4/3 camera recorder AG-AF100

Transcription

1 4/3 camera recorder AG-AF100 Micro 4/3 Mount Lens interchangeable Built-in ND Filter 1/4, 1/16, 1/64 XLR Audio Input Optimize for Video Anti-Aliasing Less Skew Ergonomic Design for Video camera Long Recording Time 24p & Cine-like Gamma Other Professional Features Camera remote control compatible (Same with DVX100,HVX200A, HPX170, HMC150 ) Detachable Handle, Grip 50Hz/59.94Hz Switchable 3 Year Warranty Thanks for no moving parts

2 Target Specification 4/3 camera recorder AG-AF100 <Target Specification> - Image sensor :4/3 MOS - Lens :exchangeable ( lens is option) - Lens mount :Micro Four thirds - ND Filter :Build in (1/4,1/16,1/64) - Recording Media :SD/SDHC/SDXC - Recording Format:AVCHD (MPEG-4 AVC/H.264) - SD Card slot : 2 - Power Use : Under study - Weight : 1.3 Kg ( Target ) - Size : 130.5mm x 195mm x 290.4mm - Video format (59.94Hz/50Hz switchable) Hz mode i,29.97P,23.98P(Native) P,29.97P,23.98P(Native) - 50Hz mode i,25P P,25P - Recording mode PH HA,HE (only i,50i) - Audio PH:Dolby Digital 2CH / LPCM 2CH switchable HA,HE:Dolby Digital 2CH - EVF:0.45 Color 1.22M(16:9) - LCD monitor :3.45 color 921K(16:9)

3 Target Specification - VFR( p,25p,30p) Rate 12-60P(24p,30p mode), 12-50P(25p mode) each 20step 720P VFR not support - Focus assist (edge color, Focus bar) - DRS - Thumbnail,Clip delete - Relay recording between 2 SD card. - Clip copy between 2 SD Card. - Still picture capture (about 2M pixel) - WFM display - Marker - Shot marker - TC/UB - USER button - Pre Recording, interval Recording - Meta data Recording - Audio Recording Level VR(2ch) psf output (HDSDI) - Video output (RCAx1) - HD/SD_SDI output (BNCx1) - HDMI output (HDMI Type A) - USB2.0 (Type B) - XLR audio input (2ch) (MIC/LINE,+48V) - Build in stereo mic - Audio output (RCAx2) - Camera Remote 2 (SS,Iris) INDEX remote Head Phone(3.5mm 1) Detachable handle, grip Screw hole x3 (handle)

4 Image Sensor 35mm FILM ( Motion Picture ) 4/3 MOS 2/3 CCD

5 Size of image sensor and depth of field Depth of field near 35mm movie film 35mm movie film Four Thirds 2/3inch 1/3inch 4.8x3.6mm 8.8x6.6mm 22x16mm 17.3x13.0mm Broadcast Camera Professional Camera Shallow Depth of field Deep Focus Range *image picture 35mm movie film Four Thirds 2/3inch 1/3inch X Distance with subject:2m Iris:F4 Bust shot X (15m) 2.4m 1.7m 2.6m 1.6m 2m 3.7m 1.4m 16m 1.0m X X (2.3m) (0.7m) (1m) 0m

6 Lens Mount Four Third & Micro Four Third Same Image Sensor Size Four Third Micro Four Third Four Third and Micro Four Third have the same Image sensor Size. Micro means the mount mechanism and The Flange Back is smaller, which makes the camera body can be smaller.

7 Option lenses Lens from Panasonic Micro Four Third type Telephoto Zoom Lens Zoom Wide Zoom HD Zoom Pancake Macro Fish Eye Model No H-FS H-FS H-F H-VS H-H020 H-ES045 H-F008(FISH EYE) Detail mm/F /MEGA O.I.S mm/F ASPH./MEGA O.I.S 7-14mm / F4.0 ASPH mm/F ASPH./MEGA O.I.S. 20mm f/1.7 Aspheric G- Series Pancake Lens LEICA DG MACRO-ELMARIT 45mm/F2.8 ASPH./MEGA O.I.S 8mm / F3.5 G-Series Four Third Leica D Leica D Leica D L-ES L-RS L-RS mm / F ASPH. MEGA O.I.S mm / F ASPH. / O.I.S mm / F ASPH. / O.I.S. 13 Leica D L-X025 25mm / F1.4 ASPH. Lens from Olympus type Model No Detail 14 Four Third Zoom ZUIKO DIGITAL ED 14-35mm F2.0 SWD

8 Various Lens with Mount Adaptor C mount (16mm movie) Micro Four Thirds Leica M Leica L Olympus Pen F Four Thirds Canon FD Minolta SR/MD Canon EOS SONY α(minolta α) Pentax K Olympus OM Nikon F Leica R PL Mount Flange Back Flange back (mm) 17.5 Approx Note: There are some functional limitations Attachable Most lenses can be attached using various mount adaptors excluding C mount, because of the flange back is shorter than Micro Four Third. Panasonic Leica M DMM-MA2M MA2M Mount Adaptor Leica R DMW-MA3R MA3R Lens mount Sensor Micro Four Third Flange back Prime Lens Flange back Four Thirds DMW-MA1 MA1 Various mount adaptors ( include 3rd party)

9 Mount Adaptor We are not completed to check all yet, so far we know that the following adaptor are available: NOTE: The micro 4/3 lenses from Panasonic or Olympus can be used. It is not guarantee the shooting performance with this camera, but they will work. Prime lenses and lenses from other manufacture are also be used by using the mount adaptor. Again it is not guarantee the performance, it is allow to record the image based on the lens characteristics. Olympus Adaptor for Four Third lens Adaptor for OM mount RAYQUAL Adaptor for Laica M mount Adaptor for Canon FD mount Adaptor for Yashica CONTAX mount COSINA Adaptor for Nikon F mount Adaptor for Pentax K Mount HotRod Adaptor for Prime Lens JHT Adaptor for Nikon F Mount Lenses Adaptor for Contax / Yashica Mount Lenses Adaptor for Olympus OM Mount Lenses Adaptor for M42 Screw Mount Lenses Adaptor for Leica R Mount Lenses Adaptor for Pentax K Mount Lenses Adaptor for Exakta Mount Lenses Adaptor for Rollei SL 35 Mount Lenses

10 Mount Adaptor Micro Four-Third Lens Micro Four-Third Lens 35mm Still Camera lens ( Full Frame) Compact Prime Lens Ultra Prime Lens Focal Length Conversion Factor X 1 X 1 X 2 X1.6 Remarks Adaptor is not necessary. It is provide the same angle ( horizontally ) with specification because of the same image sensor side. The specified focal length will be double, because of the sensor size difference. 100mm lens will be 200mm. The specified focal length will be 1.6 times larger, because of the sensor size difference. 100mm lens will be 160 mm

11 Body Structure 3/8 Screw Hole 1/4 Screw Hole Detachable Handle & Grip 1/4 Screw Hole Measurement Hook 1/4 Screw Hole

12 Signal I/Os & Battery Input/Output HD-SDI out (BNC) HDMI Output (Type A) Analog Composite Output (Down Converted) XLR Audio Input Audio Line Output Headphone Output USB 2.0 SLOT SELECT DIAL SELECT Operation Time ( min. ) Mode 5800mAh VW-VBG6 Charge Time 5 H 50 m Operation Time Over 4 Hours SHUTR/F.RATE

13 AG-AF100 with Prime Lens & Rail System Cine Style Shooting VOCAS Rail System Zeiss Prime lens with micro4/3 mount

14 Variety of Recording format Recorder Media: SD / SDHC / SDXC card (2 slots) Compression: MPEG4 - AVC/H.264 (AVCHD standard) Rec. mode: PH HA HE Recording Format Mode PH HA HE bps Approx. 21Mbps Approx. 17Mbps Approx. 6Mbps Sampling 1920 x x x x1080 Audio LPCM Dolby Digital 2 Ch Rec. formats <PH Mode> 1080/50i, 60i, 25p, 30p, 24p(Native) 720/50p, 60p, 25p, 30p, 24p(Native) < HA,HE Modes > 1080/50i, 60i Recording Time ( min. ) Mode 16GB 32GB 64GB PH Hours HA Hours Audio format <PH Mode> LPCM 16bit 48KHz 2ch Dolby Digital 2ch 384kbps < HA,HE Modes > Dolby Digital 2ch 256kbps HE Hours

15 Variable Frame Rate 60Hz Model 50Hz Model VFR With 1920 x p, 25p, 30p AF p 200% quick 160% quick 133% quick 120% quick 30p 250% quick 200% quick 167% quick 150% quick AF p 208% quick 167% quick 139% quick 125% quick % quick 143% quick % quick % quick 136% quick % quick % 125% quick % quick % slow 120% quick % quick % slow 115% quick % % slow 111% quick % slow % slow 107% quick % slow % slow 100% % slow % slow 94% slow % slow % slow 88% slow % slow % slow 83% slow % slow % slow 75% slow % slow % slow 68% slow % slow % slow 63% slow % slow % slow 56% slow % slow % slow 50% slow % slow

16 Shutter Speed Control Synchronize Scan FILM CAM 10.0 degree degree degree ( 0.5 degree/div) Include degree VIDEO CAM 60p/60i 1/60.0-1/ p/50i 1/60.0-1/ p 1/30.0-1/48.0-1/ p 1/30.0-1/48.0-1/ p 1/24.0-1/48.0-1/ Slow Shutter VIDEO CAM 60p/60i 1/2, 1/4, 1/8, 1/15, 1/30 50p/50i 1/2, 1/3, 1/6, 1/12, 1/25 30p 1/2, 1/4, 1/8, 1/15 25p 1/2, 1/3, 1/6, 1/12 24p 1/2, 1/3, 1/8, 1/

17 Video Mode & Film Mode VFR Shutter Speed Syncro Scan Sensitivity Iris Focus/Zoom Video CAM Film CAM --- Work DISPLAY 1/x sec 1/x sec X degree db ISO F *.* Number, m/mm, ft/mm

18 Cine Like Gamma & DRS Gamma Selection No. 1 Name HD NORM Description This is the standard gamma setting for HD shooting. It is the gamma curve defined as HDTV standard by the some organization such as ARIB EBU SMPTE. Please use this mode when you shoot the regular HDTV program. 2 LOW The video signal level in the low intensity area is compressed, and the Middle-High intensity area ( Ex.. Human Face) will be clear. Thus the picture image will be sharp. 3 SD NORM This is the standard gamma setting for SD shooting. When the camera is used in the SDTV mode or final program is delivered in SDTV mode, please use this gamma setting. It is the same gamma curve with AG- DVX100 series camcorder. At the lower intensity area, the video signal is pressed than HD NORM mode. HD Normal 4 HIGH The video signal level in the low intensity area is Expanded. The detail in the dark area can be visible in this mode. It will provide the bright tone and soft contrast. When you have objects in the dark area, this mode will help. 5 B. PRESS The video signal level in the low intensity area is compressed stronger than LOW mode. The sharp and strong contrast picture will be created. 6 CINE LIKE D This mode will creates cinema like picture. It is provide the wide dynamic range from low dark area to bright area. When the post process is planned, this mode provide the wide flexibility. This mode provide the cine like atmosphere in the scene, it can be used as visual effect. Cine Like D 7 CINE LIKE V This mode will creates cinema like picture in regular video process. The rich contrast will be applied.

19 Cine Like Gamma & DRS DRS ( Dynamic Range Stretch ) Cine Like D / DRS : OFF Cine Like D / DRS : ON DRS:+3 DRS:+1

20 Auto Focus Focus Assist (1) Focus Bar (2) Focus in Red Focus in Red Focus Bar

21 1080/24psf Output HD-SDI 1080 / 24psf Also 1080 / 60i 1080 / 50i 1080 / 30p over 60i 1080 / 24p over 60i 1080 / 25p over 50i 720 / 60p 720 / 50p 720 / 30p over 60P 720 / 25p over 50P

22 Easy Operation Waveform & Vector Scope Display Waveform Monitor Vector Scope

23 Easy Operation Relay Recording The continues recording from first card to the next. This function can be ON/OFF with MENU. There is no gap between clips which are recorded in separate card. Note ; Some NLE software may cause the gap between 2 clips Maker Safety Zone ( MENU select ) 90%, 4:3, 14:9, 1.85:1, 2:1, 2.35:1, GRID (3x3), OFF Zebra Zebra pattern and level can be selected in MENU. ZEBRA1 ( ), ZEBRA2 ( ):50~105%(5%STEP) Short Maker Assignable to User Button Mark to the Clip and displayed in Thumbnail mode. Marked Clip display / Playback TC/UB TC Preset Function between Master and Slave. The Start Time Code will be matched, and start to count with Free Run mode. Use the video out Pin Jack for connection.

24 Easy Operation Face Detection Detect Human face and adjust focus and video level. White Balance ( Color Temperature ) Preset 3200 K, 5600 K Variable ( User Preset ) from 2400 K to 9900K Note the Color Temperature number is guidance, not precise measurement value. Function Button Area Focus, Area Iris, Area Y-Get, Area Focus+Iris, Area Focus+Y-Get The Measurement area can be selected. Minus Gain - 3dB - 6dB Camera Metadata recording Camera setting information is recorded in SD card with Clip

25 Easy Operation User Button Assignable Function INH REC CHECK FACE DETECT FOCUS ASSIST CAPTURE ATW ATW LOCK SHOT MARK INDEX LAST CLIP DEL BACK LIGHT SPOT LIGHT BLACK FADE WHITE FADE

26 Optimization for Movie Anti-Aliasing Optical Low Pass Filter All signal process is optimized for Hi-Definition Video ( 1920 x1080, 1280 x 720 ) The still Image capture performance is the frame capture from motion video. DSLR AF100 Less Skew The skew level is much improved because of high speed scanning of CMOS image sensor.