Getting Started with PRELIMINARY V.1.1

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1 Getting Started with PRELIMINARY V.1.1

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3 3 SUMMARY Foreword Unpacking...4 Features...5 Elementary precautions Speaker placement and positioning Front panel Rear panel...10 Network connection and configuration (optional) Amadeus DSPControl software installation and network configuration Amadeus DSPControl overview Set-up and DSP configuration...18 Customer service...21

4 4 FOREWORD Thank you for buying this Amadeus speaker. This system is the natural outcome of almost 30 years dedicated to design and manufacture sound reinforcement systems combining high technology, elegant styling and emotion. It was developed to offer unique acoustical properties, an excellent sound image, a very high timbral precision and an extended frequency response. Designed by Amadeus and Jean Nouvel, Philharmonia is a very high definition monitoring system combining innovation and technology, with timeless beauty and a pristine sonic character, initially created specifically for the Philharmonie de Paris recording and mastering studios. Philharmonia was built to capture performances by the most prestigious symphonic orchestras. Installation directives mentioned in this guide are given as general advice. They do not present all criteria and precautions to follow. So any person using this document takes charge, alone, of the installation safety aspects of all systems. Keep this document in a safe place, for further reference. If you resell this product, be sure to pass this guide to the new owner. If necessary, you can order supplementary Getting Started guides from Amadeus. As technologies and regulations evolve constantly, Amadeus reserves the right to modify specifications cited in this document without prior notice. We recommend you read all the warnings given in this manual, and to observe all safety instructions given thereafter. We are continually evaluating and developing our products. Please visit for the most recent information. UNPACKING Unpack your Amadeus system carefully and make sure it is not damaged. Each Amadeus system is tested and controlled before shipment, and should reach its destination in perfect condition. We advise you strongly to keep the cardboard, packaging and shipping accessories, even if the speakers are not damaged, if you need to ship the speakers in the future.

5 5 FEATURES ACOUSTICAL SPECIFICATIONS Amplitude linearity (±2dB) : 43 Hz - 22 khz Cut-off frequencies (-6dB) : 35 Hz Peak SPL 1-meter (Pair, IEC Short Term) : 124 db peak TECHNICAL SPECIFICATIONS Crossover frequency (HF, LMF) : 2170 Hz and 2170 Hz (DSP generated) Crossover slope (HF, LMF) : 24 db/oct and 24 db/oct Transducer (HF) : Ø 28 mm soft dome Transducer (LMF) : Ø 230 mm bass driver RMS capacity (HF) : Ω, Class-D RMS capacity (LMF) : Ω, Class-D Dimensions (H x W x D) : 1613 x 320 x 465 (mm) ELECTRICAL SPECIFICATIONS Mains voltage : 100 to 240 VAC, 50 to 60 Hz (select) Power consumption : 45 1/8 max power (IEC 60065) Input connectors (Analog) : 1 x Male XLR (Pin 2+, Pin 3-) Input connectors (AES/EBU) : 1 x Male XLR (Pin 2+, Pin 3-), 1 x Female XLR (Pin 2+, Pin 3-) Input impedance : Balanced > 10kΩ Dynamic range : > 118 db(a) A to D Conversion : 64 bit Internal sample rate : 96 khz Formats (AES/EBU) : 24 bit

6 6 LOUDSPEAKER PROCESSING Crossover : Multiple filter types (Butterworth, Linkwitz- Riley, Bell, High Shelf, Low Shelf, Notch, All Pass, Band Pass, High Pass, Low Pass) up to 24 db / Oct. Delay : 1 second Control and monitoring interface : Full configuration and real-time monitoring via PC and Mac.

7 7 ELEMENTARY PRECAUTIONS PLEASE READ ATTENTIVELY THESE INSTRUCTIONS BEFORE USING THE AMADEUS SYSTEM IN ANY WAY! DO NOT OPEN Never open the system, and avoid pulling apart internal elements or modifying them in any way. No internal component of the system has been designed to allow user intervention. If the system seems not to work well, disconnect it immediately from any source of power and bring it to your authorized reseller for maintenance. WATER AND HUMIDITY Avoid leaving the system under the rain, avoid using it near water or in a place where humidity is too high. CAUTION! This warning applies to all Amadeus systems without special tropicalized finish enabling it to work in areas submitted to severe weather conditions. SOUND PRESSURE LEVEL This system is capable of generating high sound pressure levels, harmful to human health. WARNING! Do not use the system at a high or uncomfortable sound pressure level, sufficient to cause permanent hearing damage. If you experience such a hearing loss, consult at once a specialist doctor.

8 8 SPEAKER PLACEMENT AND POSITIONING INTRODUCTION Having acoustics and electro-acoustics match up is a basic premise of our design philosophy when designing and outfitting spaces dedicated to creation, mixing, mastering, postproduction or dubbing, or just high-level listening, among other tasks. Our transversal approach and dual expertise have made us able to create perfectly imagined spaces where the acoustical response has been perfected, ready to house the monitoring systems we design in parallel. We have many successes in the field of acoustical and/or electro-acoustical custom design. ADJUSTING THE LEVELING FEETS Be sure to use two people when adjusting the leveling feets. Be careful to not pinch your fingers under the loudspeaker and make sure the loudspeaker does not fall on its side. The installation of leveling feets on the bottom of the unit allows you to establish a firm connection between the ground and the loudspeaker when placing the loudspeaker on uneven surfaces. The bottom of the cabinet features four leveling feets. The use of four leveling feets for support eliminates the need for fine adjustments, allowing you to keep the loudspeaker firmly in place. There are screw holes on the aluminum plates located on the bottom of the cabinets. RELATION TO BACK AND SIDE WALLS The Philharmonia loudspeakers are precision monitoring systems for music reproduction. Loudspeaker placement within the listening room will have a great impact upon the total performance of Philharmonia loudspeakers in terms of bass performance, tonal accuracy, and imaging. All rooms are different and so this section is intended as a guide only. Experimentation in your room will yield optimum results. Begin by placing the sides of the loudspeakers not less than 50 centimeters in from the side walls of your listening room. Your listening position should be roughly equal to the distance between the two loudspeakers. Also, turn the loudspeakers inward so each axis points toward the listening position. Caution! To minimize the modal coupling effect it is very important to never place the electroacoustic transducers equidistant from the floor and two surrounding walls.

9 9 IMPROVING BASS PERFORMANCE Typically, moving the Philharmonia loudspeakers towards the walls will increase low bass output, but can result in more unevenness higher up the musical scale. Moving them closer to the side walls will not produce the same effect as moving closer to the back wall, so try experimenting moving both ways for the most pleasing sound. Changes in loudspeaker position of as little as a few inches can have a large effect upon bass performance, so take time and try many positions. IMPROVING IMAGING If the image is unclear and spreads wide, the side walls are probably creating strong reflections. Try moving the loudspeakers closer together to reduce this effect. If this brings them too close, try instead toeing in the loudspeakers so that the axis crosses in front of the listening position. Because of the fast exponential waveguide machined in wood, which yields exceptional control over spatial dispersion, the strength of the sidewall reflections will be reduced, and at the same time, the image will be stabilized and focused. Limited depth suggests that the speakers are placed too close to the front wall. Try moving them forward.

10 10 FRONT PANEL POWER SWITCH AND POWER INDICATOR The power switch is located on the front panel of your loudspeaker, just under the Philharmonia letters. Turn the system on by briefly touching the sensor area. The underline will light up white indicating that the system is turned on. Turn the system off by briefly touching the sensor area again. The underline will light up red indicating that the system is turned off. The touch sensor can be operated easily with your fingers. REAR PANEL AC POWER INPUT Your self-powered loudspeaker is configured at the factory for the proper AC voltage in the country where you purchased it, either 120 V/60Hz or 230V/50Hz. The operating voltage of the system is user selectable between 120V and 230V via a slide switch located underneath of the AC inlet. This switch should be set to match the AC voltage of your country. Should you move your system to another country, it may be possible to reconfigure it for use on a different line voltage. Because of its high power rating, the system can draw considerable current. Therefore, it should be plugged directly into a wall outlet. The Philharmonia must be plugged into a 3-pin polarized outlet. Do not use an extension cord. A heavy duty multi-tap power outlet strip may be used if it (and the wall outlet) is rated to handle the current demanded by the amplifier and all the other components connected to it. If you are going to be away from home for an extended period of time such as a month-long vacation, it is a sensible precaution to turn off your system (as well as other audio and video components) while you are away.

11 11 ANALOG INPUT An Analog input is available on a standard XLR-F latching connector. The input is electronically balanced. The impedance is 20 kohms, and the input can accept a maximum input level of +26 dbu. Polarity is as follows: Pin 1 = Screen (shield) Pin 2 = Positive (+) Pin 3 = Negative (-) AES3 INPUTS A latching XLR-F connector accepts an AES3 digital audio signal. Input impedance is 110 ohms. Ensure that 110 ohm digital audio cables are used. Standard XLR microphone cables are rarely suitable for reliable digital audio transmission. AES3 is a stereo digital format, and therefore both inputs are fed via a single connector. Selection of the analog or digital inputs is made via the Amadeus DSPControl software. A latching XLR-M connector is fitted adjacent to the AES3 input connector. This is an active link which sends an unprocessed AES3 loop-thru to feed additional Philharmonia units. The design requires no termination load when the unit is the last connected. NETWORK Philharmonia features an RJ-45 network input allowing remote control of its processor for an optimal adjustment via dedicated software to the acoustical properties of the listening space. The RJ45 jack is supplied for connection to an Ethernet network for external control and monitoring, either by a direct wired connection or via an external WiFi router. LEDs below the connector indicate valid network connection (LINK) and network activity (ACT).

12 12 NETWORK CONNECTION AND CONFIGURATION (OPTIONAL) INTRODUCTION Connect the host computer for Amadeus DSPControl software to one or more Philharmonia speakers. No manual configuration of the network is required. Amadeus DSPControl automatically detects all Philharmonia speakers on the network. Direct connection from the computer to a Philharmonia system may require a crossed cable or an MDI/X-capable network interface card. However, most newer laptop computers will work with a standard network cable and the built-in interface card. Wireless control using a WiFi-equipped computer may be enabled by connecting the Philharmonia system(s) to a WiFi-enabled router. Should the network connection be interrupted between the host computer and any loudspeakers, the loudspeakers will continue to function with no interruption of audio. However, no adjustments of levels or parameters will be possible using Amadeus DSPControl until the network connection is restored. DIRECT CONNECTION OF ONE PHILHARMONIA TO A HOST COMPUTER A Philharmonia system may be connected directly to a computer using a straight cable. Because no DHCP server is present, the Philharmonia system will assign itself an address in the ZeroConfig range. When the Philharmonia speaker has a self-assigned IP address, it will continue searching for a DHCP server. If the unit is later connected to a network and a DHCP server is detected, it will take its IP address from it. If the user assigns a fixed IP address by entering it manually, this address will have the highest priority, and DHCP will not be used.

13 13 CONNECTING MULTIPLE PHILHARMONIA SYSTEMS TO A NETWORK Connection of multiple Philharmonia systems on a network requires use of a network router, which also functions as a DHCP server. Nearly all-new routers offer this function. The router will automatically assign an IP address to each Philharmonia system on the network, unless an IP address has been assigned manually. A Philharmonia system will continuously broadcast its presence on the network, irrespective of its current IP address. Therefore, even if the current IP address is invalid on the network, the broadcast will continue. As a consequence, units that have a changed IP address may appear as duplicates in Global View, but will not connect. Re-starting Amadeus DSPControl normally will make the duplicate unit disappear. AMADEUS DSPCONTROL SOFTWARE INSTALLATION AND NETWORK CONFIGURATION DOWNLOADING THE INSTALLATION FOLDER The installation files for Amadeus DSPControl may be downloaded free of charge. Version is available for download. You can download it from: Amadeus_DSPControl_32_bit_v_3_8_10_ msi Amadeus_DSPControl_64_bit_v_3_8_10_ msi Amadeus_DSPControl_v_3_8_10_ iso Amadeus_DSPControl_v_3_8_10_ mpkg.zip For Windows 32 bit systems: Use _32_bit.msi For Windows 64 bit systems: Use _64_bit.msi For MAC OS X: Use.mpkg.zip The.iso CD image contains all versions, as well as supporting documentation and an autostart feature with automatic 32/64 bit system detection. Click on the appropriate link and follow the on-screen instructions. Note the destination location of the downloaded installation folder in case you need to find it when the download is completed. If nothing happens when you click the link, please copy and paste it into the address bar of your Web browser and press the ENTER key on your keyboard.

14 14 WINDOWS SOFTWARE INSTALLATION System requirements : Operating system : Windows XP or later Available hard disk : 70 MB Available RAM : 256 MB To install Amadeus DSPControl : 1. Locate the compressed (zipped) downloaded folder. 2. Click/tap on Extract all files. 3. Open the uncompressed folder. 4. Double click/tap on the Windows Installer file appropriate for your operating system type (32-bit or 64- bit). If you are not sure which operating system type you have, you will find it listed on the System Properties page (Control Panel > System and Security > System). 5. Follow the prompts given by the Installation Wizard. In order for Amadeus DSPControl to function, it must be given permission to pass through the Windows Firewall (or third-party firewall if Windows Firewall is replaced). During installation, you will be prompted to allow access. Be certain that access is allowed to any networks to which loudspeakers may be connected. By default, access may be allowed only to private networks. Click the Public Networks if loudspeakers may be connected to this network. DISABLE DRIVER SIGNATURE ENFORCEMENT IN WINDOWS 8 AND 10 Windows 8 and 10 enforce driver signatures by default. This can be disabled to install drivers that are not digitally signed. Use the following steps to disable driver signature enforcement : 1. Click the Start Start menu and select Settings. 2. Click Update and Security. 3. Click on Recovery. 4. Click Restart now under Advanced Startup. 5. Click Troubleshoot. 6. Click Advanced options. 7. Click Startup Settings. 8. Click on Restart. 9. On the Startup Settings screen press 7 or F7 to disable driver signature enforcement. Your computer will restart and you will be able to install non-digitally signed drivers. If you restart your computer again the driver signature enforcement will be reenabled.

15 15 MAC SOFTWARE INSTALLATION To install Amadeus DSPControl : 1. Locate the compressed (zipped) downloaded folder. 2. Click/tap on Extract all files. 3. Open the uncompressed folder. 4. Double click/tap on the Amadeus_DSPControl.mpkg installation package. 5. Follow the prompts given by the Installation Wizard.

16 16 AMADEUS DSPCONTROL OVERVIEW INTRODUCTION Amadeus DSPControl offers fast, intuitive and comprehensive access to the many DSP features offered by Philharmonia systems. For close to twenty-five years, we have been providing support to opera houses, theaters, venues and studios during the implementation stage of the playback systems we design and supply. The acoustical complexity of private, non-optimized spaces is often inversely proportional to their size. The powerful DSP integrated in every Philharmonia has the ability to compensate for any frequency, tonal, timbral or impulse-related problem induced by the architectural constraints of the space where they are set. Acoustical engineers trained in electro-acoustical monitoring systems calibration, and authorized and selected by Amadeus, are the ideal solution for tuning of a Philharmonia system. This manual assumes the user is familiar with the basic principles of loudspeaker system DSP configuration, including multi-way loudspeaker system alignment, room tuning, and delay setting. If you are not familiar with these procedures, we recommend you consult a reference book or online source presenting a comprehensive treatment of the topic. GLOBAL VIEW The Global (or System) View presents a graphical representation of all loudspeakers connected to the network, identified by IP address or user defined name. The Global View gives an at-a-glance overview of system groups and system status, including Mute status and output level meters. The Global view accesses the following functions : Naming devices (loudspeakers) and groups. Forming groups of devices. Creating and deleting groups. Muting loudspeakers individually or in groups. Power On/Off individually or in groups. Monitoring of output levels.

17 17 MAIN VIEW The Main View accesses the following functions : Input mixing Input mute (per channel) Output mute (per channel) Output levels Input levels Linking of inputs and outputs Device name Temperature reading Current preset Preset store and recall (device or computer) INPUT EQ VIEW Input EQ View is selectable per channel. Input EQ accesses the following functions : Parametric equalizer (up to 10 bands) High-pass filter Low-pass filter Output level and limiting status Input delay (up to 1 sec) OUTPUT EQ VIEW Output EQ view is selectable per channel. The Output EQ view accesses the following functions : Parametric equalizer (up to 10 bands) High-pass filter Low-pass filter Output level and limiting status Output delay (up to 1 sec) CROSSOVER (X-OVER) VIEW The X-Over View accesses the following functions for each output : High pass filter High pass filter type High pass filter cutoff frequency Low pass filter Low pass filter type Low pass filter cutoff frequency Output level and limiter status

18 18 SET-UP AND DSP CONFIGURATION SETTING UP AND MODIFYING LOUDSPEAKER GROUPS Loudspeakers on the network may be set up in groups to allow easier monitoring of status and simultaneous configuration grouped loudspeakers. There is no group master control panel. When a group is formed, any change in any loudspeaker s Main control panel will affect all loudspeakers in the group, with resulting changes in functions and parameters determined by the specific group configuration. Creating a new group. From Global View, in the top Menu, click/tap Tools > New Group. Enter a name for the group and click/tap Okay. The new group will appear in Global View. Setting up and modifying an existing group. In Global View, click/tap the SET-UP (Wrench) button for the group. This opens the Configure Group window. 1. Select desired Group Status a. When Group is Enabled, any changes will affect units in the Group as determined by Group Type. When Disabled, any changes affect only the individual loudspeaker unit selected. 2. Description 3. Members Click on Select to add or remove units from the Group. Loudspeaker units may be assigned to more than one group. 4. Setup Links Click on Setup Links. Active Links in the Group will be displayed. No parameters will be linked by default. Use the drop-down tabs to select any parameters to be linked within the Group. Drop-down tab functions are (top to bottom): i. Loudspeaker/DSP functions ii. Function dependent : filter number if PEQ or All selected; Input number if Mixer selected iii. Inputs and outputs iv. Function dependent: parameters if filter selected; On and Gain if Mixer selected Caution! We strongly recommend to link All parameters to avoid any asymmetrical setup, by clicking/taping Category > All. Then Click/Tap on the Add > Okay buttons. Enter description of Group. This text is for reference only and does not affect operation in any way

19 19 INPUT EQ AND DELAY SETTING 1. Equalizer setting Click/tap on the Input EQ 1 or Input EQ 2 tabs to bring up the parametric equalizer and delay setting windows. Equalizer setting may be accomplished using any of three modes : a. Curve handles. Click/tap on any of the ten colored filter handles. Drag the handle by left clicking the mouse to create the desired equalization curve. For PC and Mac users, right click and move the mouse right and left to adjust the Q/Bandwidth. Note: Default filter type is Bell. b. Slider setting. Click/tap the Edit button under the number of the EQ band to be modified. Use the Sliders to set the frequency, Q/Bandwidth, and Gain. c. Keyboard entry. Click/tap the parameter window and enter the desired value. 2. Filter type Use the drop down menu to select the desired filter type : Bell, Notch, Low Shelf, High Shelf, Band Pass, High Pass or Low Pass. 3. Filter tools The following filter tools are available on the left side of the EQ display : a. Full screen. Expands EQ window to full screen. b. Camera. Saves image of the EQ screen as a PNG file. c. Micro-adjustment mode. Enables very fine adjustment of curve parameters when using the drag handles mode of setting. Parameter values are displayed. d. Text tool. Displays the parameter values for all inserted filters. 4. Output Level metering for both outputs is displayed to monitor the effects of inserting the filters. 5. Delay Use the slider to set the channel input delay, or use keyboard entry to enter the desired delay value in the window. Both input and output delays are provided for each channel. The Input delay may be used for longer delays for aligning remote delay loudspeaker systems with the main front system while the output delay may be used for aligning drivers within the loudspeaker cabinet.

20 20 PRESET STORE AND RECALL Presets may be stored to the device and the host computer, and recalled from either the device or the host computer. 1. Device Store Once a preset has been created, it may be stored to the device. It is recommended to first give the preset a name by entering it into the current preset name window. Click/tap on the STORE ON DEVICE button. 2. Device Recall Select the desired preset from the drop-down list in the Preset Selection window. Click/tap the RECALL ON DEVICE button. 4. Computer Recall Click/tap the RECALL ON COMPUTER button. Select the desired preset from the list of available preset files and click/tap Open. Caution! Recalling a preset while listening music playback can cause drastic and potentially damaging changes in output level. To avoid this potential damage, turn speaker and/or system volume down all the way before implementing or recalling a prior preset value. 3. Computer Store Click/tap the STORE ON COMPUTER button. Store the preset file in the desired location. (Default is to Documents folder.) It is recommended that the preset first be given a name by entering it into the current preset name window and clicking Enter/Return. Then Click/Tap on the STORE ON COMPUTER button.

21 21 CUSTOMER SERVICE If you need additional help in solving problems, contact your Amadeus dealer. For online support, please visit Amadeus Web site at For further information, please contact Amadeus at

22 Amadeus is a registered trademark. All rights reserved.