2. Plan the Picture: Who is the picture for? Why are you taking this picture? What is it you like
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1 1. Look like a Pro: Cup your left hand under the lens, rest your left elbow against your chest, and thrust your leg left leg out to stabilize your body. Better yet, use a tripod! 2. Plan the Picture: Who is the picture for? Why are you taking this picture? What is it you like about this scene or subject? What IS the subject? You must have a plan to make the picture come out exactly the way you want by asking these questions before you push the button. Check the background first. Make sure it is not cluttered and that the image you see in your viewfinder tells the story you are trying to tell with your picture.
2 3. Get Low and Close: Get in tight with your subject, use your zoom to eliminate distracting backgrounds and get in low for a better angle. For children, you should always be at their eye-level or below. 4. Shooting Wide: Make your wide angle shots more interesting by putting a foreground element in the foreground, such as a person, a tree, a fence, a statue, a flower bed, or any other object that separates the foreground from the background. Use a focal length of 12 to 18 mm and a F-stop of F11, F16 or F22 for maximum depth of field when incorporating a foreground element in your picture. Use a circular polarizing filter on sunny days to make the blue sky bluer and the clouds whiter. You can also use it to reduce reflections on water.
3 5. Shooting Long: Use your telephoto (100mm or higher) to zoom in on your subject, then open up your aperture. Use f2 or f3.5 for a blurred background and f16 or f33 for a sharper background. For focal lengths of 200mm or longer, use a tripod to steady the camera.
4 6. Photographing People: Always put people in the shade never in the sun and make them take off their sunglasses so that you can see their eyes. Be sure to turn them so that their left or right shoulder faces the camera and have them turn their heads to face the camera. Use a fill flash or a reflector to put more light on their faces, if necessary. Photograph them from the waist up or from the shoulders up, or take full body shots if they are wearing uniforms, wedding dresses or tuxedos.
5 7. Photographing Buildings: Always photograph buildings in the sun, east -facing buildings in the morning, west-facing buildings in the afternoon, south-facing buildings all day long. (Northfacing buildings will always be in shade.) Late afternoon or early morning sun, or civil twilight, are the best times of day for building shots. Use tree branches, archways and doorways to frame your building shots. Keep your camera perfectly straight, do not tilt back just walk back to keep your building's vertical lines perfectly parallel to the right and left edges of the viewfinder. For best results, use a super wide 10-20mm or an 11-16mm, or a 12-24mm lens held vertically and straight. Use a powerful strobe at maximum flash synchro speed or HDR to balance indoor and outdoor lighting.
6 8. Depth of Field: Use your aperture setting to blur or sharpen the background. Wide angle lenses are best for a sharp background, telephoto or macro lenses or fast 50mm lenses (f1.4 or f1.8) are best for a blurred background.
7 9. Freeze or Blur the Action: Use the shutter priority mode at 1/125th of a second or faster to stop fast-moving objects, people or animals. Slow down the shutter to 1/4 or 1/2 a second to blur the action. Use a very slow shutter speed, one second or even slower, to make moving people or cars disappear.
8 10. Nighttime and Indoor Shooting: Always use a tripod, set aperture at f/8, exposure mode on Manual, adjust the shutter speed until you get the correct exposure as shown by the picture on your LCD screen. Ignore histograms and meter readings at night. Set your White Balance to Auto, Tungsten/Incandescent or Flourescent according to light on the subject. For most accurate results, use the Kelvin Scale of color temperature if your camera offers that option.
9 11. Auxiliary flash: For the best people, family and event shooting, mount an external flash on to the hot shoe of your camera, angle its head up to the ceiling, set the flash mode to Manual, dial its power down to 1/8 or 1/16, put the camera on continuous shooting, and the flash will light up every scene. Use cloudy white balance when on flash for warmer skin tones.
10 12. The Decisive Moment: Wait for somebody to walk into the picture at just the right location to make your composition more interesting. A person dressed in red or yellow outerwear and located just in the right spot gives your picture a little punch of color.
11 Want more help? Come on one of our group photo safaris for hands-on instruction, or sign-up for private tutoring with Mr. Photo Panda himself, dressed to look like Washington Photo Safari founder and director E. David Luria! Visit us at www. WashingtonPhotoSafari.com for more information.
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