Audio Recordings. Prepared by Bobby Bothmann

Transcription

1 Audio Recordings Prepared by Bobby Bothmann RDA Audio Recordings by Robert L. Bothmann is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. Created 1 February 2013 Modified 7 May

2 Scope Step-through view of the audiobook Harry Potter and the Half-Blood Prince Generally in RDA rule order Uses MARC 21 examples Describing Manifestations & Items Follows RDA Chapters 2, 3, 4 Describing Works and Expressions Follows RDA Chapters 6, 7 Recording Attributes of Person & Corporate Body Uses RDA Chapters 9, 11 Covers relator terms only Recording Relationships Follows RDA Chapters 25, 26 2

3 Disc Label Describing Manifestations 3

4 Preferred Source 4

5 Other Sources 5

6 Title Proper RDA CORE the chief name of a resource (i.e., the title normally used when citing the resource) $a Harry Potter and the Half-Blood Prince $a Inferno Capitalization is institutional and cataloger s choice (Half-Blood Prince is a proper noun) Describing Manifestations 6

7 Note on the Title Proper RDA Make a note on the source from which the title proper is taken if it is a source other than: a) the title page,... b) the title frame or title screen... Thus, all audio recordings require a source of title note, even when the RDA Preferred Source is used 588 0# $a Title from disc label # $a Title from container. Describing Manifestations 7

8 Statement of Responsibility RDA CORE a statement relating to the identification and/or function of [names] responsible for the creation of, or contributing to the realization of, the intellectual or artistic content of a resource / $c J.K. Rowling / $a Dan Brown. For statements identifying performers, narrators, and/or presenters, see RDA For statements identifying persons who have contributed to the artistic and/or technical production of a resource, see RDA Describing Manifestations 8

9 Designations of Edition RDA CORE a statement identifying the edition to which a resource belongs 250 ## $a Unabridged. You only need to supply [edition] or [version] if the edition statement consists only of letters or numbers. MARC field is now repeatable! Describing Manifestations 9

10 Publication Statement RDA CORE a statement identifying the place or places of publication, publisher or publishers, and date or dates of publication of a resource. 264 #1 $a New York, NY : $b Listening Library, $c [2005] Describing Manifestations 10

11 Copyright Date RDA a date associated with a claim of protection under copyright or a similar regime. 264 #4 $c 2005 If no date exits, you may use date. Describing Manifestations 11

12 Copyright Dates Multiple copyright dates may be recorded as needed This may mean multiple 264 #4s. 264 #4 $3 Audio $c #4 $3 Anniversary container $c 2005 Describing Manifestations 12

13 Identifier for the Manifestation RDA CORE a character string associated with a manifestation that serves to differentiate that manifestation from other manifestations. 020 ## $a MARC 21 requires omission of ISBN and hyphens $a YA760A $b Listening Library MARC 21 requires the identifier in $a and the Source (trade name) in $b Describing Manifestations 13

14 Media Type RDA a categorization reflecting the general type of intermediation device required to view, play, run, etc., the content of a resource. 3.2 RDA LC core Use a term from Table 3.1 RDA audio Media used to store recorded sound, designed for use with a playback device such as a turntable, audiocassette player, CD player, or MP3 player. Includes media used to store digitally encoded as well as analog sound. 337 ## $a audio $b s $2 rdamedia Describing Manifestations 14

15 Carrier Type RDA CORE a categorization reflecting the format of the storage medium and housing of a carrier in combination with the type of intermediation device required to view, play, run, etc., the content of a resource RDA Record the type of carrier used to convey the content of the resource (see inset list) 338 ## $a audio disc $b sd $2 rdacarrier Remember these terms for Extent Audio carriers audio cartridge audio cylinder audio disc audio roll audiocassette audiotape reel sound-track reel Describing Manifestations 15

16 Extent RDA CORE the number and type of units and/or subunits making up a resource RDA give the number of units and an appropriate term for the carrier as listed under RDA 300 ## $a 17 audio discs RDA offers exceptions, such as alternatives preferred by the cataloging agency: 300 ## $a 17 compact discs 300 ## $a 17 sound discs Describing Manifestations 16

17 Dimensions RDA the measurements of the carrier or carriers and/or the container of a resource RDA Audiocassettes. For audiocassettes, record the length height of the face of the cassette in centimetres followed by the width of the tape in millimetres. Record the width of the tape using the metric symbol mm. Use a comma to separate the width of the tape from the dimensions of the cassette. 300 ## $c 10 7 cm, 4 mm tape RDA Discs. Record the diameter of the disc. 300 ##... $c 12 cm Record the diameter of discs in inches. 300 ##... $c 4 3/4 in. Describing Manifestations 17

18 Sound Characteristic RDA a technical specification relating to the encoding of sound in a resource. If the resource consists primarily of recorded sound, record the following sound characteristics, as applicable to the resource, if they are considered important for identification or selection: a) type of recording (see RDA) b) recording medium (see RDA) c) playing speed (see RDA) d) groove characteristic (see RDA) e) track configuration (see RDA) f) tape configuration (see RDA) g) configuration of playback channels (see RDA) h) special playback characteristics (see RDA). Describing Manifestations 18

19 AAD, ADD, DDD AAD analog recording, analog mixing, digital transfer; ADD analog recording, digital mixing, digital transfer, and; DDD digital recording, digital mixing, digital transfer. Describing Manifestations 19

20 Sound Characteristic a) type of recording (see RDA) 344 ## $a analog or digital b) recording medium (see RDA) 344 ## $b magnetic or magneto-optical or optical c) playing speed (see RDA) 344 ## $c 33 1/3 rpm or 4.75 cm/s or 1.4 m/s use 1 7/8 ips (inches per second) for analog tapes g) configuration of playback channels (see RDA) 344 ## $g mono or stereo or quadraphonic or surround or other appropriate term h) special playback characteristics (see RDA) 344 ## $h Dolby or dbx encoded or NAB standard etc. Describing Manifestations 20

21 Sound Characteristic 344 ## $a digital $b optical $c 1.4 m/s $g stereo $2 rda a) type of recording (see RDA) 344 ## $a digital b) recording medium (see RDA) 344 ## $b optical c) playing speed (see RDA) 344 ## $c 1.4 m/s g) configuration of playback channels (see RDA) 344 ## $g stereo Describing Manifestations 21

22 Digital File Characteristics RDA Record the following digital file characteristics, as applicable to the resource, if they are considered important for identification or selection: a) file type (see RDA) audio file streaming audio file b) encoding format (see RDA) CD audio MP3 c) file size (see RDA) Give file size in bytes, kilobytes (KB), megabytes (MB), or gigabytes (GB), as appropriate. f) transmission speed (see RDA). 32 kbps Describing Manifestations 22

23 Digital File Characteristics b) encoding format (see RDA) 347 ## $b CD audio 347 ## $b CD audio $2 rda $a is not necessary Describing Manifestations 23

24 RDA 4 Providing Acquisition and Access Information No distinct changes Keep it local, not in OCLC Terms of availability 020, 024, 037 Contact information 037, 260, 270, 856$m Restrictions on Access 506 Uniform Resource Locator 856$u Describing Manifestations 24

25 Content Type RDA CORE a categorization reflecting the fundamental form of communication in which the content is expressed and the human sense through which it is intended to be perceived. Use a term from Table 6.1 RDA spoken word Content expressed through language in an audible form. Includes recorded readings, recitations, speeches, interviews, oral histories, etc., computer-generated speech, etc. performed music Content expressed through music in an audible form. Includes recorded performances of music, computer-generated music, etc. 336 ## $a spoken word $b spw $2 rdacontent 336 ## $a performed music $b prm $2 rdacontent Describing Expressions 25

26 Intended Audience RDA the class of user for which the content of a resource is intended, or for whom the content is considered suitable, as defined by age group (e.g., children, young adults, adults), educational level (e.g., primary, secondary), type of disability, or other categorization RDA Record the intended audience for the content if the information is stated on the resource or is readily available from another source and is considered to be important for identification or selection (e.g., if the resource is designed for use by persons with disabilities). 7.7 Core element for resources intended for children 521 1# $a Ages 9 and up. Tip: Amazon.com s Product Details section is a reliable source. Describing Expressions 26

27 Summarization of the Content RDA an abstract, summary, synopsis, etc., of the content of a resource RDA Provide a brief objective summary of the content of the resource if it is considered to be important for identification or selection (e.g., for audiovisual resources or for resources designed for use by persons with disabilities) and sufficient information is not provided in another part of the description has guidance on summaries from other sources 520 ## $a Harry searches for the full and complex story of the boy who became Lord Voldemort, and thereby finds what may be his only vulnerability. Describing Expressions 27

28 Place and Date of Capture RDA the place and date associated with the capture (i.e., recording, filming, etc.) of the content of a resource RDA Record the place of capture, naming the specific studio, concert hall, etc., if applicable, in addition to the name of the city, etc RDA Record the date of capture, giving the year, month, day, and time, as applicable. 518 ## $a Recorded at the Walt Disney Concert Hall in Los Angeles, January 8, ## $d 2011 January 8 $p Walt Disney Concert Hall, Los Angeles, California Describing Expressions 28

29 Duration RDA the playing time, running time, etc., of the content of a resource RDA Duration is Core for LC Abbreviate terms for units of time as instructed in Appendix B RDA hour(s) = hr. minute(s) = min. and second(s) = sec. Describing Expressions 29

30 Duration a) Record exact time if readily ascertainable. 300 ## $a... (approx. 19 hr.) 300 ## $a... (1:30:00) 300 ## $a... (12 hr., 14 min.) b) If the total playing time, running time, etc., is neither stated on the resource nor readily ascertainable, record an approximate time preceded by approximately. 300 ## $a... (approximately 90 min.) c) If the total playing time, running time, etc., cannot be approximated, omit it. Describing Expressions 30

31 Performer, Narrator, and/or Presenter RDA a person, family, or corporate body responsible for performing, narrating, and/or presenting a work. Record what you see: Read by..., Narrated by..., Performed by..., etc # $a Performance by Jim Dale. Describing Expressions 31

32 Artistic and/or Technical Credit RDA a listing of persons, families, or corporate bodies making contributions to the artistic and/or technical production of a resource RDA Record... if considered important. Include a statement of function with each name or group of names. 508 ## $a Produced by David Rapkin and Orli Moscowitz; directed by David Rapkin. Describing Expressions 32

33 Award RDA a formal recognition of excellence, etc., for the content of a resource given by an award- or prize-granting body. 586 ## $a The Hall of Fame Award at the 2006 Audie Awards for the Harry Potter Audiobook Series. Tip: Wikipedia is a good source for awards Describing Expressions 33

34 Name Elements Use the form of name for persons, families, and corporate bodies that you find in the NAF (name authority file) via OCLC, LC, or other access venue RDA Relationship Designator, a designator that indicates the nature of the relationship between a resource and a person, family, or corporate body associated with that resource represented by an authorized access point and/or identifier RDA Record one or more appropriate terms from the list in Appendix I RDA RDA Record a publisher, if considered important for access 100 1# $a Rowling, J. K., $e author, $e narrator # $a Rapkin, David, $e producer, $e director # $a Moscowitz, Orli, $e producer # $a Dale, Jim, $e storyteller # $a Listening Library, $e publisher. Describing Relationships N.B. Comma 34

35 Appendix I Designators for Group 2 ßà Group 1 Entities Appendix I relationship terms are only used with access points for persons, families, and corporate bodies associated with the resource # $a Robinson, Richard H., $d $e author # $a Queen Latifah, $d $e actor # $a Rapkin, David, $e producer, $e director. LC-PCC PS for Appendix I.1 RDA Consult the PCC Guidelines for the Application of Relationship Designators in Bibliographic Records: Relat-Desig-Guidelines.docx Describing Relationships

36 LC-PCC PS Appendix I Guideline 4 Assign an RDA element name as a relationship designator, e.g., "creator" (19.2) or "publisher" (21.3) if it will most appropriately express the relationship. Note: This departure from RDA is necessary in our current MARC environment to express the relationship because not all RDA elements have dedicated MARC fields # $a Illinois Library Association, $e creator # $a New Line Productions, Inc., $e publisher # $a POOF-Slinky, Inc., $e manufacturer. Describing Relationships

37 Recording Relationships 24.4 RDA Guidelines on recording relationships RDA Description of the Related Work, Expression, Manifestation, or Item Provide a description of the related work, expression, manifestation, or item in one or other of the following forms, as appropriate: a) a structured description (i.e., a full or partial description of the related resource using the same order of elements that is used for the resource being described) b) an unstructured description (i.e., a full or partial description of the related resource written as a sentence or paragraph). That is, make notes as needed related to content in the resource and relationships to other works or expressions. Describing Relationships 37

38 Related Works (Structured Description) $i Relationship information (use Appendix J) 700, 710, 730 for Works and Expressions (Never use 740) 700 1# $i Complemented by (expression) : $a Rowling, J. K. $t Harry Potter and the Half-Blood Prince # $i Sequel to: $a Rowling, J. K. $t Harry Potter and the Order of the Phoenix # $i Sequel: $a Rowling, J. K. $t Harry Potter and Deathly Hallows. 776 for Manifestations $i Online version: $a Rowling, J. K. $t Harry Potter and the Half-Blood Prince. $b Unabridged. $d New York, NY : Listening Library, [2005] Describing Relationships 38

39 Related Works (Structured Description) 25.1 RDA Formal Contents Notes (Structured Description) Use 505 and appropriate indicator Record title proper that appears in source Record the first statement of responsibility Generally omit prefatory and similar matter of little importance For [resources in one unit]: Omit chapter and section numbering Use a space-dash-space to separate the components Describing Relationships 39

40 Related Works (Structured Description) If contents are applicable, record them $t Dentists without borders -- $t Attaboy -- $t Think differenter -- $t Memory laps -- $t A friend in the ghetto -- $t Loggerheads -- $t If I ruled the world -- $t Easy, tiger -- $t Laugh, Kookaburra If applicable and appropriate you may add the duration in parentheses after each work recorded in the 505. Use $g for enhanced TOC $t Dentists without borders $g (13 min.) -- Describing Relationships 40

41 Conventional Collective Titles RDA LC-PCC PS Record a conventional collective title as the preferred title for the work. Give an authorized access point for the first or predominant work or expression # $a Sedaris, David, $e author $a Short stories. $k Selections $a Let s explore diabetes with owls $t Dentists without borders -- $t Attaboy $i Container of (work): $a Sedaris, David. $t Dentists without borders. Describing Works 41

42 42

43 Creators Persons and families who are performers may only be considered creators if they composed the work they perform or if, according to paragraph 4, they are responsible for modifying a previously existing work in a way that substantially changes the nature or content of the original and results in a new work. The mere fact that a performer is prominently named in a resource is not sufficient justification for determining this fact. For corporate bodies that are performers, see RDA.. 43

44 Form of Work Tip: Wikipedia is a good source for popular music RDA Recoding Form of Work Record the form of the work. Record form of work as a separate element, as part of an access point, or as both. MLA recommendation: If giving form of work as a component of an access point, routinely also record form of work in a 380 field. For other works, record form of work separately in a 380 field if readily ascertainable. Prefer controlled vocabulary such as LCGFT. For consistency, capitalize the first term. 380 ## $a Folk-rock music $2 lcgft 700 1# $i Container of (work): $a Mozart, Wolfgang Amadeus, $d $t Concertos, $m horn, orchestra, $n K. 447, $r E major. 44

45 Statements of Responsibility RDA Transcribe a statement of responsibility as it appears on the source of information MLA recommendation: When performers are named more prominently on a resource than composers, songwriters, etc., record statements identifying these performers as statements of responsibility Clarification of Role Add a word or short phrase if necessary to clarify the role of a person, family, or corporate body named in a statement of responsibility. 45

46 100 0# $a Prince, $e composer, $e performer, $e arranger of music, $e producer $a 1999 / $c Prince. 380 ## $a Rock music $2 lcgft 380 ## $a Funk (Music) $2 lcgft 46

47 $a Purple Rain / $c Prince and the Revolution. 380 ## $a Rock music $2 lcgft 380 ## $a Funk (Music) $2 lcgft 700 1# $a Prince, $e composer, $e performer, $e arranger of music, $e producer # $a Nelson, John L. $d $e composer 710 2# $a Revolution (Musical group), $e performer. 47

48 $a Swamp Ophelia / $c Indigo Girls. 380 ## $a Folk-rock music $2 lcgft 700 1# $a Saliers, Emily, $d $e composer # $a Ray, Amy, $e composer # $a Indigo Girls (Musical group) $e performer. 48

49 100 1 Miranda, Lin-Manuel, $d $e composer, $e librettist, $e lyricist, $e performer Hamilton Hamilton : $b original Broadway cast recording / $c book, music and lyrics by Lin-Manuel Miranda. 380 ## $a Musicals $2 lcgft 588 0# $a Title from disc label. Describing Manifestations 49

50 Collective Title? 50

51 RDA Guidelines for Decision RDA Comprehensive Description A description that describes the resource as a whole RDA Analytical Description A description that describes a part of a larger resource (e.g., a single volume of a three-volume biography) RDA Other Resources [Sources of Information] A textual source on the resource itself (e.g., disc label) For a comprehensive description, a container or accompanying material issued with the resource 51

52 100 1# $a Mozart, Wolfgang Amadeus, $d $e composer $a The horn concertos = $b Die Hornkonzerte = Les 4 concertos pour cor et orchestre ; Rondo KV 371 / $c Mozart. 380 ## $a Concertos $2 lcgtf 380 ## $a Rondos $2 lcgtf 588 0# $a Title from container # $a Horn Concerto in D, K Horn Concerto in E flat, K Horn Concerto in E flat, K Horn Concerto in E flat, K Rondo in E flat for Horn and Orchestra, K ## $a Recorded in London, Jan # $a Peter Damm, horn ; Academy of St. Martin-in-the-Fields ; Sir Neville Marriner, conductor # $a Damm, Peter, $d $e instrumentalist # $a Marriner, Neville, $e conductor # $i Container of (work): $a Mozart, Wolfgang Amadeus, $d $t Concertos, $m horn, orchestra, $n K. 412, $r D major # $i Container of (work): $a Mozart, Wolfgang Amadeus, $d $t Concertos, $m horn, orchestra, $n K. 417, $r E major # $i Container of (work): $a Mozart, Wolfgang Amadeus, $d $t Concertos, $m horn, orchestra, $n K. 447, $r E major # $i Container of (work): $a Mozart, Wolfgang Amadeus, $d $t Concertos, $m horn, orchestra, $n K. 495, $r E major # $i Container of (work): $a Mozart, Wolfgang Amadeus, $d $t Konzertsatz, $m horn, orchestra, $n K # $a Academy of St. Martin-in-the-Fields, $e performer. 52

53 Resource Lacking a Collective Title RDA If: the type of description chosen for the resource is a comprehensive description and the resource lacks a collective title then: record the titles proper of the parts as they appear on the source of information for the resource as a whole # $a Mozart, Wolfgang Amadeus, $d $e composer $a Horn Concerto in D, K. 412 ; Horn Concerto in E flat, K. 417 ; Horn Concerto in E flat, K. 447 ; Horn Concerto in E flat, K. 495 ; Rondo in E flat for Horn and Orchestra, K. 371 / $c Wolfgang Amadeus Mozart. Describing Manifestations 53

54 $a Violin concerto in E minor, op. 64 / $c Felix Mendelssohn ( ). Violin concerto no. 2 in G minor, op. 63 (935) / Sergey Prokofiev ( ). 380 ## $a Concertos $2 lcgft 588 0# $a Title from disc label # $a Itzhak Perlman, violin; Chicago Symphony Orchestra; Daniel Barenboim, conductor # $a Perlman, Itzhak, $d $e instrumentalist # $a Barenboim, Daniel, $d $e conductor # $i Container of (work): $a MendelssohnBartholdy, Felix, $d $t Concertos, $m violin, orchestra, $n op. 64, $r E minor # $i Container of (work): $a Prokofiev, Sergey, $d $t Concertos, $m violin, orchestra, $n no. 2, op. 63, $r G minor # $a Chicago Symphony Orchestra, $e performer. 54

55 MLA recommendation: When performers are named more prominently on a resource than composers, songwriters, etc., record statements identifying these performers as statements of responsibility $a Voice of the violin / $c Joshua Bell. 380 ## $a Songs without words (Instrumental music) $2 lcgft 588 0# $a Title from disc label # $a Joshua Bell, violin; Orchestra of St. Luke s; Michael Stern, conductor $t Vocalise / $r Sergei Rachmaninoff -- $t Ave Maria / $r Franz Schubert # $a Bell, Joshua, $d $e instrumentalist $i Container of (expression) : $a Rachmaninoff, Sergei, $d $t Romansy, $n op. 34. $p Vocalise; $o arranged. 55

56 E-Audio Resources Describing Manifestations 56

57 Electronic Audio Electronic audio recordings can be Playaway devices Downloadable audiobooks Streaming audiobooks Describing Manifestations 57

58 Other Resources RDA Other Resources For all resources that aren t sheets, pages, etc. or moving images Prefer either a permanently affixed label, a container or accompanying material issued with the resource, textual content or embedded metadata If none exist, use another source from the resource, preferring formally presented information If nothing within the resource is available, use an Other Source RDA

59 Other Sources RDA Other Sources of Information Required information not present on the resource can be taken, in order of preference, from Accompanying material A container not issued as part of the resource Other published descriptions of the resource Any other available source (e.g., publisher s or distributor s Web site)

60 Pottermore.com Describing Manifestations 60

61 Media Type RDA a categorization reflecting the general type of intermediation device required to view, play, run, etc., the content of a resource. 3.2 RDA LC core Use a term from Table 3.1 RDA audio Media used to store recorded sound, designed for use with a playback device such as a turntable, audiocassette player, CD player, or MP3 player. Includes media used to store digitally encoded as well as analog sound. 337 ## $a audio $b s $2 rdamedia 337 ## $a computer $b c $2 rdamedia Use for streaming and downloadable audio, in addition to audio Describing Manifestations 61

62 Carrier Type RDA CORE a categorization reflecting the format of the storage medium and housing of a carrier in combination with the type of intermediation device required to view, play, run, etc., the content of a resource RDA Record the type of carrier... If none of the terms apply record other. 338 ## $a other $2 rdacarrier Use for Playaways 338 ## $a online resource $2 rdacarrier Use for downloadable or streaming media Remember these terms for Extent Describing Manifestations 62

63 Extent RDA CORE the number and type of units and/or subunits making up a resource RDA give the number of units and an appropriate term for the carrier as listed under RDA PN policy: use 1 online resource (1 audio file) Use for downloadable and streaming audio RDA offers exceptions, such as alternatives preferred by the cataloging agency: 300 ## $a 1 Playaway Describing Manifestations 63

64 Sound Characteristic a) type of recording (see RDA) 344 ## $a digital b) recording medium (see RDA) 344 ## $b digital* [downloadable audio books] 344 ## $b non-volatile flash memory* [Playaways] c) playing speed (see RDA) Not applicable to digital resources g) configuration of playback channels (see RDA) 344 ## $g mono or stereo or quadraphonic or surround or other appropriate term h) special playback characteristics (see RDA) 344 ## $h Dolby or dbx encoded or NAB standard etc. *Using the option to supply a term not provided in the RDA vocabulary Describing Manifestations 64

65 Digital File Characteristics RDA Record the following digital file characteristics, as applicable to the resource, if they are considered important for identification or selection: a) file type (see RDA) audio file streaming audio file b) encoding format (see RDA) MP3 ACELP [for Playaways] c) file size (see RDA) Give file size in bytes, kilobytes (KB), megabytes (MB), or gigabytes (GB), as appropriate. 498 MB f) encoded bitrate (see RDA). 32 kbps (if readily ascertainable) Describing Manifestations 65

66 Duration a) If the total playing time, running time, etc., is stated on the resource, record the time stated. 300 ## $a... (18.5 hr.) 300 ## $a... (1:30:00) 300 ## $a... (12 hr., 14 min.) b) If the total playing time, running time, etc., is not stated on the resource but is readily ascertainable, record it. 300 ## $a... (30 min.) c) If the total playing time, running time, etc., is neither stated on the resource nor readily ascertainable, record an approximate time preceded by approximately. 300 ## $a... (approximately 90 min.) d) If the total playing time, running time, etc., cannot be approximated, omit it. Describing Expressions 66

67 Type i ELvl I Srce d Audn j Ctrl Lang eng BLvl m Form q Comp nn AccM MRec Ctry nyu Part TrAr Desc i FMus n LTxt f DtSt t Dates 2007, ## m q h 007 ## $a s $b z $d z $e u $f n $g z $h n $i n $j n $k z $l n $m e $n d 007 ## $a c $b z $d n $e z $f a 040 ## $a XXX $b eng $e rda $c XXX 020 ## $a # $a Rowling, J. K., $e author $a Harry Potter and the Half-Blood Prince / $c J.K. Rowling. 264 #1 $a Solon, Ohio : $b Findaway World, $c [2007] 264 #4 $c ## $a 1 Playaway (18.5 hr.) ; $c 9 x 6 cm. 336 ## $a spoken word $2 rdacontent 337 ## $a audio $2 rdamedia 338 ## $a other $2 rdacarrier 344 ## $a digital $g stereo $2 rda 344 ## $b non-volatile flash memory 347 ## $a audio file $b ACELP $2 rda 588 ## $a Title from label. 500 ## $a Originally published by Listening Library, Playaway 67

68 Type i ELvl I Srce d Audn j Ctrl Lang eng BLvl m Form s Comp nn AccM MRec Ctry nyu Part TrAr Desc i FMus n LTxt f DtSt r Dates 2012, ## m s h 007 ## $a s $b d $d f $e u $f n $g g $h n $i n $j m $k m $l n $m e $n d 007 ## $a c $b u $d n $e n $f a 040 ## $a XXX $b eng $e rda $c XXX 020 ## $a # $a Rowling, J. K., $e author $a Harry Potter and the Half-Blood Prince : $b (book 6) - digital audio book / $c J.K. Rowling. 264 #1 $a [New York, NY] : $b Random House/Listening Library, $c [2005] 264 #2 $a London : $b Pottermore.com, $c [2012] 300 ## $a 1 online resource (1 audio file (18.5 hr.)) 336 ## $a spoken word $2 rdacontent 337 ## $a audio $2 rdamedia 337 ## $a computer $2 rdamedia 338 ## $a online resource $2 rdacarrier 344 ## $a digital $g stereo $2 rda 344 ## $b digital 347 ## $a audio file $b MP3 $c 498 MB $2 rda 588 ## $a Title from distributor s Web site (viewed February 18, 2013). Downloadable Audiobook 68