Section Ⅱ The X-Pro1 CONTENTS 24

Transcription

1 Section Ⅱ The X-Pro1 24

2 The Hybrid Multi Viewfinder The Optical Viewfinder (OVF) The attraction of optical viewfinders is that they provide a clear optical image with sharp bright brackets superimposed to indicate the edges of the frame. The clear image in the viewfinder awakens the joy of taking photographs. Magnification lens Prism 18mm(27mm*) 35mm(53mm*) 60mm(91mm*) WIDE LCD panel Variable-Magnification Viewfinder Viewfinder magnification and the size of the bright frame change automatically to match the focal length of XF lenses. *35 mm [135] format equivalent Changing Viewfinder Magnification Viewfinder magnification can be changed by holding the viewfinder selector up for a few seconds. Magnification lens Automatic Magnification Switch Change magnification Change magnification STANDARD Viewfinder configuration in STANDARD magnification mode TIPS 1 TIPS 2 25

3 The Hybrid Multi Viewfinder The Optical Viewfinder (OVF) The attraction of optical viewfinders is that they provide a clear optical image with sharp bright brackets superimposed to indicate the edges of the frame. The clear image in the viewfinder awakens the joy of taking photographs. TIPS 1 Magnification lens Prism Parallax Adjustment 18mm(27mm*) 35mm(53mm*) 60mm(91mm*) LCD panel WIDE Parallax correction takes effect when the shutter button is pressed halfway. Variable-Magnification Viewfinder Viewfinder magnification Normal and the OVF size of display the bright frame change automatically to match the focal length of XF lenses. *35 mm [135] format equivalent Changing Viewfinder Magnification Viewfinder magnification can be changed by holding the viewfinder selector up for a few seconds. OVF display adjusted for parallax Magnification lens Automatic Magnification Switch Change magnification Change magnification STANDARD Viewfinder configuration in STANDARD magnification mode TIPS 1 TIPS 2 25

4 The Hybrid Multi Viewfinder The Optical Viewfinder (OVF) The attraction of optical viewfinders is that they provide a clear optical image with sharp bright brackets superimposed to indicate the edges of the frame. The clear image in the viewfinder awakens the joy of taking photographs. Magnification lens Prism TIPS 2 18mm(27mm*) 35mm(53mm*) 60mm(91mm*) LCD panel WIDE Variable-Magnification Viewfinder Viewfinder magnification and the size of the bright frame change automatically to match the focal length of XF lenses. The OVF s Appeal The appeal of the OVF is the sharp optical image in which both background and foreground are in focus. This allows you to observe the entire the scene and make the most of every opportunity for a photograph. You can also view the area outside the bright frame while finding for the perfect *35 mm [135] format equivalent composition. Changing Viewfinder Magnification Viewfinder magnification can be changed by holding the viewfinder selector up for a few seconds. Magnification lens Automatic Magnification Switch Change magnification Change magnification STANDARD Viewfinder configuration in STANDARD magnification mode TIPS 1 TIPS 2 25

5 The Hybrid Multi Viewfinder The Electronic Viewfinder (EVF) The X-Pro1 s EVF offers 100% frame coverage; unlike other cameras with poor frame coverage, there is no need to worry that photographs may include objects not visible in the viewfinder. Full frame coverage is particularly important for macro photography, which demands precise framing. The high-resolution, approximately 1,440k-dots, 0.47-inch display provides clear images during both live subject preview and post-shooting image review. Preview the Effects of Exposure Compensation, Film Simulation, and Other Settings The EVF lets you preview the effects of camera settings before shooting. When the exposure compensation dial is rotated to adjust exposure compensation, for example, the effect is immediately visible. You can also accurately preview the effects of each film simulation option. Exposure preview ± 0 +1EV -1EV Film simulation preview Velvia/VIVID Sepia Monochrome with Green filter 26

6 The Hybrid Multi Viewfinder The Viewfinder and the LCD Monitor In addition to its optical and electronic viewfinders (OVF and EVF), the X-Pro1 features an LCD monitor on the back of the camera (see page 30). Display selection is performed by pressing the VIEW MODE button. Choose a display that matches your shooting style and choice of subject. Choosing Between the Electronic Viewfinder (EVF), Optical Viewfinder (OVF), and LCD Monitor Eye sensor Press VIEW MODE to cycle through the displays. LCD Monitor Only Viewfinder Only Automatic Display Selection Choose this option when shooting movies and on other occasions when you want to frame pictures in the LCD monitor. It also reduces power consumption. The viewfinder functions as an OVF with no shooting information display. Choose this option to frame photographs with your eye to the viewfinder while holding the camera securely. For information on switching between the OVF and EVF, see page 28. When the eye sensor detects that you have put your eye to the viewfinder, the LCD monitor turns off and the OVF or EVF turns on. Display switches back to the LCD monitor when you take your eye from the viewfinder. 27

7 The Hybrid Multi Viewfinder Switching Between the EVF and OVF The X-Pro1 features a viewfinder selector that can be used to switch instantly between the OVF and EVF displays. The selector can be operated without taking your eye from the viewfinder, allowing you to take advantage of the features of either display according to your photographic objectives. Each time the viewfinder selector is raised, the camera switches instantly between the OVF and EVF. The selector can be operated without taking your eye from the viewfinder, allowing you to switch displays without missing a shot. A hallmark X-Pro1 technique is to first view the area around the frame in the OVF and compose a shot, then switch to the EVF and add polish your artistic conception with precision framing adjustments. NOTE EVF OVF Optical viewfinder (OVF) Viewfinder selector Electronic viewfinder (EVF) Reference / OVF Reference / EVF 28

8 The Hybrid Multi Viewfinder Switching Between the EVF and OVF The X-Pro1 features a viewfinder selector that can be used to switch instantly between the OVF and EVF displays. The selector can be operated without taking your eye from the viewfinder, allowing you to take advantage of the features of either display according to your photographic objectives. Each time the viewfinder selector is raised, the camera switches instantly between NOTE the OVF and EVF. The selector can be operated without taking your eye from the viewfinder, allowing you to switch displays without missing a shot. A hallmark X-Pro1 The X-Pro1 s variable-magnification technique is hybrid to first viewfinder the area is around the frame in the OVF and compose a shot, designed so that keeping then viewfinder switch to the selector EVF and raised add polish your artistic conception with precision framing for two seconds changes adjustments. the optical magnification. When using the selector to switch NOTE between the OVF and EVF, quickly click the lever up and down. EVF OVF Optical viewfinder (OVF) Viewfinder selector Electronic viewfinder (EVF) Reference / OVF Reference / EVF 28

9 The Hybrid Multi Viewfinder Display Customization Choosing the Inform ation Displayed in the OVF, EVF, and LCD Monitor At shipment, the OVF and EVF/LCD monitor are configured for full display and show information on a wide variety of settings. The X-Pro1 does, however, let you choose the items displayed. For example, if you want a simple display that lets you concentrate on framing and angle while composing photographs, you can choose a display that features a bare minimum of shooting information. Press MENU/OK and select "DISP. CUSTOM SETTING" in shooting menu Tab 4. Select OVF or EVF/LCD. The items that appear in the display are indicated by check marks. Highlight items and press MENU/OK to add or remove check marks from the desired items. Items Full display Histogram hidden Most items hidden TIPS 1 TIPS 2 29

10 The Hybrid Multi Viewfinder Display Customization Choosing the Inform ation Displayed in the OVF, EVF, and LCD Monitor At shipment, the OVF and EVF/LCD monitor are configured for full display and show information on a wide variety of settings. The X-Pro1 does, however, let you choose the items displayed. For example, if you want a simple display that lets you concentrate on framing and angle while composing photographs, you can choose a display that features a bare minimum of shooting information. TIPS 1 Press MENU/OK and select "DISP. CUSTOM SETTING" in shooting menu Tab 4. Electronic Horizon Leveling Gauge Select OVF or EVF/LCD. The camera detects tilt and displays it relative The items to a that virtual appear in the display are horizon. The camera is level when the indicated line showing by check marks. Highlight items and press MENU/OK to add or remove check camera tilt overlaps with the virtual horizon. Use to lend marks from the desired items. shots of sunsets and similar subjects a sense of stability by lining the camera up with the horizon. Items Full display Histogram hidden Most items hidden TIPS 1 TIPS 2 29

11 The Hybrid Multi Viewfinder Display Customization Choosing the Inform ation Displayed in the OVF, EVF, and LCD Monitor At shipment, the OVF and EVF/LCD monitor are configured for full display and show information on a wide variety of settings. The X-Pro1 does, however, let you choose the items displayed. For example, if you want a simple display that lets you concentrate on framing and angle while composing photographs, you can choose a display that features a bare minimum of shooting information. TIPS 2 Framing Guideline The FRAMING GUIDELINE option in Tab 4 of the shooting menu offers a choice of GRID 9, GRID 24, and HD FRAMING. The grid options are a very effective aid to composition when, for example, framin photographs with the subjects arranged along a diagonal. Press MENU/OK and select "DISP. Select OVF or EVF/LCD. The items that appear in the display are CUSTOM SETTING" in shooting GRID 9 menu GRID 24 HD FRAMIINGindicated by check marks. Highlight items Tab 4. A three-by-three grid. A six-by-four grid. Frame HD (16:9) and pictures press MENU/OK in to add or remove check the crop shown marks by lines from at the desired items. top and bottom the display. Items Full display Histogram hidden Most items hidden TIPS 1 TIPS 2 29

12 The Hybrid Multi Viewfinder Display Customization Choosing the Inform ation Displayed in the OVF, EVF, and LCD Monitor At shipment, the OVF and EVF/LCD monitor are configured for full display and show information on a wide variety of settings. The X-Pro1 does, however, let you choose the items displayed. For example, if you want a simple display that lets you concentrate on framing and angle while composing photographs, you can choose a display that features a bare minimum of shooting information. Items Items Available for Display Press MENU/OK and select "DISP. CUSTOM SETTING" in shooting menu Tab 4. Select OVF or EVF/LCD. The items that appear in the display are indicated by check marks. Highlight items and press MENU/OK to add or remove check marks from the desired items. Items Full display Histogram hidden Most items hidden TIPS 1 TIPS 2 29

13 LCD A High-Performance LCD Monitor Special Coating on High-Resolution (Approximately 1,230-k dots) Monitor Has Reflectivity Under 0.2% At default settings, the LCD monitor functions as a shooting information display. Standard and custom displays can be viewed by pressing the DISP/BACK button. No coating X-Pro1 The monitor features a high-quality anti-reflective coating. The highly water-repellent, stain-resistant acrylic lets you enjoy a clear image even when you are shooting outdoors in bright sunlight. The DISP / BACK Button The display in shooting and playback modes changes each time the button is pressed. TIPS 1 TIPS 2 30

14 LCD A High-Performance LCD Monitor At default settings, the LCD monitor functions as a shooting information display. Standard and custom displays can be viewed by pressing the DISP/BACK button. TIPS 1 Adjusting Monitor Brightness No coating Special Coating on High-Resolution (Approximately 1,230-k dots) Monitor Has Reflectivity Under 0.2% The monitor features a high-quality anti-reflective coating. The highly water-repellent, stain-resistant acrylic lets you enjoy a clear image even Monitor brightness when you can are be shooting outdoors in adjusted to suit bright the individual. sunlight. Increase brightness to make X-Pro1 the monitor easier to read in bright sunlight. Monitor brightness is adjusted using the LCD BRIGHTNESS option in Tab 2 of set-up menu. The DISP / BACK Button The display in shooting and playback modes changes each time the button is pressed. Photo / Water mill, Inc. TIPS 1 TIPS 2 30

15 LCD A High-Performance LCD Monitor At default settings, the LCD monitor functions as a shooting information display. Standard and custom displays can be viewed by pressing the DISP/BACK button. The DISP / BACK Button The display in shooting and playback modes changes each time the button is pressed. TIPS 2 No coating Silent Mode X-Pro1 Press and hold the DISP/BACK button to enable SILENT MODE ; press again to disable. [ Silent Mode ] The AF-assist illuminator turns off. All control beeps are muted. Sound is muted during movie playback. Note: Silent mode can not be enabled during movie playback. Special Coating on High-Resolution (Approximately 1,230-k dots) Monitor Has Reflectivity Under 0.2% The monitor features a high-quality anti-reflective coating. The highly water-repellent, stain-resistant acrylic lets you enjoy a clear image even when you are shooting outdoors in bright sunlight. TIPS 1 TIPS 2 30

16 Manual Focus MF In manual focus mode, focus is adjusted manually by rotating the lens focus ring. To select manual focus mode, rotate the focus mode selector on the front of the camera to M. Although autofocus (AF) is adequate in most situations, manual focus can be used for subjects that autofocus can t handle or in circumstances that call for deliberate defocusing. The designers of the XF lenses for the X-Pro1 have paid special attention to the feel of the focus ring, and we hope that you will take the opportunity to experience how it has been delicately tuned to be neither too loose or too tight. Shooting Data Review TIPS 1 31

17 Manual Focus MF TIPS 1 In manual focus mode, focus is adjusted manually by rotating the lens focus ring. To select manual focus mode, rotate the focus mode selector on the front of the camera to M. Although autofocus (AF) is adequate in most situations, manual focus can be used for subjects that autofocus can t handle or in circumstances that call for deliberate defocusing. The designers of the XF lenses for the X-Pro1 have paid special attention to the feel of the focus ring, and we hope that you will take the opportunity to experience how it has been delicately tuned to be neither too loose or too tight. Subjects That Pose a Challenge for the Autofocus System The autofocus system may not focus on: Very shiny subjects such as mirrors or car bodies. Fast-moving subjects. Subjects photographed through glass. Dark subjects and subjects that absorb rather than reflect light, such as hair or fur. Insubstantial subjects such as smoke or flame. Subjects that show little contrast with the background. Subjects positioned behind or in front of another, highcontrast, object in the same focus frame. Shooting Data Review TIPS 1 31

18 Manual Focus MF In manual focus mode, focus is adjusted manually by rotating the lens focus ring. To select manual focus mode, rotate the focus mode selector on the front of the camera to M. Although autofocus (AF) is adequate in most situations, manual focus can be used for subjects that autofocus can t handle or in circumstances that call for deliberate defocusing. The designers of the XF lenses for the X-Pro1 have paid special attention to the feel of the focus ring, and we hope that you will take the opportunity to experience how it has been delicately tuned to be neither too loose or too tight. Shooting Data Review XF35mmF1.4 R Program AE (F11, 1/420 sec ) 2 3 EV White balance: FINE ISO: 200 Film simulation: Velvia/VIVID TIPS 1 31

19 Manual Focus MF In manual focus mode, focus is adjusted manually by rotating the lens focus ring. To select manual focus mode, rotate the focus mode selector on the front of the camera to M. Although autofocus (AF) is adequate in most situations, manual focus can be used for subjects that autofocus can t handle or in circumstances that call for deliberate defocusing. The designers of the XF lenses for the X-Pro1 have paid special attention to the feel of the focus ring, and we hope that you will take the opportunity to experience how it has been delicately tuned to be neither too loose or too tight. TIPS 1 Shooting Data Review While digital cameras are ready to shoot as soon as they are turned on, film cameras in the days before extensive automation required that a certain sequence of operations be performed before pictures could be taken. Users of early SLR cameras had to open the camera, install film and then, after finding their subject, set aperture and shutter speed, put an eye to the viewfinder and focus, advance the film, and finally release the shutter. This process, which seemed perfectly natural at the time, was in effect a kind of ritual that had to be performed before pictures could be taken, a connected series of actions with a photograph as its result. A key element of this process connecting it to the choice of subject, the genesis of any photograph, was the act of looking through the viewfinder and focusing. In contrast to traditional rangefinder cameras with two separate optical systems operating in parallel, the X-Pro1 s hybrid electronic viewfinder lets you experience the style of focusing used in SLR cameras, and we hope you will take advantage of this opportunity to experience manual focus photography as it was meant to be. 31

20 Manual Focus MF Checking Focus Focus distance (red bar) Depth of field (white bar) While in general focus can be determined by an inspection of the image in the viewfinder, the manual focus indicator can also be used as guide. Focus distance is indicated by the red bar, while the white bar shows the field depth. The focus distance can be displayed in meters or feet, with the selection made using the FOCUS SCALE UNITS option in the set-up menu. Using Autofocus in Manual Focus Mode: The AE-L/AF-L Button Zooming in on the electronic viewfinder or LCD monitor Even in manual focus mode, you can press the AE-L/AF-L button to instantly focus using autofocus. When shooting close-ups, for example, you can press the AE-L/AF-L button to focus on your subject and then make precision adjustments using manual focus. This option can also be used when the view through the lens is zoomed in. Note: Available in manual focus mode only. Normal display Zooming in TIPS 1 Pressing the center of the command dial magnifies the view in the electronic viewfinder or LCD monitor for precise focus. To scroll to other areas of the frame, press the AF button and use the selector. 32

21 Manual Focus MF The Focus Ring Using Autofocus in Manual Focus Mode: The AE-L/AF-L Button TIPS 1 Focus distance (red bar) Depth of field (white bar) At default settings, focus distance increases when the focus ring is rotated clockwise and decreases when the ring is rotated Checking Focus While in general focus can be determined by an inspection of the image in the viewfinder, the manual focus indicator can also be used as guide. Focus distance is indicated by the red bar, while the white bar shows the field depth. The focus distance can be displayed in meters or feet, with the selection made using the FOCUS SCALE UNITS option in the set-up menu. Zooming in on the electronic viewfinder or LCD monitor counterclockwise. This can be reversed in the FOCUS RING of setup menu. Reduce focus distance Increase focus distance Increase focus distance Reduce focus distance Even in manual focus mode, you can press the AE-L/AF-L Default button to instantly focus using autofocus. When shooting close-ups, for example, you can press the AE-L/AF-L button to focus on your subject and then make precision adjustments using manual focus. This option can also be used when the view through the lens is zoomed in. Note: Available in manual focus mode only. TIPS 1 Normal display Rotation reversed in setup menu Zooming in Pressing the center of the command dial magnifies the view in the electronic viewfinder or LCD monitor for precise focus. To scroll to other areas of the frame, press the AF button and use the selector. 32

22 Custom Setting Saving and Modifying Custom Settings Options Up to seven combinations of settings can be saved by pressing the MENU button and selecting EDIT/SAVE CUSTOM SETTING in the shooting menu. Each combination can contain settings for nine separate items. Create different combinations for different conditions: for example, one combination for a soft effect and another for vivid colors. Settings for More Vivid Colors FILM SIMULATION: Velvia/VIVID COLOR: HIGH (+2) SHARPNESS: HARD (+2) HIGHLIGHT TONE: HARD (+2) SHADOW TONE: HARD (+2) Once you have created a Custom Settings bank for hard contrast and vivid colors, for example, you can recall the settings quickly whenever required. You may find it convenient to create a variety of settings for different results. TIPS 1 TIPS 2 TIPS 3 33

23 Custom Setting Saving and Modifying Custom Settings Options Up to seven combinations of settings can be saved by pressing the MENU button and selecting Options EDIT/SAVE CUSTOM SETTING in the shooting menu. Each combination can contain settings for nine separate items. Create different combinations for different conditions: for example, one Settings That Can Be Stored combination for a soft effect and another for vivid colors. in Custom Settings Banks ISO DYNAMIC RANGE FILM SIMULATION WHITE BALANCE COLOR SHARPNESS HIGHLIGHT TONE SHADOW TONE NOISE REDUCTION Settings for More Vivid Colors FILM SIMULATION: Velvia/VIVID COLOR: HIGH (+2) SHARPNESS: HARD (+2) HIGHLIGHT TONE: HARD (+2) SHADOW TONE: HARD (+2) Once you have created a Custom Settings bank for hard contrast and vivid colors, for example, you can recall the settings quickly whenever required. You may find it convenient to create a variety of settings for different results. TIPS 1 TIPS 2 TIPS 3 33

24 Custom Setting Saving and Modifying Custom Settings Options Up to seven combinations of settings can be saved by pressing the MENU button and selecting EDIT/SAVE CUSTOM TIPS SETTING 1 in the shooting menu. Each combination can contain settings for nine separate items. Create different combinations for different conditions: for example, one Command combination dial for a soft effect and Instead another of selecting for vivid colors. Custom Settings banks from the shooting menu, you can press the Q button and use the quick menu for fast access. Settings for More Vivid Colors Q (quick menu) button Rotate the command dial to choose from BASIC and FILM banks SIMULATION: C1 through Velvia/VIVID C7 and press MENU/OK to COLOR: select. HIGH (+2) SHARPNESS: HARD (+2) HIGHLIGHT TONE: HARD (+2) SHADOW TONE: HARD (+2) Once you have created a Custom Settings bank for hard contrast and vivid colors, for example, you can recall the settings quickly whenever required. You may find it convenient to create a variety of settings for different results. TIPS 1 TIPS 2 TIPS 3 33

25 Custom Setting Saving and Modifying Custom Settings TIPS 3 [ HIGHLIGHT TONE ] Increase contrast in highlights or make highlight tones more muted. Options [ Options ] HARD (+2) MEDIUM HARD (+1) STANDARD (0) MEDIUM SOFT ( 1) SOFT ( 2) Note: The default option is STANDARD Up to seven combinations of settings can be saved by pressing the MENU button and selecting EDIT/SAVE CUSTOM SETTING in the shooting menu. Each combination can contain settings for nine separate items. Create different combinations for different conditions: for example, one combination for a soft effect and another for vivid colors. Settings for More Vivid Colors HARD (+2) SOFT ( 2) FILM SIMULATION: Velvia/VIVID COLOR: HIGH (+2) [ SHADOW TONE ] SHARPNESS: HARD (+2) Increase contrast rast in shadows or make shadow tones more muted. HIGHLIGHT TONE: HARD (+2) SHADOW TONE: HARD (+2) [ Options ] HARD (+2) MEDIUM HARD (+1) STANDARD (0) MEDIUM SOFT ( 1) SOFT ( 2) Note: The default option is STANDARD Once you have created a Custom Settings bank for hard contrast and vivid colors, for example, you can recall the settings quickly whenever required. You may find it convenient to create a variety of settings for different results. HARD (+2) SOFT ( 2) Photo / Water mill, Inc. TIPS 1 TIPS 2 TIPS 3 33

26 Custom Setting Saving and Modifying Custom Settings TIPS 2 [ COLOR ] This item controls saturation (color density). It can be used in combination with film simulation for a variety of effects. Options [ Options ] HIGH (+2) MEDIUM HIGH (+1) MEDIUM (0) MEDIUM LOW ( 1) LOW ( 2) Note: The default option is MEDIUM. Up to seven combinations of settings can be saved by pressing the MENU button and selecting EDIT/SAVE CUSTOM SETTING in the shooting menu. Each combination can contain settings for nine separate items. Create different combinations for different conditions: for example, one combination for a soft effect and another for vivid colors. Settings for More Vivid Colors HIGH (+2) LOW ( 2) FILM SIMULATION: Velvia/VIVID COLOR: HIGH (+2) [ SHARPNESS ] SHARPNESS: HARD (+2) This item sharpens or softens edges to make outlines stand out or lend HIGHLIGHT images a soft TONE: effect. HARD (+2) SHADOW TONE: HARD (+2) [ Options ] HARD (+2) MEDIUM HARD (+1) STANDARD (0) MEDIUM SOFT ( 1) SOFT ( 2) Note: The default option is STANDARD Once you have created a Custom Settings bank for hard contrast and vivid colors, for example, you can recall the settings quickly whenever required. You may find it convenient to create a variety of settings for different results. HARD (+2) SOFT ( 2) Photo / Water mill, Inc. TIPS 1 TIPS 2 TIPS 3 33

27 The Fn Button Assign frequently-used options to the Fn button. At default settings, this button controls ISO sensitivity, but it can also be used for quick access to film simulation settings, movie recording, or RAW image quality, among others. Functions That Can Be Assigned to the Fn Button Multiple exposures Depth-of-field preview ISO sensitivity Self-timer Image size Image quality Dynamic range Film simulation White balance AF mode Custom settings Movie recording RAW/JPEG toggle Note: Fn button options can also be displayed by pressing and holding the Fn button. The DRIVE Button Use the DRIVE button to choose from single-frame or continuous (6 fps or 3 fps) frame advance, bracketing (AE, ISO, film simulation, or dynamic range), panorama, or movie recording. The AE Button Choose how the camera meters exposure. Your options are MULTI, SPOT, and AVERAGE. Rotate to the left to reduce the size of the focus frame, right to increase, or press the command dial to restore the frame to its normal size. There are five sizes of focus frame available. The AF Button Use the AF button to choose the focus point. The EVF and LCD monitor offer a choice of 49 and the OVF a choice of 25 focus points. Press the AF button and use the selector to position the focus frame, or in the EVF/LCD monitor displays rotate the command dial to choose the frame size. NEXT 34