Video Options. The options available for video on the web are changing constantly. At the moment your options are divided between two types:

Similar documents
VIDEO UPLOAD SPECIFICATIONS FOR EMMY AWARD SUBMISSIONS:

Encoding Video for the Web

Premiere Pro Export Settings

Change H.264 export settings Posted by filmoy - 10 Mar :07

Start with the highest resolution source files available. This will ensure that you get the best possible quality of compression.

Podcast Compression Techniques. Richard Harrington - RHED Pixel

Tablet 300x x x x1024

Important Encoder Settings for Your Live Stream

Flash Video Encoding Demystified. Lisa Larson~Kelley

CineLink HD-D IP Decoder

CREATIVE BUILD GUIDE LOWRIDER

Your Target Audience. Programmatically Optimized Media Mix. Reaching Your Audience on Their Favorite Devices

CineLink 4K-D Multi-Channel IP Decoder

Video Compression Secrets - Smaller Files, Better Quality UPDATED (Oct 15)

[solved] Choppy playback with some source videos and edits in lightworks 12.x Posted by maxrp - 23 Nov :46

Legaltek Monarch HDX Technical Specifications

============================================================================

Online Help Browser Requirements Safari *Please note: Episode 7 does not support OS X or previous versions of Mac OS X.

Unable to import a video file into Lightworks Posted by Slashbuddy24-03 Mar :50

Encoding Video for the Highest Quality and Performance

Turbo.264 HD Manual Elgato Systems LLC 900 Kearny Street Suite 750 San Francisco, CA United States of America

About MPEG Compression. More About Long-GOP Video

Orchestrate Video MMD Live Guide

NXT Magazine NXT Magazine

Page 1 3/6/08 How to make a 4:3 DVD from High Def or Standard Def Media

Welcome to Wurl! We re excited to start working with you.

SC6C0N1 Mini User Guide

Video. Add / edit video

Technical Specifications for Digital Advertising

New Features in Final Cut Pro 6

Preparing for Online Distribution

Creative Specifications for Online Ads

Switch Release Notes. Switch

Matrox MXO Product Guide

Limitations of the trial version? Posted by arpad.andrassy - 02 Jan :47

Online Help Browser Requirements Safari *Please note: Episode 7 does not support OS X or previous versions of Mac OS X.

WMV Studio & Studio Pro WMV Player & Player Pro User s Guide WMV Export User s Guide. Version 1.0

Mevo. 1. Control Button f2.8 Glass Lens 3. Stereo Microphones 4. Speaker 5. Magnetic Base

Cisco AnyRes Video on Demand Analysis Node

Quick Start. Creating the FLV File

COMP : Practical 11 Video

10-bit HD over FireWire

Video Compression Tools

ADAPTIVE STREAMING. Improve Retention for Live Content. Copyright (415)

Compressor User Guide

HDMI/HD-SDI/VGA H.264/H.256 HEVC

Microcontroller Compatible Audio File Conversion

Reel Delivery: Design for Media Distribution Spring Class 11

Each commercial supplied must include an ID Board containing the following information: Client Product / Title Key number Duration Aspect Ratio

Optimizing A/V Content For Mobile Delivery

Tablet Specs and Guidelines

Preferred format:.mp4 /.mov Supported alternatives:.wmv,.avi,.dv,.vob,.m2ts,.m4v,.mkv

Technical Specifications for Digital Advertising

Banner: 300x50, 300x250 Interstitial: 320x480, 480x320 Platform Ad Type. Sizes. File Size. File Type. Max Frames Per Second

1.1 SD Commercial File Delivery standard (FAST)

Speaker: Richard Harrington Time/Date: Wednesday (July 20, 2005) 9:00am 12:00pm Presentation Abstract

Matrox MXO2 Release Notes (Mac OS version) March 18, vy

Step 1 Go to

All available panels can be found under the Window pull-down menu. Timeline Main panel. Where media clips are combined and edited

User Instructions Multi-Channel H.264 HD Multimedia System

AVC-Intra QT v1.0 Manual

Version x June 2016

DVS-200 Configuration Guide

MediaKind Encoding On-Demand

Dimo MXF Converter provides users the best solution play, edit MXF files and import MXF/P2 MXF recordings shot by camcorders to

Dimo MKV Video Converter for Mac is Mac MKV Converter to help you convert MKV files to MOV, WMV, MP4, MKV, etc. for editing,

EyeFrame - easy convert video to and from Lightworks with time code, reel name and proxies Posted by tin2tin - 15 Sep :42

Movavi Screen Recorder 10 for Mac

Software Versions Used in this Tutorial: Final Cut Pro: Compressor: 3.0.3

Robin Dittwald Institut für Linguistik Universität zu Köln June Subtitles with ELAN An Easy Guide

Webcaster Frequently Asked Questions

I imported a video from my PS4, when I try to play it in light works, it lags badly. What can I do to fix it?

Editing avchd with final. cut studio pro 2. Editing AVCHD with Final Cut Studio Pro 2

Department of Technology MEDIA EXCHANGE WEB APPLICATION USER MANUAL

Welcome to MainConcept AAC Encoder - Plug-In for Adobe Flash Media Live Encoder -

Can Lightworks support JVC Everio file format? Posted by davidomatic - 17 Apr :51

StreamingChurch.tv Equipment Recommendations

IP-9x0E V02L050 Enhancement List

Switch Release Notes. Switch

Adobe Premiere Pro - How to Make a 5.1 HD 1920 x 1080 QuickTime using your Surround Sound Mix

Additional Information

Debunking HTML5 Video Myths: A Guide for Video Publishers. by Robert Reinhardt

Scott D. Lipscomb. Music Education & Music Technology. Tenure Dossier. Electronic Dossier Instructions

Apple Compressor 4.1 Detailed Video Training Outline Chapter 1 - Get Started

Advertising Standards and Creative Specifications

CAMBRIA FTC CAMBRIA FTC: TECHNICAL SPECIFICATIONS. Version.9 12/6/2017. Page 1

Technical Requirements for High Definition Programming (No. HD-6.1)

SC601. User Guide V *EARLY VERSION 0.99* JMC Systems Engineering AB

Operators Upgrade Notes

HDMI/HD-SDI HEVC/H.264 IPTV

All-in-one content repurposing and delivery. Actus Digital

Revision 4.1.x /2.x.x [ ] Creating Media for Modulo Player & Kinetic

Report regarding digital audio analysis Basçalan Erdogan'in Yalanlarinin ve Yolsuzluklarinin Kaydi.mp4

Chapter 28. Multimedia

What IT Needs to Know about Media

TotalCode Studio. Professional desktop encoding for digital distribution and over the top services NEW FEATURES

Matrox Mojito MAX. Release Notes (Windows version) July 20, vy

MMS Specifications Sheet

GoStream Mini 100 GSM 100

Recommended OS (tested)

Transcription:

Reel Delivery: Design for Media Distribution Spring 2015 Class 6 - (Video Basics) Video Options The options available for video on the web are changing constantly. At the moment your options are divided between two types: 1 - Compress the video yourself and upload it to your own server (such as i5.nyu.edu) on a page you have created for it there. With this method in our classroom you would use Adobe Media Encoder. Apple Compressor, Squeeze, or on of many free and paid video encoding applications such as the free Smart Converter are also available. OR 2 - Upload the video to an online video platform (OVP) site that will compress the video for you and upload a pointer to that file on a page you create on your own server (such as i5.nyu.edu). With this method you would use Vimeo, YouTube, Viddler, LongTail video s Bits On The Run There is a third option which is kind of a hybrid of both - using a player (such as JW Player ) to compress and present the video. There are pros and cons with both of these methods. OR (reccommended) You can open your video in Quicktime 10, choose share, choose your OVP, and upload directly from there. It seems to work fine. Page 1 of 5

Pros more control over compression Compressing the video yourself Cons difficult to master difficult to make viewable on different devices (adaptive streaming) Uploading the video to an Online Video Platform (OVP) Pros easy to implement and master easy to make viewable on different devices (adaptive streaming) Cons less control as YouTube and Vimeo make further changes This being said, there exceptions to most points made - I recommend uploading the video to a site like Vimeo) that will compress it for you. General parameters if you are compressing your own video The constant here is using the H.264 video codec which will show video on most computers as well as Apple idevices which do not use Flash. Basically you need to figure out the best resolution, data rate, and H.264 encoding parameters for your video(s). (Optimal) Settings generally used by YouTube and Vimeo If uploading to Vimeo or YouTube you should export your video from Quicktime 7 first using these parameters: Page 2 of 5

Video Compression Guidelines for Vimeo and YouTube For Vimeo The following and more can be found at: https://vimeo.com/help/compression Video Codec: H.264 A codec is the format in which your video will be encoded. Vimeo accepts most major video codecs, but for best results we recommend using H.264. If you re uploading High Definition (HD) video, choose the High Profile H.264 setting instead of Main Profile. Advanced H.264 settings: To make your uploads extra smooth, choose the following advanced settings whenever possible. Closed GOP CABAC (to reduce your file size) Here are some codecs that will not work on Vimeo: G2M2, G2M3, Canopus HQ. Frame rate: 24, 25, or 30 FPS (Constant) Vimeo recommends uploading with frame rates of 24 (or 23.976), 25, and 30 (or 29.97). If you know the frame rate of your footage, it's best to encode your final video at the same frame rate. However, if your footage exceeds 30 FPS (frames per second), you should encode your video at half that frame rate. For example, if you shot at 60 FPS, you should encode your final video at 30 FPS. If you're uncertain what frame rate you shot at, set your frame rate to either "Current" or 30 FPS. If there is an option for keyframes, choose the same value you used for frame rate. Important: Always choose "constant" frame rate instead of "variable" frame rate. Bit rate Bit rate (also known as data rate) controls the visual quality of the video and its file size. The rate is most often measured in kilobits per seconds (kbit/s). If your video editing software gives you the option, choose a variable bit rate and set the target to at least 2,000 kbit/s for standard definition (SD) video; 5,000 kbit/s for 720p HD video; or 10,000 kbit/s for 1080p HD video. Quality Bitrate (kbit/s) SD 2,000 5,000 720p 5,000 10,000 1080p 10,000 20,000 Resolution Common resolutions for SD video include 640 x 480 px (4:3 aspect ratio) and 640 x 360 px (). HD video is usually formatted at 720p (1280 x 720 px) or 1080p (1920 x 1080 px). Format Resolution Standard Definition (SD) 4:3 aspect ratio Page 3 of 5

640 x 480 px Standard Definition (SD) 640 x 360 px 720p HD Video 1280 x 720 px 1080p HD Video 1920 x 1080 px Audio Codec: AAC-LC (Advanced Audio Codec) For best results, we recommend using AAC-LC (low complexity) for the audio codec. Data rate: 320 kbit/s For best results, encode your audio at constant rate of 320 kbit/s. Sample rate: 48 khz For best results, set your audio sample rate to 48 khz. If your working setting is already less than or equal to 48 khz, leave it as is. For YouTube the following and more can be found at: https://support.google.com/youtube/answer/1722171?hl=en&ref_topic=2888648 Recommended bitrates, codecs, and resolutions, and more Container:.mp4 No Edit Lists (or you may lose AV sync) moov atom at the front of the file (Fast Start) Audio Codec: AAC-LC Channels: Stereo or Stereo + 5.1 Sample rate 96khz or 48 khz Video Codec: H.264 Progressive scan (no interlacing) High Profile 2 consecutive B frames Closed GOP. GOP of half the frame rate. CABAC Variable bitrate. No bitrate limit required, though we offer recommended bit rates below for reference Chroma subsampling: 4:2:0 Frame rates Frame rates should match the source material. For example, content shot in 24fps should be encoded and uploaded at 24fps. Content recorded at 30fps should be uploaded at 30fps. Con- Page 4 of 5

tent shot in 720p60, should be uploaded at 720p60. Content at 1080i 60, should be deinterlaced, going from 60 interlaced fields per second to 30 progressive frames per second before uploading. Bitrates Standard quality uploads Type Video Bitrate Mono Audio Bitrate Stereo Audio Bitrate 5.1 Audio Bitrat 2160p (4k) 35-45 Mbps 128 kbps 384 kbps 512 kbps 1440p (2k) 10 Mbps 128 kbps 384 kbps 512 kbps 1080p 8,000 kbps 128 kbps 384 kbps 512 kbps 720p 5,000 kbps 128 kbps 384 kbps 512 kbps 480p 2,500 kbps 64 kbps 128 kbps 196 kbps 360p 1,000 kbps 64 kbps 128 kbps 196 kbps High quality uploads for creators with enterprise quality internet connections Type Video Bitrate Mono Audio Bitrate Stereo Audio Bitrate 5.1 Audio Bitrate 1080p 50,000 kbps 128 kbps 384 kbps 512 kbps 720p 30,000 kbps 128 kbps 384 kbps 512 kbps 480p 15,000 kbps 128 kbps 384 kbps 512 kbps 360p 5,000 kbps 128 kbps 384 kbps 512 kbps Resolutions YouTube uses players. If you are uploading a non-16:9 file, it will be processed and displayed correctly as well, with pillar boxes (black bars on the left and right) or letter boxes (black bars at the top and bottom) provided by the player. If you want to fit the player perfectly, encode at these resolutions: 2160p: 3840x2160 1440p: 2560x1440 1080p: 1920x1080 720p: 1280x720 480p: 854x480 360p: 640x360 240p: 426x240 The YouTube player automatically adds black bars so that videos are displayed correctly without cropping or stretching, no matter the size of the video or the player. For example, the player will automatically add pillarboxing to 4:3 videos in the new 16:9 widescreen player size. If the player is re-sized (i.e. when embedded on another website), the same process takes place so that 16:9 videos are letterboxed when the player is sized to 4:3. Similarly, anamorphic videos will be automatically letterboxed when shown in either 16:9 or 4:3 sized players. The player can only do this if the native aspect ratio of the video is maintained. You can adjust the fit of your video in our player after uploading your video by using formatting tags. If letterboxing is added to a video before it is uploaded (i.e. in the case of creating a 4:3 video from a 16:9 master), the widescreen player will add pillarbox bars too, resulting in black bars all around the video (windowboxing) and a bad viewing experience (see the diagram below). Page 5 of 5