Nucoda GRADING FINISHING. REV R1
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- Claude Anthony
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1 Nucoda GRADING FINISHING REV R1
2 Core Features Overview We understand that our customers need more than just leading toolsets to create sophisticated look enhancements, but more importantly our solutions need to work with multiple camera and file formats, allow collaborative workflows, and deliver finished content for different viewing platforms including stereoscopic 3D. Full 64 bit native applications Make use of all available system memory and cope with the biggest images, including 4K. Multi-layer timeline Multi monitor support with different resolution configurations makes working on complex timelines a breeze. Lay out and process your material in a natural and flexible way, with multiple video and audio tracks. Timeline and shot bookmarks allow for better organisation and retrieval of information. Easily add different versions of shots to the same timeline. Effect save and recall Import and Conform I2 Rendering Engine Support for a massive number of image sequences as well as standard list formats like EDL and CUT Lists. Automatically extract metadata and conform sequences. Library Nucoda interface Full support for multiple monitors Nucoda Look Save and recall effects using notes, from single effects to complicated multi-layered effects. Create a library of notes and apply to any segment on any timeline in any project. Unobtrusive background rendering ensures you always have the best results available without interruption. Any project can be rendered on any Nucoda platform. GPU acceleration Nucoda Nucoda Look is an entry level grading solution based on the industry leading Digital Vision image science technology and Nucoda colour tools. It is ideally suited for use as a pre-grade assist station, either in the facility or on-set. When used as a preparation station for the Nucoda, it can be used to ingest or conform video or film content directly onto the timeline ready for editing and pre-processing. It is also an excellent post grade deliverables system. Nucoda is the premium colour grading and finishing solution for feature films, commercials and broadcast applications. It combines a creative tool set, and a very tight integration with the Avid workflow including full support for Interplay. A powerful library for managing all imported and referenced material with sorting, searching and sophisticated metadata handling. Automatic library folder creation and item naming options on file import based on user configurable metadata extraction. A realtime Master layer accelerates rendering on Pan & Scan and Colour Correction work. Multiple formats can be used and delivered from the same timeline. Globally apply final crops or resizes. Interoperability Support for AJA Kona 3G, Kona 4 and DVS Atomix HDMI Setting new standards in the highest quality, Nucoda is now a fully featured ACES grading system, featuring HDR grading and and real time EXR file support. With an industry leading colour toolset used by clients such as Walden Media and Pixar Animation Studios, Nucoda creates complex looks and visual styles for animation, 2k/4k and S3D stereoscopic. RAW Camera Support With over 20 years of image science culminating in the Digital Vision Optics () suite of enhancement tools, Nucoda ensures the highest quality imagery available. World class interoperability with third-party systems supporting industry standard formats like Avid DNxHD, AAF, MXF and Apple ProRes. Read and write Avid DNxHD formats, MXF and Quicktime formats. Layer based tools Every tool can have extremely powerful isolation and routing functionality. Isolation can be matte based, userdefined shape based or undertaken via sophisticated keyer functionality. Layers can be selectively cached to streamline operations and greatly enhance user interactivity. PAL, NTSC and HD formats,2k,4k, UHDTV Stereo, HDMI Sony F65 RAW ARRI Alexa RAW ARRI D-21RAW RED RAW - EPIC HDRx Blending support Silicon Imaging SI-2k Phantom CINE Included with Nucoda is Classic, a selection of image enhancement tools. Grain - Aperture - ReGrain - Brickwall Nucoda- Project setup
3 Today s post production environment has seen an explosion in the number of cameras, file formats and distribution channels required for many jobs. These new formats also need to coexist and stay compatible with older formats and assets, which can result in much greater project complexity and data management headaches for the production. ACES solves this problem by delivering a single post production workflow that keeps all production assets at their maximum possible quality and providing the full benefit of High Dynamic Range (HDR) production pipelines. Precision Control Panel The Precision control surface includes three ergonomic and functional control panels that can be arranged to suit the needs of any colourist. Using a combination of traditional trackballs with rings and high-quality knobs and buttons, operators can move quickly to complete the work in the shortest time possible. Full Precision Brochure Download the Precision brochure from digitalvision.se Tangent Element Support ACES ODT Selection Download the ACES Whitepaper at digitalvision.se Full mappable support for the Element Panel from Tangent. Nucoda comes with ACES support and a full HDR grading capability, including a rich toolset for dealing with colour critical workflows such as HDR capture from ARRI and RED cameras. Flexible Workflows; Easy Integration Nucoda offers the widest range of creative tools, built into the most flexible non nonlinear workflow for digital film or video post production. From ingest, editing, picture enhancement, colour correction, compositing and visual effects, to multi-delivery for any delivery format from HD to 3D. Ingest using an EDL, AAF or cut list, then conform data directly from a SAN, or capture from tape. Support for a wide range of file formats such as EXR, DPX, R3D, Arri, Sony F65, Quicktime and MXF means you can bypass copying and transcoding completely. Comprehensive conforming tools prepare your timeline with cuts, transitions and varispeed commands. Or use the powerful automated scene detector to quickly analyse your reels in the background. Timeline overview Full support for the new ACES colour space which includes support and real time playback of the new SMPTE ACES EXR file format. Expansive, High-end Colour Tools Lionel Kopp, Senior Colourist at Film Factory It was all about the color palette and choosing visuals that we wanted in the story. If you have to worry about how the pipeline is going to work, that takes time away from what is important. Nucoda has freed us from those concerns. That is why we started with one, and now have three. Nucoda creative and corrective colour tools combine a traditional approach to grading with the power and flexibility of digital technology. Select the colour tool that suits the task best; from Printer Lights through Colour Curves to Brightness Regions. With the unlimited multi-layer timeline you can combine capabilities, using different isolation layer tools including the new I-Keyer to produce complex looks quickly. Achieve dynamic grades and Keyer animation of effects parameters, and manipulate and track individual shapes on a individual transform or per-point basis, to refine that look over the whole shot.
4 List Management With Nucoda you can view all the events in a composition as thumbnails, as a contact sheet list view in either source or record order, giving direct access to any track, playhead, or event. From here any part of a grade or its dynamics can be copied to the current shot. Easily-accessible Memories speed the workflow, offering different ways to store and recall, all or part of your grades and dynamics from shot to shot. Notes enable you to save unlimited numbers of these snapshots in folders so that you can assemble libraries of looks and access them in any project. A QuickNotes feature give you direct access for up to eight Notes from the control panel with a single key press. The DI Suite Access to the Industry standard image processing toolset* With over 20 years of research and development the company s integrated image processing software tools have become one of the most revered toolsets in the post production industry. Known for presenting the best image manipulation tools for restoration, enhancement and format conversion, they are only available on the Nucoda and Phoenix platforms. You can view, render and exchange Nucoda projects in all Digital Vision software applications, releasing the system for further client work. Add a Nucoda Look preparation workstation, sharing the same SAN, and you have a truly collaborative suite. Add our unique Digital Vision Optics () tools to the assist stations to off-load preparation tasks such as grain management or dust busting. Industry standard image processing tools for film, video and digital media Clarity Grain Regrain RegrainRGB Alias Sharpen Brickwall Aperture Steady Flicker Twister De-Interlace Upscale Line Sync Cross Colour Dropout Fix Dropout + Fix Noise Aperture Chroma Alias Brickwall Dust Scratch Fix Dust + Fix Print Align Steady Steady II Warp Flicker Chroma Clarity Grain Regrain Alias Sharpen Brickwall Aperture Camera Image courtesy of NASA Convert Video Restore S3D Colour & Align Tool Jet Omeshebi, Colourist at Deluxe142 The way that the colourist works is changing with the advanced technology that grading systems provides. Using the Nucoda we re increasingly adding vfx such as lens flares and sky replacements as part of the grading process where previously these would have been completed in the online/fx suites. Integrating these tools as part of the grade enables us to seamlessly blend these elements into the rest of the programme. Flicker - Image courtesy of Incendio * Not all tools are available for all products, please see the product matrix for details Enhance
5 Nucoda product options Technical specifications/features and overview Application Video IO (Video, Refine & Finish) Software Look Nucoda Multi Track Timeline Conform Background Scene Detection EDL handling Video I/O SD/HD 444 2K / 4K / UHDTV SD / HD RAW Camera Support Advanced Codec Support Camera Video Ð Conversion Ð Enhance Ð Restore Ð Input FX Layer Single CC & FX Tools 1 Base Layer Ð Multi Colour Tool Layers Ð Master Layer LUT Export Pan & Scan Notes & Composition Notes Event View Ð Precision Panel Support 2 Tangent Panel Support 2 Vallhal Panel Support Stereoscopic ( Stereo Fix) ACES Colourspace Avid Interplay Support Key: Included as standard in product Optional extra Ð Not Available 1 Colour Management and Gamma Matrix tools only 2 Panel Support does not include the panels - they are seperate purchase items 64 Bit Windows Fast Binary project storage Auto Backup project with history restore Cache and Proxy drives assignable per project Timeline Trim, add and remove edit, ripple Multiple tracks for easy versioning and comparisons Fast and accurate background scene detection Apply and work with dissolves transparently during the grading process. Shared project and GUI structure of main Nucoda finishing solutions for collaborative workflow Conforming, editing & finishing, with unlimited video and audio tracks High speed foreground and background rendering and export Audio support (sync check against picture) import of WAV and MXF audio. Easy to do sanity check against original material in virtually any format. Timeline thumbnails Specialist clip scrubbing functionality Specialist restoration clip and frame review options Adjustment segments allow for any tools to be applied locally or globally Automated cache generation and ability to specify multiple cache nodes on a per layer basis. Apply effects and tools to entire image, or use mattes, shapes, keys to apply processing to isolated areas of the material. Manual and automatic tracking (Shape and Deformation) Manual and automatic keyframing Track naming Sophisticated conform ability with EDL processing Import AVID Locators from EDL Coloured, annotated markers on clip and timeline - can be exported to spreadsheet, EDL. Save complex Notes for re-use in other compositions and projects Recall/Append notes on a per layer basis including keyframes External Colour Panel (Please see overview for availability) Precision Colour Panel Tangent Element Panel Spport for Kona 3G, Kona4 DVS Atomix HDMI VTR capture/layback (capture not supported on AJA) 422 Control Support for embedded audio ingest and layoff Source order layoff SMPTE and CGR Preview BVB, BBB. 4:4:4: Ingest & Layback Remote control of Nucoda timeline Video capture not supported on AJA Monitoring (Atomix, Kona 3G/Kona4) SD PAL/NTSC HD 1080 and 720 P and I Formats 444 and 422 UHDTV 3840x2160p 23.98,24, 25, 29.97, 30 FPS 4K 4096x2160p 23.98, 24 3G monitoring support YUV 422 / YUV444 / RGB bit mon File I/O Floating Point File I/O OpenEXR with header T/C support OpenEXR Compressed formats ACES (SMPTE ACES Image Container File Layout ) export as an option in the EXR export menu Audio Retime on export BWAV File export 16/24 Bit / Poly, Stereo and Mono 8 / 10 /12 /16 bit DPX file B & W Single channel DPX support 12 Bit DPX support YUV colour space export. CIN TIF SGI TGA JPG PIC EXR PNG Completely configurable Render Output Path with user definable presets and Preset variables Export with Source or Record timecode and as source clips.
6 Export with configurable text burn-in Canon EOS MXF (XDCAM50) Canon 5D/ 7D /C300 AVC Intra 100 DVCPro Panasonic P2 Sony SR Master (SSTP MPEG-4) F65 MXF Quicktime - Import and Export. (All types) Export of Audio with Quicktime files Export of MXF OP-Atom Hue curves Saturation SOP (Slope Offset Power - CDL Data Export) Printer Lights Levels (including Auto level) Lift Gamma Gain Colour Curves Brightness Contrast RBG Curves Brightness Regions Transform Tools Pan & Scan Blanking Rotation Warp 9 - Nine point warper Warp 4 - Four point warper User Definable Mesh Warper Lens Distort / undistort Viewer Tools Histogram User definable Grids User definable Frames User definable Metadata overlay R /G /B Channel isolation Matte and Alpha view User definable Masks Export of MXF OP1A Import AAF - Including audio tracks. Import Avid s Multi-layer timeline. Export AAF Avid Interplay Support MXF Import and export (OP1a) Uncompressed MXF RGB 4:4:4:Uncompressed MXF DNxHD XDCAM HD DVCAM Arri D-21 support Arri Alexa RAW RED - RAW support (REDGamma3 and REDColor3) RED R3D - EPIC HDRx Blending support Silicon Imaging SI-2k support Phantom Camera support Sony F65 (incl XML) Colour Tools - Base Layer* Channel Mixer Saturation SOP (Slope Offset Power - CDL Data Export) Printer Lights RGBM Levels (including Auto level) Lift Gamma Gain Balance Colour Curves (Differential Corrections) Brightness Contrast RGBM Curves Brightness Regions Soft Clip HueCurvesRGBCurves HLS Correction Blur Colour Tools - Master Layer* Balance Channel Mixer Gamma Matrix HLS - incl Sat over Luma control Soft Clip Kelvin Tint Effects - Including Isolation Tools* 3:2 Pulldown Auto 3:2 with broken cadence detect/remove Blur Channel Extract (RGB) Channel Align Convert Fade Colour Field Dominance Correction Field remove Field swap Invert Keyer (HLS / Luma / RGB / IKeyer) Paint Re-Flicker Reinterlace Retime Composite tools Blend - Incl. Blending Modes Channel Combiner Over Transition Dissolve Generators Source generator Test Pattern Effects Layers - Isolation tools* External Matte Support Shapes (Circle, Square, Bezier, Auto Bezier) Softness in/out and variable shape softness) Auto tracking of shapes Auto tracking by shape deformation Point tracking Point based stabilisation HLS / Luma / RGB and IKeyer Stereo Tools - Stereo Fix* Anaglyph & Checkerboard comparison modes User Dedicated L&R tracks Mono tracks Advance grade merging functionality Track grouped grading Floating window support P & S - Interocular adjustment incl Rotation Stereo Fix Auto Colour & align Tool with localised colour matching and auto deformation Specialist Comparison Modes Diff Red Diff Diff multiply Mono Checkerboard Split screen Dual screen Blend Anaglyph Checkerboard Comparison Sources Playheads (ABC or D) Notes Tracks Events (Phoenix Finish) Source Revert List support AAF Import / export CMX 3600 EDL import Enhanced EDL (CDL, File path support) AVID ALE Export - incl Audio Support for standard CMX and enhanced characters for tape name export Export Locators as comments Source/Output/Selected User definable HUD for frame burn-in including graphic files. Plug-ins OFX Compatible Sapphire OFX Beauty Box OFX Colour Management Full support for the ACES (SMPTE 2065) workflow. (This version has been tagged 0.1 by the Academy) ACES colour scaling option to support SMPTE ST IDT support for non ACES images Support for custom ODT and LUT s Nucoda ACES ODT Support CMS Layer FX LUT Export 1D & 3D LUT Support The following packages make up the complete suite Restore Enhance Convert Video Camera *Refer to the product matrix for availability
7 Digital Vision (UK) 11 Wardour Mews London, W1F 8AN United Kingdom Tel:+44(0) Fax:+44(0) Digital Vision (SE) Telefonvägen Hägersten Sweden Tel:+46 (0) Fax:+46 (0) Digital Vision (US) 6464 Sunset Blvd Suite 830 Hollywood CA 90028USA Tel: Fax:
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