Part Piano Type Modulation Power Amp Reverb Description

Transcription

1 Data List Contents Performance List... 2 Piano Block... 4 Modulation Effect Block... 6 Power-Amplifier/Compressor Block... 8 Reverb Block... 9 MIDI Data Format MIDI Data Table MIDI Implementation Chart EN

2 Performance List Bank Number Performance Name Part Piano Type Modulation Power Amp Reverb Description PRE A 001 CF Grand 1 CF 3Band D Chorus VCM Compressor 376 Rich Hall A natural piano sound sampled from the CFIIIS and well suited 2 DEP 2 Small Phaser Clean Amp to a wide range of playing situations and practically every style of music. PRE A 002 S6 Grand 1 S6 2Band Small Phaser VCM Compressor 376 Rich Room A woody, warm piano sound sampled from the S6B and ideal for 2 Dyno D Chorus Clean Amp intricate melodies. PRE A 003 CF Rock 1 CF 2Band D Chorus VCM Compressor 376 Rich Room A bright, clear piano sound perfect for playing rock and pop. 2 DEP 2 Small Phaser Clean Amp PRE A 004 S6 Lounge 1 S6 3Band Small Phaser VCM Compressor 376 Rich Plate A beautiful, sustained S6B sound producing a rich ambiance 2 DEP 2 Small Phaser Clean Amp even when very few notes are played. PRE A 005 Lush Piano 1 CF 3Band Small Phaser Clean Amp Rich Hall Allowing the richness of the CFIIIS to shine, this piano sound is 2 73Rd I Chorus VCM Compressor 376 highly effective when used in ballads and solo performances. PRE A 006 CF Chorus 1 CF 3Band Chorus VCM Compressor 376 Rich Hall A piano sound with chorus added to better suit playing backing 2 DEP 2 Small Phaser Clean Amp for singers or playing as part of an ensemble. PRE A 007 CF Comp 1 CF 3Band Chorus VCM Compressor 376 Rich Room A rock-type piano sound with compression applied to realize a 2 CP80 Chorus Clean Amp level of power rivaling that of the electric guitar. PRE A 008 TheldPno 1 CF 3Band Pedal Wah VCM Compressor 376 Room1 A nostalgic-sounding piano ideal for use in genres such as 2 S6 3Band Pedal Wah VCM Compressor 376 honky tonk and ragtime. PRE A 009 CP80Studio 1 CP80 D Chorus Clean Amp Stage2 A faithful recreation of the sound of a studio-recorded CP80. 2 DEP 1 Small Phaser Clean Amp PRE A 010 CP80 Live 1 CP88 D Chorus Clean Amp Stage1 A CP80 sound of the type frequently heard in live situations. 2 DEP 2 Small Phaser Clean Amp PRE A 011 CP80Chorus 1 CP80 D Chorus Clean Amp Rich Room A CP80 sound with chorus applied to better suit longer, sparser 2 DEP 2 Small Phaser Clean Amp tones. PRE A 012 CP Blend 1 CF 3Band Small Phaser Clean Amp Rich Plate A totally new, chorus-type piano sound with a unique character 2 CP88 816Chorus Clean Amp that sets it apart from both grand pianos and the CP80. PRE A 013 DEP 1 1 DEP 1 816Chorus VCM Compressor 376 Stage2 An stunning recreation of the Fulltine voice of the D7 II, so 2 CF 3Band Symphonic Clean Amp enriched by the 816Chorus that you could be forgiven for thinking that you are actually playing a T816. PRE A 014 DEP 2 1 DEP 2 D Chorus Clean Amp Stage2 A rich sound similar to DEP 1 but having a more refined tone. 2 CF 3Band Symphonic Clean Amp PRE A 015 DEP 3 1 DEP 3 816Chorus Clean Amp Rich Room A D electric piano sound with characteristic metal attack 2 CF 3Band Symphonic Clean Amp allowing it to stand out within an ensemble. PRE A 016 DEP 4 1 DEP 4 816Chorus Clean Amp Rich Room A next-generation D electric piano sound with a well balanced 2 CF 3Band Symphonic Clean Amp attack for versatility in many different playing situations. PRE B 001 Case Rd I MA100 Power Amp 71Rd I Rich Plate A recreation of the oldest of Rd I piano sounds with the 2 75Rd I MA100 Power Amp 71Rd I distinctive warmth of felt hammers. PRE B 002 Case Rd I Small Phaser Power Amp 73Rd I Rich Plate The classic full sound of the 1973 Rd I electric piano. 2 75Rd I D Chorus Clean Amp PRE B 003 Case Rd I Small Phaser Power Amp 75Rd I Rich Plate A stunning recreation of the clear, well-balanced, vintage sound 2 CP80 Touch Wah Clean Amp of later-stage Rd I pianos. PRE B 004 Case Rd II MA90 Power Amp 78Rd II Rich Plate A bright, dynamic electric piano sound characteristic of the Rd 2 75Rd I Flanger Power Amp 78Rd II II. PRE B Tremolo 1 71Rd I MA90 Power Amp 71Rd I Rich Plate A 71Rd I piano sound with tremolo and a relatively high level of 2 CP88 Touch Wah VCM Compressor 376 amplifier drive giving rise to exquisite distortion as the tone is modulated. PRE B 006 Simple Rd I Chorus VCM Compressor 376 Rich Plate The sound of a compressed 73Rd I electric piano, output as a 2 69Wr D Chorus VCM Compressor 376 line signal without passing through the speakers. PRE B 007 Phase Rd I MA90 Clean Amp Rich Plate ne of the most recognizable and widely used sounds of the 2 CP80 MA100 Power Amp 78Rd II Rd series, achieved by using a phaser in combination with the 75Rd I. PRE B 008 Chorus Rd II D Chorus Power Amp 75Rd I Rich Plate A bright piano sound combining the 78Rd II and the chorus 2 DEP 4 816Chorus Clean Amp effect that suits it so well. PRE B 009 Dyno Live 1 Dyno D Chorus VCM Compressor 376 Rich Plate The clear, metallic sound produced by the classic combination 2 DEP 4 Symphonic Clean Amp of Rd II piano and Dyno amp. PRE B 010 DynoChorus 1 Dyno Symphonic Power Amp 78Rd II Rich Room A Dyno-type electric piano sound and the type of chorus effect 2 CF 3Band Small Phaser Clean Amp with which it is so well matched. PRE B 011 West Coast 1 78Rd II Flanger Clean Amp Rich Plate A classic sound put to great use in the West Coast pop of the 2 Dyno Symphonic VCM Compressor 376 eighties. PRE B 012 Dist Drive 1 73Rd I D Chorus Power Amp 75Rd I Rich Plate A thick Rd I sound with distinctive amplifier-driven distortion. 2 75Rd I Small Phaser Power Amp 73Rd I PRE B 013 Groove Wr 816Chorus Power Amp 75Rd I Rich Plate This early-type Wr piano sound is perfectly suited to R&B and 2 75Rd I D Chorus Power Amp 69Wr other funky performances, and in addition, its pick-up settings can be changed to great effect. 2 CP1 Data List

3 Performance List Bank Number Performance Name PRE B 014 Loud 6x9s 1 77Wr MA90 Power Amp 77Wr Woody Room A latter-type Wr electric piano sound featuring amplifier-driven 2 73Rd I Small Phaser Power Amp 77Wr distortion for extra loudness. PRE B 015 Fat Wurli 1 69Wr D Chorus VCM Compressor 376 Rich Room A thick, heavy electric piano sound with fast attack produced 2 DEP 2 Symphonic Clean Amp using a compressor. PRE B Tremolo 1 77Wr 816Chorus Power Amp 77Wr Woody Room Featuring a tremolo effect, this latter-type Wr electric piano 2 CF 3Band Small Phaser Clean Amp sound is thicker, richer, and more powerful than those produced by earlier models. PRE C 001 APmeetsD 1 CF 3Band D Chorus Clean Amp Rich Plate A layered sound recreating the popular, perfectly-matched 2 DEP 1 Symphonic Power Amp 78Rd II combination of CFIIIS acoustic piano and D electric piano. PRE C 002 ChimeStack 1 S6 3Band D Chorus Clean Amp Rich Plate A rich sound achieved by combining the woody tones of the S6 2 DEP 3 Symphonic VCM Compressor 376 3Band and the metallic attack of the DEP3 so as to perfectly complement each other. PRE C 003 CPDHybrid 1 CP88 816Chorus VCM Compressor 376 Rich Plate This thick tone blends the warmth of the CP80 with the electric 2 DEP 4 Chorus Power Amp 69Wr piano sound of the D. PRE C 004 Ultra Warm 1 CF 3Band Small Phaser Clean Amp Rich Plate With the Attack Timbre (AtkTimbr) parameter of a DEP3 part 2 DEP 3 816Chorus Power Amp 73Rd I set to Soft2 so that it bridges the gaps behind a CF 3Band part, this layered sound can be played in much the same way as a pad. PRE C 005 MyCF&Dyno 1 CF 3Band D Chorus Clean Amp Rich Plate A sound recreating the combination of electric and acoustic 2 Dyno Symphonic Power Amp 78Rd II pianos adopted as standard for ballads, pop, and many other genres prior to the arrival of the D electric piano. PRE C 006 CP Backed 1 CP80 Symphonic VCM Compressor 376 Rich Room A CP80 sound with emphasized attack and Dyno-type nuances. 2 Dyno Symphonic Power Amp 78Rd II PRE C 007 CF75 Asne 1 75Rd I Small Phaser VCM Compressor 376 Rich Plate A layered tone combining a CFIIIS acoustic piano and a 75Rd I 2 CF 3Band D Chorus VCM Compressor 376 electric piano featuring a phaser effect to effortlessly reproduce the famous sound of the seventies and eighties that, at the time, could only be achieved through overdubbing. PRE C 008 Film Blend 1 S6 3Band Symphonic VCM Compressor 376 Rich Plate A grand, dreamlike layered sound reminiscent of movie 2 78Rd II D Chorus Power Amp 78Rd II soundtracks. PRE C 009 Bell Tines 1 Dyno Symphonic Power Amp 78Rd II Woody Room A glittering sound achieved by layering a D electric piano over 2 DEP 1 D Chorus VCM Compressor 376 the distinctive metallic tones of a Dyno piano. PRE C 010 High Tines 1 75Rd I Chorus Power Amp 75Rd I Rich Hall Featuring a D electric piano layered over an Rd I piano, this 2 DEP 1 816Chorus VCM Compressor 376 sound delivers tones with a wide-ranging attack feel. PRE C 011 FunkyWurli 1 77Wr Touch Wah Power Amp 77Wr Rich Plate A layered sound combining a Wr piano ideal for rhythmical, 2 DEP 3 Touch Wah VCM Compressor 376 paradiddle-type playing with a D electric piano featuring a wah effect. PRE C 012 8va Latin 1 CF 3Band 816Chorus VCM Compressor 376 Room2 Perfect for playing Latin-type phrases, this sound combines a 2 S6 3Band Chorus VCM Compressor 376 pair of acoustic pianos offset by an octave with respect to each other. PRE C Phase/S6 1 75Rd I MA90 Power Amp 75Rd I Rich Hall A split sound allowing grand piano solos to be played with Rd 2 S6 3Band D Chorus Clean Amp piano backing. PRE C 014 WahLead/ Rd I Touch Wah Power Amp 75Rd I Room1 This split sound features an Rd piano combined with a wah 2 75Rd I Touch Wah Power Amp 78Rd II effect for playing in the same way as a synth lead. PRE C 015 Jazz Split 1 71Rd I Flanger VCM Compressor 376 Rich Plate Another split sound, this time with a 71Rd I piano setup for 2 CF 3Band D Chorus Clean Amp playing of bass tones. PRE C 016 What a CP! 1 CF 3Band Small Phaser Clean Amp Rich Plate Prepared specially for the demo song What a CP!, this piano 2 75Rd I Small Phaser Power Amp 75Rd I sound has KbdMode set to zone for highly effective duo performances. Parts turned off by default. Part Piano Type Modulation Power Amp Reverb Description CP1 Data List 3

4 Piano Block Piano Type List Type name 1 CF 3Band 2 CF 2Band 3 S6 3Band 4 S6 2Band 5 CP80 6 CP Rd I 8 73Rd I 9 75Rd I 10 78Rd II 11 Dyno 12 69Wr 13 77Wr 14 DEP 1 15 DEP 2 16 DEP 3 17 DEP 4 Piano Type & Pre-Amplifier Parameter List [1] CF 3Band, [3] S6 3Band Piano Type Parameters 1 Decay (Decay Time) Release (Release Time) Key-off (Key-off Noise Level) DampReso (Damper Resonance Level) 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, Hard2 Pre-amplifier Parameters 1 Bass -12.0dB +12.0dB Mid Freq 100.0Hz 18.0kHz Mid -12.0dB +12.0dB Treble -12.0dB +12.0dB Volume Input Gain -18.0dB +4.0dB [2] CF 2Band, [4] S6 2Band Piano Type Parameters 1 Decay (Decay Time) Release (Release Time) Key-off (Key-off Noise Level) DampReso (Damper Resonance Level) 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 Pre-amplifier Parameters 1 Peak1 Freq 63.0Hz 2.8kHz Peak1 Gain -12.0dB +12.0dB Peak2 Freq 400.0Hz 18.0kHz Peak2 Gain -12.0dB +12.0dB Volume Input Gain -18.0dB +4.0dB [5] CP80, [6] CP88 Piano Type Parameters 1 Decay (Decay Time) Release (Release Time) Key-off (Key-off Noise Level) Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 Pre-amplifier Parameters 1 Bass Middle Treble Brilliance Low, Medium, High Volume Input Gain -18.0dB +4.0dB [7] 71Rd I, [8] 73Rd I, [9] 75Rd I Piano Type Parameters 1 Decay (Decay Time) Release (Release Time) Key-off (Key-off Noise Level) StrkPos (Striking Position) Top3 to Top1, Default, or Rear1 to Rear3 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 Pre-amplifier Parameters Bass Treble Vibrato Depth Vibrato Speed Volume CP1 Data List

5 Piano Block 15 Input Gain -18.0dB +4.0dB [10] 78Rd II Piano Type Parameters 1 Decay (Decay Time) Release (Release Time) Key-off (Key-off Noise Level) StrkPos (Striking Position) Top3 to Top1, Default, or Rear1 to Rear3 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard Pre-amplifier Parameters 1 Bass Treble Vibrato Depth Vibrato Speed Volume Input Gain -18.0dB +4.0dB [11] Dyno Piano Type Parameters 1 Decay (Decay Time) Release (Release Time) Key-off (Key-off Noise Level) StrkPos (Striking Position) Top3 to Top1, Default, or Rear1 to Rear3 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 Pre-amplifier Parameters 1 Bass Boost Normal vertone Volume Input Gain -18.0dB +4.0dB [12] 69Wr, [13] 77Wr Piano Type Parameters 1 Decay (Decay Time) Release (Release Time) Key-off (Key-off Noise Level) StrkPos (Striking Position) Top3 to Top1, Default, or Rear1 to Rear3 5 Hammer (Hammer Stiffness) Soft2, Soft1, Normal, Hard1, or Hard2 Pre-amplifier Parameters 1 Bass Mid Boost Treble Vibrato Depth Volume Input Gain -18.0dB +4.0dB [14] DEP 1, [15] DEP 2, [16] DEP 3, [17] DEP 4 Piano Type Parameters 1 Decay (Decay Time) Release (Release Time) Rls Tone (Release Tone) AtkTimbr (Attack Timbre) Soft2, Soft1, Normal, Hard1, or Hard2 5 scdetun (scillator Detune) Pre-amplifier Parameters 1 Low -12.0dB +12.0dB Low Middle -12.0dB +12.0dB High Middle -12.0dB +12.0dB High -12.0dB +12.0dB Volume Input Gain -18.0dB +4.0dB CP1 Data List 5

6 Modulation Effect Block Modulation Effect Type List Type name Type (HE) MSB Modulation Effect Parameter List LSB 1 SmallPha (Small Phaser) Max Max Flanger TouchWah (Touch Wah) PedalWah (Pedal Wah) Chorus D Chorus Cho (816Chorus) Sympho (Symphonic) [1] SmallPha (Small Phaser) Control 1 Rate 0.092Hz Hz (when Color is set to 0. ) 0.06Hz 11.07Hz (when Color is set to 1. ) 2 Color 0, Drive [2] MA90 Control 1 Speed 0.100Hz Hz Type 1, Drive [3] MA100 Control 1 Speed 0.100Hz Hz Mode 1, 2, 3, [4] Flanger Control 1 Speed 0.040Hz 10.00Hz Manual Depth Feedback Mix [5] TouchWah (Touch Wah) Control 1 Sensitivity Bottom Top Resonance ffset Drive 0.0dB +40.0dB CP1 Data List

7 Modulation Effect Block [6] PedalWah (Pedal Wah) Control 1 Pedal Control Bottom Top Resonance ffset Drive 0.0dB +40.0dB [7] Chorus Control 1 Speed 0.040Hz 10.00Hz Depth Mix [9] 816Cho (816Chorus) Control 1 Speed 0.100Hz Hz Phase 0, 30, 45, 60, 90,, Depth Feedback Mix [10] Sympho (Symphonic) Control 1 Speed 0.0Hz 39.7Hz Depth Delay 0.0ms 50.0ms Mix [8] D Chorus Control 1 Type Type1 Type CP1 Data List 7

8 Power-Amplifier/Compressor Block Power-Amplifier/Compressor Type List Type name Type (HE) MSB LSB 1 71Rd I (PowerAmp 71Rd I) Rd I (PowerAmp 73Rd I) Rd I (PowerAmp 75Rd I) Rd II (PowerAmp 78Rd II) Wr (PowerAmp 69Wr) Wr (PowerAmp 77Wr) Clean (Clean Amp) Comp376 (Compressor 376) Power-Amplifier/Compressor Parameter List [1] [6] Power Amp 71Rd I / 73Rd I / 75Rd I / 78Rd II / 69Wr / 77Wr 1 Drive Speaker Type 71Rd I / 73Rd I / 75Rd I / Rd II / 69Wr / 77Wr 3 Line Balance L63>S L<S utput [8] Comp376 (Compressor 376) 1 Drive utput Ratio 2, 4, 8, 12, Attack 0.203ms 50.40ms Release 11.96ms ms [7] Clean (Clean Amp) 1 utput CP1 Data List

9 Reverb Block Reverb Type List Type (HE) Type name MSB LSB 1 RichHall (Rich Hall) RichPlate (Rich Plate) RichRoom (Rich Room) WoodRoom (Woody Room) Room Room Stage Stage Reverb Parameter List [1] RichHall (Rich Hall), [2] RichPlate (Rich Plate), [3] RichRoom (Rich Room), [5] Room1, [6] Room2, [7] Stage1, [8] Stage2 1 Reverb Time 0.3s 10.0ms HPF Cutoff Frequency 20Hz 8.0kHz Feedback High Damp [4] WoodRoom (Woody Room) 1 Reverb Time 0.3s xy.zs HPF Cutoff Frequency 20Hz 8.0kHz CP1 Data List 9

10 MIDI Data Format Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers. Hexadecimal numbers may include the letter H as a suffix. The letter n indicates a certain whole number. The chart below lists the corresponding decimal number for each hexadecimal number. Decimal Hexadecimal Decimal Hexadecimal A 74 4A 11 0B 75 4B 12 0C 76 4C 13 0D 77 4D 14 0E 78 4E 15 0F 79 4F A 90 5A 27 1B 91 5B 28 1C 92 5C 29 1D 93 5D 30 1E 94 5E 31 1F 95 5F A 106 6A 43 2B 107 6B 44 2C 108 6C 45 2D 109 6D 46 2E 110 6E 47 2F 111 6F A 122 7A 59 3B 123 7B 60 3C 124 7C 61 3D 125 7D 62 3E 126 7E 63 3F 127 7F Additional Notes For example, (Decimal)/9nH/ (Binary) indicate the noteon messages for the channels 1 through 16 respectively /BnH/ indicate the control change messages for the channels 1 through 16 respectively /CnH/ indicate the program change messages for the channels 1 through 16 respectively. 240/F0H/ is positioned at the beginning of data to indicate a system exclusive message. 247/F7H/ is positioned at the end of the system exclusive message. aah (Hexadecimal)/0aaaaaaa (Binary) indicates the data addresses. The data address consists of High, Mid and Low. bbh/0bbbbbbb indicates byte counts. cch/0ccccccc indicates check sums. ddh/0ddddddd indicates data/value. (1) TRANSMIT FLW MIDI <-+-[SW1] NTE N/FF 9nH UT CNTRL CHANGE VLUME BnH, 07H PAN BnH, 0AH SUSTAIN SWITCH BnH, 40H SSTENUT BnH, 42H SFT PEDAL BnH, 43H EG RELEASE TIME BnH, 48H EG DECAY TIME BnH, 4BH REVERB SEND BnH, 5BH ASSIGNABLE CNTRLLER BnH, (00H.. 5FH) FT VLUME BnH, (07H or 0BH) +--[SW7]--BANK SEL MSB BnH, 00H BANK SEL LSB BnH, 20H +--[SW8]--PRGRAM CHANGE CnH PITCH BEND CHANGE EnH ACTIVE SENSING FEH +--[SW5] SYSTEM ECLUSIVE MESSAGE <BULK DUMP> F0H 43H 0nH 7FH 0CH bhh blh ahh amh alh ddh...ddh cch F7H <PARAMETER CHANGE> F0H 43H 1nH 7FH 0CH ahh amh alh ddh...ddh F7H SYSTEM ECLUSIVE MESSAGE IDENTITY REPLY F0H 7EH 7FH 06H 02H 43H 00H 41H 3BH 06H 00H 00H 00H 7FH F7H [SW1] MIDI Transmit Channel and Transmit Filter When Keyboard Mode (KbdMode) is set to zone, MIDI data is transmitted in line with the Transmit MIDI Switch (MIDI) settings for each zone and via the corresponding zone transmit channels. When Keyboard Mode (KbdMode) is set to layer or split, MIDI data is transmitted via the Transmit Channel (TransCh). [SW5] MIDI Device Number When set to all, transmitted via 1. [SW7] SYSTEM Bank Select Switch [SW8] SYSTEM Program Change Switch (2) RECEIVE FLW MIDI>-+-[SW10] NTE FF 8nH NTE N/FF 9nH CNTRL CHANGE DATA ENTRY MSB BnH, 06H DATA ENTRY LSB BnH, 26H MAIN VLUME BnH, 07H PAN BnH, 0AH EPRESSIN BnH, 0BH SUSTAIN SWITCH BnH, 40H SSTENUT BnH, 42H SFT PEDAL BnH, 43H EG RELEASE TIME BnH, 48H EG DECAY TIME BnH, 4BH EFFECT1 DEPTH (Reverb) BnH, 5BH DATA ENTRY INC BnH, 60H DATA ENTRY DEC BnH, 61H ASSIGNABLE CNTRLLER BnH, (00H.. 5FH) RPN PITCH BEND SENS. BnH, 64H, 00H, 65H, 00H, 06H, mmh RPN RESET BnH, 64H, 7FH, 65H, 7FH ALL SUND FF BnH, 78H RESET ALL CNTRLLERS BnH, 79H ALL NTE FF BnH, 7BH MNI MDE FF BnH, 7CH MNI MDE N BnH, 7DH +--[SW7]--BANK SEL MSB BnH, 00H BANK SEL LSB BnH, 20H +--[SW8]--PRGRAM CHANGE CnH PITCH BEND CHANGE EnH ACTIVE SENSING FEH +--[SW5] <BULK DUMP> F0H 43H 0nH 7FH 0CH bhh blh ahh amh alh ddh...ddh cch F7H <PARAMETER CHANGE> F0H 43H 1nH 7FH 0CH ahh amh alh ddh...ddh F7H <BULK DUMP REQUEST> F0H 43H 2nH 7FH 0CH ahh amh alh ddh...ddh F7H <PARAMETER REQUEST> F0H 43H 3nH 7FH 0CH ahh amh alh F7H SYSTEM ECLUSIVE MESSAGE IDENTITY REQUEST F0H 7EH 0nH 06H 01H F7H [SW5] MIDI Device Number When this is not set to off, the MIDI Master Volume can be recognized in any mode. [SW7] SYSTEM Bank Select Switch [SW8] SYSTEM Program Change Switch [SW10] MIDI Receive Channel When Keyboard Mode (KbdMode) is set to zone, Zone 1 receives data on MIDI Channel 1; Zone 2 receives data on MIDI Channel 2. When Master Keyboard Mode (KbdMode) is set to layer or split, MIDI data is received via the Basic Receive Channel (RecvCh). 10 CP1 Data List

11 MIDI Data Format (3) TRANSMIT/RECEIVE DATA (3-1) CHANNEL VICE MESSAGES (3-1-1) NTE FF STATUS 1000nnnn (8nH) n = 0 15 CHANNEL NUMBER NTE No. 0kkkkkkk k = 0 (C-2) 127 (G8) VELCITY 0vvvvvvv v ignored Receive only (3-1-2) NTE N/FF STATUS 1001nnnn (9nH) n = 0 15 CHANNEL NUMBER NTE NUMBER 0kkkkkkk k = 0 (C-2) 127 (G8) VELCITY NTE N 0vvvvvvv (v 0) NTE N NTE FF 0vvvvvvv (v=0) NTE FF (3-1-3) CNTRL CHANGE STATUS 1011nnnn (BnH) n = 0 15 CHANNEL NUMBER CNTRL NUMBER 0ccccccc CNTRL VALUE 0vvvvvvv *TRANSMITTED CNTRL NUMBER c = 0 BANK SEL MSB ; v = *2 c = 32 BANK SEL LSB ; v = *2 c = 7 MAIN VLUME ; v = c = 10 PAN ; v = c = 11 EPRESSIN ; v = c = 64 SUSTAIN ; v = *4 c = 66 SSTENUT ; v = 0, 127 c = 67 SFT PEDAL ; v = 0, 127 c = 91 REVERB SEND ; v = c = ASSIGNABLE CNTRLLERS ; v = *3 *RECEIVED CNTRL NUMBER c = 0 BANK SEL MSB ; v = 63 *2 c = 32 BANK SEL LSB ; v = *2 c = 6 DATA ENTRY MSB ; v = *1 c = 38 DATA ENTRY LSB ; v = c = 7 MAIN VLUME ; v = c = 10 PAN ; v = c = 11 EPRESSIN ; v = c = 64 SUSTAIN ; v = c = 66 SSTENUT ; v = 0 63FF, N c = 72 EG RELEASE TIME ; v = c = 75 EG DECAY TIME ; v = c = 91 EFFECT1 DEPTH ; v = c = 96 DATA ENTRY INC ; v = 127 *1 c = 97 DATA ENTRY DEC ; v = 127 *1 c = ASSIGNABLE CNTRLLER ; v = *3 *1 Used only when a value is set using RPN. *2 Relation between BANK CHANGE and PRGRAM is as follows CATEGRY MSB LSB PRGRAM No. Performance Preset A (1..16) Preset B (1..16) Preset C (1..16) User A (1..16) User B (1..16) User C (1..16) External A (1..16) External B (1..16) External C (1..16) *3 The default CNTRL NUMBERS of ASSIGNABLE CNTRLLER are as follows FT CNTRLLER 1 11 FT CNTRLLER 2 4 FT SWITCH 88 SSTENUT PEDAL 66 SFT PEDAL 67 *4 When the sustain pedal is set to something other than FC3 (Halfn), operating the sustain pedal transmits only values of 0 (off) or 127 (on). PAN position relatively changes according to the preset value for each voice. EFFECT1 DEPTH controls reverb send level. The parameters, EG DECAY TIME, EG RELEASE TIME adjust the envelopes preset for each voice. Setting these values add to or subtract from the center value, 64, since it is an offset parameters. Bank Select will be actually executed when the Program Change message is received. Bank Select and Program Change numbers that are not supported by Yamaha will be ignored. (3-1-4) PRGRAM CHANGE STATUS 1100nnnn (CnH) n = 0 15 CHANNEL NUMBER PRGRAM NUMBER 0ppppppp p = (3-1-5) PITCH BEND CHANGE STATUS 1110nnnn (EnH) n = 0 15 CHANNEL NUMBER LSB 0vvvvvvv PITCH BEND CHANGE LSB MSB 0vvvvvvv PITCH BEND CHANGE MSB Transmitted with a resolution of 7 bits. (3-2) CHANNEL MDE MESSAGES STATUS 1011nnnn (BnH) n = 0 15 CHANNEL NUMBER CNTRL NUMBER 0ccccccc c = CNTRL NUMBER CNTRL VALUE 0vvvvvvv v = DATA VALUE (3-2-1) ALL SUND FF (CNTRL NUMBER = 78H, DATA VALUE = 0) All the sounds currently played including the channel messages such as note-on in a certain channel are muted when receiving this message. MIDI Channel messages such as Hold and Sostenuto are retained. (3-2-2) RESET ALL CNTRLLERS (CNTRL NUMBER = 79H, DATA VALUE = 0) Resets the values set for the following controllers. PITCH BEND CHANGE 0 (center) EPRESSIN 127 (maximum) FT CNTRLLER 1 0 (minimum) FT CNTRLLER 2 0 (minimum) SUSTAIN SWITCH 0 (off) SSTENUT SWITCH 0 (off) SFT SWITCH 0 (off) RPN Not assigned; No change Doesn t reset the following data PRGRAM CHANGE, BANK SELECT MSB/LSB, VLUME, PAN SUSTAIN LEVEL, RELEASE TIME, ATTACK TIME, DECAY TIME EFFECT SEND LEVEL 1 PITCH BEND SENSITIVITY ASSIGNABLE CNTRLLER (3-2-3) ALL NTE FF (CNTRL NUMBER = 7BH, DATA VALUE = 0) All the notes currently set to on in certain channels are muted when receiving this message. However, if Sustain or Sostenuto is on, notes will continue sounding until these are turned off. (3-2-4) MNI MDE FF (CNTRL NUMBER = 7CH, DATA VALUE = 0) Performs the same function as when receiving ALL NTES FF. Sets Basic Receive Channel to MNI FF, channel 1. (3-2-5) MNI MDE N (CNTRL NUMBER = 7DH, DATA VALUE = 0) Performs the same function as when receiving ALL NTES FF. Sets Basic Receive Channel to MNI N. (3-3) REGISTERED PARAMETER NUMBER STATUS 1011nnnn (BnH) n = 0 15 CHANNEL NUMBER LSB (64H) RPN LSB 0ppppppp p = RPN LSB (Refer to the table as shown below.) MSB (65H) RPN MSB 0qqqqqqq q = RPN MSB (Refer to the table as shown below.) DATA ENTRY MSB (06H) DATA VALUE 0mmmmmmm m = Data Value DATA ENTRY LSB (26H) DATA VALUE 0lllllll l = Data Value First, designate the parameter using RPN MSB/LSB numbers. Then, set its value with data entry MSB/LSB. RPN D.ENTRY LSB MSB MSB LSB PARAMETER NAME DATA RANGE 00H 00H mmh --- PITCH BEND SENSITIVITY 00H 0CH (0 12 semitones) 7FH 7FH RPN RESET RPN numbers will be left not designated. The internal values are not affected. (3-4) SYSTEM REAL TIME MESSAGES (3-4-1) ACTIVE SENSING STATUS (FEH) Transmitted at every 200 msec. nce this code is received, the instrument starts sensing. When no status nor data is received for over approximately 350 ms, MIDI receiving buffer will be cleared, and the sounds currently played is forcibly turned off. (3-5) SYSTEM ECLUSIVE MESSAGE (3-5-1) UNIVERSAL NN REALTIME MESSAGE ( ) IDENTITY REQUEST (Receive only) F0H 7EH 0nH 06H 01H F7H ( n = Device No. However, this instrument receives under omni. ) ( ) IDENTITY REPLY (Transmit only) F0H 7EH 7FH 06H 02H 43H 00H 41H ddh ddh 00H 00H 00H 01H F7H dd Device Number Code CP1 3B 06 (3-5-2) PARAMETER CHANGE ( ) NATIVE PARAMETER CHANGE F0 Exclusive status YAMAHA ID 0001nnnn 1n Device Number F Model ID C Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 0ddddddd ddddddd Data F7 End of Exclusive For parameters with data size of 2 or more, the appropriate number of data bytes will be transmitted. See the following MIDI Data Table for Address. CP1 Data List 11

12 MIDI Data Format (3-5-4) BULK DUMP F0 Exclusive status YAMAHA ID 0000nnnn 0n Device Number F Model ID C Model ID 0bbbbbbb bbbbbbb Byte Count 0bbbbbbb bbbbbbb Byte Count 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 0 0 Data 0ccccccc ccccccc Check-sum F7 End of Exclusive See the following MIDI Data Table for Address and Byte Count. The Check sum is the value that results in a value of 0 for the lower 7 bits when the Byte Count, Start Address, Data and Check sum itself are added. (3-5-5) DUMP REQUEST F0 Exclusive status YAMAHA ID 0010nnnn 2n Device Number F Model ID C Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low F7 End of Exclusive See the following MIDI Data Table for Address and Byte Count. (3-5-6) PARAMETER REQUEST F0 Exclusive status YAMAHA ID 0011nnnn 3n Device Number F Model ID C Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low F7 End of Exclusive See the following MIDI Data Table for Address and Byte Count. (4) SYSTEM VERVIEW (Keyboard and Tone Generator) MIDI IN/UT = MIDI KBD To USB From USB Local Sw MIDI ut MIDI In TG MIDI IN/UT = USB KBD To USB From USB Local Sw The MIDI Thru port is permanently set to 1. MIDI ut MIDI In TG Although three types of note on/note off data, received via MIDI and played on the keyboard will be distinguished, the other controllers (channel messages) equally affect the entire notes. ALL SUND FF clears all the sounds in the specific channel(s) played by both the keyboard and the data via MIDI. ALL NTES FF received via MIDI clears the sounds in the specific channel(s) played via MIDI. 12 CP1 Data List

13 MIDI Data Table Bank Select Available Bank Select/Program Change MSB (HE) LSB (HE) Program No. Type Memory Description 63 3F D 3E Performance PRE A PRE B When Keyboard Mode (KbdMode) is set to layer or split, this MIDI 63 3F 0 15 PRE C data is received via the Basic Receive Channel USR A (RecvCh). When Keyboard Mode USR B (KbdMode) is set to USR C zone, this MIDI data is received via Channel 1 or ET A ET B ET C Bulk Dump Block Top Address indicates the top address of each block designated by bulk dump operation. Byte Count indicates the data size contained in each block designated by bulk dump operation. The Block from the Bulk Header to the Bulk Footer of the Performance can be received regardless their order. They can be received even if all of them are not transmitted. They cannot be received if the irrelevant Block is included. To execute 1 Performance bulk dump request, designate its corresponding Bulk Header address. When the Multiple Bulk Control Footer is received, Performances will be saved to the Flash RM. For the information about mm and nn shown in the following list, refer to MIDI PARAMETER CHANGE TABLE (BULK CNTRL) below. Parameter Block Description Byte Count Top Address Dec Hex H M L SYSTEM System 60 3C Master EQ (for Voice Mode) Parameter Base Address PERFRMANCE Bulk Header E mm nn CMMN Common Reverb Parameter Block Top Address Description Controller (PB, FC1, FC2, FS) 30 1E H M L Assignable Knob 30 1E SYSTEM System Master EQ BULK CNTRL 0E Header 0F Footer MULTIPLE BULK CNTRL Header Footer PERFRMANCE CMMN Performance Common PERFRMANCE PART Part 1 PART Part Part Pre-Amp Part Pre-Amp Part Modulation Part Modulation Part Power-Amp Part Power-Amp Part Part Pre-Amp Part Pre-Amp Part Modulation Part Modulation Part Power-Amp Part Power-Amp Part 2 PERFRMANCE ZNE Zone Zone 4 MASTER KEYBARD ZNE Zone Blocks Zone Bulk Footer F mm nn CP1 Data List 13

14 MIDI Data Table MIDI PARAMETER CHANGE TABLE (SYSTEM) Address Size Data Range (HE) F 00 0F 00 0F 00 0F Parameter Name Description Notes Master Tune [cent] 1st bit 3-0 bit nd bit 3-0 bit rd bit 3-0 bit 7-4 4th bit 3-0 bit C Master Transpose (semitones) Local Switch off, on 0A , 7F Basic Receive Channel 1 16, omni, off 0B F, 7F Keyboard Transmit Channel 1 16, off Piano Tuning Curve flat, stretch Keyboard Velocity Curve norm, soft, hard, wide, fixed F Keyboard Fixed Velocity MIDI Input MIDI, USB MIDI Micro Tuning Equal, PureMaj, PureMin, Pythag, MeanTn, WerckMt, KimBerger B Micro Tuning Root C B Sostenuto (Pedal-Center) Control Number Soft (Pedal-Left) Control Number off, 1 95, 99 (PC Inc), 100 (PC Dec) off, 1 95, 99 (PC Inc), 100 (PC Dec) Start Up Bank PRE A, PRE B, PRE C, USR A, USR B, USR C, ET A, ET B, ET C MIDI Master Tuning MIDI PARAMETER CHANGE TABLE (BULK CNTRL) Address Size Data Range (HE) Parameter Name Description Notes 0E 3D nn 0 Bulk Header Performance PRE A (nn = 0 15) 3E nn 0 Performance PRE B (nn = 0 15) 3F nn 0 Performance PRE C (nn = 0 15) 40 nn 0 - Performance USR A (nn = 0 15) 41 nn 0 - Performance USR B (nn = 0 15) 42 nn 0 - Performance USR C (nn = 0 15) 43 nn 0 - Performance ET A (nn = 0 15) 44 nn 0 - Performance ET B (nn = 0 15) 45 nn 0 - Performance ET C (nn = 0 15) 4F nn 0 - Performance Edit Buffer (nn = 0) 0F 3D nn 0 - Bulk Footer Performance PRE A (nn = 0 15) 3E nn 0 - Performance PRE B (nn = 0 15) 3F nn 0 - Performance PRE C (nn = 0 15) 40 nn 0 - Performance USR A (nn = 0 15) 41 nn 0 - Performance USR B (nn = 0 15) 42 nn 0 - Performance USR C (nn = 0 15) 43 nn 0 - Performance ET A (nn = 0 15) 44 nn 0 - Performance ET B (nn = 0 15) 45 nn 0 - Performance ET C (nn = 0 15) 4F nn 0 - Performance Edit Buffer (nn = 0) F Start Up Program Number FS Assignable Control Number off, 1 95, 99 (PC Inc), 100 (PC Dec) F FC2 Control Number off, A F FC1 Control Number off, B Sustain Pedal Select Sustain Pedal, FC3 (Half n), FC3 (Half ff), FC4/5 TTAL SIZE = 60 3C (HE) C EQ Gain [db] 0 [db] EQ Frequency k [Hz] 80 [Hz] EQ Q EQ Shape1 shelv, peak shelv C EQ Gain [db] 0 [db] E 36 EQ Frequency k [Hz] 200 [Hz] EQ Q reserved C EQ Gain [db] 0 [db] E 36 EQ Frequency k [Hz] 500 [Hz] 0A EQ Q B 1 reserved 0C C EQ Gain [db] 0 [db] 0D 1 0E 36 EQ Frequency k [Hz] 3.2 [khz] 0E EQ Q F 1 reserved C EQ Gain [db] 0 [db] C 3A EQ Frequency k [Hz] 8.0 [khz] EQ Q EQ Shape5 shelv, peak shelv EQ n/ff off, on 15 1 reserved TTAL SIZE = (HE) 14 CP1 Data List

15 MIDI Data Table MIDI PARAMETER CHANGE TABLE (PERFRMANCE CMMN) Address TTAL SIZE = 68 Size Data Range (HE) 44 (HE) Parameter Name Description Notes E Performance Name (ASCII) E Performance Name (ASCII) E Performance Name (ASCII) E Performance Name (ASCII) E Performance Name (ASCII) E Performance Name (ASCII) E Performance Name (ASCII) E Performance Name (ASCII) E Performance Name (ASCII) E Performance Name (ASCII) A 1 reserved B 1 reserved E Master Keyboard Mode layer, split, zone F 1 Master Keyboard Split Point C -2..G8 Address Size Data Range (HE) Parameter Name Description Notes Pitch Bend Layer 1 Pitch Bend Layer 1 Pitch Bend Layer 2 Pitch Bend Layer reserved Foot Controller 1 Layer 1 Foot Controller 1 Layer Foot Controller 1 Layer 2 Foot Controller 1 Layer reserved A Foot Controller 2 Layer 1 Foot Controller 2 Layer 1 off, ModEffect off, ModEffect off, Volume, ModEffect off, Volume, ModEffect off, Volume, ModEffect Reverb Type MSB Reverb Type LSB Reverb Parameter 1 MSB Reverb Parameter 1 LSB Reverb Parameter 2 MSB Reverb Parameter 2 LSB Reverb Parameter 3 MSB Reverb Parameter 3 LSB Refer to Reverb Type List. Refer to Reverb Parameter List C Foot Controller 2 Layer 2 Foot Controller 2 Layer E 1 reserved F Foot Switch Layer 1 Foot Switch Layer 1 off, Volume, ModEffect off, Vibn, BypassModEffect, BypassPowerAmp A C E A C E Reverb Parameter 4 MSB Reverb Parameter 4 LSB Reverb Parameter 5 MSB Reverb Parameter 5 LSB Reverb Parameter 6 MSB Reverb Parameter 6 LSB Reverb Parameter 7 MSB Reverb Parameter 7 LSB Reverb Parameter 8 MSB Reverb Parameter 8 LSB Reverb Parameter 9 MSB Reverb Parameter 9 LSB Reverb Parameter 10 MSB Reverb Parameter 10 LSB Reverb Parameter 11 MSB Reverb Parameter 11 LSB Reverb Parameter 12 MSB Reverb Parameter 12 LSB Reverb Parameter 13 MSB Reverb Parameter 13 LSB Reverb Parameter 14 MSB Reverb Parameter 14 LSB Reverb Parameter 15 MSB Reverb Parameter 15 LSB Reverb Parameter 16 MSB Reverb Parameter 16 LSB Reverb n/ff off, on Reserved TTAL SIZE = E (HE) Foot Switch Layer 2 Foot Switch Layer 2 off, Vibn, BypassModEffect, BypassPowerAmp Foot Switch Mode Momentary, Latch Pedal-Left Layer 1 Pedal-Left Layer 1 off, Soft, Vibn, BypassModEffect, BypassPowerAmp Pedal-Left Layer 2 Pedal-Left Layer 2 off, Soft, Vibn, BypassModEffect, BypassPowerAmp Pedal-Left Switch Mode Momentary, Latch Pedal-Center Layer 1 Pedal-Center Layer 1 off, Sostenuto, Vibn, BypassModEffect, BypassPowerAmp B Pedal-Center Layer 2 Pedal-Center Layer 2 off, Sostenuto, Vibn, BypassModEffect, BypassPowerAmp D Pedal-Center Switch Mode Momentary, Latch TTAL SIZE = (HE) CP1 Data List 15

16 MIDI Data Table MIDI PARAMETER CHANGE TABLE (PERFRMANCE PART) Address Size Data Range (HE) Parameter Name Description Notes Address Size Data Range (HE) Parameter Name Description Notes reserved Knob 1 off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev Knob 1 Para1, Para2, Para3, Para4, Para5, Para reserved reserved Knob 2 off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp 2, ModEffect2, Power-Amp2, Rev Knob 2 Para1, Para2, Para3, Para4, Para5, Para reserved A 1 reserved B Knob 3 off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev C Knob 3 Para1, Para2, Para3, Para4, Para5, Para E 1 reserved F 1 reserved Knob 4 off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev Knob 4 Para1, Para2, Para3, Para4, Para5, Para reserved reserved Knob 5 off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev Knob 5 Para1, Para2, Para3, Para4, Para5, Para reserved reserved A Knob 6 off, Piano1, Pre-Amp1, ModEffect1, Power-Amp1, Piano2, Pre-Amp2, ModEffect2, Power-Amp2, Rev B Knob 6 Para1, Para2, Para3, Para4, Para5, Para D 1 reserved TTAL SIZE = 30 1E (HE) 31 0p 00 1 Bank Select MSB p 01 1 Bank Select LSB p 02 1 Program Number p 0B 1 Velocity Sense Depth p 0C 1 Velocity Sense ffset p 0E F Pan L63 C R p 0F C Pitch Bend Range p F 00 0F TTAL SIZE = 48 Detune MSB Detune LSB 30 (HE) 0p = Layer number Layer [Hz] 1st bit 3-0 bit 7-4 2nd bit 3-0 bit p 12 1 Reverb Send p Note Shift [semitones] 31 0p Piano n/ff off, on 31 0p 23 1 Decay Time p 24 1 Release Time p Key-off Noise Level p Damper Resonance Level p D 43 Striking Position Top3, Top2, Top1, Default, Rear1, Rear2, Rear3 31 0p E 42 Attack Timbre Soft2, Soft1, Default, Hard1, Hard2 31 0p E 42 Hammer Stiffness Soft2, Soft1, Normal, Hard1, Hard2 31 0p 2A scillator Detune p 2B Release Tone 0 16 Address Size Data Range (HE) 31 1p p p p p 0A p 0C p 0E 2 Parameter Name Description Notes Pre-Amp Parameter 1 MSB Pre-Amp Parameter 1 LSB Pre-Amp Parameter 2 MSB Pre-Amp Parameter 2 LSB Pre-Amp Parameter 3 MSB Pre-Amp Parameter 3 LSB Pre-Amp Parameter 4 MSB Pre-Amp Parameter 4 LSB Pre-Amp Parameter 5 MSB Pre-Amp Parameter 5 LSB Pre-Amp Parameter 6 MSB Pre-Amp Parameter 6 LSB Pre-Amp Parameter 7 MSB Pre-Amp Parameter 7 LSB Refer to Pre-Amplifier Parameter List. 31 1p p p p p p 1A p 1C p 1E p 20 2 Pre-Amp Parameter 8 MSB Pre-Amp Parameter 8 LSB Pre-Amp Parameter 9 MSB Pre-Amp Parameter 9 LSB Pre-Amp Parameter 10 MSB Pre-Amp Parameter 10 LSB Pre-Amp Parameter 11 MSB Pre-Amp Parameter 11 LSB Pre-Amp Parameter 12 MSB Pre-Amp Parameter 12 LSB Pre-Amp Parameter 13 MSB Pre-Amp Parameter 13 LSB Pre-Amp Parameter 14 MSB Pre-Amp Parameter 14 LSB Pre-Amp Parameter 15 MSB Pre-Amp Parameter 15 LSB Pre-Amp Parameter 16 MSB Pre-Amp Parameter 16 LSB 31 1p 22 1 reserved 31 1p 23 1 reserved 31 1p Pre-Amp n/ff off, on 31 1p 25 1 reserved TTAL SIZE = 38 1p = Layer number Layer CP1 Data List

17 MIDI Data Table Address TTAL SIZE = 38 Size Data Range (HE) 31 2p p p p p p 0A p 0C p 0E p p p p p p 1A p 1C p 1E p p = Layer number Layer 1 2 Parameter Name Description Notes Modulation Type MSB Modulation Type LSB Modulation Parameter 1 MSB Modulation Parameter 1 LSB Modulation Parameter 2 MSB Modulation Parameter 2 LSB Modulation Parameter 3 MSB Modulation Parameter 3 LSB Modulation Parameter 4 MSB Modulation Parameter 4 LSB Modulation Parameter 5 MSB Modulation Parameter 5 LSB Modulation Parameter 6 MSB Modulation Parameter 6 LSB Modulation Parameter 7 MSB Modulation Parameter 7 LSB Modulation Parameter 8 MSB Modulation Parameter 8 LSB Modulation Parameter 9 MSB Modulation Parameter 9 LSB Modulation Parameter 10 MSB Modulation Parameter 10 LSB Modulation Parameter 11 MSB Modulation Parameter 11 LSB Modulation Parameter 12 MSB Modulation Parameter 12 LSB Modulation Parameter 13 MSB Modulation Parameter 13 LSB Modulation Parameter 14 MSB Modulation Parameter 14 LSB Modulation Parameter 15 MSB Modulation Parameter 15 LSB Modulation Parameter 16 MSB Modulation Parameter 16 LSB 31 2p 22 1 reserved 31 2p 23 1 reserved 31 2p Modulation n/ff off, on 31 2p 25 1 reserved Refer to Modulation Effect Type List. Refer to Modulation Effect Parameter List. Address TTAL SIZE = 38 Size Data Range (HE) 31 3p p p p p p 0A p 0C p 0E p p p p p p 1A p 1C p 1E p p = Layer number Layer 1 2 Parameter Name Description Notes Power-Amp Type MSB Power-Amp Type LSB Power-Amp Parameter 1 MSB Power-Amp Parameter 1 LSB Power-Amp Parameter 2 MSB Power-Amp Parameter 2 LSB Power-Amp Parameter 3 MSB Power-Amp Parameter 3 LSB Power-Amp Parameter 4 MSB Power-Amp Parameter 4 LSB Power-Amp Parameter 5 MSB Power-Amp Parameter 5 LSB Power-Amp Parameter 6 MSB Power-Amp Parameter 6 LSB Power-Amp Parameter 7 MSB Power-Amp Parameter 7 LSB Power-Amp Parameter 8 MSB Power-Amp Parameter 8 LSB Power-Amp Parameter 9 MSB Power-Amp Parameter 9 LSB Power-Amp Parameter 10 MSB Power-Amp Parameter 10 LSB Power-Amp Parameter 11 MSB Power-Amp Parameter 11 LSB Power-Amp Parameter 12 MSB Power-Amp Parameter 12 LSB Power-Amp Parameter 13 MSB Power-Amp Parameter 13 LSB Power-Amp Parameter 14 MSB Power-Amp Parameter 14 LSB Power-Amp Parameter 15 MSB Power-Amp Parameter 15 LSB Power-Amp Parameter 16 MSB Power-Amp Parameter 16 LSB 31 3p 22 1 reserved 31 3p 23 1 reserved 31 3p Power-Amp n/ff off, on 31 3p 25 1 reserved Refer to Power-Amplifier/ Compressor Type List. Refer to Power-Amplifier/ Compressor Parameter List. CP1 Data List 17

18 MIDI Data Table MIDI PARAMETER CHANGE TABLE (MASTER KEYBARD ZNE) Address Size Data Range (HE) Parameter Name Description Notes 32 nn F Transmit Channel, MIDI/TG Switch bit 0 3 Ch1..16 bit 4 MIDI off, on bit 5 TG off, on All bits other than bit 4 are fixed at the corresponding default value. 32 nn 03 1 Note Limit Low C -2..G8 32 nn 04 1 Note Limit High C -2..G8 32 nn 09 1 MIDI Bank MSB nn 0A 1 MIDI Bank LSB nn 0B 1 MIDI Program Number nn 0C 1 Transmit FC1 reserved Transmit Sustain Transmit Bank Select Transmit Program Change reserved Transmit PB bit 0 off, on FC1 bit 1 on bit 2 off, on Sustain bit 3 off, on Bank Select bit 4 off, on Program Change bit 5 on bit 6 off, on PB bit 1 is fixed at 1 bit 5 is fixed at 1 32 nn 0D 1 Transmit FC2 reserved reserved reserved reserved reserved reserved TTAL SIZE = (HE) nn = zone number bit 0 off, on FC2 bit 1 on bit 2 on bit 3 on bit 4 on bit 5 on bit 6 on bit 1 is fixed at 1 bit 2 is fixed at 1 bit 3 is fixed at 1 bit 4 is fixed at 1 bit 5 is fixed at 1 bit 6 is fixed at 1 18 CP1 Data List

19 MIDI Implementation Chart YAMAHA [Stage Piano] Date 22-JUL-2009 Model CP1 MIDI Implementation Chart Version 1.0 Function... Transmitted Recognized Remarks Basic Channel Default Changed Memorized Mode Default Messages Altered 3 ************** 1 1,3 Memorized Note Number True voice ************** Transpose Velocity Note N Note FF 9nH,v= nH,v=0 9nH,v=1-127 After Touch Key's Ch's Pitch Bend Control Change 0,32 7,10,11 6, , ,33-95 Bank Select Data Entry Sustain Sw Sostenuto Soft Pedal Sound Controller Effect Depth RPN Inc,Dec RPN LSB,MSB Assignable Cntrl Prog Change True # System Exclusive ************** Common Song Pos. Song Sel. Tune System Clock Real Time Commands All Sound ff Aux Reset All Cntrls Local N/FF Mes- All Notes FF sages Active Sense Reset Notes (120,126,127) (121) ( ) Mode 1 MNI N, PLY Mode 3 MNI FF, PLY Mode 2 MNI N,MN Mode 4 MNI FF,MN Yes No CP1 Data List 19

20 U.R.G., Digital Musical Instruments Division Yamaha Corporation 208MWT-D0 Printed in Japan WR95740