CONTENTS CANON LENS DEPTH OF FIELD

Transcription

1 Canon ", LENSES

2 Canon Lenses The CANON LENS has been acclaimed by many experts as the finest lens in its class today. Jt is a precision instrument as carefully constructed as the CA ON CAMERA itself. Treat it with respect. It has been accurately set and aligned by hand and final settings are made with microscopic alignment instruments. ALL CANON LENSES are rigidly checked for resolving powers and lens aberration- spherical, coma, astigmatic, curvature of field, distortion, chromatic- and color definition. Any lens that does not come up to our very high standards in anyone of these tests is immediately discarded. According to the cha racteristics of the lenses they are coated either in purple, magenta, or amber in order to obtain true color for color photography. Do not endeavour to open up the lens. If there is anything wrong return the lens to your dealer who will forwa rd it to the manufacturers for their attention. N ote, All Canon Manufactured Lenses are coupled with the Canon Camero Range finder Mechanism.

3 CONTENTS HOW TO USE CANON LENS How to dismount and mount lens... 4 Infrared mark Descriptions How to take care of your lens 7 A series of pictures t aken from the same spot using various Canon Lenses Viewfinder and Parallax Adiustment CANON LENS 25 mm f : mm f : mm f : mm f : mm f : mm f : mm f : mm f : mm f : mmf : mm f: mm f: mm f: mm f : mm f: DEPTH OF FIELD 25 mm mm mm mm mm mm mm mm mm

4 TO DISMOUNT LENS Unscrew the lens by grasping its base. First loose the lens by a slight jerking motion, then unscrew gently. Do not oil the thread of the lens or tamper with the lens in any way. Always keep the lens flange shaded. TO MOUNT LENS Holding the lens by its base, find the thread ot the screw by turning the lens slightly in a counter-clockwise direction, then screw clockwise into the flange until tight. f\!ote, 1. When dismounting and mounting the lens, the lens may be in either extended or retracted position in case of Sta ndard and Wide-Angle Lenses. In case of Telephoto a nd Long Focus Lenses, it is recommended that the lens be kept in extended position to protect the range-finding mechanism. 2. Do not attempt to tighten the lens into the flange by grasping any other part but the base.

5 INFRARED MARK Infrared Mark is used only for infrared photography. After focusing in the usual manner, read the object distance scale of the lens and then turn the lens so that the object distance is exactly opposite the UR" index mark. The lens is now focused for infrared photography. Infrared mark on any Canon lens is situated in a position where it will offer the best result by using infrared film and infrared filter (such as Kodak IR 135 and Wratten Filter No. 87), both having a maximum sensitivity at a wave length of approximately 8oooA. Therefore it is appropriate to shift about 1/3 of the amount to ur" when using, say Kodak Plus X or regular-panchromatic film with a Wratten filter of about No

6 DESCRIPTIONS Parallax-Compensating Scale r Lens Aperture Scale r---- Focusing Lever Focusing Ring :... i:.i!!~~'---- Distance Scale Special Viewfinder for Models prior to Vr Depth of Focus Scale Milled Ring L- Lens Bose Cover :!II!l!!.I... IIII~ 6

7 How to take care of your lens 1. Lenses should not be changed in direct sun light. camera in the shadow of your body. Turn your back to the sun and hold the 2. Keep always the lens mounting flange of your camera free from dust or dirt. After dismounting, your lens should be covered with dust cap instantly to protect the helicoid which is the most important part of the lens. 3. Never touch the lens surface with your finger. In case it becomes necessary to remove dust from the surface use a fine soft brush or reliable lens cleaning tissue. If further cleaning is necessary for removing finger mark, etc. wrap lens cleaning tissue or lint-free cotton cloth on tip of a stick and moist it with alcohol (mixed with ether when possible) and wipe the surface in gentle circular motion from center to perimeter. Never wipe with excessive pressure or you might scratch the surface. 4. Do not store your lens in hot and/or humid places. The best way to store your lens is to keep it in an air-tight container or desiccator with moisture absorbent such as silica gel. 5. Never subject the lens to a sudden, extreme change in temperature or lens cracks may result. 6. Do not attempt to screw in or unscrew the lens by grasping any other part (especially focusing knurled ring) but the base. 7

8 A series of pictures taken from the same spot using various CANON LENSES 28mm f: mm f : mm f : mm f: mm f : mm f: mm f: mm f: mm f : 1.2 8

9 85mm f : mm f : 1.5 loomm f : mm f : 3.5 9

10 VIEWFINDER vs PARALLAX ADJUSTMENT As the built-in viewfinder at the camera has no device tor parallax adjustment, a separate viewfinder is recommended for all lenses except those with normal focal length (50mm and 35mm for Canon Camera Model VT and 50mm for all the other Canon Cameras). A variety of viewfinders are available for Canon Lenses. Among them are : (I) For use with Canon Camera Model VT: ZOOM FINDERS "s" and " L", and LUMI FIELD VIEWFINDERS V and SPECIAL VIEWFINDER V. When used on Canon Camera Model VT, these finders are mechanically coupled to the built-in rangefinder ot the camera and parallax is automatically compensated as the lens is focused. (2) For use with Canon Camera Model IVS2, II S and a ll other models except Model VT: TWIN-TURRET ZOOMFINDER II, UNIVERSAL VIEWFINDER, UNIVERSAL FRAMEFINDER and SPECIAL VIEWFINDERS. When these viewfinders are used, you have to manually adjust the PARALLAX-COMPENSATING SCALE because they are not mechanically coupled to the built-in rangefinder of the camera. If, for instance, the reading of the Distance Scale of the lens is 10 feet after accurate focu si ng, set the Parallax-Compensating Scale of the Viewfinder to 10. The field you then see through the Finder will be identical with what the lens will register on film frame. Note, Even those viewfinders which are not designed for Model V'P Canon can be used on the Model Vl' camero provided that parallax compensation is made manually. 10

11 ULTRA -WIDE -ANGLE CANON LENS 25 mm f: 3.5 LENS ELEMENTS: 5 LENS MOUNT & HEAD: MINIMUM APERTURE: DISTANCE SCALES: ANGLE OF VIEW: MAGNIFICATION: COATING : NET WEIGHT: NON-COLLAPSIBLE, NON-REVOLVING f: ft, or 1-20 m, X PURPLE 142 grams or 5 oz. 11 A radically new lens giving the unrivalled, full, sharp angle-of-view of 820. An extremely useful lens for indoor photography or landscape shots. Incorporates new Spectra-coated (TM) rare glass elements permitting the fastest speed ever possible in this focal length, without sacrifice of definition or crisp edge-toedge quality, even at full opening.

12 WIDE - ANGLE CANON LENS 28 mm f: 3.5 LENS ELEMENTS: 6 LENS MOUNT & HEAD : NON-COlLAPSI BLE, NON-REVOlVING MINIMUM APERTURE: f: 22 DISTANCE SCALES: ft, or 1-20 m, co ANGLE OF VIEW : 75' MAGNIFICATION : 0.56X COATING : PURPLE NET WEIGHT: 145 grams or 5.1 oz. A unique lens of exceptionally wide angle of view and speed. Completely accurate and uniform in ligh t transmission. 12

13 WIDE - ANGL E CAN ON LENS 28 mm f: 2.8 LENS ELEMENTS : LENS MOUNT & HEAD : MINIMUM APERTURE : DISTANCE SCALES : ANGLE OF VIEW : MAGNIFICATION : COATING : NET WEIGHT: 6 NON-COLLAPSIBLE, NON-REVOLVING f, ft, or 1-20 m, X MAGENTA 159 grams or 5.6 oz. 13 Embodies new rare glass elements, making possible the fastest aperture design in this wide angle field. No barrel distortion or curvature at all lens openings, covers 75 field. Superb aberration-free and comafree design.

14 NORMAL WIDE -ANGLE CANON LENS 35 mm f: 2.8 LENS ELEMENTS: LENS MOUNT & HEAD : MINIMUM APERTURE : DISTANCE SCALES : ANGLE OF VIEW : MAGNIFICATION : COATING : NET WEIGHT : 6 NON-COLLAPSIBLE, NON-REVOLVING f: ft, or 1-20 m, ' 0.7 X PURPLE 165 grams or 5.8 oz. 14 Designed on CANON's own formula. Excellent for color and black-and-white negatives.

15 NORMAL WIDE -ANGLE CANON LENS 35 mm f: 1.8 LENS ELEMENTS: LENS MOUNT & HEAD : MINIMUM APERTURE : DISTANCE SCALES : ANGLE OF VIEW : MAGNIFICATION : COATING : NET WEIGHT : 7 NON-COLLAPSIBLE, NON-REVOLVING f : ft, or 1-20 m, X AMBER 125 grams or 4.4 oz. 15 World's fastest wide-angle lens (64 ), superbly corrected for color, definition and curvature-free results wide open. This lens also fea tures Canon's new Spectra-coating, wh ich gives added brilliance and at the same time improved color quality.

16 STANDARD CANON LENS f: 2.8 LENS ELEMENTS: 4 LENS MOUNT & HEAD: NON-COLLAPSIBLE, REVOLVING MINIMUM APERTURE: DISTANCE SCALES: f: ft, or 1-20 m, 00 ANGLE OF VIEW: COATING: 46 0 MAGENTA NET WEIGHT: 128 groms or 4.5 oz. Ideal all-round lens not only for landscapes, portraitures, etc., but also for copying, enlarging work, etc. An excellent lens for color as well as blackand-white. 16

17 STANDARD CANON LENS 50mm f: 1.8 (Improved) LENS ELEMENTS : LENS MOUNT & HEAD : MINIMUM APERTURE : DISTANCE SCALES : ANGLE OF VIEW : COATING : NET WEIGHT : 6 NON-COLLAPSIBLE, NON-REVOLVING f : ft, o r 1-20 m, A M BER 270 grams o r 9.5 oz. 17 A newly improved high speed lens design which reduces spherical aberration to the absolute minimum, eli minating coma and providing an extremely flat image surface. Ideal standard lens for black-and-white and color.

18 STANDARD CANON LENS 50 mm f: 1.5 LENS ElEMENTS : LENS MOUNT & HEAD: MINIMUM APERTURE: DISTANCE SCALES : ANGLE OF VIEW: COATING: NET WEIGHT : 7 NON-COLLAPSIBLE, NON-REVOLVING f: ft, or 1-20 m, AMBER 270 grams or 9.5 oz. CANON's proudest achievement In high speed 50 mm lenses ideally suited for adverse light conditions. Has excellent resolution and is color corrected to the fullest extent. 18

19 STANDARD CANON LENS 50 mm f: 1.2 LENS ELEMENTS : LENS MOUNT & HEAD : MINIMUM APERTURE : DISTANCE SCALES : ANGLE OF VIEW : COATING : NET WEIGHT : 7 NON-COLLAPSIBLE, NON-REVOLVING f: ft, or I-20m, AMBER 322 grams or 11.4 oz. The first lens faster than f: 1.5, which produces a camera image of superb definition and resolution wide open. This lens even surpasses the resolving power of the already accepted leader, Canon's previous 50mm f: 1.8. Incorporates new rare-glass elements, permitting its aberration-free performance at all stops. Another Canon revolutionary advance 19 in.. Ava ilable light " photography.

20 LONG F OCUS CANON LENS 85 mm f: 1.9 LENS ELEMENTS : LENS MOUNT & HEAD : MINIMUM APERTURE : DISTANCE SCALES : ANGLE OF VIEW : MAGNIFICATION : COATING: NET WEIGHT : 6 NON-COLLAPSIBLE, REVOLVING f, ft, o r 1-30 m, X MAGENTA 605 g rams or 22 oz. 20 Probably the finest lens in its class. Ideal for portraiture, excellent resolution; popular with press photographers.

21 LONG -FOCUS CANON LENS 85 mm f: 1.5 LENS ELEMENTS: LENS MOUNT & HEAD: MINIMUM APERTURE: DISTANCE SCALES: ANGLE OF VIEW: MAGNIFICATION: COATING: NET WEIGHT: 7 NON-COLLAPSIBLE, REVOLVING f: ~ 1 00 ft, or 1 ~30 m, co X AMBER 730 grams or 25.8 oz. 21 Semi-long-focus lens of CANON's unique design. A light weight lens combining superlative resolution and speed. An excellent lens for stage shows and portraiture.

22 TELEPHOTO 100 mm f: 3.5 CANON LENS LENS ELEMENTS : LENS MOUNT & HEAD : MINIMUM APERTURE: DISTANCE SCALES : ANGLE OF VIEW : MAGNIFICATION: COATING: NET WEIGHT: 5 NON-COLLAPSIBLE, REVOlVING f : ~100ft, or 1~30m, X PURPLE 184 grams or 6.50z_ 22 Lightest lens made from modern light-weight alloy. Recommended for sports, landscapes and press work. Combines speed and critica l sharpness.

23 TELEPHO TO 135 mm f: 3.5 CANON LE NS LENS ELEMENTS : LENS MOUNT & HEAD : MINIMUM APERTURE: DISTANCE SCALES: ANGLE OF VIEW : MAGNIFICATION : COATING : NET WEIGHT : 4 NON-COLLAPSiBLE, REVOLVING L ft, or m, " 2.7 X MAGENTA 565 grams or 19.9 oz. 23 Aberration corrections are nearly perfect. Recommended for all classes of long distance and aerial photography.

24 TELEPHOTO 400mm f: 4.5 CANON LENS LENS ELEMENTS: LENS MOUNT & HEAD : MINIMUM APERTURE: DISTANCE SCALES: ANGLE OF VIEW: MAGNIFICATION : COATING: ACCESSORIES: 5 NON-COLLAPSIBLE, REVOLVING f,22 26~IOOOft, or a~200m, co 6' ax MAGENTA LENS HOOD, MIRROR BOX, FILTERS (5 pcs.) DOUBLE CABLE RELEASE, WOODEN CARRYING BOX, LEATHER CASE AVAILABLE UPON REQUEST 24 High speed telephoto lens with reflex housing. An exceptionally clear view is possible th rough the reflex housing because the filter is positioned behind the reflex mirror and does not interfere with light transmission.

25 EXT R A-LON G-F 0 C U S 800mm f: 8 CANON LENS LENS ELEMENTS : LENS MOUNT & HEAD : MINIMUM APERTURE : DISTANCE SCALES : ANGLE OF VIEW : MAGNIFICATION : COATING: ACCESSORIES: 2 NON-COllAPSIBLE, REVOLVING f : m-500 m, 00 3' 16 X PURPLE MIRROR BOX, LENS HOOD, FILTERS (2 pcs_), DOUBLE CABLE RELEASE, TRIPOD, WOODEN CARRYING CASE 25 [deal for recording ani mal life in its natural habitat, spo rting events, and other subjects at extreme distances from the photographer. Because this lens has resolving power equal to the standard 50mm lens, any enlargements wi ll have the life-l ike qualities of ordinary close-up. Tt is especia lly recommended with infra-red film for distant landscapes where precise detail is required.

26 o FRONT ATTACHMENT FOR ZOOM FINDER IT & ZOOMFINDER "s" DEPTH OF FIELD IN FEET Distance focv$sdi--:--::-:-t_:---:-i :.:.C:..ir:..ci:..eT :..f:.:.c:.:.o:.. nf:.:.u::sio:::n::=to:,:: O3:5=-_, f : 3.5 f : 4 f ; 5.6 f : 8 f; 11 f : 16 f : 22 It ft in ft-in ft in ft-in ft-in ft-in ft-in ft-jn ft-in ft-in fhn ft-in ft-in ft-in ' 7-7l /e / /. ' J /a 6-83/s S-'/s /2 " /s 7-, / / /" S-P/a /8 6-4]/. 5-)ll. 4-JS/a / ' / / '/a 3-' 2-101/, 2-3'/a 5-61/ / / J - 1P/. 3-43/8 2-' 2-P! /a 8-1F/s 4-43 / / / / /8 J- Jl l {a 6-103/. 3-9 J / /2 3-5'/ / /a '/ /. S-l l{ '/a /. 6-1)/8 l-si! / /a I- BSla ]3/ / / /2 2-B3/8 5-1/8 2-51{2 ' /8 B-al/a l-iol/a $/. 25mm 26 CANON LENS 25mm

27 DEPTH OF FIELD IN METERS Dis:ance focused Circle of Confusion=O.035 f, 3.5 f, 4 f, 5.6 f : 8 I, 11 I, 16 f : S O.":j \ l , ~es" ZOOMFINDER FOR STANDARD & LSO ~ S !> WIDE ANGLE LENS (See Page 10) 25mm f : 3,5 27

28 DEPTH OF FIElD IN FEET f; 11 f : 16 f: 22 ft ft-in ft io ft in h-in fl-in ft-in ft-~ ft in f~~ ~in ft-~ h-in 50 2S 27 - t P ia 22 - t , tt /.,-. J- 4 1 /., / /e 46- t / l /a 3-8> f ~ '2_111/. SPECIAL VIEWFINDER (See Page 10) /a I ' / T h 5-103/a '1, J- 9 7/s 3-11/ a 4-9 1/a / 2 8-6) / '1.15- Jr / /s 6- sis 4- ilia ' I /. 3-8 l /. 7-77/ ft 3- 'Pl a / ':12- oil? / /s 4-9 7/s 3-41 / /e 3-17/a J!. 0-67{ 2-71 /2 8-8'/ /. 2- ella 2-6 1/. 2- JJ/" 2- I'Ia /8 '.5 3- P Ia 3-1 P Ia J - ~! a 4-11/ / & '/ { 2-47/ a 6- oji. 2- Pia 'I, 1-101/a 66-33/8 28 mm 28 CANON LENSES 25 mm

29 DEPTH OF FIELD IN METERS,. 16,. 22 Dislllrlca Circle of Confusion=O.035 focused f---:'-,-,:-.s,---,--' -,-3-.5-'--'-,-4-'--' ,----'-. c..s~t_-'-.-i-i-, , l ), , , J.8.iO LUMI-FIELD VIEWFINDER V Separately available for , , Lenses 50mm to 135mm , , (See Page 10) 28 mm f: 3.5 and f:

30 DEPTH OF FIELD IN FEET ~~e~~~~-, ~~ -, ~--~----D_e~p_lh--of~F i~e_ld_t_atb_le_.~-----r ~--~----~ ~ focused f,1.8 f,2 f,2.8 f,4 f:5.6 f:8 f:ii f:.i6 f:22 (ft) '" ft ln fi'ln 'ft ln ft ln fi ln ft-in ft tn ft.,j;n ft ln ft-in h-in ft in H-in fl-ln ft ln ft-in Ft in ft-in /2 co 6S ~ 10 1 /~ SO /4 27-2'/a ' /a 40- p /s 17-7J ( ~ /& 15-9 '/ '/_ 19- '" l1 - I1'/e 19- ] P Ie '/" fa- i'p /" 10"-.4 1/ / /" 13-7l( '/ J/_ / / " / /a 7-65/1 6-45/ /" 6-65/_ 5-91/a /_ '1, 4- ~1/2 5-7/ / ' / / / / l / ~ 7-6 1/214-10:'/16-101/ /. 6~ 3.(" 9-4 S- 3 1{21l /2 3-7 '/ /,( /e 6-91 / ~ 9-93/ /.10-93/. 5-10'/212-7'/a 5-33/ / /" /2' 3-11'/ / /1 5-56/ / / /1,- 'I> 7-5 1/4 4-8' /. 8-25/ /e 9-9'/4 3-1\l/ , 27- 'I' /. 4-75/ / /1 5-7 '12 4-3'/. 5- \\ '/4 4-11/ /_ 3-93/ / / / /2 4-2'/ / / /a 4-4 sla 3-63/4 4-63/4 3-, 4-101/a 3- V Ia 5-37/. 2-IF/. 6- l 11e 2-8 1/A 8- 'I, 2-4'~:1t3-1'1. 3.' 3-4 1/a 3-8 1/. 3-3 ' /a 3-8l/a 3-3 1/, 3-93/ 'I. 4-11/1 2-1 O~ /a 4-5\/2 2-8'/ / / /a 2-23/ mm 2-11'/2 30 CANON LENSES 35 mm

31 DEPTH OF FIELD IN METERS Dislanc~ focused Circle of Confusion = O.035 f, 1.8 f,2 f, 2.8 f: 4 f : 5.6 f : 8 f, II f, 16 f, 22 20, S la , , , FILTER SCREW-IN TYPE t, mm f: 2.8 and f:

32 DEPTH OF FIELD IN FEET (" ) -,,- I ' -,,-'I, "" 1,, " /I. -6'1I1-4' lt 1-1' '1,, 1'/1 6- j ", '1_ 12- "-.,,. 25-9'/. " ,. ( - " " S-10'1I " - 1", ," 1- ' I-"/r 3-51'13-6f1,,7,. 3-.s J " ' I. 3- l 'h " /1 3- ' 3-2'/1 3-10'h 3-1'/1,,- " '/1 2-11'1...- "" " /1 4- Il'h 50mm 32 CANON LENSES 50 mm

33 DEPTH OF FIELD IN METERS Distance focused f-- _ r -,- C_irc_le--,of_ C_ o_"_fu_,_;o_" =,--O_.O_35 --, --,- -, f: 1.2 f: 1.4 f : 1.5 f: L8 f : 2 f : 2.8 f: 4 f : 5.6 f: 8 f: 11 f, < JOO co "" "" 38.QOO "" " " & C? A I.A I.AOI mm f ; 2.8, f ; 1.8 and f ;

34 DEPTH OF FiElD IN FEET OI$lonc" Circle of Confusion= O.035,.,",.d , ,-----, , ,-----, ,------, f: 1.5 f, 1.9 f : 2 f : 2.8 f : 4 f : 5.6 f: 8 f: 11 f: 22 It ft ;n ft jn f'.in ft in ft-in ft-in ft in ft in ft in ft-in ft-in ft-in ft-in ft in ft in ft-in ft in ft jn B / ~ lll/ / / \- 4' " / / ] 5/ / ' / /.24-1/ /220-21/ / / l/. 21-2l/ l/. 17-2l}e / / / / & 17* ll~ 12* 9'1. 18* PI. 12* PIa 19* 81/~ 11 * 2 22*11' )$/ '1, 7- II/~ /2 7 ~ /2 7-15ia / / ~ 6-7 l/ ~ 7 43/~ 6* 6'!, 7* 6 ' 1. 6-,jll. 7-9 l/~ 6- I 8* /1 6 - 'I /, 6- Ill Ilia 5*10 1/2 6-15/. 5* 9l 6* * 31/ / ~ 6* '/~ 6-6'/ ~IO'/2 / ~ /1 5- $/ /. 5- 'I l/~ )lla I~I / ~ 4-9 1/, ~ 4-8 1/a 5-4' / /a 1 / /,.4 - l/ /2.4. 1/2 3*11'12.4- '/2 3-1)3/. 4- Ill / / / /, 3-6'/, 3-5 5/. 3-63/ / /. 85mm 34 CANON LENSES 85 mm

35 DEPTH OF FIELD IN METERS ~~;~.n:; I- ~ _ ~ ~ C_irc_'e, O_f _CO_"_f'_SiO_"_=,O._03_5 ~ ~.-- --I f 1.5, 2 f 2.8 f :8 f: 11 f: _~OO aao S.770 i.710 U UNIVERSAL FRAMEFINDER (See Page 10) 85mm f: 1.9 and f :

36 DEPTH OF FIELD IN FEET Distance Circle of Confusion= O.035 l o, ","d f ,-----,-----, , ,------, j f, 3.5 f, 4 f : 5.6 f, B f, 11 I, 16 f : 22 It ft-i" ft-in ft-in ft-in ft-in ft in ft-in ft-in fl in ft-in ft in ft-in ft-in ft-in : , '-, 149-6' ) J1fl " /~ ' ! ' / ' ' / '/ " /4,,- 1 1 / / / PI / / l/ / '/ J1 /a / / '/ / / / / / /. 17- 'I. 24- Jlh 16- IS/a / /e / l /a ! /. 14- ]1 /a 16- 'I /s / / / '/ / /a 12-3'/ / / /a 12- S'! /e / / / /a 13-41/, / ~ 13-1 ]1/8 UNIVERSAL / /a 9-95 /e 10-21/2 9-85/ / /$ 9-55/a /e =.'a /s 7-103/. VIEWFINDER,- P /a /2,- ]1 / /e /a 8-31/a 7-8 1/a,- P Ie 7-63/s 8-6 '/ B (See Page 10) 7 / /e / /e 6-97/a 7-2l/S /1 6-73/4 7-4'/ /a 7-65/6 5-1P/8 6- 'I. 5-1]1/4 6 - 'I /a 6- ]1 / / 2 6- P Ia 5-97/ /4, /~,- B 6-45/s l OOmm ;' 5 - 'h /2,- 1/2 4-1]1 /.,- 'I. 4-11, /1 5- ]1 h / /1 5-27/e 36 CANON LENS 100mm

37 DEPTH OF FIELD IN METERS OislOI'le.e fo~l,jsed Circle of Confusion=O.035 f, 3.5 f, 4 f ; 5.6 f ; 8 f, II f, 16 f, ~ so I \ S TWIN-TURRET ZOOM FINDER II (See Page 10) loomm f:

38 DEPTH OF FiElD IN FEET Ol,tone. f Qcused Circle of Confusion= O.035 f, 3.5 f ; 4 f : 5.6 f, f, 11 f, I. f; 22 It f,-jn ft-in ft jn ft-in ft-in ft in fl in ft-in f' in fl-in f'-;n ft-in ft-in ft-in ~68- "S- 16S ) Ib7-70- '" ' , 30-2'/. '0 42- J'/. 6i '/ S'/ '/. 86- : / /, 'I, /, 26- al l [ 'I f /, f lb- all. 21-6'h 18';" / ' ' /2 23-JO't'" 16-4' / /, 1'- PI /, f. 36- ",31 " P I /, 13-10' /, /. 17- 'I f /. 12- PI / / / l / ' /2 11-3'/ '/ l SI ; 13-9'/2 10-1,' /. 1"'-' 9S/, 9-6' / 10 9-,,8'/. 10- "" /~ 9-7 ' , /8 9-31/ '/.,- 'I, 11-2 '/ ~,-, )) '/, 12-.!PI. LENS HOOD WITH 6-101/ /, 7-21/~ 6-9'/. 7-3'} /. 7-45/, 6-6 ' /1 7-6'/ /. 7-93/.. C LAMP ON TYPE /..-.- P I. 5-10'h ADAPTER RING '12 8-2'1, 7-9' / ~, '/. 8-4' / ~ 7- ~s/, 8-6'/, /, 7- P/~ 9-1' /~ 6-10' / / ]112. 1'/a 5-97/. 6-2'/,-, 6-31/.,-, 6-4 1/2 5-63/. 6-61/, 5-4'/. 6-91/ -1 ]1 /.,- 'I. "'-1 1,- I "'- 105/. 5-1' /. 4-9'1, /. 5-4'1z 4-61/ 'I, 3- IP/. 4-51, 3-1 1'1 4- 'I /..- JI /, 3-101/, 4- PI. 3-95/ 4-2 S/. 3~ 81/ 4-3 1/ / '/2 3-6'/ 3-5 )/, 3-65/, 3-5 1/ ' ,/ 3-77/. 3-3s/. 3-6'1 135mm 38 CANON LENS 135 nun

39 DEPTH OF FIELD IN METERS D istance focused Circle of Confusion=O.035 f, 3.5 f : 4 f : 5.6 I 8 I, 11 I, 16 I S32.0aO ~ \ O , " , \ , , S , ' ~~L " ZOOMFINDER FOR ' ' TELEPHOTO LENS (See Page 10) mm I :

40 DEPTH OF FIELD IN FEET ~~s:~;.e;l Circle of Confusion = O.035 f, 04.5 f : 4 f : 8 f, 11 f, I. f : 22 ft i" fl in ft in fl in fl-in ft-in fl-in ft i" ft i" ft-in ft in ft in " J '" '" '" 200 ' ' I lo '" 103 '7 ' 04 9$-" ,,- 11] " 78- J < , , ' ' <;> '" 50- a " 5 1- <;> A4-,, <7-, " a 4\ " / , 39-6' /, '/ '/1 41 -, / IJ7la 42-3 SELF TIMER '/. 37- Alf, /1 37- ' I 38-1 ill /. 39- ~1 / / ' /. ( FOr Canon) /. 35- A 34-7' ' {. 34-2'/ '/ /1 36-8'1 prior to VT /, 33-35, / /. 32-3'/ 33-81/ 32- 'I H - ' I 31-7'/ ' '/ / /. 30-4'/a / /. 28-8' /. 31-2J/ ' / '/. 28-.( '/ / /. 27-5'1 27- ' I..1- ' I 2' /. 2'- 17/ / /. 24-8' '1, 24-7l/ 25-45/ / / ' 400 mm 40 CANON LENS 400mm

41 DEPTH OF FIELD IN METERS Distance focused f, 4.5 f : 5.6 Circle of Confusion=O.035 f : B f, 11 f, 16 f : 22 LENS OPENING COVER LENS DUST CAP \ , , ~ , , \ mm :

42 DEPTH OF FiElD IN METERS DIstance on focused , 27 ~ f: 8 m 2320.S V f : l1 m \' } FILM MAGAZINE ( FOr Canon) prior to VT.~ f : 16 f : 22 f: 32 m '" , ~ ' mm 42 CANON LENS 800 mm f: 8

43 CANON AUTO-UPS Su pplementary close-up lenses. Mounts in front of Canon 50 rnm and 35 mm l enses. Permits accurate focusing through camera body rangefinder. Model No. I for focusing from 22" (55 em) to 40" (100 em). Model No.2 for focusing from 15" (39 em) to 20" (52 em). Bo th models available for, 50 mm f 1.5 Canon lens 50 mm f 1.8 (improved) Canon lens 50 mm f 2.8 Canon lens 50 mm f 1.8 Canon lens When ordering, be sure to specify the model of Canon Camera wi th which the Auto-Up will be used. CANON CAMERA HOLDER VT An ideal accessory for close-up, telephoto and time exposure shots. The Canon CAMERA HOLDER is designed to hold t he camera in a balanced position when using a tripod. The camera can be mounted either vertically or horizontally. Spirit Level ensures occurote composi tion of subject.

44 No. 327 lot Printed in Jopan by Daito CANON CAMERA COMPANY, INC., TOKYO, JAPAN