Broadcast Television Lenses 2016/2017

Transcription

1 Broadcast Television Lenses 2016/2017 Canon Inc. Canon.com Canon Europe canon-europe.com English Edition Canon Europa N.V., 2016 Canon Europe Ltd 3 The Square, Stockley Park, Uxbridge, Middlesex UB11 1ET UK /CanonUKLtd /CanonUKLtd /CanonEurope

2 Pioneering excellence in broadcast lenses Canon is a pioneer in the design of broadcast lenses. It was more than 50 years ago that we introduced the first BCTV lens the Field Zoom IF-1 with a 6.7x zoom range, which was the highest in the industry at the time. Since then we have energetically advanced the art of high-end optical design on many fronts working in close collaboration with international broadcasters and producers to develop innovative products and enhance customer satisfaction. Today we offer an exciting range of innovative high-end imaging products that stimulate creativity and deliver superb quality results, as we continue our pioneering pursuit of excellence into the 21st century. Emmy Award Customer Satisfaction The National Academy of Television Arts and Sciences awarded Canon an EMMY in 2005 in recognition of our engineering creativity in Lens Technology Developments for Solid State Imager Cameras in High Definition Formats. We also received an EMMY in 1996 for Implementation In Lens Technology to Achieve Compatibility with CCD Sensors. Canon is committed to total Customer Satisfaction. To meet this commitment we aim to support users by developing new lens technologies, high-quality technical service systems and other sales support. Canon s Worldwide Support Network Well trained sales people and/or service technicians are ready to support you at these locations. 2 3

3 Broadcast Television Lenses Canon s Epoch-making Technology 4K 2/3 Lenses Studio/Field Lenses Broadcast ENG/EFP Lenses HDgc Series ENG Lenses EF Cinema Lenses Remote Control Lenses Optical Accessories UHD/HDTV Lenses...6 Introduction...12 Introduction...16 Introduction Introduction Introduction Introduction...52 System Overview Canon 3D Solution... 7 Auto Focus Technology...8 e-ifxs, HDxs and HDgc Technology...9 Optical Image Stabilizer HDgc Series...11 Field Lenses UHD DIGISUPER UHD DIGISUPER Studio Lens UHD DIGISUPER ENG/EFP Lens CJ12ex 4.3B IRSE S/IASE S CJ20ex 7.8B IRSE S/IASE S Field Lenses DIGISUPER 100AF...18 DIGISUPER DIGISUPER DIGISUPER 86AF...19 DIGISUPER DIGISUPER DIGISUPER 60 xs...19 Studio Lenses DIGISUPER 27AF DIGISUPER DIGISUPER 22 xs Features...22 Control Accessories Lens Mount Compatibility...25 HDxs Series HJ40x14B IASD-V HJ40x10B IASD-V HJ18ex28B IASE S HJ24ex7.5B IASE S/IRSE S HJ21ex7.5B IASE S HJ18ex7.6B IRSE S/IASE S HJ17ex6.2B IRSE S/IASE S HJ14ex4.3B IRSE S/IASE S...30 HJ15ex8.5B KRSE-V...30 Features...32 Control Accessories /3 With 2.0x Ext KJ22ex7.6B IRSE S/IASE S KJ17ex7.7B IRSE S/IASE S KJ10ex4.5B IRSE S/IASE S KJ20x8.2B IRSD Without Ext KJ20x8.2B KRSD KJ13x6B KRSD /2 With 2.0x Ext KH13x4.5 KRSD SY KT20x5B KRSD A...40 Top-end Zoom Lenses CN-E mm T2.6 L S/SP CN-E30-300mm T L S / SP...46 Compact Zoom Lenses CN-E mm T2.8 L S/SP CN-E30-105mm T2.8 L S/SP Prime Lenses CN-E14mm T3.1 L F CN-E24mm T1.5 L F CN-E35mm T1.5 L F CN-E50mm T1.3 L F CN-E85mm T1.3 L F CN-E135mm T2.2 L F Cine Servo CN-E18-80mm T4.4 L IS KAS S.. 48 CN7x17 KAS S E1 / P CN20x50 IAS H E1 / P Features...50 Remote Control Lenses Broadcast Applications HJ18ex28B ITS-ME HJ24ex7.5B ITS-ME HJ18ex7.6B ITS-ME HJ14ex4.3B ITS-ME KJ17ex7.7B ITS-ME KJ22ex7.6B ITS-ME Pro-video Applications KJ20x8.2B KTS KT20x5B KTS Control Accessories Converters/Attachments Filters Close-up Lenses Extenders Understanding the Lens model naming conventions Optical compensation for Prism cameras B = with Optical Compensation (not Shown with 1/2 models) Zoom/Focus Control R = Zoom:Servo/Manual Focus:Manual A = Zoom:Servo/Manual Focus:Servo/Manual T = Zoom:Servo Focus:Servo L = Zoom:Manual Focus:Manual Special Function (1) D = Digital Servo Drive for Portable Lens E = Digital Servo Drive with Rotary Encoder (Blank) Analog Servo Drive for Portable Lens Zoom Ratio Special Function (2) S = Digital Servo Drive Generation 4 ENG/EFP Lenses CJ 12x 4.3 B I A S E S 4 Since the introduction of our first BCTV lens more than 50 years ago, Canon has been developing its know-how and technologies so that today we offer an extensive range of high end lenses with the flexibility to suit various shooting situations and meet the exacting demands of today s creative professionals. Studio/Field Lenses Image Size UJ = 4K Field Lens for 2/3 CJ = 4K Portable Lens for 2/3 HJ = High Definition Portable Lens for 2/3 KJ = High Definition Portable Lens for 2/3 (HDgc Series) KH = High Definition Portable Lens for 1/2 (HDgc Series) KT = High Definition Portable Lens for 1/3 (HDgc Series) XJ = High Definition Studio/Field Lens for 2/3 CN = Cinema Style Lens for S35mm (Full size for specific models) UJ 86x 9.3 B IE D Focal Length at wide end Built-in Extender IE = Built-in Extender I = Built-in Extender K = No Extender V = Built-in 0.8x Shrinker W = Built-in 0.8x Shrinker and 2x Extender Iris Control S = Iris Servo L = Iris Manual Special Function (2) V = Built-in Image Stabilizer for Portable Lens SC = Cine Style Lens D = UHD-DIGISUPER Series for Field Lens AF = Auto Focus Function 5

4 Canon s Epoch-making Technology UHD/HDTV Lenses Auto Focus Technology Canon began developing lenses for the HDTV System more than 20 years ago and continues to lead the broadcast industry into the 21st century DTV era most recently with the next generation of HDTV lenses and our pioneering Cinema EOS 4K lenses. The series are: 4K 2/3 Lens Series Shown on Page HDxs Series Shown on Page K 2/3 Premium Field Lens Studio/Field Lenses 4K 2/3 Studio Lens Compact Studio Lens 4K 2/3 ENG/EFP Lens EFP Lenses To meet the increasing demand in broadcast HDTV production for highly accurate focusing, Canon has introduced a revolutionary HDTV Auto Focus System. This pioneering technology automatically keeps images in focus, allowing professional camera operators to concentrate on capturing action and beauty shots. Canon s advanced Auto Focusing for DIGISUPER HDTV Zoom Lenses employs the TTL-Secondary Image Registration Phase-detection system originally developed for single-lens reflex still cameras, to deliver both high accuracy and a high tracking capability for broadcast HDTV. DIGISUPER 100AF DIGISUPER 86AF DIGISUPER 27AF Portable HDxs Series Shown on Page HDgc Series Shown on Page EF Cinema Lens Series Shown on Page ENG/EFP Lenses ENG Lenses for 2/3" Cameras Zoom Lenses Built-in Optical Image Stabilizer Lens ENG Lenses for 1/2" Cameras Prime Lenses ENG Lenses for 1/3" Cameras Cine Servo Lenses TTL-Secondary Image Registration Phase-detection System The light transmitted through a pair of secondary imaging lenses focuses on separate sensors (as illustrated). The TTL-Secondary Image Registration Phase-detection System determines the positional relationship between the two images (See d in diagram right) to detect the amount and direction of defocusing. In-focus Forward focus Rear focus Image Plane Field Lens Line Sensor Secondary Imaging Lens Sensor Output Sensor A Sensor B d Correct spacing between double images Narrow spacing between double images Wide spacing between double images 4K 2/3 Lens Series Features Changeable AF frame Layout of the elements New BCTV lenses designed to accelerate the pace of 4K UHD content creation As 4K continues its steady integration into mainstream television dramas, documentaries and movies, Canon has been at the technological forefront with our innovative Cinema EOS series and development of 4K Optics. The needs of broadcast television producers to achieve the high image quality of 4K UHD and more powerful ways of expression are now spreading to live telecasts of sports, concerts, and events. The imperative for 4K lenses that can offer the long focal ranges that are central to contemporary sports coverage while maintaining the usability and ease of operation that the broadcast industry favours, is increasing at a rapid pace. In response to these new marketplace needs, Canon is offering lenses whose performance neatly dovetails with the various new 2/3 small-format 4K UHD cameras as part of our onward drive to support this new movement. By offering lenses that fit in with the applications and objectives of users, Canon is taking steps to actively open up new dimensions of potential in video performance. 4K images can convey such a sense of presence and an almost 3-dimensional feeling that viewers sense they are actually involved in the action; through such images, these lenses can impart new values to user content and allow viewers to experience videos in new and fresh ways. Extremely high focusing accuracy in full HDTV specifications Ability to focus from a completely de-focused status without hunting Ability to focus on a high speed moving object Size and position of the AF frame (target area) in the camera viewfinder can be changed from the Focus Demand FDJ-P31/P41. (The size of the AF Frame can be changed in 3 steps). Please confirm the AF camera-lens interface with your chosen camera manufacturer Two operation modes full time AF and Part Time AF to meet needs of professional camera operators Focusing Group Variator Pupil Compensator AF Canon Original Sensor Front Relay Prism Internal Extender/ Back Relay Beam Splitting Prism CCD 2 kinds of AF Operation modes with ACTIVE/HOLD switch Mode FULL TIME AF PART TIME AF How AF works Recommended Applications Usually activated. Focus position is locked while the SW is pushed. Sporting event etc. To follow a moving object. Usually off. Activated while the SW is pushed. Studio production etc. To confirm the best focus position. This article refers to Auto Focus Technology for the DIGISUPER HDTV Zoom Lenses listed below. For full lens specifications see Page 16,17 and

5 Canon s Epoch-making Technology, and Technology Canon 3D Solution In 2004, Canon introduced a new broadcast lens technology, with the launch of the HJ22ex7.6B. Two aspects of the new technology are represented by the letter e. One is ecological design, as these lenses are harmless to the environment, the other enhanced digital technology, which improves the performance of the digital drive unit. These improvements are now also incorporated in the (IRSE S / IASE S model) and the lenses. Recognising the continuing requirement for 3D program origination, Canon has prioritised adoption of most of the standard HD lens series for 3D production systems. Originally this entailed using our original 16bit resolution encoders, while allowing off sets of zoom, focus and iris positions to compensate for the tracking of each position. However we now have a new solution for a simpler, low cost 3D production system with increased interoperability. Enhanced Digital Drive 3D Lens Lineups The, and the (IRSE S / IASE S model) series are equipped with an information display and digital function selector, an X-Y axis switch, so that users can customise and optimise the enhanced digital functions much more easily and precisely. User settings are simple and easy to operate including: speed preset, frame presets (2 memory positions), shuttle shot, zoom track and new focus preset with IASD/IASE S lens Follow signal display for iris, zoom and focus (IASD/IASE S only) for virtual reality, robotic control and other uses User settings for zoom and focus curve mode offer precise control based upon user requirements AUX 1 and AUX 2 switches can be assigned to basic functions for enhanced memory capability A precise movement mode can be memorised for the zoom seesaw control, zoom demand control and preset control The drive unit can memorise 9 patterns of user-customised settings and also transmit the data between different drive units The self-diagnostic mode provides error messages The HDxs/e-IFxs/HDgc (IRSE S / IASE S model) Ergonomic Drive Unit is tilted at an ideal angle of 12.5 for good balance and comfort. An information display offers easy, precise and full customisation of enhanced digital functions, which are easily accessed and set via the Digital Function Selector, an X-Y axis switch located next to the display. Information Display Canon s ergonomic Digital Drive Unit incorporates Canon-developed, ultracompact rotary encoders capable of 0.1μm position detection, which produces 16-bit resolution of the positions of zoom, iris, and focus controls. This unique device allows for one zoom controller and one focus controller to simultaneously operate both lenses, while providing even higher interoperability and precision in the synchronisation of zoom, focus and iris positions of the lens pairs. Lens Refinements for 3D HJ14ex4.3B IASE HJ18ex7.6B IASE S HJ17ex6.2B IASE HJ24ex7.5B IASE S HJ21ex7.5B IASE A HJ18ex28B IASE A KJ22ex7.6B IASE KJ17ex7.7B IASE KJ10ex4.5B IASE A Rotary Encoder Canon offers a series of / / (IRSE S / IASE S model) lenses, which are equipped with an enhanced digital drive unit. 16-bit resolution Rotary Encoder Devices are built into the unit, so the lenses can simply be integrated into a virtual digital studio system without any additions. The encoders also enable superior precise control. The zoom servo provides a dynamic range from 0.5 sec. to over a 5 min. super slow zoom. Repeatability in focus and iris control are also much more precise. Canon s unique technology has enabled the surprisingly small Encoder Device to be installed in the existing drive unit without any changes in size or weight. Lens with the Optional Encoder Unit Lens with Encoder Device included in the Drive Unit The 3D Lens Adjustment Software makes stereoscopic tracking of the zoom, focus and iris even more precise. It allows appropriate offsets to be easily made using the Digital Drive Unit s display, to compensate for minor zoom and focus tracking differences between any two lens pairs. Using the software, Canon s synchronous lens control system doesn t require special controllers. All the servo controllers for digital servo lenses, as shown below, will be compatible by simply connecting the two lenses with a 3D Bridge Cable (BC-100), saving additional costs when implementing 3D production systems. 3D Lens Adjustment Software 3D Bridge Cable To Left Lens To Right Lens System Configuration Ecological Design Left/Right Lenses Zoom / Focus Demands ZSD-300D ZDJ-D02* 1 Sustainability is at the heart of Canon s Kyosei philosophy living and working together for the common good and we are always looking to further reduce our environmental impact. The / / series avoid using any materials or substances that are harmful to the environment. For example optical parts feature lead free glass, while mechanical parts are virtually free of all harmful products, such as cadmium, PBBS (Poly Bromo Bi Phenyls), PBDPE (Poly Bromo Di Phenyl Ethers) or mercury. Lead Free Glass 20pin 3D Bridge Cable 20pin ZDJ-P01* 2 FPD-400D FDJ-D02* 1 FDJ-P01* 2 *1 BDC-10 conversion cable is necessary to connect between ZDJ-D02 or FDJ-D02 (1in) and Digital Drive Lens (20pin). *2 BDC-20 conversion cable is necessary to connect between ZDJ-P01 or FDJ-P01 (12pin) and Digital Drive Lens (20pin). 8 9

6 Canon s Epoch-making Technology Optical Image Stabilizer The products with Optical Image Stabilizer technologies are shown with this legend on pages 12, 13, 22 and 24. Vari-angle Prism Image Stabilizer (VAP-IS) How the VAP-IS (Vari-Angle-Prism Image Stabilizer) Works Canon s portable HD production lens, the HJ15ex8.5B KRSE-V, incorporates an innovative built-in optical image stabilization system the patented Vari- Angle Prism Image Stabilizer (VAP-IS) - that s designed to significantly enhance HD motion imaging on location shoots. It delivers highly stable HD imagery counteracting a wide range of disturbance frequencies that the lenscamera system may be subjected to in a variety of shooting environments. These can range from the very low frequencies encountered during handheld or Optical Shift Image Stabilizer (Shift-IS) Canon, renowned for its Optical Image Stabilization technologies, developed a built-in Optical Shift Image Stabilizer (Shift-IS) for broadcast field lenses to overcome image shaking at telephoto focal lengths. First introduced in the super telephoto DIGISUPER 86 xs zoom lens, Shift-IS is now used in the DIGISUPER 100, DIGISUPER 100AF, DIGISUPER 95, DIGISUPER 86AF, DIGISUPER 80, HJ40x10B IASD-V and HJ40x14B IASD-V. shoulder-mount shooting by a walking or running camera operator, to the higher vibration frequencies associated with shooting from motorbikes, moving vehicles, and helicopters. Various stabilisation modes can be selected to address diverse shooting operations. HJ15ex8.5B KRSE-V P.28 UHD DIGISUPER 86 UHD DIGISUPER 90 DIGISUPER 100AF DIGISUPER 100 DIGISUPER 95 DIGISUPER 86AF DIGISUPER 80 P.16 P.17 Under perfect shooting conditions, light rays from a scene pass through the lens optical system in a tightly prescribed manner. Any vibration or jolt to the lenscamera system will deflect those light rays and produce unsteady images. The VAP-IS technology is incorporated within the lens optical system to intercept and correct such light ray deviations in real-time. The technology is based upon a flexible optical bellows that comprises two flat glass elements separated by a special liquid, forming HDgc Series a sealed mini-optical grouping within the overall lens element groupings. The bellow expands and contracts when the lens is physically disturbed - and the very high refractive index of the liquid bends the disturbed light rays in the opposite direction. This gives a high degree of real-time correction to the angle of the light rays, ensuring their smooth arrival at the image plane. Concept of the HDgc Series Static condition Under stabilisation Vari-angle Prism The details of the HDgc Series Lenses are shown on page 36 The HDgc series supports the emergence of a new generation of cost-effective HD acquisition systems. Using Canon s unique technology, the new HDgc lenses exhibit high Modulation Transfer Function (MTF), high resolution and high contrast from the centre of the image to its extreme edges, while maintaining compact size and weight. Lens Image plane Incident Ray Quality of the HDgc Series Comparison of the HDgc series with SDTV Lenses How the Optical Shift Image Stabilizer (Shift-IS) Works When the lens moves, the light rays from the subject are deflected, relative to the optical axis, resulting in an unsteady image. By shifting the IS lens group on a plane perpendicular to the optical axis to counter the degree of image shake, the light rays reaching the image plane can be steadied. Since image shake occurs in both horizontal and vertical directions, two shake-detecting sensors for yaw and pitch detect the angle and speed of movement and send this information to a high-speed 32-bit microcomputer, which converts the information into drive signals for the IS lens group. The actuator then moves the IS lens group horizontally and vertically to counteract the image shake and maintain a stable picture. The Shift-IS component is located within the lens group, without increasing the overall size and weight of the master lens, and is most effective for lower frequency movements caused by platform vibration or wind effect. HJ40x10B IASD-V HJ40x14B IASD-V P Lens when still To subject 2. Lens when jerked downward 3. Counteraction by IS lens group Corrected light rays Image plane Camera shake Position of IS lens group after shifting The HDgc Series lenses are based upon Canon s latest design concepts, which support the new generation of cost-effective HD acquisition systems. They are designed to meet the specific bandwidth frequency (or the number of scanning lines) of HD camera systems and at the same time offer an excellent performance-cost ratio. In the HDTV system the pixel size is about half, so the spread of a point image caused by a spherical aberration, coma etc. will be diminished to about half. The MTF varies as the focus changes and, even if the image is slightly out of focus, the MTF is greatly influenced as shown in Graph 01. HDgc Lenses are specially designed with optical elements - such as Hi UD Glass, Aspherical Elements and other special elements - that effectively minimise chromatic aberrations, while maintaining high MTF throughout the image. SD MTF(%) Defocus(mm) 0.01 NTSC 400TVL(30lp/mm) HDTV 600TVL(55lp/mm) Graph 01 Test frequency of Broadcast camera 320 TV lines / 4MHz up to 640 TV lines / 8MHz Up to 800 TV lines Test frequency of Broadcast Lens 24 lines / mm Up to 48 lines / mm Up to 74 linwes / mm Actual Canon resolution of Broadcast lens Up to 75 lines / mm Up to 100 lines / mm HDgc 0.02 F

7 2/3 4K Lens series UHD DIGISUPER Series for 4K System Step up to 4K broadcasting with fully-featured high-quality 2/3 4K field and studio zoom lenses. See page 15 UHDxs series 4K UHD lenses for portable cameras Horizontal Field of View (16:9) Focal Length (mm) Easily make the move to 4K ENG and studio applications with high quality 2/3 4K wide and standard zoom lenses ENG/EFP Lens CJ12ex 4.3B CJ20ex 7.8B ENG/EFP 4K lens for 2/3 Standard 4K ENG lightweight lens See page 16 Horizontal Field of View (16:9) Focal Length (mm) Field Lens UJ86x 9.3B UJ 90x 9B Premium 4K field lens for 2/3 4K field lens for 2/3 Horizontal Field of View (16:9) Focal Length (mm) Studio Lens UJ27x 6.5B High-contrast, low-ghosting lens ideal for HDR images 12 13

8 UHD 4K 2/3 Lenses UHD DIGISUPER 86 4K Premium 4K Premium UHD DIGISUPER 86 - our Premium 4K flagship broadcast lens. As our most refined lens designed to support 4K UHD broadcast systems, it boasts extremely high optical performance that surpasses even 4K criteria and, at the same time, embodies the ease of operation that are ideally suited for use in broadcast television production. UHD-DIGISUPER 86 UHD-DIGISUPER 90 UHD-DIGISUPER 27 CJ12x 4.3B CJ20ex 7.8B Model Number UJ86 9.3B IESD UJ90 9B IESD UJ27 6.5B IESD CJ12ex4.3B IRSE S/IASE S CJ20ex 7.8 IRSE S/IASE S Zoom Ratio Built-in Extender 2.0x 2.0x 2.0x 2.0x 2.0x High zoom ratio and long focal length While displaying performance that surpasses 4K, the lens has the high zoom ratio (86x) and long focal length (800 mm) desired by many in television production. Optical performance that goes beyond 4K This lens has outstanding optical performance that goes beyond 4K resolution, all the way from screen centre to the edges. Picture sharpness is maintained over the focal range of the lens and with changes in subject distance from the lens. Range of Focal Length mm mm 9-810mm mm mm mm mm mm mm mm Maximum Relative Aperture Angular Field of View 16:9 Aspect Ratio (9.6 x 5.4 mm) 1:1.7 at mm 1:4.0 at 800mm 1:3.4 at mm 1:8.0 at 1600mm at 9.3mm at 800mm at 18.6mm at 1600mm 1:2.4 at 9-486mm 1:4.0 at 810mm 1:4.8 at mm 1:8.0 at 1620mm at 9mm at 810mm at 18mm at 1620mm 1:1.5 at mm 1:2.2 at 180mm 1:3.0 at mm 1:4.4 at 360mm at 6.5mm at 180mm at 13mm at 360mm 1:1.8 at mm 1:2.4 at 52mm 1:3.6 at mm 1:4.8 at 104mm M.O.D. from Lens Front 3.0m 3.0m 0.6m 0.3m 0.80m Object Dimensions at M.O.D. 16:9 Aspect Ratio (9.6 x 5.4mm) cm at 9.3mm cm at 800mm cm at 18.6mm cm at 1600mm cm at 9mm cm at 810mm cm at 18mm cm at 1620mm cm at 6.5mm cm at 180mm cm at 13mm cm at 360mm cm at 4.3mm cm at 52mm cm at 8.6mm cm at 104mm 1:1.8 at mm 1:2.6 at 156mm 1:3.6 at mm 1:5.2 at 312mm cm at 7.8mm cm at 156mm cm at 15.6mm cm at 312mm Optical performance that goes beyond 4K even when using the built-in 2x extender and image stabiliser (function that counters lens-camera inadvertent movements and vibrations). Thanks to the precision of its high-grade components and assembly, the lens achieves optical performance that goes beyond 4K even when the built-in 2x extender has been engaged. Also featured is an optical shift-type image stabilising mechanism of Canon s highest grade, helping to achieve image stabilising performance commensurate with 4K. Approx. Size (WxHxL) mm mm mm mm mm Approx. Mass 27.0kg 23.2kg 21.5kg 2.1kg 2.18kg Protection Filter Optional Optional Optional Optional Built-in Optical Image Stabilizer Auto Focus System Applicability and ease of operation ideally suited to 4K shooting Since the lens achieves the zoom ratio, long focal length and size as well as the servo speed and stability required for the telecasting of live sports events and other applications, it ensures the applicability and ease of operation ideally suited to 4K shooting. Compatibility with HD lens systems The lens enables the use of the same Canon standard controllers for zoom and focus as well as servo modules currently used by HD equipment. It comes with a 20-pin connector compatible with virtual units and that enables high-accuracy position information of the zoom, focus and iris to be read out. Standard Not Applicable Please refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras. M.O.D. = Minimum Object Distance Black colour cover lenses are also available as an alternative to the white colour lenses. 14 Control Accessories for Studio/Field Lenses Please refer to page 24 15

9 Studio/Field Lenses DIGISUPER Series for HDTV / SDTV System The DIGISUPER series lenses are controlled by Canon s ground breaking Digital Servo System. See page 14 DIGISUPER 22 xs for Portable Camera The DIGISUPER 22 xs is a studio lens based on a new concept to be used with portable cameras. Horizontal Field of View (16:9) Focal Length (mm) XJ22x7.3B Compact Studio Lens See page 16 Studio Lens XJ27x6.5B Wide Angle Studio Lens XJ27x6.5B AF Wide Angle Studio Lens with Advanced Auto Focus Function XJ60x9B Affordable Field Lens XJ76x9B Standard Field Lens with Superb Quality and Performance XJ80x8.8B Premium Field Lens with Superb Quality and Advanced Image Stabilizer Field Lens XJ86x9.3B AF Telephoto Field Lens with Auto Focus and Image Stabilizer XJ95x8.6B Telephoto Field Lens with Advanced Image Stabilizer XJ100x9.3B Flagship Field Lens with Image Stabilizer XJ100x9.3B AF Flagship Field Lens with Auto Focus and Image Stabilizer 16 17

10 Studio/Field Lenses: HDTV DIGISUPER 100AF DIGISUPER 100 DIGISUPER 95 DIGISUPER 86AF DIGISUPER 80 DIGISUPER 76 DIGISUPER 60 xs Model Number XJ100x9.3B AF XJ100x9.3B XJ95x8.6B XJ86x9.3B AF XJ80x8.8B XJ76x9B XJ60x9B IE-D Zoom Ratio 100x 100x 95x 86x 80x 76x 60x Built-in Extender 2.0x 2.0x 2.0x 2.0x 2.0x 2.0x 2.0x Range of Focal Length 9.3~930mm 18.6~1860mm 9.3~930mm 18.6~1860mm 8.6~820mm 17.2~1640mm 9.3~800mm 18.6~1600mm 8.8~710mm 17.6~1420mm 9~690mm 18~1380mm 9~540mm 18~1080mm Maximum Relative Aperture 1:1.7 at 9.3~296mm 1:4.7 at 930mm 1:3.4 at 18.6~592mm 1:9.4 at 1860mm 1:1.7 at 9.3~296mm 1:4.7 at 930mm 1:3.4 at 18.6~592mm 1:9.4 at 1860mm 1:1.7 at 8.6~340mm 1:4.1 at 820mm 1:3.4 at 17.2~680mm 1:8.2 at 1640mm 1:1.7 at 9.3~340mm 1:4.0 at 800mm 1:3.4 at 18.6~680mm 1:8.0 at 1600mm 1:1.7 at 8.8~340mm 1:3.55 at 710mm 1:3.4 at 17.6~680mm 1:7.1 at 1420mm 1:1.7 at 9~340mm 1:3.45 at 690mm 1:3.4 at 18~680mm 1:6.9 at 1380mm 1:1.7 at 9~306mm 1:3.0 at 540mm 1:3.4 at 18~612mm 1:6.0 at 1080mm Angular Field of View 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 50.6 x 39.1 at 9.3mm 0.54 x 0.41 at 930mm 26.6 x 20.1 at 18.6mm 0.27 x 0.20 at 1860mm 54.6 x 32.4 at 9.3mm 0.59 x 0.33 at 930mm 28.9 x 16.5 at 18.6mm 0.30 x 0.17 at 1860mm 50.6 x 39.1 at 9.3mm 0.54 x 0.41 at 930mm 26.6 x 20.1 at 18.6mm 0.27 x 0.20 at 1860mm 54.6 x 32.4 at 9.3mm 0.59 x 0.33 at 930mm 28.9 x 16.5 at 18.6mm 0.30 x 0.17 at 1860mm 54.2 x 42.0 at 8.6mm 0.61 x 0.46 at 820mm 28.7 x 21.7 at 17.2mm 0.31 x 0.23 at 1640mm 58.3 x 34.9 at 8.6mm 0.67 x 0.38 at 820mm 31.2 x 17.8 at 17.2mm 0.34 x 0.19 at 1640mm 50.6 x 39.1 at 9.3mm 0.63 x 0.47 at 800mm 26.6 x 20.1 at 18.6mm 0.32 x 0.24 at 1600mm 54.6 x 32.4 at 9.3mm 0.69 x 0.39 at 800mm 28.9 x 16.5 at 18.6mm 0.34 x 0.19 at 1600mm 53.1 x 41.1 at 8.8mm 0.71 x 0.53 at 710mm 28.1 x 21.2 at 17.6mm 0.36 x 0.27 at 1420mm 57.2 x 34.1 at 8.8mm 0.77 x 0.44 at 710mm 30.5 x 17.4 at 17.6mm 0.39 x 0.22 at 1420mm 52.1 x 40.3 at 9mm 0.73 x 0.55 at 690mm 27.5 x 20.8 at 18mm 0.37 x 0.27 at 1380mm 56.1 x 33.4 at 9mm 0.80 x 0.45 at 690mm 29.9 x 17.1 at 18mm 0.40 x 0.22 at 1380mm 52.1 x 40.3 at 9mm 0.93 x 0.70 at 540mm 27.5 x 20.8 at 18mm 0.47 x 0.35 at 1080mm 56.1 x 33.4 at 9mm 1.02 x 0.57 at 540mm 29.9 x 17.1 at 18mm 0.51 x 0.29 at 1080mm M.O.D. from Lens Front 3.0m 3.0m 3.0m 3.0m 3.0m 3.0m 2.8m Object Dimensions at M.O.D. 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) x 190.4cm at 9.3mm 2.54 x 1.90cm at 930mm x 95.2cm at 18.6mm 1.27 x 0.95cm at 1860mm 276.4x155.5cm at 9.3mm 2.76x1.56cm at 930mm x 77.8cm at 18.6mm 1.38 x 0.78cm at 1860mm x 190.4cm at 9.3mm 2.54 x 1.90cm at 930mm x 95.2cm at 18.6mm 1.27 x 0.95cm at 1860mm 276.4x155.5cm at 9.3mm 2.76x1.56cm at 930mm x 77.8cm at 18.6mm 1.38 x 0.78cm at 1860mm x 205.6cm at 8.6mm 3.0 x 2.3cm at 820mm x 102.8cm at 17.2mm 1.5 x 1.2cm at 1640mm 298.1x167.7cm at 8.6mm 3.2x1.8cm at 820mm x 83.9cm at 17.2mm 1.6 x 0.9cm at 1640mm x 190.4cm at 9.3mm 2.8 x 2.1cm at 800mm x 95.2cm at 18.6mm 3.2 x 1.8cm at 800mm x 155.5cm at 9.3mm 3.2 x 1.8cm at 800mm x 77.8cm at 18.6mm 1.6 x 0.9cm at 1600mm x 200.1cm at 8.8mm 3.4 x 2.6cm at 710mm x 100.1cm at 17.6mm 1.7 x 1.3cm at 1420mm x 163.1cm at 8.8mm 3.7 x 2.1cm at 710mm x 81.6cm at 17.6mm 1.9 x 1.1cm at 1420mm x 194.9cm at 9mm 3.5 x 2.6cm at 690mm x 97.5cm at 18mm 1.8 x 1.3cm at 1380mm x 158.9cm at 9mm 3.8 x 2.1cm at 690mm x 79.5cm at 18mm 1.9 x 1.1cm at 1380mm x 182.9cm at 9mm 4.1 x 3.1cm at 540mm x 91.5cm at 18mm 2.1 x 1.6cm at 1080mm x 149.1cm at 9mm 4.5 x 2.5cm at 540mm x 74.6cm at 18mm 2.3 x 1.3cm at 1080mm Approx. Size (WxHxL) x x 661.5mm x x 610mm x x 610mm x x 661.5mm x x 610mm x x 610mm x x 547.8mm Approx. Mass 26.8kg (59.3lbs) 23.5kg (51.8lbs) 23.2kg (51.1lbs) 26.8kg (59.3lbs) 23.2kg (51.1lbs) 23.0kg (50.6lbs) 19.9kg (43.8lbs) Macro Protection Filter Optional Optional Optional Optional Built-in Optical Image Stabilizer Crossover Type Optional Auto Focus System Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. Angular Field of View 4:3 mode of Most Switchable Cameras (7.2 x 5.4mm) 43.6 x 33.4 at 9mm 0.76 x 0.57 at 540mm 22.6 x 17.1 at 18mm 0.38 x 0.29 at 1080mm Standard Not Applicable Please refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras. M.O.D. = Minimum Object Distance Black colour cover lenses are also available as an alternative to the white colour lenses

11 Studio/Field Lenses: HDTV Compact Studio Lens Compact Studio Lens: DIGISUPER 22 xs The DIGISUPER 22 xs is a Compact HD Studio lens specifically designed to be used with a portable camera. Incorporating Canon s pioneering technologies it offers superior optical performance and ease of operation, compared with both HD portable lenses and SD Studio Box Type Lenses. DIGISUPER 27AF DIGISUPER 27 DIGISUPER 22 xs Model Number XJ27x6.5B AF XJ27x6.5B XJ22x7.3B IE-D Zoom Ratio 27x 27x 22x Built-in Extender 2.0x 2.0x 2.0x High Optical Performance The DIGISUPER 22 xs offers higher contrast and resolution compared with portable lenses and at the same time, reduces Focus Breathing to zero. Range of Focal Length 6.5~180mm 13~360mm 6.5~180mm 13~360mm 7.3~161mm 14.6~322mm Maximum Relative Aperture Angular Field of View 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 1:1.5 at 6.5~123mm 1:2.2 at 180mm 1:3.0 at 13~246mm 1:4.4 at 360mm 68.2 x 53.8 at 6.5mm 2.8 x 2.1 at 180mm 37.4 x 28.5 at 13mm 1.4 x 1.1 at 360mm 72.9 x 45.1 at 6.5mm 3.1 x 1.7 at 180mm 40.5 x 23.5 at 13mm 1.5 x 0.9 at 360mm 1:1.5 at 6.5~123mm 1:2.2 at 180mm 1:3.0 at 13~246mm 1:4.4 at 360mm 68.2 x 53.8 at 6.5mm 2.8 x 2.1 at 180mm 37.4 x 28.5 at 13mm 1.4 x 1.1 at 360mm 72.9 x 45.1 at 6.5mm 3.1 x 1.7 at 180mm 40.5 x 23.5 at 13mm 1.5 x 0.9 at 360mm 1:1.8 at 7.3~111.5mm 1:2.6 at 161mm 1:3.6 at 14.6~223mm 1:5.2 at 322mm 62.2 x 48.7 at 7.3mm 3.1 x 2.3 at 161mm 33.5 x 25.5 at 14.6mm 1.6 x 1.2 at 322mm 66.7 x 40.6 at 7.3mm 3.4 x 1.9 at 161mm 36.4 x 21.0 at 14.6mm 1.7 x 1.0 at 322mm M.O.D. from Lens Front 0.6m (10mm with Macro) 0.6m (10mm with Macro) 0.8m (10mm with Macro) Object Dimensions at M.O.D. 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 97.0 x 72.8cm at 6.5mm 3.5 x 2.6cm at 180mm 48.5 x 36.4cm at 13mm 1.8 x 1.3cm at 360mm x 59.7cm at 6.5mm 3.8 x 2.1cm at 180mm 53.1 x 29.9cm at 13mm 1.9 x 1.1cm at 360mm 97.0 x 72.8cm at 6.5mm 3.5 x 2.6cm at 180mm 48.5 x 36.4cm at 13mm 1.8 x 1.3cm at 360mm x 59.7cm at 6.5mm 3.8 x 2.1cm at 180mm 53.1 x 29.9cm at 13mm 1.9 x 1.1cm at 360mm x 80.9cm at 7.3mm 4.8 x 3.6cm at 161mm 53.9 x 40.5cm at 14.6mm 2.4 x 1.8cm at 322mm x 66.4cm at 7.3mm 5.2 x 2.9cm at 161mm 59.1 x 33.2cm at 14.6mm 2.6 x 1.5cm at 322mm Approx. Size (WxHxL) x x 567mm x x 550mm 165 x 175 x 336mm Approx. Mass 23.3kg (51.4lbs) 21.9kg (48.3lbs) 6.1kg (13.42lbs) Dimensions F.B.=48 in air Small In Size, Light In Weight In order to realize the best capabilities from the camera / lens combination, the lens was specifically designed to be as small and light as possible. Advanced Operation Incorporating an Encoder Device, it has the capability to zoom from a very fast 0.5 sec. to a very slow 5 min. while improving the precision and repeatability of zoom, focus and iris control. The encoder device also enables the lens to be easily integrated into virtual studio applications. Diverse Functions The DIGISUPER 22 xs is equipped with an information display, which enables diverse digital functions to be used easily and precisely. Macro Optional (Remote) Optional (Remote) Standard (Manual) Protection Filter Optional Optional Built-in Optical Image Stabilizer Crossover Type Optional Optional Auto Focus System Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. Angular Field of View 4:3 mode of Most Switchable Cameras (7.2 x 5.4mm) 58.0 x 45.1 at 6.5mm 2.3 x 1.7 at 180mm 31.0 x 23.5 at 13mm 1.1 x 0.9 at 360mm 52.5 x 40.6 at 7.3mm 2.6 x 1.9 at 161mm 27.7 x 21.0 at 14.6mm 1.3 x 1.0 at 322mm The SUP-400 supporter for the DIGISUPER 22 xs is included as a standard component with the lens. Standard Not Applicable Please refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras. M.O.D. = Minimum Object Distance Black colour cover lenses are also available as an alternative to the white colour lenses

12 DIGISUPER Studio/Field Lenses: Features The DIGISUPER series of Studio/Field lenses has been developed with the most advanced technologies, to meet the needs of modern production styles. The digital focus and zoom servo systems use a 32-bit CPU, as opposed to a conventional analog system, and offer a range of advanced functions. The CPU can also be easily upgraded for new features and unlimited possibilities in the future. The main features are as follows: 1. Unique Features of the latest DIGISUPER Series Lens and the ZDJ-D02, Digital Servo Zoom Demand A) SHUTTLE SHOT AND FRAME PRESET Two preset memories are available in any combination of Shuttle Shot and Frame Preset. C) ZOOM TRACK The zoom control range can be set at virtually any position used in a production. This function can also be used to memorise an additional preset zoom position. D) ZOOM SERVO CHARACTERIS- TICS SELECTION Zoom servo characteristics can be selected from several groups of provided curvatures by setting the mode from the ZDJ-D02 operation panel. Within each group, one of three specific curvatures can be easily chosen by a toggle switch located near the zoom handle. (see fig.01) E) AUX SWITCH FUNCTION ASSIGNMENT One of following functions can be assigned to the AUX switch on the ZDJ-D02. 1) Image Stabilizer: to activate/stop the built-in Shift-IS function. (Ref: Page 8) 2) F. Hold: to limit the zoom range to a consistent F-number and stop at the point of F-drop (Ramping). 3) Video Return Off: to disable the video return switch. Shuttle Shot At the touch of a button, this feature allows the operator to zoom back and forth instantly between any two positions in either direction at maximum speed or at any desired speed memorised in the speed-preset function. It can be used for zooming to either the tele-side or wider focal length from any starting point to check the picture, and then return instantly to the original focal length. You can shuttle between any two zoom positions as you like. Figure 01 A S B Zoom Speed A S B A S B Zoom Speed B S A A S B Zoom Speed B S A A S B Zoom Speed Thumb Ring Rotation Angle Thumb Ring Rotation Angle Thumb Ring Rotation Angle Standard Curvature Group 2. Unique Features of the ZDJ-P01 Digital Servo Zoom Demand for the latest DIGISUPER Series Zoom Lenses Frame Preset A movement to a preset position can be repeated multiple times. The preset memory is not automatically cleared and the agreed-on framings from rehearsal can be duplicated over and over in an actual production at the maximum speed or at any desired speed memorized in the speed preset function. The ZDJ-P01 is a compact zoom demand, which is smaller than the ZDJ-P02 and designed for enhanced usability and easier operation. When used with the latest DIGISUPER series zoom lenses, it allows for creative use of the digital zoom functions, such as the Frame Preset Function and Zoom Track Function. It is also a more affordable option and allows for a cost effective control system. IS SWITCH WITH LED FRAME PRESET SWITCH ZOOM TRACK SWITCH EXTENDER SWITCH TALK BACK SWITCH ZOOM SPEED 3. CAFS 4. Other Features B) SPEED PRESET A zoom speed agreed on during rehearsal can be reproduced accurately. The preset memory is not automatically cleared and can be repeated as many times as needed. (Digital Servo System is available for DIGISUPER 100, DIGISUPER 100AF, DIGISUPER 95, DIGISUPER 86AF, DIGISUPER 80, DIGISUPER 76, DIGISUPER 60 xs, DIGISUPER 27AF, DIGISUPER 27, and DIGISUPER 23 xs.) CONSTANT ANGLE FOCUSING SYSTEM The zooming effect of focus is a phenomenon where the picture size (angle of view) changes when focusing. To counteract this, the 32-bit CPU calculates and controls the zoom when focusing ensuring the DIGISUPER series has ZERO zooming effect of focus. Digital Sensor CPU Focus Motor Zoom Motor 32Bit CPU Digital Sensor CPU Digital Servo System A) INTERFACE TO OTHER DIGITAL TECHNOLOGY The Digital Servo System is capable of providing high-speed interactive communication with a virtual studio computer or robotics without D/A or A/D conversion to allow accurate control. B) PC CONNECTION By using the digital communication interface on the lens and optional software, a personal computer system can be connected to the lens and used for lens condition. C) CPU UPGRADE When new additional features are available through updated software, the lens can be updated to the latest version simply by overwriting the software in the 32bit CPU. D) HIGH SPEED (zoom:0.5 sec, focus:0.8 sec in case of the DIGISUPER 27), and high repeatability. E) AUTO FOCUS FUNCTION Canon s unique auto focusing system has been adapted to the DIGISUPER 100AF, DIGISUPER 86AF and DIGISUPER 27AF. Please refer to page 6 for details

13 Control Accessories for Studio/Field Lenses DIGITAL DIGISUPER Series For : DIGISUPER 100 / DIGISUPER 95 / DIGISUPER 80 / DIGISUPER 76 / DIGISUPER 60 xs / DIGISUPER 27 / DIGISUPER 23 xs For : DIGISUPER 22 xs Full Servo System Semi-Servo System With Current ENG Demand With Compact Field/Studio With Current Field/Studio *1 *2 *1 *2 2 20P 20P 1 20P 20P 3 12P 1 20P 3 20P 18P 1-A 3 1-B A 2-A 5 1-B 2-C 2-B 3 1-A. Zoom Demand ZDJ-D02 (Digital Servo) 1822A066 1-A. Zoom Demand ZDJ-D02 (Digital Servo) 1822A066 1-B. Zoom Demand ZDJ-P01 (Digital Servo) 1822A082 1-B. Zoom Demand ZDJ-P01 (Digital Servo) 1822A082 2-A. Focus Demand FDJ-D02 (Digital Servo) 1822A Servo Module SMJ-E A077 2-B. Focus Demand FDJ-D12 (Digital Servo) 1822A Flexible Focus Controller FFP-T A007 2-C. Focus Demand FDJ-P01 (Digital Servo) 1822A Flexible Module FMJ A Servo Module SMJ-E01 ( 2pcs) 1822A Flexible Cable 36" Kit Detail No. 1 2 DESCRIPTION Digital Zoom Demand Digital Focus Demand ZSD-300D FPD-400D Kit Detail No The DIGISUPER 22 xs can be used with our current Studio/Field lens controllers as well as those for our ENG lenses. At the same time, the lens also offers compatibility with our Compact Field/Studio demands by use of a conversion cable. * The SUP-400 SUPPORTER is included as a standard component with the lens. 12P DESCRIPTION Digital Zoom Demand Digital Focus Demand Conversion Cable 2 ZDJ-P01 FDJ-P01 BDC-20 18P Kit Detail 2-a 2-b No. DESCRIPTION 1-a Digital Zoom Demand 2-a Digital Focus Demand 2-b Digital Focus Demand Propeller Type 3 Conversion Cable 1-a ZDJ-D02 FDJ-D02 FDJ-D12 BDC-10 For : DIGISUPER 100AF / DIGISUPER 86AF / DIGISUPER 27AF Full Servo System For : All DIGISUPER Lenses Full Manual System Studio/Field Lenses Mount Compatibility To Use Camera Manufacturer s Original Mount Lens *1 *2 *1 *2 Studio/Field lenses are made with unique mounts corresponding to each manufacturer s Studio/Field cameras. To make the lenses compatible with Portable Studio/Field Companion cameras, the correct lens Support System must be chosen from the following. Standard HD Mount (BTA) A B A. Zoom Demand ZDJ-D02 (Digital Servo) 1822A Flexible Zoom Controller FZP-T A005 1-B. Zoom Demand ZDJ-P01 (Digital Servo) 1822A Flexible Focus Controller FFP-T A007 Sony, Panasonic, Ikegami, Hitachi Thomson Grass Valley Standard HD Mount Studio Camera Systems from Various Manufacturers SUP-NP2S 2/3" Portable Companion Cameras with Standard HD Mount System 2. Focus Demand FDJ-P31 (Digital Servo)* 3 3. Flexible Module FMJ-702 ( 2pcs) 1822A Servo Module SMJ-E01 ( 2pcs) 1822A Flexible Cable 36" ( 2pcs) *1 Switch Box is optionally available. The equivalent switches are integrated into Zoom Demands. It is recommended to have the Switch Box with Full Manual System. *2 Lens Supporter is necessary for portable camera mounting. Some cameras need separate power supply for zoom and focus servo operation. *3 For DIGISUPER 100AF, DIGISUPER 86AF and DIGISUPER 27AF, FDJ-P31 is necessary to control the AF function. FDJ-P41 is also available for left hand users. Zoom Demand and Focus Demand with Pre-set Box is also available. For detail information, please contact a Canon Sales Office. Sony 2/3" Studio Camera LDK 2/3" Studio Camera 24 Lens with Sony Original Sony System Companion Lens with LDK Original 25 LDK System Companion Portable Camera

14 Horizontal Field of View (16:9) (4:3) Focal Length (mm) HJ14ex4.3B Widest Angle HDTV Lens to date in the TV Industry HJ15ex8.5B The First HDTV ENG Lens in the industry with Advanced Image Stabilizer Broadcast ENG/EFP Lenses HJ Series (HDTV) HJ17ex6.2B HJ18ex7.6B HJ21ex7.5B HJ24ex7.5B HJ18ex28B HJ40ex10B HJ40ex14B Wider and Closer Premium Standard Lens Standard HDTV ENG Lens in Compact Size HDTV EFP Lens of Advanced Optical Performance Multi-purpose HDTV ENG Lens of Broad Range of Focal Length Ultra Telephoto HDTV EFP Lens in Portable Size Telephoto HDTV EFP Lens with Advanced Image Stabilizer Ultra Telephoto HDTV EFP Lens with Advanced Image Stabilizer ENG/EFP lens for HDTV / SDTV System Canon offers a variety of Broadcast ENG/EFP lenses, including both HDTV and SDTV versions. Please refer to page 10 regarding the difference between HDTV and SDTV lenses. See page 24 Please note that the HDTV lenses perform excellently when they are used on SDTV cameras. Please refer to page 7, 9 regarding HDxs and HDgc series lenses. All Broadcast ENG/EFP lenses are equipped with Canon s xs technology as well as our enhanced Digital Drive which is explained on page 34 & 35. The DIGISUPER 22 xs is a box type lens developed to be used with a portable camera. The lens provides higher optical performance compared with the HD portable lenses and higher versatility as opposed to the large box type lenses. Please refer to page 17 for the details

15 2/3 ENG/EFP Lenses: HDTV HJ40x14B IASD-V HJ40x10B IASD-V HJ18ex28B IASE S HJ24ex7.5B IRSE S/IASE S HJ21ex7.5B IASE S HJ18ex7.6B IRSE S/IASE S HJ17ex6.2B IRSE S/IASE S Zoom Ratio 40x 40x 18x 24x 21x 18x 17x Image Size 2/3" 2/3" 2/3" 2/3 2/3" 2/3" 2/3" Built-in Extender 2.0x 2.0x 2.0x 2.0x 2.0x 2.0x 2.0x Range of Focal Length 14~560mm 28~1120mm 10~400mm 20~800mm 28~500mm 56~1000mm 7.5~180mm 15.0~360mm 7.5~158mm 15~316mm 7.6~137mm 15.2~274mm 6.2~106mm 12.4~212mm Maximum Relative Aperture 1:2.8 at 14~307mm 1:5.1 at 560mm 1:5.6 at 28~614mm 1:10.2 at 1120mm 1:2.0 at 10~220mm 1:3.65 at 400mm 1:4.0 at 20~440mm 1:7.3 at 800mm 1:2.8 at 28~286mm 1:4.9 at 500mm 1:5.6 at 56~572mm 1:9.8 at 1000mm 1:1.8 at 7.5~120mm 1:2.7 at 180mm 1:3.6 at mm 1:5.4 at 360mm 1:1.9 at 7.5~116mm 1:2.6 at 158mm 1:3.8 at 15~232mm 1:5.2 at 316mm 1:1.8 at 7.6~103mm 1:2.4 at 137mm 1:3.6 at 15.2~206mm 1:4.8 at 274mm 1:1.8 at 6.2~65.8mm 1:2.9 at 106mm 1:3.6 at 12.4~131.6mm 1:5.8 at 212mm Angular Field of View 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 34.9 x 26.5 at 14mm 0.9 x 0.7 at 560mm 17.9 x 13.4 at 28mm 0.5 x 0.3 at 1120mm 37.8 x 21.8 at 14mm 1.0 x 0.6 at 560mm 19.4 x 11.0 at 28mm 0.5 x 0.3 at 1120mm 47.5 x 36.5 at 10mm 1.3 x 0.9 at 400mm 24.8 x 18.7 at 20mm 0.6 x 0.5 at 800mm 51.3 x 30.2 at 10mm 1.4 x 0.8 at 400mm 27.0 x 15.4 at 20mm 0.7 x 0.4 at 800mm 18.0 x 13.5 at 28mm 1.0 x 0.8 at 500mm 9.0 x 6.8 at 56mm 0.5 x 0.4 at 1000mm 19.6 x 11.1 at 28mm 1.1 x 0.6 at 500mm 9.9 x 5.6 at 56mm 0.6 x 0.3 at 1000mm 60.8 x 47.5 at 7.5mm 2.8 x 2.1 at 180mm 32.7 x 24.8 at 7.5mm 1.4 x 1.1 at 180mm 65.2 x 39.6 at 7.5mm 3.1 x 1.7 at 180mm 35.5 x 20.4 at 7.5mm 1.5 x 0.9 at 180mm 60.8 x 47.5 at 7.5mm 3.2 x 2.4 at 158mm 32.7 x 24.8 at 15mm 1.6 x 1.2 at 316mm 65.2 x 39.6 at 7.5mm 3.5 x 2.0 at 158mm 35.5 x 20.4 at 15mm 1.7 x 1.0 at 316mm 60.1 x 46.9 at 7.6mm 3.7 x 2.8 at 137mm 35.1 x 20.1 at 15.2mm 1.8 x 1.4 at 274mm 64.6 x 39.1 at 7.6mm 4.0 x 2.3 at 137mm 35.1 x 20.1 at 15.2mm 2.0 x 1.1 at 274mm 70.7 x 56.0 at 6.2mm 4.8 x 3.6 at 106mm 39.1 x 29.8 at 12.4mm 2.4 x 1.8 at 212mm 75.5 x 47.1 at 6.2mm 5.2 x 2.9 at 106mm 42.3 x 24.6 at 12.4mm 2.6 x 1.5 at 212mm M.O.D. from Lens Front 2.8m (10mm with Macro) 2.8m (10mm with Macro) 2.2m (10mm with Macro) 0.85mm (10mm with macro) 0.85m (10mm with Macro) 0.56m (10mm with Macro) 0.4m (10mm with Macro) M.O.D. from Image Plane 3.20m 3.18m 2.52m 1.16m 0.81m 0.69m Object Dimensions at M.O.D. 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) x 121.7cm at 14mm 4.1 x 3.1cm at 560mm 81.2 x 60.9cm at 28mm 2.1 x 1.6cm at 1120mm x 99.5cm at 14mm 4.5 x 2.5cm at 560mm 88.6 x 49.8cm at 28mm 2.3 x 1.3cm at 1120mm x 170.8cm at 10mm 5.7 x 4.3cm at 400mm x 85.4cm at 20mm 2.9 x 2.2cm at 800mm x 139.7cm at 10mm 6.2 x 3.5cm at 400mm x 69.9cm at 20mm 3.1 x 1.8cm at 800mm 65.4 x 49.1cm at 28mm 3.8 x 2.9cm at 500mm 32.7 x 24.6cm at 56mm 1.9 x 1.5cm at 1000mm 71.1 x 40.0cm at 28mm 4.1 x 2.3cm at 500mm 35.6 x 20.0cm at 56mm 2.1 x 1.2cm at 1000mm cm at 7.5mm cm at 180mm cm at 15.0mm cm at 360mm cm at 7.5mm cm at 180mm cm at 15.0mm cm at 360mm x 82.6cm at 7.5mm 5.1 x 3.8cm at 158mm 55.1 x 41.3cm at 15mm 2.6 x 1.9cm at 316mm x 67.7cm at 7.5mm 5.6 x 3.2cm at 158mm 60.2 x 33.9cm at 15mm 2.8 x 1.6cm at 316mm 55.9 x 44.9cm at 7.6mm 3.3 x 2.5cm at 137mm 30.0 x 22.5cm at 15.2mm 1.7 x 1.3cm at 274mm 65.5 x 36.8cm at 7.6mm 3.8 x 2.1cm at 137mm 32.8 x 18.4cm at 15.2mm 1.9 x 1.1cm at 274mm 66.9 x 50.2cm at 6.2mm 3.8 x 2.9cm at 106mm 33.5 x 25.1cm at 12.4mm 1.9 x 1.5cm at 212mm 73.3 x 41.2cm at 6.2mm 4.1 x 2.3cm at 106m 36.7 x 20.6cm at 12.4mm 2.1 x 1.2cm at 212mm Approx. Size (WxHxL) x 133 x 355.5mm x 133 x 335.4mm x x 268.3mm mm x x 260.1mm x 105 x 206.2mm x x 240.5mm Approx. Mass (IRSE/IASE) 5.45kg (12.02lbs) 5.40kg (11.90lbs) 2.56kg (5.65lbs) 1.78kg (3.92lbs) / 1.86kg (4.10lbs ) /2.69kg (5.94lbs) 1.58kg (3.48lbs)/1.66kg (3.65lbs) 1.97kg (4.34lbs)/2.05kg (4.52lbs) Filter Thread Size (Hood/Lens Barrel) /127mm P0.75 /127mm P mm P0.75/ 105mm P1/94mm P1 127mm P0.75/ /82mm P mm P1/ Built-in Optical Image Stabilizer Information Display Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. Angular Field of View 4:3 mode of Most Switchable Cameras (7.2 x 5.4mm) 28.8 x 21.8 at 14mm 0.7 x 0.6 at 560mm 14.7 x 11.0 at 28mm 0.4 x 0.3 at 1120mm 39.6 x 30.2 at 10mm 1.0 x 0.8 at 400mm 20.4 x 15.4 at 20mm 0.5 x 0.4 at 800mm 14.7 x 11.1 at 28mm 0.8 x 0.6 at 500mm 7.4 x 5.6 at 56mm 0.4 x 0.3 at 1000mm 51.3 x 39.6 at 7.5mm 2.6 x 2.0 at 158mm 27.0 x 20.4 at 15mm 1.3 x 1.0 at 316mm 50.7 x 39.1 at 7.6mm 3.0 x 2.3 at 137mm 26.6 x 20.1 at 15.2mm 1.5 x 1.1 at 274mm 60.3 x 47.1 at 6.2mm 3.9 x 2.9 at 106mm 32.4 x 24.6 at 12.4mm 1.9 x 1.5 at 212mm Standard Not Applicable Please refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras. M.O.D. = Minimum Object Distance Black colour cover lenses are also available as an alternative to the white colour lenses

16 2/3 ENG/EFP Lenses: HDTV World s First HDTV Portable Lens with Built-in Image Stabilizer HJ14ex4.3B IRSE S/IASE S Zoom Ratio 14x 15x Image Size 2/3" 2/3" Built-in Extender 2.0x Range of Focal Length 4.3~60mm 8.6~120mm HJ15ex8.5B KRSE-V 8.5~128mm The HJ15ex8.5B KRSE-V is the world s first portable HD lens with built-in Optical Image Stabilization. Compact and lightweight the lens offers a high zoom ratio and wide angle of view and incorporates Canon s patented VAP-IS technology to ensure stable HD imagery in shooting environments that cause vibration and physical disturbances to the lens-camera system. The Vari-angle Prism Image Stabilizer technology overcomes a wide range of disturbance frequencies throughout the entire zoom range, while maintaining a high optical performance, to ensure a high level of HD Image Stabilization. (See page 9 for the specification) HJ15ex8.5B KRSE-V Maximum Relative Aperture 1:1.8 at 4.3~40mm 1:2.7 at 60mm 1:3.6 at 8.6~80mm 1:5.4 at 120mm 1:2.5 at 8.5~68mm 1:4.7 at 128mm Angular Field of View 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 91.3 x 75.0 at 4.3mm 8.4 x 6.3 at 60mm 54.2 x 42.0 at 8.6mm 4.2 x 3.2 at 120mm 96.3 x 64.2 at 4.3mm 9.1 x 5.2 at 60mm 58.3 x 34.9 at 8.6mm 4.6 x 2.6 at 120mm 54.7 x 42.4 at 8.5mm 3.9 x 3.0 at 128mm 58.9 x 35.2 at 8.5mm 4.3 x 2.4 at 128mm M.O.D. from Lens Front 0.3m (10mm with Macro) 0.8m (10mm with Macro) M.O.D. from Image Plane 0.59m Object Dimensions at M.O.D. 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 69.9 x 52.4cm at 4.3mm 4.8 x 3.6cm at 60mm 35.0 x 26.2cm at 8.6mm 2.4 x 1.8cm at 120mm 76.4 x 43cm at 4.3mm 5.2 x 2.9cm at 60mm 38.2 x 21.5cm at 8.6mm 2.6 x 1.5cm at 120mm 87.4 x 65.6cm at 8.5mm 5.8 x 4.4cm at 128mm 95.8 x 53.9cm at 8.5mm 6.4 x 3.6cm at 128m Main Features Full HDTV Optical Performance Powerful Image Stabilization throughout the entire zoom range Real-time compensation for a wide range of disturbance frequencies encountered by a camera operator who is shooting handheld while walking, running, or operating from a motorcycle pillion, within a moving vehicle, boat, or helicopter etc. Various Stabilising Modes: combination of two modes from two categories is available and each mode is simply set by changing the switches on the lens. Select According to the Shooting Situation Select According to the Direction of Disturbance Portable mode Tripod mode H+V mode V mode Compensates for motion-related disturbances while shooting shoulder mounted or handheld Effectively compensates for disturbances caused by unsteady platform or wind Optimises stabilisation when disturbance frequencies are both horizontal and vertical Effectively counters vertical disturbances while panning the lens-camera Approx. Size (WxHxL) x x 247.8mm x x 239.1mm Approx. Mass (IRSE/IASE) 1.99kg (4.39lbs)/2.07kg (4.56lbs) 1.99kg (4.37lbs) Filter Thread Size (Hood/Lens Barrel) 127mm P0.75/ /82mm P0.75 Built-in Optical Image Stabilizer Information Display IS-ON Switch IS-OFF Button IS Mode Change-Over Switch Portable Mode Tripod Mode IS Effect Change-Over Switch H + V Mode V Mode PAN Switch (Momentary or alternatively hold the horizontal direction stabilization when pushed) Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. Angular Field of View 4:3 mode of Most Switchable Cameras (7.2 x 5.4mm) 79.9 x 64.2 at 4.3mm 6.9 x 5.2 at 60mm 45.4 x 34.9 at 8.6mm 3.4 x 2.6 at 120mm HDTV Optical Performance Compact Size, Light Weight Vari-Angle Prism (VAP) Image Stabilizer Standard Not Applicable Please refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras. M.O.D. = Minimum Object Distance Black colour cover lenses are also available as an alternative to the white colour lenses

17 Digital Drive ENG/EFP Lenses: Features HDgc (IRSE / IASE model) lenses incorporate an enhanced Digital Drive that delivers a wide range of features for improved ease of operation. 1. Three Preset Functions Canon s Digital Drive provides the following three preset functions : Shuttle Shot By memorising any two focal lengths, the Digital Drive can automatically shuttle between the two points, moving in either direction. 4. Zoom Track Zoom Track allows the camera operator to adjust the electronic focal length to their desired range by memorising zoom positions at both the tele and the wide side of the zoom. 5. Improved Maximum Zoom and Focus Servo Speed Zoom: 0.5 sec., Focus: 1.5 sec. Frame Preset An angle of view can be preset in either of two memories (DD: one memory) and the lens will zoom to that position by simply pushing a button. During a performance, frame preset will reproduce the zoom position decided upon in rehearsal as often as you like either at maximum speed or a preset zoom speed. 6. Demand Series to Support Digital Function Speed Preset A specific zoom speed can be preset in memory and repeated as often as you like by simply pushing a button. 2. Zoom Mode Select Canon offers a series of servo controllers for Digital Drive lenses. The ZSD-300D (zoom demand), FPD-400D (focus demand) and FPM-420D (focus servo module) are designed to support the Digital Driver s unique functions. They are quickly and easily connected to the Digital Drive via a 20-pin one-touch type connector. With the FPD-400D, focus servo operational curve can also be selected, unlike a conventional focus demand. Except for the unique digital functions, the digital series of demands is fully compatible with conventional demands although a conversion cable may be required. (Please refer to Page 37.) ZSD-300A/M (for Analog Drive Lens) VTR Start - Stop Switch Zoom Speed Volume Video Return Direction Switch Thumb Ring LENS ZSD-300D (for Digital Drive Lens) Frame Preset Switch Memory Switch Shuttle Shot Switch Zoom Speed Volume Video Return Thumb Ring LENS Direction Switch One of several operational curves can be chosen, which will allow different zoom movement characteristics when operating the seesaw switch. This is accomplished as a linear adjustment as opposed to an adjustment done in steps. Zoom Speed a. Adjusted by the Zoom Mode Adjustment Trimmer b. Adjusted by the Zoom Speed Volume 7. Compatibility with Virtual Studio System VTR Start - Stop Switch 3. User-Customised Setting The drive unit can memorize 9 patterns of user-customised settings and also transmit the data between different drive units. Wide Angle Zoom Rocker Switch Telephoto Canon has a series of HDxs/e-IFxs/HDgc (IRSE / IASE model) lenses, which are equipped with an enhanced digital drive unit. 16-bit resolution Rotary Encoder Devices are built into the enhanced digital drive unit, so the lens can be simply integrated into a virtual digital studio system without any additions. The encoders also enable superior precise control. The zoom servo provides a dynamic range of 0.5 sec. quick zooms to over a 5 min. super slow zoom. Repeatability in focus and iris control is also much more precise. Canon s unique technology allows the surprisingly small Encoder Device to be installed in the existing drive unit without changes in size or weight. Lens with the Optional Encoder Unit Lens with Encoder Device included in the Drive Unit 32 33

18 Control Accessories of Digital Drive ENG/EFP Lenses J35ex11B/J35ex15B/KJ22ex7.6B/KJ17ex7.7B/KJ10ex4.5B/KH21ex5.7/KH16ex5.7/KH10ex3.6/KT17ex4.3B/HJ14ex4.3B/ HJ15ex8.5B KRSE-V/HJ17ex6.2B/HJ17ex7.6B/HJ18ex28B/HJ21ex7.5B/HJ22ex7.6B/HJ40x10B/HJ40x14B Recommended Kit Configuration Applicable Component Detail MS-210D SEMI-SERVO KIT SS-41-D FULL SERVO KIT # FPM-420D FPM-420D FPM-420D FPM-420D FFM-100 Zoom/Focus Manual Controllers FFM-100 FFM-100 FFM-100 (For IRSE Lenses) FC-40 FC-40 FC-40 FC-40 Zoom Servo Controllers Focus Servo Controllers (For IASE Lenses) 20p p FPD-400D 20p 13 FFC-200 ZSD-300D FFC-200 FFC-200 FFC-200 ZSD-300D ZSD-300D ZSD-300D (For all listed IRSE/KRSE Lenses) SS-41-IASD FULL SERVO KIT FPD-400D FPD-400D FPD-400D 20 ZSD-300D 8 ZSD-300D ZSD-300D ZSD-300D (For all listed IRSE/KRSE Lenses) 20p 10 Unit Description 2 FFM-100 Flex Focus Module 3 FFM-300 Flex Focus Module 6 FFM-200 Flex Dual Module 7 MS-FFM-400 Flex Dual Module 8 FC-40 Flex Cable 10 FFC-200 Flex Focus Controller 11 FZC-100 Flex Zoom Controller 13 FPM-420D Focus Positional Servo Module 17 FPD-400D Focus Positional Demand 20 ZSD-300D Zoom Demand SS-42-IAS FULL SERVO KIT 21 ZSG-20M Zoom Servo Grip 22 CR-10 Clamper 28 EC-80 Zoom Extension Cable (8P) Analog FPD-400 and FPM-420 are also applicable, however, CC-2012 conversion cable is necessary to connect between IRSE Digital Drive Lens and FPM-420. Analog FPD-400 is also applicable, however, CC-2006 conversion cable is necessary to connect between IASD/IASE Digital Drive Lens and FPD-400. Analog ZSD-300A/M is also applicable. EC-80 EC-80 EC-80 EC-80 Applicable Kit Detail FPD-400D FPD-400D FPD-400D FPD-400D ZSD-300D FPD-400D CR-10 ZSG-200M ZSD-300D ZSD-300D ZSD-300D FPD-400D FPD-400D FPD-400D CR-10 CR-10 CR-10 ZSG-200M ZSG-200M ZSG-200M (For all listed IASD/IASE Lenses) (For all listed IASD/IASE Lenses) For : IRSE Type Lenses Zoom The Difference Between IRSE and IASE (IASD) Type Lenses The IRSE lenses are the standard type of Portable lens with a Servo Zoom Digital Drive Unit. For Servo Focus operation, IRSE lenses require both a Servo Focus Module and a Servo Focus Demand. The IASE (IASD) lenses are a special type of Portable lens equipped with a Digital Drive Unit offering both Servo Zoom and Focus. For Servo Focus operation, IASE (IASD) lenses only require a Servo Focus Demand. The IASE (IASD) lenses can be used in both the Studio and the Field. Zoom Servo Only Full Manual CONNECTOR COMPATIBLE WITH VIRTUAL INTERFACE Component System Component (ZR-1D) ZR-1D 20 ZR-2(A) ZR-1D MS-220 ZR-2(A) SS-41-D ZR-1D FZC FR FR FR-2(w/o 2 ) 8 10 System Component System Component Zoom Servo Only ZR-1D 20 ZR-2(A) Semi-Servo ZR-1D ZR-2(A) SS-41-IASD ZR-1D Full Servo SS-42-IASD ZR-2(A) FR FR FPS-4D FPS-4D FR-2(w/o 3 ) 8 10 １６ Ｃ 40 FZC For : IASE Type Lenses (Except HJ40x, J35ex) １６ １１ Ｃ FPS-4D Zoom ZOOM OPERATION CHANGE-OVER KNOB CONNECTOR FOR ZOOM DEMAND & FOCUS SERVO MODULE(20PIN) CONNECTOR FOR REMOTE ZOOM CONTROL(8PIN) CONNECTOR FOR ZOOM DEMAND & FOCUS DEMAND(20PIN) CONNECTOR COMPATIBLE WITH VIRTUAL INTERFACE FOCUS OPERATION CHANGE-OVER KNOB ZOOM OPERATION CHANGE-OVER KNOB CONNECTOR FOR ZOOM DEMAND & FOCUS DEMAND(20PIN) Zoom Servo Only System Component System Component (ZR-1D) ZR-1D 20 ZR-2 (A) Semi-Servo MS-210D Full Servo Full Manual Focus Kit Name ZR-2(A) SS-41-IASD ZR-1D 21 ZR-1D MS-220 SS-42-IASD ZR-2(A) The telephoto lenses (HJ40x, J35ex) are not compatible with virtual interfaces Focus Kit Name Full Manual CONNECTOR FOR ZOOM DEMAND & FOCUS SERVO MODULE(20PIN) System IASE (IASD) TYPE 1.0 CONNECTOR FOR REMOTE ZOOM CONTROL(8PIN) Zoom Focus Kit Name Semi-Servo MS-210D Full Servo IRSE TYPE For : HJ40x14B / HJ40x10B / J35ex15B / J35ex11B FZC FR FR FPS-4D FPS-4D FR-2(w/o 2 ) Recommended kit configuration for the listed lenses. (See previous page) The controllers support the new DD functions. 35

19 HDgc Series ENG Lenses HDgc Series ENG Lenses The HDgc lens series is designed for the new generation of costeffective HD acquisition systems and comprises a variety of HDTV ENG Lenses for 2/3, 1/2 and 1/3 image size cameras See page 34 Horizontal Field of View (16:9) Focal Length (mm) (2/3) (1/2) (1/3) /3 KJ10ex4.5B KJ17ex7.7B KJ22ex7.6B KJ13x6B KJ20x8.2B 2/3 Wide Angle HDTV Lens 2/3 Standard HDTV ENG Lens 2/3 Multi-purpose HDTV ENG Lens 2/3 Wide Angle HDTV Lens without Extender 2/3 Multi-purpose HDTV ENG Lens with Extender 1/2 KH13ex4.5 KH20ex6.4 1/2 Wide Angle HDTV Lens without Extender 1/2 Multi-purpose HDTV ENG Lens without Extender 1/3 KT20x5B 1/3 Multi-purpose HDTV ENG Lens without Extender

20 HDgc Series Lenses: HDTV 2/3" 2/3" 2/3" 2/3" 2/3" 2/3" KJ22ex7.6B IRSE S/IASE S KJ17ex7.7B IRSE S/IASE S KJ10ex4.5B IRSE S/IASE S KJ20x8.2B IRSD KJ20x8.2B KRSD KJ13x6B KRSD Zoom Ratio 22x 17x 10x 20x 20x 13x Image Size 2/3" 2/3" 2/3" 2/3" 2/3" 2/3" Built-in Extender 2.0x 2.0x 2.0x 2.0x Range of Focal Length 7.6~168mm 15.2~336mm 7.7~131mm 15.4~262mm 4.5~45mm 9~90mm 8.2~164mm 16.4~328mm 8.2~164mm 6~78mm Maximum Relative Aperture 1:1.8 at 7.6~116.3mm 1:2.6 at 168mm 1:3.6 at 15.2~232.6mm 1:5.2 at 336mm 1:1.8 at 7.7~102.5mm 1:2.3 at 131mm 1:3.6 at 15.4~205mm 1:4.6 at 262mm 1:1.8 at 4.5~34.5mm 1:2.35 at 45mm 1:3.6 at 9~68.9mm 1:4.7 at 90mm 1:1.9 at 8.2~115.4mm 1:2.7 at 164mm 1:3.8 at 16.4~230.8mm 1:5.4 at 328mm 1:1.9 at 8.2~115.4mm 1:2.7 at 164mm 1:2.0 at 6~58mm 1:2.7 at 78mm Angular Field of View 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 60.1 x 46.9 at 7.6mm 3.0 x 2.3 at 168mm 32.3 x 24.5 at 15.2mm 1.5 x 1.1 at 336mm 64.6 x 39.1 at 7.6mm 3.3 x 1.8 at 168mm 35.1 x 20.1 at 15.2mm 1.6 x 0.9 at 336mm 59.5 x 46.4 at 7.7mm 3.85 x 2.89 at 131mm 31.9 x 24.2 at 15.4mm 1.92 x 1.44 at 262mm 63.9 x 38.6 at 7.7mm 4.2 x 2.36 at 131mm 34.6 x 19.9 at 15.4mm 2.1 x 1.18 at 262mm 88.7 x 72.5 at 4.5mm 11.2 x 8.4 at 45mm 52.1 x 40.3 at 9mm 5.6 x 4.2 at 90mm 93.7 x 61.9 at 4.5mm 12.2 x 6.9 at 45mm 56.1 x 33.4 at 9mm 6.1 x 3.4 at 90mm 56.4 x 43.8 at 8.2mm 3.1 x 2.3 at 164mm 30.0 x 22.8 at 16.4mm 1.5 x 1.2 at 328mm 60.7 x 36.5 at 8.2mm 3.4 x 1.9 at 164mm 32.6 x 18.7 at 16.4mm 1.7 x 0.9 at 328mm 56.4 x 43.8 at 8.2mm 3.1 x 2.3 at 164mm 60.7 x 36.5 at 8.2mm 3.4 x 1.9 at 164mm 72.5 x 57.6 at 6mm 6.5 x 4.8 at 78mm 77.3 x 48.5 at 6mm 7.0 x 4.0 at 78mm M.O.D. from Lens Front 0.8m (10mm with Macro) 0.6m (10mm with Macro) 0.3m (10mm with Macro) 0.9m (10mm with Macro) 0.9m (10mm with Macro) 0.4m (10mm with Macro) Object Dimensions at M.O.D. 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 87.4 x 65.6cm at 7.6mm 4.0 x 3.0cm at 168mm 43.7 x 32.8cm at 15.2mm 2.0 x 1.5cm at 336mm 95.0 x 53.4cm at 7.6mm 4.4 x 2.5cm at 168mm 47.5 x 26.7cm at 15.2mm 2.2 x 1.3cm at 336mm 63.1 x 47.3cm at 7.7mm 3.8 x 2.9cm at 131mm 31.6 x 23.7cm at 15.4mm 1.9 x 1.5cm at 262mm 68.5 x 38.5cm at 7.7mm 4.2 x 2.4cm at 131mm 34.3 x 19.3cm at 15.4mm 2.1 x 1.2cm at 262mm 67.9 x 50.9cm at 4.5mm 5.9 x 4.4cm at 45mm 34.0 x 25.5cm at 9mm 3.0 x 2.2cm at 90mm 74.1 x 41.7cm at 4.5mm 6.4 x 3.6cm at 45mm 37.0 x 20.8cm at 9mm 3.2 x 1.8cm at 90mm 90.1 x 67.6cm at 8.2mm 4.6 x 3.5cm at 164mm 45.1 x 33.8cm at 16.4mm 2.3 x 1.8cm at 328mm 98.2 x 55.2cm at 8.2mm 5.0 x 2.8cm at 164mm 49.1 x 27.6cm at 16.4mm 2.5 x 1.4cm at 328mm 90.1 x 67.6cm at 8.2mm 4.6 x 3.5cm at 164mm 98.2 x 55.2cm at 8.2mm 5.0 x 2.8cm at 164mm 67.8 x 50.9cm at 6mm 5.0 x 3.8cm at 78mm 74.3 x 41.8cm at 6mm 5.4 x 3.0cm at 78mm Approx. Size (WxHxL) x x 218.6mm x x 197.8mm x x 237.7mm x x 208.0mm x x 181.8mm x x 211.7mm Approx. Mass (IRSE/IASE) 1.82kg (4.0lbs)/1.90kg (4.19lbs) 1.48kg (3.26lbs)/1.56kg (3.44lbs) 1.83kg (4.04lbs)/1.91kg (4.22lbs) 1.42kg (3.13lbs)/ 1.25kg (2.76lbs) 1.59kg (3.51lbs) Information Display Filter Thread Size (Hood/Lens Barrel) 105mm P1/94mm P1 /82mm P mm P0.75/ /82mm P0.75 /82mm P mm P1/ Standard Not Applicable For control accessories, please refer to page 36 and 37. Please refer to page 36 for explanation about IRSE models. For KT17ex Digital Drive Unit come equipped with Zoom, Iris and Focus Encoders. For KH21ex/KH16ex/KH10ex Digital Drive Units come equipped with Zoom and Iris Encoders only. A Focus Encoder is available as an option in these units. The above specification for each lenses are based on the following image size formats. 1/2 :Ø8mm, 1/3 :Ø6mm

21 HDgc Series Lenses: HDTV 1/2" 1/3" Control Accessories for Pro-video ENG Lenses and HDgc *1 Lenses KH13x4.5 KRSD SY14 Zoom Ratio 13x 20x Image Size 1/2" 1/3" Built-in Extender Range of Focal Length Maximum Relative Aperture Angular Field of View 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 4.5~59mm 1:1.5 at 4.5~44mm 1:2.0 at 59mm 70.8 x 56.1 at 4.5mm 6.2 x 4.7 at 59mm 75.7 x 46.9 at 4.5mm 6.8 x 3.8 at 59mm KT20x5B KRSD A 5~100mm 1:1.4 at 5.0~90.3mm 1:1.55 at 100mm 51.3 x 39.6 at 5mm 2.8 x 2.1 at 100mm 55.2 x 32.8 at 5mm 3.0 x 1.7 at 100mm M.O.D. from Lens Front 0.4m (10mm with Macro) 0.9m (10mm with Macro) Object Dimensions at M.O.D. 4:3 Aspect Ratio (8.8 x 6.6mm) 16:9 Aspect Ratio (9.6 x 5.4mm) 66.7 x 50.0cm at 4.5mm 4.9 x 3.7cm at 59mm 73.4 x 41.3cm at 4.5mm 5.4 x 3.0cm at 59mm 80.9 x 60.7cm at 5mm 4.2 x 3.2cm at 100mm 88.1 x 49.6cm at 5.0mm 4.5 x 2.5cm at 100mm Approx. Size (WxHxL) x x 215.3mm x 103 x 171.2mm Approx. Mass (IRSE/IASE) 1.59kg (3.51lbs) 1.19kg (2.62lbs) Information Display Filter Thread Size (Hood/Lens Barrel) 105mm P1/ /82mm P0.75 Recommended Kit Configuration (For all Pro-video ENG Lenses) MS-15 SEMI-SERVO KIT MS-22 SEMI-SERVO KIT MS-21D SEMI-SERVO KIT FM-12 FC-40 FFC-15 FM-12 FC-40 FM-12 FC-40 FFC-15 Applicable Component Detail Applicable Kit Detail FFC-15 ZSD-15AII (*2) ZSD-15AII (*2) ZSD-15AII (*2) ZSD-15MII ZSD-15MII ZSD-15MII Lens Lens 20p 20p Lens 20p FC-40 Lens FFC p FM-12 FC-40 FFC-200 FM-12 EC-80 CR-10 FM-12 EC-80 ZSG-200A (*2) ZSG-200A (*2) ZSG-200M ZSG-200M FFC-200 CR-10 FFC-200 FM-12 FC-40 CC-0820 FC-40 CC-0820 CC-0820 ZSD-300D ZSD-300D (*1) HDgc Lenses of page 32 and 33. (*2) A or M types, depends on applicable camera. # Unit Description Code 1 FM-12 Flex Focus Module 1824A012 5 FM-70 Flex Dual Module 0002T071 8 FC-40 Flex Cable 1824A010 9 FFC-15 Flex Focus Controller 1824A FFC-200 Flex Focus Controller 1824A FZC-100 Flex Focus Controller 1824A021 ZSD-15A II /M II Zoom Demand (*3) A 1824A (A or M types, depends on applicable camera) M 1824A071 ZSD-300A/M Zoom Demand (*3) A 1824A (A or M types, depends on applicable camera) M 1824A ZSD-300D Zoom Demand 1824A123 ZSG-200A/M Zoom Servo Grip (*3) A 1824A (A or M types, depends on applicable camera) M 1824A CR-10 Clamper 1824A GA-70 Grip Adapter 0018T EC-80 Zoom Extension Cable (8P) 1824A CC-0820 Conv. Cable (M-20pF) 1824A127 (*3) ZSD-15A, ZSD-300A/M and ZSG-200A are not available from Canon stock. Zoom Servo Only Semi-Servo Zoom Focus Kit Name System Component System Component ZSD ** ZR-1 19 ZR-2(A) ZR-2(B) * MS-15 ZSD ** FRC ** MS-21 ZR-1 19 FR MS-21D ZR-1D FR * 5 & 23 are not applicable to YH14x7.3 and YH16x7. ** In USA, 18 & 9 are available only as MS-15 kit configuration and not as individual product. Standard Not Applicable For control accessories, please refer to page M.O.D. = Minimum Object Distance. MS-22 ZR-2(A) 21 Full Manual FZC-1 FZC FR FR-2(w/o 1 ) 8 10 Recommended kit configuration for the listed lenses. (See previous page) The above specification for each lenses are based on the following image size formats. 2/3 :Ø11mm

22 EF Cinema Lenses EF Cinema Lenses Canon offers a full line up of zoom and prime lenses which are designed and engineered to meet or exceed the exacting standards of cinematographers, supporting 4K resolution and beyond. Zoom lenses are available in both PL or EF mount and are compatible with Super 35mm sensors, while prime lenses are available in EF mount only and are suitable for use with both Super 35mm and Full Frame sensors such as those found in Canon s range of EOS digital SLR cameras. Refer to the following pages for more details. See page

23 Digital Cinema Lenses Canon s range of Cinema lenses is exclusively designed to stimulate creative expression and offer outstanding optical performance in movie, video and broadcast production. Reliable and robust, they include a host of advanced features, ensuring unsurpassed image quality and exceptional usability in every shooting situation. Our current line up of Cinema lenses encompasses compact and lightweight, wide-angle and telephoto zoom lenses for EF and PL Mounts, and single-focallenses for EF Mounts. It also includes the latest addition to the range the CN7x17 KAS S E1/P1 an EF or PL mount zoom lens with a servo drive unit designed for use with large sensor cameras in broadcast or handheld applications. Highlights Easy to switch accessories Lenses are compatible with industry standard accessories. Unified front lens diameter and gear positions enable film crews to quickly change lenses without adjusting the rig setup. 11-blade iris 11-blade aperture diaphragms make the iris look circular even when contracted, enabling beautiful, round highlight bokeh. Main Features Superb 4K optical performance for exceptional results Uncompromising operability for working professionals The Digital Cinema lens series with 4K quality, offers unrivalled optical performance in professional shooting environments. Large aspherical lens elements ensure sharp, consistent images in virtually every shooting situation. An innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Industry standard manual control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Focus, zoom, and iris markings are provided on angled surfaces on both sides of the barrel, making it easy to read settings from behind or either side of the camera. Versatile range of focal lengths Together these lenses support versatile shooting at many focal lengths and cover the range most commonly used in cinema shooting. These include wide angle, telephoto zooms and prime lenses. CN-E18-80mm T4.4 L IS KAS S: A lightweight and versatile compact cine servo lens Ready for anything, from movies and documentaries to corporate videos and drone shots Stunning images in an affordable package. The Canon CN-E18-80mm T4.4 L IS KAS S Compact Cine Servo Lens is an ideal all-purpose lens: weighing only 1.2kg, it includes a fluid servo zoom and focus action, plus 3 stabilization modes for smoother footage, even in difficult shooting conditions. Camera-to-lens communication is provided via EF mount, bringing powerful features including fast Dual Pixel CMOS auto focus, lens meta data acquisition, camera-to-lens servo power supply and peripheral illumination correction. With Canon s quality 4K-ready imaging, the compact cine servo lens delivers incredible natural bokeh and minimal focus breathing

24 Digital Cinema Lenses TOP-END ZOOM LENS SERIES COMPACT ZOOM LENS SERIES Cine Zoom Lens CN-E mm T2.6 L S/SP CN-E30-300mm T L S/SP Mount EF PL EF PL Focal Length mm mm Zoom Ratio 4.1x 10x Max. Relative Aperture (T-Number) 1:2.6 at mm 1:2.95 at mm/1:3.7 at 300mm Iris Blades Compact Zoom Lens CN-E mm T2.8 L S/SP CN-E30-105mm T2.8 L S/SP Mount EF PL EF PL Focal Length mm mm Zoom Ratio 3x 3.5x Max. Relative Aperture (T-Number) 1:2.8 at mm 1:2.8 at mm Iris Blades Angle of View 1.9: x 13.8mm 84.2 x 50.9 at 14.5mm 24.6 x 13.1 at 60mm 47.2 x 25.9 at 30mm 5.0 x 2.6 at 300mm Angle of View 1.9: x 13.8mm 80.4 x 48.0 at 15.5mm 31.1 x 16.7 at 47mm 47.2 x 25.9 at 30mm 14.2 x 7.5 cm at 105mm M.O.D. (from image sensor) 0.70m/2'4" 1.5m/5' M.O.D. (from image sensor) 0.5m/1'8" 0.6m/2' Object Dimensions at M.O.D. 1.9: x 13.8mm 71.2 x 37.5cm at 14.5mm 16.4 x 8.6cm at 60mm x 56.8cm at 30mm 10.5 x 5.6cm at 300mm Object Dimensions at M.O.D. 1.9: x 13.8mm 47.6 x 25.1cm at 15.5mm 15.4 x 8.1cm at 47mm 35.3 x 18.6cm at 30mm 10.2 x 5.4cm at 105mm Front Diameter ø136mm ø136mm Front Diameter ø114mm ø114mm Approx. Size (W H L) x x 326.0mm 5.35 x 6.42 x 12.83in x x 318.0mm 5.35 x 6.42 x 12.52in x x 350.1mm 5.67 x 6.58 x 13.78in x x 342.1mm 5.67 x 6.58 x 13.47in. Approx. Size (W H L) x x 222.0mm 4.49 x 4.92 x 8.74in x x 214.0mm 4.49 x 4.92 x 8.43in x x 217.9mm 4.49 x 4.92 x 8.58in x x 209.9mm 4.49 x 4.92 x 8.26in. Approx. Mass 4.5kg (9.9lbs) 5.8kg (12.79lbs) Pitch of Follow Focus Gear Approx. Mass 2.2kg (4.85lbs) 2.2kg (4.85lbs) Pitch of Follow Focus Gear

25 PRIME LENS SERIES Cine Prime Lens CN-E14mm T3.1 L F CN-E24mm T1.5 L F CN-E 35mm T1.5 L F CN-E50mm T1.3 L F CN-E85mm T1.3 L F CN-E135mm T2.2 L F EF EF EF EF EF EF 14mm 24mm 35mm 50mm 85mm 135mm Mount Focal Length Zoom Ratio 1:3.1 1:1.5 1:1.5 1:1.3 1:1.3 1: : x 24.0mm x x x x x x : x 13.8mm 86.2 x x x x x x m/8" 0.3m/12" 0.3m/12" 0.45m/18" 0.95m/3'2" 1.0m/3'4" 1.5: x 24.0mm 24.8 x 16.5cm 28.8 x 19.2cm 20.1 x 13.4cm 24.9 x 16.6cm 34.3 x 22.9cm 21.1 x 14.1cm 1.9: x 13.8mm 18.0 x 9.5cm 21.0 x 11.0cm 13.7 x 7.7cm 18.1 x 9.5cm 25.0 x 13.1cm 15.4 x 8.1cm Max. Relative Aperture (T-Number) Iris Blades Angle of View M.O.D. (from image sensor) Object Dimensions at M.O.D. Front Diameter Approx. Size (W x H x L) ø114mm ø114mm ø114mm ø114mm ø114mm ø114mm x x 94.0mm 4.66 x 4.66 x 3.70in x x 101.5mm 4.66 x 4.66 x 4.0in x x 101.5mm 4.66 x 4.66 x 4.0in x x 101.5mm 4.66 x 4.66 x 4.0in x x 101.5mm 4.66 x 4.66 x 4.0in x x 115.6mm 4.66 x 4.66 x 4.55in. 1.2kg (2.65lbs) 1.2kg (2.65lbs) 1.1kg (2.43lbs) 1.1kg (2.43lbs) 1.3kg (2.87lbs) 1.4kg (3.09lbs) Approx. Mass Pitch of Follow Focus Gear M.O.D. = Minimum Object Distance CINE SERVO Cine Servo Lens Mount Focal Length Zoom Ratio Max. Relative Aperture (T-Number) CN-E18-80mm T4.4 L IS KAS S CN7x17 KAS S E1 / P1 CN20x50 IAS H E1 / P1 EF EF / PL EF / PL 18mm-80mm 17mm-120mm mm ( mm with 1.5x Extender) 4.4x 7x 20x 1:5.0 at mm / 1:8.9 at 1000mm 1:7.5 at mm 1:13.35 at 1500mm (T No.) 1:4.4 at 18.80mm (F No.) 1:4 at 18.80mm 1:2.95 at 17-91mm / 1:3.9 at 120mm x 41.9 at 18mm 17.5 x 9.9 at 80mm 75.2 x 44.2 at 17mm 12.5 x 6.6 at 120mm 29.4 x15.7 at 50mm 1.5 x0.8 at 1000mm 19.8 x10.5 at 75mm 1.0 x0.5 at 1500mm M.O.D. (from image sensor) 0.5m 0.85m/2.8" 0.1m from lens front with macro 3.5m/ m from lens front with macro Object Dimensions at M.O.D. 1.9: x 13.8mm 43.4 x 24.3cm [at 18mm] 9.5 x 5.3cm [at 80mm] 92.1 x 48.5 at 17mm 12.7 x 6.7 at 120mm cm at 50mm cm at 1000mm cm at 75mm cm at 1500mm ø77mm ø114mm ø136mm Approx. Size (W x H x L) 93.4 x x 182.3mm x x 262.9mm / x x 254.9mm 6.86 x 4.92 x / 6.86 x 4.92 x 10.04in mm mm (EF/PL) Approx. Mass 1.2kg (incl. servo unit) 2.9kg (6.39lbs) 6.6kg (14.55lbs) or 0.8 Iris Blades Angle of View 1.9: x 13.8mm Front Diameter Pitch of Follow Focus Gear 48 49

26 CN7x17 KAS S E1 / P1: Features for broadcast use Prime Lenses: Highlights Power consumption reduced. 12-pin serial connection cable equipped as standard. Flange - back adjustment mechanism and macro function incorporated. Iris closing supported. Focus operation designed for broadcast use. Improved visibility Focus and iris marking engraved on angled surfaces for improved readability from behind the camera. Ready for Full-size 35 mm Sensors The lenses are also compatible with the large imaging area of cameras equipped with a full-size 35 mm-equivalent CMOS sensor. Fast Aperture Enables shooting with the shallow DOF and broad bokeh that large sensors offer. Unified Front Lens Diameter, Gear Position Compact Zoom and Prime lenses have same front lens diameter and consistent gear positions, so lenses within each series can be switched without adjusting the rig setup. Light, Compact Small and light among conventional cinema lenses, to meet a variety of shooting needs. Prime Lens Series 114mm Standard Accessories Supported Shoulder shots enabled. Supports industry-standard accessories such as power-drive devices and matte boxes. Attractive Blurring 11-blade circular aperture enables soft, beautiful background bokeh. Immediate start-up of system. Use of existing standard zoom demands and focus demand enabled. Virtual images supported. Outstanding servo performance. 7x zoom, with mm focal length. Accepts 105 mm filters (except for 14mm) PL or other individual filters 105 mm in diameter can be attached to the end of the lens, enabling filter work in handheld shooting or other scenarios without using a matte box. Comfortable Usability Control rings maintain the right amount of resistance while offering exceptional usability with consistent operating torque. Switchable Unit for Focus Marking The outer piece on marked focus rings can be switched from nonmetric to metric labeling. CN7x17 KAS S E1 / P1: Features for cinema use Top-End/Compact Zoom Lenses: Highlights Adopting a removable drive unit enables the lens to be used in the cinema style. Layout of scale marks. Standard accessories supported. Easy-to-read controls Focus, zoom, and iris markings are provided on angled surfaces. These markings are easier to read from behind the camera. Comfortable Usability Control rings maintain the right amount of resistance while offering exceptional usability with consistent operating torque. Unified Front Lens Diameter, Gear Position Uniform gear positions within the same categories eliminate the need for accessory gear position adjustment when switching lenses. Support Industry-standard Cameras Supports industry-standard Super 35 mm equivalent and APS-C formats. New Inner Focus Minimizes focus-induced changes in the angle of view. Top-End Zoom Lens Series 136mm Light, Compact Smaller and lighter than conventional cinema lenses, to meet a variety of shooting needs. Compact Zoom Lens Series 114mm Gear deployment enables operation using a follow focus. Marked on both sides Lenses are marked on both sides. This makes markings visible from either side of the lens. Focal length indicated on lens barrel area. Switchable Unit for Focus Marking Attractive Blurring Flange-Back Adjustment Mechanism Compatible with lens supported systems typically used in cinema shooting. The outer piece on marked focus rings can be switched from non-metric to metric labeling. 11-blade circular aperture enables soft, beautiful background bokeh. A covered flange-back adjustment mechanism is included, with broadcast applications in mind

27 Remote Control Lenses The Canon Remote Control Series offers a wide variety of lenses and accessories that have been designed for various applications such as broadcasting, teleconference, distance learning and other remote control purposes. The lenses provide quiet and fast servo control of zoom, focus and iris. See page

28 Remote Control Lens Series BROADCAST APPLICATIONS: HDTV HJ18ex28B ITS-ME HJ24ex7.5B ITS-ME HJ18ex7.6B ITS-ME Zoom Ratio 18x 24x 18x Image Size 2/3" 2/3" 2/3" Built-in Extender 2.0x 2.0x 2.0x Range of Focal Length 28~500mm 56~1000mm 7.5~180mm 15.0~360mm 7.6~137mm 15.2~274mm Control Accessories for Remote Control Lenses Canon offers a choice of control accessories to meet a variety of remote image capture needs. Canon s Remote Control TV Lenses accept 3 types of standard controllers, as well as standard remote control cables, which are designed to provide different types of zoom, focus and iris remote control. These lenses are also available with a simple interface for use with custom controllers. System Configuration Controller Speed Servo Controller HJ14ex4.3B ITS-ME KJ17ex7.7B ITS-ME KJ22ex7.6B ITS-ME HOOD Close-up Lens Zoom Ratio 14x 17x 22x Image Size 2/3" 2/3" 2/3" TCR-101F Built-in Extender 2.0x 2.0x 2.0x Range of Focal Length 4.3~60mm 8.6~120mm 7.7~131mm 15.4~262mm 7.6~168mm 15.2~336mm TO CAMERA Positional Servo Controller TCC- 005M 010M 020M 050M 100M TCR-301F TCR-201F Controller TCR-201F 8 Position Preset Controller TCR-101F TCR-301F PRO-VIDEO APPLICATIONS: HDTV Close-up Lens (not available for HJ18ex/HJ14ex) External Extender (For 2/3 Lens Only) Connecting Cable KJ20x8.2B KTS KT20x5B KTS Zoom Ratio 20x 20x Image Size 2/3" 1/3 Built-in Extender Range of Focal Length 8.2~164mm 5~100mm Four types (82CL-UP800H / 82CL-UP1300H /105CL-UP900H / 105CL-UP800HD) are available. *Please refer to page 50 for the applications. A 2x extender is available for telephoto shooting. For the ITS- RE model of the Broadcast Remote Control Lenses and for the YJ20x8.5B ITS, the 2x extender is motorised and can be remote controlled. * Please inquire to Canon Sales Office for extender remote control interface. 5m, 10m, 20m, 50m and 100m cables are available. Maximum cable length is 150m by connection of these cables. Remote Controller Three types (TCR-101F, TCR-201F, TCR-301F) are available. Please refer to page 32, 33 and 48 for more detailed specifications

29 Optical Accessories for SDTV and HDTV ENG/EFP Lenses System Applications of SDTV and HDTV Adaptor Type Converters / Attachments 1. Converters/Attachments APPLICABLE LENSES Tele-side Converter Wide Converter Wide Attachment Fish-eye Attachment Adaptor *1 4. Extenders Lens X2.0-B3 CONVERTER/ ATTACHMENT TYPE MODEL NAME CODE YJ20x8.5B KJ20x8.2B *1 KH20x6.4 *1 KT20x5 *1 KJ17ex7.7B *1 KJ20x8.2B *1 KH16ex5.7 *1 KH20x6.4 *1 KT17ex4.3B *1 KT20x5 *1 YJ20x8.5B HJ18ex7.6B KJ17ex7.7B KH16ex5.7 KH20x6.4 KT17ex4.3B KT20x5 KH21ex5.7 *1 KJ22ex7.6B *1 Front Lens Diameter 85mm 98mm T A005 HJ24ex7.5B KH21ex5.7 KJ22ex7.6B X2.0-B4 TELE-SIDE T15HD T Filters CONVERTER Adaptor85 Adaptor A A004 UV SKY SNW PL ND CLEAR CRS SNY SFT 3. Close-up lenses CL- UP Hood Unit *2 *1: Most Canon Converters and Attachments use a separate adapter ring as shown in the table on page 53, which allow compatibility between several lens models. The W80Y-85 is special Wide Converter and is exclusive to certain lens models as shown in the table on page 53. *2: Some lens models allow for the filter to be attached to the threaded lens barrel, in other models, the filter is attached to the threaded hood unit. For lens model filter size compatibility, please refer to page 55. WIDE CONVERTER WIDE ATTACHMENT FISH-EYE ATTACHMENT W80Y A009 W80-B A006 W80HD 1823A094 Adaptor A002 Adaptor A004 WA A008 WA75HD 1823A095 Adaptor A002 Adaptor A004 FEA-B A011 FEA-HD 1823A099 Adaptor A002 Adaptor A004 *1 The HD quality accessories offer higher optical performance. *2 The drawing is an image of the W80-B When purchasing, please specify model name of both Body and Adaptor. It is possible to use Body and Adaptor in different combinations. But it is impossible to use in combinations not shown in above table. 1. Converters/Attachments TELE-SIDE CONVERTER WIDE CONVERTER Mount Converters for Different Image Format Size Cameras Focal length is shifted to the telephoto side by a factor of 1.5x. F No. of the original lens is not affected. Only the telephoto side of the lens can be used, the picture corners are eclipsed at wide angle. The minimum object distance becomes 2.25 times that of the original lens. M.O.D Eclipse Point HJ22ex7.6B 1.9m f:85mm KJ17ex7.7B 1.35m f.60mm YJ20x8.5B 2.00m f.80mm Focal length becomes wider by a factor of 0.8x that of the original lens with the W80/W80Y-85. F No. of the original lens is not affected. The minimal object distance becomes 0.64 times with the W80/W80Y-85. Master Lens With Wide Con. HJ22ex7.6B mm mm KJ17ex7.7B mm mm YJ20x8.5B mm mm Canon offers a variety of Mount Converters to be used between a lens and a camera of different image format sizes. Each converter will extend the effective Angular Field of View of the associated lens according to the Shift Ratio listed below. LO-32BMT LCV-40B LCV-42T Image Size Conversion Converter Shift Ratio to Electronic Conversion Lens 3 Camera Telephoto Side LO-32BMT 2/3" B4 Mount 1/2 Sony 4 approx. 1.4x LCV-40B 2/3 B4 Mount 1/2 Standard Mount 5 approx. 1.4x LCV-42T 2/3 B4 Mount 1/3 Standard Mount approx. 1.8x LCV-41E 2/3 B4 Mount SONY PMW-EX3 approx. 1.4x Lens Cable (12 pin) EX3 Hot Shoe (14 pin) LCV-20E 1/2 6 SONY PMW-EX3 Lens Cable (12 pin) EX3 Hot Shoe (14 pin) WIDE ATTACHMENT The zoom lens becomes a wider fixed focal length lens with the wide attachment. FISH-EYE ATTACHMENT The zoom lens becomes a fish-eye fixed focal length lens (distorted image) with the fish-eye attachment. *3 The converters are to be used with lenses weighing less that 2.0kg (4.4lbs) *4 SONY s Hot Shoes mount camera, excluding PMW-EX3 *5 1/2 Camera of standard type mount (Panasonic, JVC, Grass Valley) *6 Only applicable to KH10ex/KH16ex/KH21ex. The other 1/2 mount lenses are not available. The focal length is widened by a factor of 0.75x that of the original lens. The focal length is widened by a factor of 0.6x that of the original lens. LCV-41E LCV-20E Focus is adjusted by use of the macro lever. Focus is adjusted by use of the macro lever. Master Lens With Wide Attach. Master Lens With Fish-Eye HJ22ex7.6B mm 5.7mm HJ22ex7.6B mm 4.6mm KJ17ex7.7B mm 5.8mm KJ17ex7.7B mm 4.6mm YJ20x8.5B mm 6.4mm YJ20x8.5B mm 5.1mm 56 57

30 2. Filters 3. Close-up lenses UV UV/CLEAR/SKY LIGHT FILTER CROSS/SNOW CROSS/ SUNNY CROSS FILTER A cross Filter creates a cross or star of light by scattering rays from a strong light source in the subject in a radial pattern. The brighter and more point like the subject is, the better the effect is. Cross filters are often used to enhance night scenery or stage show broadcasts. A close-up lens is used to shorten the M.O.D. of the master lens for close-up shooting. The maximum object distance becomes the focal length of the close-up lens. The minimum object distance is calculated by the following formula. New minimum object distance = fc x S / (fc+s) fc = Focal length of the close-up lens S = M.O.D. pf the master lens Model Code Applicable Lenses 82CL-UP800H 1823A041 YJ20x8.5B, KJ17ex7.7B, KJ20x8.2B, KH16ex5.7, KH20x6.4, KT17ex4.3B, KT20x5 82CL-UP1300H 1823A042 YJ20x8.5B, KJ17ex7.7B, KJ20x8.2B, KH16ex5.7, KH20x6.4, KT17ex4.3B, KT20x5 105CL-UP900H 1823A043 KH21ex5.7*, KJ22ex7.6B* 105CL-UP800HD 1823A096 HJ22ex7.6B, KH21ex5.7, KJ22ex7.6B* TYPES OF CROSS FILTER * The HD quality accessories offer higher optical performance SKY A UV (ultraviolet) filter is nearly colourless. It absorbs short wavelength ultraviolet rays that the naked eye cannot see. A skylight Filter has a light pinkish colour. Used when shooting on clear days, it removes ultraviolet, and prevents natural light from giving a bluish-green cast to shaded foliage etc. These filters are also advisable to protect the front lens surface. Cross Filter Scatters light in a four-pointed cross. Snow Cross Filter Scatters light in a six-pointed star. Sunny Cross Filter Scatters light in an eight-pointed star. 82CL-UP800H 82CL-UP300H KJ17ex7.7B (16:9) Tele end: 131mm Wide end: 7.7mm Tele end: 131mm Wide end: 7.7mm Focusing Scale (mm) Object Distance (mm) Object Dimensions (mm) 58 x x x x x x x x 256 YJ20ex8.5B (4:3) Tele end: 170mm Wide end: 8.5mm Tele end: 170mm Wide end: 8.5mm PL POLARIZED LIGHT FILTER A polarizer is used to intercept light reflected from the surface of water or glass. A polarizer is screwed into the threads of the hood, turned, and stopped in the position in which the reflected light is removed. ND4 ND4/ND8 FILTER An ND (neutral density) Filter uniformly reduces light of all wavelengths which enters a lens. It is used when the subject is too bright for the light to be adjusted by the diaphragm alone. An ND Filter is also effective to create a shallow depth of field. Focusing Scale (mm) Object Distance (mm) Object Dimensions (mm) 41 x x x x x x x x 371 SFT SOFTON FILTER A Soft-focus Filter has a met-like surface that imparts a soft, misty effect to the entire picture. Soft-focus Filterx are frequently used for lyric scenery shots. CJ12ex4.3B HJ18ex28B HJ21ex7.5B HJ14ex4.3B KJ10ex4.5B KH10ex3.6 HJ40x14B HJ40x10B APPLICABLE LENSES HJ17ex6.2B KJ13x6B KH13x4.5 YJ13x6B CJ20ex 7.8B HJ24ex7.5B KJ22ex7.6B KH21ex5.7 ND filter type Transmittance Density ND4 25% 0.6 ND HJ18ex7.6B HJ15ex8.5B KJ17ex7.7B KH16ex5.7 KJ20x8.2B KH20x6.4 KT17ex4.3B KT20x5 YJ20x8.5B KT14x4.4B CN7x17 KAS S E1/P1 CN20x50 IAS H E1/P1 FILTER TYPE MODEL NAME CODE HOOD UNIT THREAD SIZE 127mm P mm P1 105mm P1 127mm P0.75 LENS BARREL THREAD SIZE 127mm P mm P1 82mm P mm P mm P mm H UV/127P A083 UV UV/105P1 1823A022 UV/94P1 1823A021 UV/82P A030 CL/ A093 CLEAR CL/ A103 CL/127H 0117T881 SKY SKY/105P1 1823A023 LIGHT SKY/82P A031 CRS/127P A085 CROSS CRS/105P1 1823A024 CRS/82P A032 SNW/127P A087 SNOW CROSS SNW/105P1 1823A047 SNW/82P A034 SNY/127P A088 SUNNY CROSS SNY/105P1 1823A025 SNY/82P A033 PL/127P A090 POLARIZED LIGHT PL/105P1 1823A028 PL/82P A038 SFT/127P A089 SOFTON SFT/105P1 1823A027 SFT/82P A037 ND8/127P A086 ND ND4/82P A035 ND8/105P1 1823A026 ND8/82P A036 ND8 4. Extenders An extender X2.0-B4 is mounted between the camera and the lens to enlarge the image of the subject. It doubles the focal length of the master lens, making it into a more telephoto lens. The 2.0x Extender also doubles the F-number. Master lens With Extender Focal length mm mm YJ20X8.5B F-number * Only for 2/3 lenses Model Code Applicable Lenses X2.0-B3 1823A041 Applicable to all B3 type mount Canon 2/3 lenses X2.0-B4 1823A042 Applicable to all B4 type mount Canon 2/3 lenses 58 59