Processing. Section 9

Similar documents
Starting a Project. Section 1

The following table lists the formats and resolutions available when you work with XDCAM media: 8 MPEG 30 MPEG 40 MPEG 50 MPEG-4 (proxy media) 4 or 8

Webpage Embedding Published on Panopto Support (

Lectora Audio Editor Information Center

Lectora Video Editor Information Center

Command Key Shortcuts

Creating a short stop motion animation with Adobe Photoshop CC. Open Adobe Photoshop CC. A note about embedding

You cannot use the Animation Key button to remove animation on a clip, track, or timeline effect when there are expressions in that effect.

Cut Film and video editing term that defines the immediate and complete change (or transition) from one image to another

Webtorial: 2-Point Tracking

Transition and Animation Effects

ACTIVITY 11. WORKING WITH STILL IMAGES IN imovie Open imovie

Pro Tools Avid Interplay Guide Version 10

It s All About Speed! Customizing DS and Learning How to Edit Faster Saturday, April 17 th, 10:15 11:30am

APPLE IMOVIE HD TUTORIAL

Using Windows MovieMaker pt.1

Shattering Mirror Effect

Closing Credits. Tutorial 1

PostDeko for Editors Workflow

A basic introduction to imovie 2 From importing video to editing to exporting video. Created by: Leslie Arakaki Clinton Iwami.

imovie: Digital Storytelling

EDITING ON FINAL CUT PRO

Click New Project from the Premiere Pro Welcome screen, or select File > New Project.

ADOBE PREMIERE PRO Lesson: The Basics

Highline College Busn 216: Computer Applications for Business (Fun and Power with Computers) Office 2016 Video #12: PowerPoint

Custom Wipe Using a Bitmap Image

Using Canon C300 MXF footage in Media Composer v6 and v7

Viz NLE Administrator s Guide. Product Version 1.7 November 27, 2013

Use Resolve to create 4K Avid Media from A7Sii footage

Media Composer 5 Changes/Additions for 4th Edition Readers

imovie with Still Pictures

Microsoft PowerPoint 2016 Basics Unit 9 Final Review - Student Notes Directions: Fill in the blanks.

Creating in Camtasia

Windows Movie Maker Live

This means that Avid users now have the same simple workflow available to them as users of Apple Final Cut Pro:

Camtasia Studio 5.0 PART I. The Basics

Settings for Timecode Chasing for T2 Express/Pro/Elite April 2015

INTRODUCTION... 3 OVERVIEW... 4 DAILIES CREATION STEPS... 5 ADDITIONAL METADATA USING ALE ONE STEPALE RE-LINK ADDITIONAL RESOURCES...

How UserVue and Morae 1.3 Work Together

Kaltura Guidebook Table of Contents

Editing and Finishing in DaVinci Resolve 12

Avid FX Tutorials. Understanding the Tutorial Exercises

Custom Heart-Shaped Wipe

Adobe Premiere Elements Workspace overview. Creating a new project. About projects. Start a new project

To familiarize of 3ds Max user interface and adapt a workflow based on preferences of navigating Autodesk 3D Max.

New Features in BCC AVX 4.0

imovie 10 Workshop #1 from basics to badass

Screencast.com. Getting the Most from Your Screencast.com Account. July TechSmith Corporation. All rights reserved.

Downloaded from

DEKOMOS. Browser and Editor Reference. Pinnacle Systems, Inc. 280 N. Bernardo Avenue Mountain View, CA 94043

Working with Time Remap in EDIUS

Preparing and Capturing 2D Animations from FlipBook: A Primer By: Krishna M. Sadasivam and Trina Pinkney Revision 1.0.

Visualizer with Pixel Editor (PE) and Sequence Editor (SE)

Adobe Photoshop CC By Washan Najat Nawi

Versio EAS Setup. v.2.0

Avid Symphony Editing Collaboration Guide. a tools for storytellers

Editing and Effects in DaVinci Resolve 12.5

How to change clip speed and direction

Final Cut Pro: Intro How to Make a DVD from a mini-dv tape

How to Use Windows Movie Maker to Create a Video

Adobe After Effects CS6 Digital Classroom

KEY APPDC Lesson 4 WORKSHEET

Editing & Color Grading 101 in DaVinci Resolve 15

Getting to Know Final Cut Pro X

Intermediate/Advanced. Faculty Development Workshop FSE Faculty retreat April 18, 2012

Creating an im ovie project Adjust Project Settings

Milestone Systems. Quick guide: Search and export video evidence. XProtect Smart Client 2017 R3

Avid Configuration Guidelines LENOVO ThinkStation S30 Six-Core CPU Workstation Media Composer 6.x Symphony 6.x NewsCutter 10.

The Monitor Window. 3.The Monitor Window Premiere Pro 1.5 H O T

imovie The imovie Screen Monitor Window Shelf Home Play Full Screen Playhead Play Fast Forward Rewind Clip Viewer Timeline Design Panels Volume

Create a movie project (using imovie app, version 211, on iphone 6)

Adobe After Effects CC

Avid Configuration Guidelines Apple Mac Pro Ivy Bridge 6-Core, 8-core or 12-core CPU Workstation

The following information is intended to get you up and running as quickly as possible and covers the following: m contents of the box m about online

Avid Configuration Guidelines Apple Mac Pro Ivy Bridge 6-Core, 8-core or 12-core CPU Workstation

USING VANTAGE PLAYBACK SERVICE FOR AVID INTERPLAY TRANSFER ENGINE

Avid Configuration Guidelines HP Z420 Six-Core CPU Workstation Media Composer 6.x Symphony 6.x NewsCutter 10.x and later

Radiology Associates - Office Computer Set-Up Guide

First Walkthrough: Fundamentals of Camtasia Studio

Using Apple s imovie. 1. copyright President & Fellows of Harvard College

Creative Media User Guide.

Project Storyboard. Project Name: Date: Project Members: Scene: Scene: (#) Frames to Show: (#) Frames to Show: Scene: Scene: (#) Frames to Show:

Windows Movie Maker. The Toolbar. The Toolbar

Consolidated High School District Orland Park, Illinois Windows Movie Maker Instruction Guide

Premiere Pro CC 2018 Essential Skills

Adobe Premiere Pro CC 2015 Certification Review

Local Playback Software User Manual

Avid Certified Media Composer Course Outlines

Adobe Premiere Elements Tutorial

Powerpoint. Powerpoint Basics ext Inserting a New Slide. Want more information?

Editing Videos. Overview. 1. Open the Editor

User Guide. Software Key (Extended Panasonic AMA Plug-in) Model No. Model No. ENGLISH M0613TN0 -SA VQT5D94 (E)

The folder Icon allows you to create a folder for placing export settings for file management and organization.

A+ Suite Software. User Manual

MSite TV - End User Guide. June 2018

SoftPro 360 User Guide

Avid Media Composer Update Notes v3.5

How to use Movie Maker

Accessing Applications with the Application Browser

VThis App Note USING VANTAGE PLAYBACK SERVICE FOR AVID INTERPLAY TRANSFER ENGINE. App Note

Transcription:

Section 9 Processing Duration: 30 minutes Some of the effects in your sequence will require processing. In this section, you will learn how to select an area or effect, and set the most appropriate options for it. The following topics provide information about processing effects: Processing Effects How Do I Process?

Section 9 Processing Processing Effects n Before you can play most of the effects, you will have to process them. When you process effects, a final image or sequence of images is created and stored in a new media file, called a cache, so that your source media remains unaltered. During playback, this new cache file is used instead of the source media. Media Composer: Rendering is referred to as processing in Avid DS Nitris. Clips without effects point directly to source media. Source media Clip with an effect that needs processing. Source media Cache media After processing, the generated cache file is used instead of source media. Processing is usually needed for video images and graphics. Some video effects do not need processing as Avid DS Nitris can compute the effects during playback. These are known as real-time effects. For more information, see Working with Real-Time Effects in the Help. 114

Processing Effects When you apply an effect to a clip, the timeline ribbon above it changes color to indicate the processing is needed. Before the effect is processed, there are three possible colors that may appear on the timeline ribbon: green, yellow, or red. Red indicates that the effect cannot be played in real time and needs to be processed first. Yellow indicates that the clip can be played in real time and processing is optional. Green indicates that the clip is guaranteed to play in real time and processing is not required. Process button turns red or yellow. Timeline ribbon When the red highlighted area in the timeline ruler is played back, the viewer does not show the resulting image. You will see the Processing Needed message instead. If you have the Avid DS Nitris DNA workstation, you get guaranteed real-time playback and output of some real-time effects because of the accelerated hardware in the workstation. These effects have a green color on the timeline ribbon where they are applied. If you are not using the Nitris DNA workstation, then all effects are processed with the Avid DS software. If your workstation has sufficient processing power, many effects can be computed in real time by the software, allowing you to view the results during playback. These effects are indicated by a yellow color on the timeline ribbon. 115

Section 9 Processing Any effects that cannot be processed in real-time by the hardware or the software will have a red color on the timeline ribbon. When you play back areas where these effects are applied, you will see a Processing Needed message displayed in the viewer. n The Process button also turns red or yellow to indicate when processing is needed. You can process effects even if they are real-time effects. When you process effects, a cache is created with the new processed media. This guarantees perfect playback and output of your sequence. Once a cache is created for a given effect, the timeline ribbon above is cleared. That is, there will no longer be any colored sections. 116

How Do I Process? How Do I Process? In Avid DS Nitris, you can process a specific effect, a specific region, or the entire sequence. To work even more efficiently, you can process the more complex effects at different stages in your sequence. To process an effect: 1 Open Sequence1. 2 On the timeline, select a region or object to process. An object can be a clip, track, effect, or transition bar. 117

Section 9 Processing 3 Click the red/yellow Process button on the timeline. If the button is not highlighted, open the property editor of the effect you want to process and click the All button in the property editor. The Processing Options dialog box displays. 4 Select what needs to be processed. You can also process real-time effects. 5 Select Minimal for quicker processing. 6 Choose whether you want to process in fields or frames. 7 Set the precision bit depth to optimize the processing quality of the video media. 8 Set the resolution at which the caches are created. The lower the resolution, the faster the processing times and the less storage space used. 9 Select the storage areas for audio and video. 10 Click Help for more details on all the options in this dialog box. 11 If you have sufficient space on the storage device, click OK to begin processing. 12 Save your sequence. 118

How Do I Process? A progress bar appears at the bottom of the desktop to show the status of the process. The progress bar shows the number of passes, frames, and the estimated time that Avid DS Nitris will take to process your selection. These passes are based on the number of container clips and the levels of processing required within the selected region. 119

Section 9 Processing 120