What is DaVinci Resolve?

Transcription

1 Blackmagic Design is dedicated to allowing the highest quality video to be affordable to everyone, so the post production and television industry can become a truly creative industry. Grant Petty - CEO

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3 What is DaVinci Resolve? DaVinci Resolve is the world s most advanced Color Grading and Color Enhancement system! DaVinci Resolve is a software only solution compatible with high performance Graphics Processing Unit (GPU) Processor, RAID and Control Panels! DaVinci Resolve includes 32bit floating YRGB and CMS processing science for all effects, Power Windows TM, 3D object tracker, 3D Keyer, Primary and Secondary and Stereoscopic 3D! Non-linear Color Correction! seamless popular NLE compatible and Collaboration workflow! Node-based design has infinite possibilities for each Scene! Support for 3 rd party Control Panel and video I/O devices! DaVinci Resolve is available for high performance Linux workstations as well as Mac and Windows hardware

4 DaVinci Resolve v12 system configuration(mac/wins) Apple Mac(Mac Pro, imac, Macbook Pro), Windows & Linux 기반시스템지원 Software Full v12, Lite(Free version ) nvidia GPU Processor (Quadro M6000,K5200,QuadroFX4800, GTX285,Titan BlacK) RED Rocket-X for RED r3d, Epic, Dragon nvidia GPU Expander (Cubix) _ AVID, Autodesk Max, Maya, Smoke, Flame, Adobe CS 호환 3 rd Party Color 색보정 Panel (AVID Artist Color, Tangent Wave & Element) 호환 and Round-trip Combination with AVID Media Composer v8, FCP and more

5 DaVinci Resolve v12 system configuration (Apple Mac/ Windows). Real Time Color Grading ( up to 2K 3D and limited 4K ) 1 GPU 3 GPU 4 GPU 4-16GPU High Performance on Nvidia Quadro M6000,K5200,QuadroFX5800, GTX285,Titan BlacK P 6 to 8 Nodes RT - 2K Possible RT with high speed Raid Storage - 4K Possible Non-RT (Proxy mode) with high speed RAID Storage High Performance on Nvidia Quadro M6000, K5200, Titan,Tesla or ATI Firepro (w/ GPU Xpander ) P 8 to 16 Nodes RT ( Up/Down resizing, Blur/Sharpen/Mist/NR, Stereo HD,2K and limited 4K ) - 2K Possible RT with high speed Raid Storage - 4K Possible Non-RT (Proxy mode & Limited 4K) with high speed Raid Storage High Performance on Nvidia Quadro M6000, K5200, Titan, Tesla or ATI Firepro (w/ GPU Xpander ) P 8 to 16 Nodes RT ( Up/Down resizing, Blur/Sharpen/Mist/OF/NR Stereo HD,2K and 4K ) - 2K Possible RT with High Performance RAID storage in Mono and Stereoscopic 3D - 4K Possible RT with High Performance RAID storage in Mono and Stereoscopic 3D(limited 3D) Linux Dual Server config. System ( GUI + Core1 + Core2 Server) - HD, 2K, 4K. 8K Possible RT with High Performance RAID storage in Mono and Stereoscopic

6 DaVinci Resolve v12 system configuration(mac/wins and Linux). GPU Configuration 1 GPU 4 GPU 8 GPU 16 GPU HD/2K 4K,2K3D 3D@4K 3D@4K

7 DaVinci Resolve v12 system configuration (Mac/Wins)

8 DaVinci Resolve v12 system configuration(linux)

9 DaVinci Resolve v12 Control Surface. DaVinci Resolve full featured Control Surface

10 DaVinci Resolve v12 3 rd Party Control Surface. DaVinci Resolve limited featured 3 rd Control Panel (Tangent Element) DaVinci Resolve 3 rd Control Panel (Artist Color)

11 DaVinci Resolve v12 color grading features DaVinci Resolve v12 GUI 3 rd

12 What Types of Color Correction? Color balance between camera shot angles! Balance multiple cameras used in a scene! Correct for different exposure on different days and environments! Light level differences! Color Enhancement Film stock and processing differences! Color fading of old films!

13 What is Color Enhancement? The most fundamental aspect of the color grading is that of making every clip look its best. Color enhancement is used in many motion Pictures to modify an image to achieve the maximum desired Look! Color Enhancement is used to promote or highlight a product or scene in such a way that cannot be easily done on set! Enhancement may be used to change the scene from what it was to what it should look like! Special lighting effects not available during live shooting!

14 CIE 1931 Color Gamut Diagram ( 참고 )

15 DaVinci Resolve v12 color grading features a. Academy Color Encoding Specification(ACES) Camera Image Data IDT IDT IDT ACES Encoding (Normal or Log) DaVinci Image Processing ACES Reverse Encoding Camera RAW image data Camera encoded image data Film scanned image data etc ACES Color Space (Ideal Linear light RGB) 16bit floating, 25 Stop precision space Scene-referred color encoding No clipping, No quality loss 32bit floating precision processing No clipping, No quality loss process Easily wide-latitude retrievable IDT IDT ODT Reverse encoding to ACES Again Idealized Linear light RRT Input Device Transform (as if Ideal Camera) Specific Camera characteristics based transform Transform to ACES Color Space Preserve High color precision, Wide latitude Output Device Transform Monitor Represent ACES image through ODT Delivery Archive 16bit floating OpenEXR ACES starts by imagining an ideal camera that would record all visible colors and boast a dynamic range greater than that of any anticipated capture device in the real world. That imaginary camera would record to OpenEXR files using the ACES color-encoding spec.

16 DaVinci Resolve v12 color grading features b. DaVinci Color Management(RCM) Advanced, Accurate and Simple color management system Camera Image Data Input Color Space Input Color Space Input Color Space Timeline Timeline Color Color Space Space (Working Timeline (Working Color Color Color Space) Space Space) (Working Color Space) Output Color Space Output Color Space Output Color Space Camera RAW image data Camera encoded image data Film scanned image data etc Input Color Transform Scene-referred color management Specific Camera, Format based input Transform to working color space High color precision, Wide latitude Mathematical transform, Not LUT map Working Color Space (multiple color space) Common Edit, Grading & Finishing Grading Control reaction 32bit floating precision processing No clipping, No quality loss HDR expander node Output monitor device, delivery color transform Freedom to favorite working color space No clipping, No quality loss ST 2084 Dolby Vision HDR Gamma curve HLG(Hybrid Log Gamma) HDR curve

17 Sharpening and Upscaling? DaVinci 32bit Floating YRGB internal processing _ deepest and most precision processing!! Color boost, Mid-tone detail control for quality enhancement HSL, Lum only Key qualification to control sharpness Lum and Chroma threshold separate control in NR to sharpen up-scaled image Coring softness and Level in sharpening image control tool Applying partial NR in node graph for sharpen and softness image control RGB output for Key manipulation in node graph Individual Node channel split and apply sharpening tool Auto Shot-match, Auto Color match, Color Management, 6 Vector etc.. Primary, Secondary, Power Windows, 3D Tracking, NR(Noise Reduction), Curve Control etc. Highest Quality Optical Flow Resizing, Edit/Input Scaling control, Noise Reduction,

18 DaVinci Resolve v12 color grading features a. Primary(1 차 ) Color Grading Exposure, white balance & contrast control Scene balance control (thumbnail timeline control) wipe, split-screen Compare Copy, paste, auto link & group 3 way color wheel Primary bar slide Primary Curve control

19 DaVinci Resolve v12 color grading features a. Primary(1 차 ) Color Grading Primary Log exposure, Contrast, Pivot control Noise reduction, Saturation/Hue control & Lum Mix Primary Lift/Gamma/Gain 3way color balance Primary restrictive tonal zone Log control Custom Curve & Soft Clipping control

20 DaVinci Resolve v12 color grading features a. Primary(1 차 ) Color Grading Real-Time Advanced Noise Reduction, S_NR, T_NR Blur/Sharpen/Mist for image, Key, Matt OpenFX 3 rd Plug-ins <Sapphire etc.> Color Chart based Auto color Match Highlight and shadow recovery, Midtone detail Customizable Gallery & Powergrade library

21 DaVinci Resolve v12 color grading features b. Secondary(2 차 ) Color Grading Auto scene cut detection Secondary Power Window, Tracking and Key Mix Ext. matte composite & chroma keying Secondary Power Window Tracking control

22 DaVinci Resolve v12 color grading features b. Secondary(2 차 ) Color Grading Skin tone isolator Sky blue qualifier HSL/RGB/LUM qualifier/isolator for Secondary grading 6 vector color qualifier/picker control for Secondary grading

23 DaVinci Resolve v12 color grading features c. Node-based image processing Node is a virtual color grading module with a variety of image manipulation properties! Parallel node image processing Serial + Parallel node processing Ext. Matte node image processing Layer Mixer node processing Serial + Parallel node processing

24 DaVinci Resolve v12 color grading features d. Scope, LUT generator, Print Light 1D, 3D LUT & 3D custom LUT generator Vector scope, Wave Form, Parade & Histogram Printer Light Calibration

25 DaVinci Resolve v12 color grading features e. Round-trip workflow with NLE tools Multi Layer Timeline Editing & AAF/XML/EDL conform Batch render 및 SD/HD/2K/4K/8K Render property control ProRes, DNxHD, DNxHR, MP4, H.264, MXF OP1A/Atom, Cineform Mov; XAVC, SStP, XDCAM HD Un/comp. YUV/RGB MXF/MOV/AVI, DPX, CIN, TIFF, DCP, OpenEXR... Full res. L/R stereo, Meshed(S-S/L-L/Anaglyph/Diff) AVID, Final Cut Pro, Edius, Premiere AAF/XML/EDL conform

26 DaVinci Resolve v12 color grading features e. DaVinci Resolve NLE Editing & Collaboration NLE Editing w/ full featured, editor friendly interface simultaneous Collaborative Color Grading with the same NLE timeline DavVinci NLE 편집자, assistant 및 Master colorist 모두가동일한 Project 및동일한 Timeline 상에서동시에상호 interactive 협업작업을진행함 NLE 편집및 Assistant 작업과 Master Grading 등협업작업에참여하는시스템들에서공유할 Database를안정적으로관리할컴팩트한 DB Server 요구함협업작업참여자들의미디어파일공유를위해 SAN 또는고속 NPS 공유스토리지를요구함

27 DaVinci Resolve v12 color grading features g. DaVinci Live Grading (On-set) Dual I/O interface for Video input & display monitoring Timecode 기준 image Freeze & Look develop On-set Look, Lighting adjustment On-set grading timeline save Grading node grab still On-set Live grading onto Timeline Automatic or Manual ColorTrace match Primary Daily look, grading Starting point Fine tune Primary/Secondary grading etc. Post-house Daily, Fine master Color grading

28 DaVinci Resolve v12 color grading features f. Stereoscopic 3D color grading Stereoscopic 3D Color grading control [ L/R Sync, Swap & Copy, Color match/geometry Align/Convergence/Floating window ] Stereo 3D Difference node Stereo 3D Side-by-Side node

29 DaVinci Resolve v12 color grading features g. Digital cinema RAW Camera native RT grading Real-time F65/55; RED Epic, Dragon; Alexa; CinemaDNG meta control Real-time HD/2k/4k/5k/6K/8k Cinema Camera RAW file native support F65 S-Log3 gamma Raw LUT applied F65 Raw Unlimited User definable Res. Project, HD/2k/4k/5k/6k/8k

30 DaVinci Resolve v12 color grading features h. Simple DaVinci Resolve color grading Original clip Color grade clip 원본 clip 이미지에서연기자를강조하는간단한 2 차색보정 1 번원본이미지 Node 에필요한 Node 들을추가하는과정.. 첫번째 Key Node 을생성, 연기자의얼굴, 손스킨톤추출 (isolate) 두번째 Key Node 생성후청바지블루톤추출 (isolate) 두개의 Key Node 를 Key Mixer 노드에서합성후추가된 5 번 Node 에연결 5 번 Node 에서 Background 톤을흑백 Mono Tone 으로보정및자켓보강보정함 B/W 배경에연기자가강조된상태를보여줌 6 번 Node 를통해추출된 Chroma Key 의 Saturation 을미세하게보강함 마지막으로액터머리카락을추출 (Qualifier) 해서디테일 Sharpen 하고마무리

31 DaVinci Resolve Customers < 색보정실 / 색재현실 / DI 룸 > CJ Powercast (Korea) Linux 3D 10GPU Full, Linux 4GPU Full, Mac LC KOFIC( 영진위 ) (Korea) Linux 2K +, Mac 2GPU w/ Avid Artist panel DEXTER DI (Korea) Linux 8GPU Full, Linux 4GPU Full, Mac LC *3ea 2L Film (Korea) Linux 4GPU Full*2set, Windows 4GPU Full SeoulVision (Korea) Linux 8GPU Full, Mac 3GPU Full *2set, Linux 2K + *2set Mercury Post (Korea) Linux 3D 8GPU Full, Mac LC KBS (Korea) Linux 8GPU Full *1set, Mac 3GPU Full * 2Set, New Mac 2GPU Full*1set, Mac LC *2ea SBS (Korea) Mac 3GPU Full *2set, Mac LC *4ea, Windows LC*1ea, MBC (Korea) Linux 8GPU Full *2set, Linux 4GPU Full *1set, New Mac 2GPU Full *1set, Mac LC *5ea EBS (Korea) Mac 3GPU Full*2set, JTBC (Korea) Linux 4GPU Full, Mac LC *1ea MBN 매일방송종편 (Korea) Mac 3GPU Full KTV 한국정책방송원 (Korea), Linux 4GPU Full *1set Sky HD (Korea) Mac 2GPU w/ Avid Artist panel 쿨미디어 (Korea) Mac 3GPU Full Locus Corp. (Korea) Mac 3GPU Full Ateam Media (Korea) Windows 4GPU Full, Mac 3GPU w/ Tangent Element panel Atom Post (Korea) Mac 3GPU Full, Mac 2GPU w/ Tangent Element panel Digital Factory (Korea) Linux 4GPU Full *1set, Mac 3GPU Full RedSpot (Korea) Mac 3GPU Full 엘리엇포스트 (Korea) Linux 4GPU Full 컬러티브 (Korea) Mac 3GPU Full, Mac LC *1ea KOCCA (Korea) Mac 3GPU Full, NIPA 누리꿈 (Korea) Linux 4GPU Full 명지대학교영화과 (Korea) Mac 2GPU Full Panel KETI 전자부품연구원 (Korea) Linux 4GPU Full And more Post and TV Stations

32 감사합니다