HD/3G-SDI & HDMI Output 24 CAMERAS

25 CANON C300 MK II PL / EF MOUNT Super 35 mm CMOS Sensor 4K,1920x /50i, 23.98/25p True 24p Canon XF AVC H.264 Codec 25 CAMERAS

26 BLACK MAGIC DESIGN PL MOUNT BLACKMAGIC URSA MINI PRO 4.6K Super-35mm CMOS Sensor 4608 x 2592 Video up to 60p CinemaDNG and ProRes 444 & 422 Recording Full Set of External Controls 2/4/6-Stop ND Filter Wheel Dual CFast 2.0 and SD Memory Card Slots 12G-SDI Output, Timecode and REF Input 2 XLR Audio Inputs with Phantom Power BLACK MAGIC PRODUCTION CAMERA 4K 4K Super 35mm Sensor with Global Shutter Records 4K (3840x2160) & HD (1920x1080) ProRes 422 Codecs (HQ, 422, LT, & Proxy) Compressed CinemaDNG RAW (4000x2160) 12 Stops of Dynamic Range Built-In SSD Recorder 6G-SDI Output for Ultra HD via One Cable 5" Touchscreen LCD (800x480 Resolution) BLACK MAGIC is equipped with PL MOUNT DENZ BLACK MAGIC PRODUCTION CAMERA 4K 26 CAMERAS

27 BLACK MAGIC DESIGN PL MOUNT BLACK MAGIC CINEMA CAMERA 2.5K Image Sensor 12-bit RAW, ProRes, and DNxHD Formats 13 Stops of Dynamic Range 23.98, 24, 25, 29.97, 30p Frame Rates LCD Touchscreen with Metadata Entry SDI Video Output and Thunderbolt Port Mic/Line Audio Inputs Records to Removable SSD Drives BLACK MAGIC POCKET CINEMA CAMERA Super 16mm Sized Image Sensor Active Micro Four Thirds Lens Mount 13 Stops of Dynamic Range Records Full HD 1920x1080 CinemaDNG RAW Apple ProRes 422 (HQ) at 220 Mbps 3.5" LCD Display with 800x480 Resolution Uses SDXC and SDHC Memory Cards EN-EL20 Compatible Rechargeable Battery HDMI, LANC, 3.5mm Audio Input and Output BLACK MAGIC MICRO CINEMA CAMERA Super 16mm-Sized Image Sensor Active Micro Four Thirds Lens Mount 13 Stops of Dynamic Range Records Full HD 1920x1080 CinemaDNG RAW Apple ProRes 422 (HQ) at 220 Mbps Ultra-Compact Design Expansion Port with Radio Control Ports SDHC/SDXC Memory Card Slot HDMI & Composite Output, 3.5mm Audio In 27 CAMERAS

28 VARIOUS DIGITAL CAMERAS PL / EF MOUNT SONY a7s II PANASONIC LUMIX GH-5 PANASONIC LUMIX GH-4 28 CAMERAS

29 VARIOUS DIGITAL CAMERAS EF MOUNT Canon EOS 5D MARK III Canon EOS C300 Canon EOS 5D Mark II Canon EOS 7D Sony α7s Sony NEX-FS700E VARIOUS DIGITAL CAMERAS B4 MOUNT & OTHER PANASONIC AG-HPX2700E PANASONIC AG-HPX255EJ PANASONIC AG-HPX500E PANASONIC AG-HPX250PJ 29 CAMERAS

30 VARIOUS DIGITAL CAMERAS B4 MOUNT & OTHER PANASONIC AJ-PX270 PANASONIC AG-HPX171E PANASONIC AG-HVX200E PANASONIC DVX 100B SONY HD DIGITALE HVR-Z7E SONY HD HVR-Z5E SONY DVCAM DSR-PD170P CANON XF CAMERAS

31 VARIOUS DIGITAL CAMERAS B4 MOUNT & OTHER SONY HD HXR-MC1P PANASONIC AG-HMR10EU With cable 3-20 m GO-PRO FUSION 5.2K spherical video at 30 fps or 3K at 60 fps 18-megapixel 360 photo 360 audio Waterproof up to 5 meters depth Time lapse video and photos Night Lapse and gusts GO-PRO HERO 6 Image Recording Format Max Video Resolution Effective Photo Resolution Widescreen Video Capture JPEG, RAW 3840 x MP Yes 31 CAMERAS

32 VARIOUS DIGITAL CAMERAS B4 MOUNT & OTHER Q-BALL Image Sensor Lens Scan Formats 1/3 2 M pixel CMOS Aspect 16:9 or 4:3 Shutter speed Focus System 10 x zoom-5.1mm-51mm angle of view 720p/1080i - 50/59.94Hz 625/50 (PAL) and 525/59.94hz (NTSC) ½ to 1/1000sec. Manual or Auto Max-Min Pan e Tilt speed 360 in 30-4 s Dimensions Weight ø 115 mm / h 210 mm 1,3 kg 3D PANASONIC AG-3DP1D Twin 4.6 to 79mm - 17x Zoom Lenses 3D Shooting Control and Assist Functions Dual 1/3" 1920 x MOS Sensors 14-bit DSP, 20-bit Internal Processing U.S. and European Standards Compatible Variable Frame Rates AVC-Intra Recording to P2 Media Cards 3D PANASONIC AG-3DA1 Full HD 3D Camcorder (2) 1920 x MP 3MOS Sensors Captures AVCHD Video to SD Cards 1080/60i, 50i, 30p, 25p, 24p (Native) 720/60p, 50p HD-SDI, HDMI, Dual XLR 32 CAMERAS

33 FILM CAMERAS 35 mm Arricam studio 4 perf Arricam studio 3 perf Arricam studio 2 perf Arricam Lite 4 Perf Arricam Lite 3 Perf Arricam Lite 2 Perf Arriflex 535B 4 Perf Arriflex 535B 3 Perf Arriflex 435 Xtreme 4 Perf Arriflex Perf Aaton 35 III 16 mm Arriflex 416 HS Arriflex SR3 Aaton A-MINIMA Super CAMERAS

34 LENSES 34

35 FULL FRAME LENSES COOKE S7/i Each of our S7/i Classic prime lenses are supplied with the next generation of /i Technology and are designed for all PL mounted professional motion picture film and electronic cameras. Cooke s /i Technology provides cinematographers and camera operators with vital information including inertial tracking data in addition to lens setting, focusing distance, aperture and depthof-field, hyper-focal distance, serial number, owner data, lens type and focal length in both metric and footage measurements. All the information can be captured frame-by-frame for real-time display and for use in post-production. 25 mm T2-32 mm T2-40 mm T2-50 mm T2-75 mm T2-100 mm T2-135 mm T2 35 LENSES

36 FULL FRAME LENSES ZEISS SUPREME PRIME Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, colour rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are colour matched across the full range and most feature a fast T-stop of T mm T mm T mm T mm T mm T LENSES

37 ANAMORPHIC LENSES ARRI ZEISS ANAMORPHIC LENSES 28 mm T mm T mm T mm T mm T mm T mm T mm T mm T2.8 COOKE ANAMORPHIC PRIME LENSES 25 mm T mm T mm T mm T mm T2.6* - 75 mm T mm T mm T2.3 *Cooke Anamorphic 65 mm MACRO COOKE ANAMORPHIC PRIME LENS 180 mm T LENSES

38 ANAMORPHIC LENSES ANGENIEUX OPTIMO A2S T4.5 ANGENIEUX OPTIMO T4.0 ANGENIEUX OPTIMO AS2 T4.0 Angenieux Optimo T4.5 Cooke Varotal MKII T5.6 Kowa Anamorphic Lenses set 40 T T T T LENSES

39 STANDARD LENSES SET S.35 SET LENSES LEICA SUMMILUX-C T SET LENSES LEICA SUMMICRON-C T SET LENSES COOKE S5 T LENSES

40 STANDARD LENSES SET S.35 SET LENSES ARRI ZEISS MASTER PRIME T mm Arri Zeiss Master Prime T mm Arri Zeiss Master Prime T mm Arri Zeiss Master Prime T mm Arri Zeiss Master Prime T mm Arri Zeiss Master PrimeT mm Arri Zeiss Master Prime T mm Arri Zeiss Master Prime T mm Arri Zeiss Master Prime T mm Arri Zeiss Master Prime T1.3 SET LENSES COOKE S4 T mm Cooke S4 T2 14 mm Cooke S4 T2 16 mm Cooke S4 T2 21 mm Cooke S4 T2 27 mm Cooke S4 T2 35 mm Cooke S4 T2 65 mm Cooke S4 T2 135 mm Cooke S4 T2 150 mm Cooke S4 T2 180 mm Cooke S4 T2 40 LENSES

41 STANDARD LENSES SET S.35 SET LENSES ARRI ZEISS ULTRA PRIME T mm Arri Zeiss Ultra Prime T mm Arri Zeiss Ultra Prime T2 12 mm Arri Zeiss Ultra Prime T mm Arri Zeiss Ultra Prime T mm Arri Zeiss Ultra Prime T mm Arri Zeiss Ultra Prime T mm Arri Zeiss Ultra Prime T mm Arri Zeiss Ultra Prime T1.9 SET LENSES COOKE SPEED PANCHRO TLS T2.3 REHOUSED SET LENSES COOKE S2/S3 PANCHRO T2.3 REHOUSED P+S TECHNIK LENSES

42 STANDARD LENSES SET S.35 SET LENSES LEITZ T mm Leitz T mm Leitz T2.3 SET LENSES ZEISS PLANAR T mm Zeiss T mm Zeiss T mm Zeiss T mm Zeiss T mm Zeiss T mm Zeiss T2.1 SET LENSES ZEISS DISTAGON T mm Zeiss T1.3 SET LENSES CANON K-35 T1.5/ mm Canon K-35 T mm Canon K-35 T mm Canon K-35 T2 200 mm Canon K-35 T2.8 SET LENSE ZEISS DISTAGON T SET ARRI MACRO ZEISS T mm Arri Macro Zeiss T3 200 mm Arri Macro Zeiss T mm Arri Planar T3 42 LENSES

43 SPECIAL LENSES ARRI ZEISS VARIABLE PRIME T2.2 Zeiss Variable Prime Lenses VP T2.2 Zeiss Variable Prime Lenses VP T2.2 Zeiss Variable Prime Lenses VP T2.2 SET CLAIRMONT SWING & SHIFT T SET ARRI SHIFT & TILT T LENSES

44 SPECIAL LENSES SKATER SCOPE SYSTEM P+S TECHNIK T5.6 OPTEX PERISCOPE / BORESCOPE T3.2 / T T-REX SUPERSCOPE SYSTEM P+S TECHNIK T7.1 Leica Zoom: 5, Zeiss Zoom: 5, LENSES

45 SPECIAL LENSES 200 mm Canon T2 200 mm Nikon T2 300 mm Canon mm Nikon T mm Canon T mm Canon T mm Canon T5.6 Zoom Canon T5.6 PL 16 mm LENSES ZEISS ULTRA 16 T1.3 SET , ZEISS ULTRASPEED SET 16 mm 9, Zoom Angenieux 7/81 mm T 2.4 Zoom Angenieux 11,5/138 mm T 2.3 Zoom Zeiss 11/110 mm T 2.1 Arvic 7 mm T 1.3 Arvic 8 mm T LENSES

46 EF MOUNT LENSES ZEISS COMPACT PRIME CP.3 PL/EF 15 T T T T T T T T T2.1 ZEISS COMPACT PRIME CP.2 PL/EF 21 T T T T T T mm Zeiss Compact Prime CP.2 T mm Zeiss Compact Prime CP.2 T mm Zeiss Compact Prime CP.2 T mm Zeiss Compact Prime CP.2 T Macro Zeiss Compact Prime CP.2 T LENSES

47 EF MOUNT LENSES CANON PRIME CN-E 14 T T T T T T2.2 SET CANON LENSES USM SERIES L 14 F F F F F F1.4 Zeiss Macro 50 mm T2 Milvus Zeiss Macro 100 mm T2 Milvus Canon Macro 50 mm T2.5 Canon Macro EF 100 mm T2.8 Canon Extender EF 2x II Zoom Canon EF mm F2.8 Zoom Canon EF mm F4 IS Zoom Canon EF mm F2.8 Zoom Canon EF mm F LENSES

48 EF MOUNT LENSES Zoom Canon EF mm IS F2.8 Zoom Canon EF mm F Zoom Canon EF mm F2.8 IS Canon TS-E 17 mm F4.0 L USM Canon TS-E 24 mm F3.5 II L USM Canon TS-E 50 mm F2.8 L MACRO Canon TS-E 90 mm F2.8 L MACRO MTF MOUNT LENSES Olympus M.ZUIKO DIGITAL ED 7-14 mm 1:2.8 PRO Lumix G Fisheye 8 mm f/3.5 Lumix G 14mm f/2.5 ASPH Lumix G Vario 7-14 mm f/4 ASPH Lumix G Vario mm f/ OIS Lumix G X mm f/2.8 Lumix G Vario mm f/ ASPH OIS Lumix G X mm f/ LENSES

49 B4 MOUNT LENSES ZEISS DIGI PRIME SET T CANON HD-EC SET T Zoom Canon HD 9x5,5 Zoom Canon HD 11x4,7 Zoom Canon HD 21x7,5 Zoom Canon HD 21x7,5 CINE STYLE Zoom Canon HD 13x4,5 Zoom Fujinon HD 22x7,8 Optex HDEC Macro 120 mm Zoom Canon 33x14,5 mm Zoom Canon HD 40x10 mm 49 LENSES

50 STANDARD ZOOM ANGENIEUX ANGENIEUX OPTIMO T3.2 ANGENIEUX OPTIMO STYLE T LENSES

51 STANDARD ZOOM ANGENIEUX ANGENIEUX OPTIMO T2.8 ANGENIEUX OPTIMO 19,5-94 T LENSES

52 STANDARD ZOOM ANGENIEUX ANGENIEUX OPTIMO T2.2 ANGENIEUX OPTIMO LIGHTWEIGHT T2.8 ANGENIEUX OPTIMO LIGHTWEIGHT T2.6 ANGENIEUX OPTIMO LIGHTWEIGHT T LENSES

53 STANDARD ZOOM FUJINON FUJINON CABRIO PREMIERE T2.9 FUJINON CABRIO PREMIERE T2.9/ LENSES

54 STANDARD ZOOM CANON CANON CN-E T2.8 CANON CN-E T2.8 CANON CN7x17 KAS S CINE SERVO mm T LENSES

55 STANDARD ZOOM CANON/FUJINON CANON CN-E T2.95/3.7 ARRI/FUJINON ALURA LWZ mm T2.8 ARRI/FUJINON ALURA LWZ mm T LENSES

56 STANDARD ZOOM ZEISS COMPACT ZOOM CZ mm T2.9 COMPACT ZOOM CZ mm T2.9 COMPACT ZOOM CZ mm T LENSES

57 CAMERA ACCESSORIES 57

58 GIMBAL FREEFLY MOVI 15 Designed for Hand-Held Use For Cinema Cameras & DSLRs up to 15 lb Keeps Horizon Level & Counteracts Drift Single and Dual Operator Control Modes Supports DSMX and SBUS RC Transmitters Wi-Fi Pairing with ios, Android, PC Apps Shot Recorder Remembers Camera Position Fully Tool-Less Balancing 58 CAMERA ACCESSORIES

59 GIMBAL FREEFLY MOVI 10 Designed for Hand-Held Use For DSLRs and Cinema Cameras up to 12 lb Keeps Horizon Level & Counteracts Drift Single and Dual Operator Control Modes Supports DSMX and SBUS RC Transmitters Bluetooth Interface for Configuration Software for Android and Windows Shot Recorder Remembers Camera Position Two Batteries and a Charger Included UAV Conversion Kit Available Separately 59 CAMERA ACCESSORIES

60 GIMBAL DJI RONIN Supports Cameras up to 8 Pounds Precision of Control: ±0.02 Transmitter for Remote Pan/Tilt Control Tool-Less Balance Adjustment System Assistant Software for ios and Windows Bluetooth Wireless Interface for Setup Silent Mode For Quiet Operation USB and PowerTap Power Outputs 60 CAMERA ACCESSORIES

61 CAMERA ACCESSORIES HEADS ARRIHEAD OCONNOR 2575 HEADS OCONNOR 2060HD HEAD SACHTLER VIDEO 60 (9+9) CARTONI C40 HEAD CARTONI MAXIMA HEAD CARTONI MAXIMA 30 CARTONI MASTER MK II CARTONI LAMBDA HEAD CARTONI SIGMA HEAD SACHTLER VIDEO 30 (7+7) CARTONI LAMBDA 3 AXES 61 CAMERA ACCESSORIES

62 CAMERA ACCESSORIES HEADS CARTONI SPINHEAD RONFORD7 MKIV HEAD AIR FLOATTER HEAD CAMERA ACCESSORIES GRIP Bazooka Elemack Tall Leg Bowl/Mitchell Baby Leg Bowl/Mitchell Hi- Hat Ronford Bowl/Mitchell Steady-bag Rain cover Alexa Rain cover Arri 435/535 Cartoni C20 Head Swing Head (Tango) Swing Head (Bogie) Dutch Head C40 Mitchell 3-Way Leveller Spider Base Plate Movie Grip Cheeseplate 62 CAMERA ACCESSORIES

63 CAMERA ACCESSORIES ELECTRONIC & MORE ARRI CAMERA CONTROL PANNEL CCP-1 ALEXA MINI/AMIRA ARRI ULTRASONIC DISTANCE MEASURE UDM ARRI REMOTE ALEXA CONTROL UNIT RCU-4 RAIN DEFLECTOR SCHULTZ SPRAY-OFF MINI 6X6 RAIN DEFLECTOR SCHULTZ SPRAY-OFF MILLY 4X5.65 RAIN DEFLECTOR SCHULTZ SPRAY-OFF MICRO 4X5.65 Rain deflector FGV 6X6 Rain deflector Spintec 4X4 Director Viewfinder Mitchell 35 mm Director viewfinder movie camera support 35 mm Director viewfinder Kish S.35 Anamorphic Director viewfinder Kish 16 mm 63 CAMERA ACCESSORIES

64 CAMERA ACCESSORIES ELECTRONIC & MORE Low Mode for Steadicam (Alexa) Arri 435/535 Shoulder set Arri Sr3 Shoulder set Arri Alexa/Alexa MINI Shoulder set Easyrig Vario 5 Easyrig Cinema 3 Easyrig Cinema 2,5 Teleprompter Wireless Focus Control Digi Fox Wireless Focus Control Mag Fox EASYRIG CINEMA 3 64 CAMERA ACCESSORIES

65 CAMERA ACCESSORIES ELECTRONIC & MORE WIRELESS CONTROL MAGNUM CHROSZIEL ARRI WIRELESS CONTROL UNIT WCU-4 With Zoom - Focus - Iris ARRI WIRELESS CONTROL UNIT WCU-3 With Zoom - Focus - Iris ARRI WIRELESS SINGLE AXIS UNIT SXU-1 Wireless Control Preston Set With Zoom - Focus - Iris Micro Force V+F2 Zoom Control Microforce Preston Digital-2 Zoom Control 65 CAMERA ACCESSORIES

66 CAMERA ACCESSORIES MATTE BOX & FOLLOW FOCUS Arri Matte Box 6X6 MB-14 Arri Matte Box 4X5.6 MB-18 Arri Matte Box 4X4 MB-16 Arri Matte Box 4X5.6 MB-19 Arri LMB-25 4X5.65 Clip On Arri LMB-15 4X5.65 Clip On Arri LMB-6 6.6X6.6 Clip On Arri LMB-4 6.6X6.6 Clip On Arri LMB-3 4X4 Clip On Arri LMB-1 4X5.65 Clip On Chrosziel 4X4 Matte-Box Chrosziel 4X5.65 Clip On Follow Focus Arri FF-5 HD Follow Focus Arri FF-4 Follow Focus Arri FF-3 Follow Focus Chrosziel Follow Focus Arri FF-2 Mini Follow Focus Arri MFF-1 CAMERA ACCESSORIES 4X4 Filters 4X5,65 Filters 6X6 Filters Tiffen 4x5.65 ND IR ( ) set of 5 filters Tiffen 4x5.65 ND IR 1.8 filter Tiffen 4x5.65 ND IR 2.1 filter Tiffen 4x5.65 hot mirror filter Tiffen 4x5.65 T1 IR filter FILTER & DIOPTRES 66 CAMERA ACCESSORIES

67 CAMERA ACCESSORIES FILTER & DIOPTRES Schneider 4x5.65 True-Cut 750/680 filter Schneider 4x5.65 platinum IR ( ) Schneider 4x5.65 platinum ND IR 1.8 filter Schneider 4x5.65 platinum ND IR 2.1 filter Vantage True Pola frame 4x5,65 Gecko-Cam pola frame 4x5,65 Tiffen 6.6x6.6 ND IR ( ) SET OF 5 filters Tiffen 6.6x6.6 ND IR 1.8 filter Tiffen 6.6x6.6 ND IR 2.1 filter Tiffen 6.6x6.6 hot mirror filter Tiffen 6.6x6.6 T1/2 IR filter Schneider 6.6x6.6 True-Cut 750/680 filter Tiffen True-Streak blue 6.6x6.6 ( mm) Tiffen round Dioptres set (114 mm) Round Dioptres Set 77 mm Tiffen round Dioptres Set (138 mm) Round Dioptres set for ANG. HR / Tiffen Split round Dioptres Set (138 mm) CAMERA ACCESSORIES TRUCKS Magliner Senior truck Magliner Junior truck Kartmaster truck 67 CAMERA ACCESSORIES

68 CAMERA ACCESSORIES UNDERWATER NAUTICAM For Arri Alexa Mini Depth Rating Weight Dimensions 80 m 14 kg 363x341x290 mm AMPHIBICO For Red Epic Depth Rating Weight Dimensions 100 m N.D by manufacturer 375x356x248 mm 68 CAMERA ACCESSORIES

69 CAMERA ACCESSORIES UNDERWATER SCUBACAM For Arri Alexa Mini Depth Rating Weight Dimensions 4 m 3,5 kg 500x300x250 mm AMPHIBICO PHENOM For Sony Z1E Depth Rating Weight Dimensions 100 m 16,3 kg 465x345x257 mm DIVEROSS For Canon 5D MK II / MK III Depth Rating 80 m 69 CAMERA ACCESSORIES

70 CAMERA ACCESSORIES UNDERWATER INTERSPIRO DIVATOR LUBELL LAB S Speakers BLIMP for Optex Periscope and Boroscope 70 CAMERA ACCESSORIES

71 DIGITAL VIDEO 71

72 DIGITAL VIDEO MONITOR TV LOGIC XWM 175W 17 TRANSVIDEO CINEMONITOR HD 15 MONITOR ASTRO DM MONITOR TRANSVIDEO STARLIGHT OLED 5 72 DIGITAL VIDEO

73 DIGITAL VIDEO MONITOR Monitor TV-Logic VFM-056W 5,6 Monitor TV-Logic VFM-058W Monitor TV-Logic LVM Monitor Marshall V-LCD 70xp 7 HD-SDI Monitor Marshall V-LCD 70xhb 7 HDMI With HD-SDI Conversion Monitor Marshall V-LCD70XP 7 HDMI Monitor Panasonic BT-LH80WE LCD HD 8 Monitor Panasonic BT-LH910WE LCD HD 9 Monitor Sony PVM-740 Oled 7,4 Monitor Tv-Logic LVM-095W HD 9 Monitor Tv-Logic LVM-173W-3G HD 17 Monitor Sony PVM-1741 Oled 17 Monitor Bon BXM-183R3G 18 Monitor Panasonic BT-LH1760/ Monitor Panasonic LCD Bt-LH1850E 18 Monitor Panasonic LCD Bt-LH ,5 Monitor TV-Logic LVM-242W 24 Monitor TV-Logic LVM-247W HD 24 Monitor Sony LCD LDM Monitor Panasonic BT-LH2550E 25 Monitor Panasonic BT-3DL Monitor Panasonic BT-LH2600WE 26 Monitor Panasonic TH-42PWD7UY 42 Plasma Monitor 3D Samsung DIGITAL VIDEO

74 DIGITAL VIDEO RECORDER OVIDE Q-TAKE SMART ASSIST 4 EVO OVIDE Q-TAKE SMART ASSIST HD2 VANTAGE PSU-3 HD SOUND DEVICE PIX240i VIDEO DEVICE PIX-E7 ATOMOS SHOGUN INFERNO 74 DIGITAL VIDEO

75 DIGITAL VIDEO RECORDER Aja Ki Pro Quad Odyssey 7Q Aja Ki Pro Aja Mini Ki Pro Panasonic AG-HPG20E Panasonic AJ-HPM110E Panasonic AG-HPD24 Nano Flash Recorder Atomos Samurai Blade Panasonic AG-HMR10 DIGITAL VIDEO MORE TERADEK BOND II COBHAM 1000 HD-SDI TRANSMITTER COBHAM 500 HD-SDI TRANSMITTER 75 DIGITAL VIDEO

76 DIGITAL VIDEO MORE BOLT 703 TERADEK SERV PRO + LINK Teradek Bolt Pro 300 Teradek Bolt Pro 500 Teradek Bolt Pro 600 Teradek Bolt Pro1000 Teradek Bolt Pro 2000 Teradek Bolt Pro 3000 Boxx Meridian HD-SDI Transmitter CW-5HD Wevi HD-SDI Transmitter Paralinx Arrow + HD-SDI/HDMI Transmitter Mixer HD Panasonic AV-HS410E Mixer HD Panasonic AV-HS450 Mixer HD Panasonic AW-HS50 Hd Aja 3GDA SDI Distributor Aja HD10MD3 Downconverter Video Printer Black & White Sony UP-890 Panasonic AG-HMR10 76 DIGITAL VIDEO

77 EXPANDEBLES Black gaffer tape 5 cm Fluorescent gaffer tape 2,5 cm Velcro 5 cm (Price per meter) Kenro Kenair Air Duster Gecko Eye Cushion 77 EXPANDEBLES