VIVO OS Additional or modified features compared to the previous version

Transcription

1 VIVO OS 3.07 Additional or modified features compared to the previous version - New Polyphonic parameters have been added in T2L edit to manage Soloist sounds in Mono mode with the choices of Low, High or Last priority. - Massive Library upgrade on DEXIBELL Internet site: The following new 34 Sounds at the top quality of 24 bit and 48 KHz including Soloist behaviour have been added and are now freely available at to be loaded as additional sounds (*): Alto Sax - Bandoneon - Baroque Trumpet - Bassoon Clarinet - Classic Trumpet - English Horn - Fat Syn Brass Flugelhorn - Flute - French Horn - Full Brass - Harmonica - Horns Lyle Lead - Musette - Muted GT. - Oboe - Orchestral Strings Organ Pad - Pedal Bass - Pedal Double Bass - Piccolo - Power GT. Soprano Sax - Tenor Sax - Trombone - Trumpet - Trumpet Sect. Tuba - Tubular Bells - Urban Harp - Viola - Violin (*) The usage of the above library needs the VIVO instrument to be upgraded at OS 3.06 while Combo J7 is fully compatible starting from the OS 1.00.

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4 OS 4.00 User Guide Welcome to the user guide of new OS 4.0 "AQUAVIVA". The Operating System is the heart of DEXIBELL musical instruments; it allows you to do things, which are virtually impossible on other keyboards. This is thanks to the ultra-fast quad-core processor hardware on which it runs. With the OS 4.0 AQUAVIVA, DEXIBELL has out-done itself yet again by developing the most powerful operating system ever created for a musical instrument. If your DEXIBELL keyboard has not already been updated with this new operating system, you can download it from WEB site and easily install it in your keyboard: VIVO S7, S3, S1, SX7, VIVO P7, P3, VIVO H7, H3, H1, COMBO J7. To ensure that you obtain the maximum enjoyment and take full advantage of this version, please read all sections of this user guide carefully. Keep this manual handy for future reference. Copyright 2018 d. All rights reserved. No part of this publication may be reproduced in any form without the written permission of d. UG Ver. e1

5 1 Look What OS 4.00 Can Do Check the Version How to check the version Press [MENU] button VERSION INFO The picture below shows how the "VERSION INFO" page appears. It's an example of S7 info page. Customize the Global Keyboard Response (Key Touch) Until now you could choose the keyboard response from 7 predefined curves: Heavy ++, Heavy+, Heavy, Normal, Light, Light+, Light++. With the new OS 4.00 you can modify the velocity curve as you wish, starting from one of the preset curves. p. 9 If the OS of your instrumentis not "AQUAVIVA", download the update from the WEB site. USB Master Device Thank to the new OS 4.00 your keyboard becomes Master as a computer! Just using only a USB Cable (AgB-type connectors), now your DEXIBELL Keyboard can connect directly to another keyboard without using a Personal Computer. p. 5 Adjust the USB Audio Level (USB AUDIO) You can adjust the audio output and input levels via USB. Three New Effectors Added p. 10 The following three new effectors have been added for all parts of the keyboard: Wah-Wah Cut Filter Compressor p. 11 USB Audio Streaming Your DEXIBELL is now able to transmit/receive audio streaming at 24 bit 48 Khz. You can connect a DEXIBELL keyboard or module to a PC with OSX or Linux or to an ios device without the need for an external audio interface enabling you to directly exchange MIDI and Digital Audio data simultaneously. p. 5 Sound Library Thanks to the new OS AQUAVIVA 4.00, you can now decide which sound libraries (User or Factory or part of them) to load in the RAM Internal Memory. You can decide to completely replace the factory sounds loading all sound from the User sounds area or decide to load a part of the sounds from the factory area and another from the User area. p. 6 Adjusting the Keyboard Velocity Response According to the Sound Thanks to the "Velocity Compand" function, you can adjust the keyboard velocity for each sound by the T2L MENU. You can choose to expand the velocity of a Piano sound and compress the velocity of a strings or Pad sound. p. 9 Related to copyright and trademarks Dexibell do not assume legal liability regarding any infringements of the user through the use of this unit. Recording, copying, distribution of copyrighted material (songs, live performance, etc.) belonging to a third party in part or in whole without the permission of the copyright owner is forbidden by law. Copyright 2003 by Bitstream, Inc. All rights reserved. Bitstream Vera is a trademark of Bitstream, Inc. MAC OS X, ipad and iphone are registered trademarks of Apple Inc. App Store sm is an Apple s Service Mark 4

6 New USB Functions 2 Your Dexibell Becomes a Master (host) USB was designed to standardize the connection of computer peripherals (including keyboards, pointing devices, digital cameras, printers, portable media players, disk drives and network adapters) to personal computers. UBS Audio Streaming and MIDI Until now your DEXIBELL was able to transmit/receive MIDI messages via USB cable. Using the same cable and thanks to the OS 4.00 AQUAVIVA, you can now transmit/receive also audio streaming at 24 bit 48 Khz. Until Now The basic USB system architecture is pretty simple and consists of the following main components: A Host Computer, Smartphone or Tablet One slave MIDI USB Devices as a keyboards. A physical bus represented by the USB cable that links the devices with the host Basic USB system architecture USB cables AgB-type USB cable MIDI streming Slave Master (host) Until today, to connect 2 MIDI keyboards you needed a PC equipped with 2 USB ports: USB cables AgB-type Slaves Master (host) AUDIO streaming You can connect a DEXIBELL keyboard or module to a PC with OSX or Linux or to an ios device without the need for an external audio interface enabling you to directly exchange MIDI and Digital Audio data simultaneously. Slaves The connection consists of the following main components: A Computer (MAC OSX or LINUX), ipad or iphone. Today with the OS 4.00 AQUAVIVA A DEXIBELL keyboard with OS 4.00 AQUAVIVA. A physical bus represented by the USB cable. ipad or IPhone With the new OS AQUAVIVA your DEXIBELL keyboard becomes a master (host). You can connect other keyboards or modules from any brand directly to the DEXIBELL USB Memory port and exchange MIDI data without a computer and without using two MIDI cables. The connection consists of the following main components: A Host DEXIBELL keyboard equiped with the OS 4.00 AQUAVIVA. One slave MIDI USB Devices as a keyboards. A physical bus represented by the USB cable that links the devices with the host. Personal computer (MAC OSX or LINIX) USB "Memory" port ipad Camera Connection Kit USB "Computer" port USB cable AgB-type USB Master (host) cab le A gb -typ e USB "Computer" port Slaves After the connection by the USB cable, the MAC or ipad/iphone automatically recognize your keybaord as MIDI device and as audio device. You can use now audio/midi multitrack recording software application to record Audio and MIDI messages from your DEXIBELL keyboard. See "Adjust the USB Audio Level (USB AUDIO)" (p. 10) to adjust the audio USB Level 5

7 3 Sound Library - More Flexibility At the power on the instrument load the sounds from the Internal Flash Memory into the Internal RAM. FLASH MEMORY 1. Press the [MENU/EXIT] button and use the [ ] [ ] buttons to select the "SOUND LIBRARY" function group. 1.5 GB USER SOUNDS FACTORY SOUNDS A page like this appears: 1.5 GB icons You can note, at the left of each library name, a icons: Icon Explanation RAM MEMORY 1.5 GB Thanks to the new OS AQUAVIVA 4.00, you can now decide which sound libraries (User or Factory or part of them) to load in the RAM Internal Memory. You can decide to completely replace the factory sounds loading all sound from the User sounds area or decide to load a part of the sounds from the factory area and another from the User area. You can load the new sounds into the User area by taking them from the DEXIBELL library ( or from third-party sounds (.SF2 extension). The library sound comes from the internal memory. The library sound comes from the external USB Memory. At the bottom of the screen you can see the two new functions "REMOVE" and "ADD". Here below, we will explain how to remove or add sound libraries. Removing a Sound Library Remove and Add Sound Libraries In the " SOUND LIBRARY" section you can now decide which libraries load into the RAM area. NOTE The removed libraries are not deleted. They remain the the Factory area ("INTERNAL ARCHIVE") ready to be reloaded again. See "Recovery a Library from the "INTERNAL ARCHIVE"" (p. 7) and "Restore the Factory Sounds (FACTORY SOUND)" (p. 9). IMPORTANT TO KNOW DEXIBELL - Sound Library The sound (patch) in the DEXIBELL keboard is composed of several oscillators that reproduce waveforms. The patch contains also information about Pitch/TVA,/TVF envelope, filters and so on. All this and more contributes to shapes the sound. When we select a Sound library we select sounds that use the same waveforms. When we remove a Sound library we remove all sounds that use the same waveforms. For example if we remove the "Electric Piano" library, we remove the following sounds: Dyno Stage, Suitcase, Phaser EP, etc. The same is when we adding a library, we add more sounds. 1. Use the [ ] [ ] buttons to select the sound library you want to exclude. 2. If you want to know the sounds contained in the library, press the [ ] button to open it. 3. If you want to listen the sounds of the library, use the [ ] buttons to select the sounds and play the keybaord. If you don't need of these sounds, you can proceed with the removal. 4. Press the "REMOVE" Function button to perform the removal. The display shows: 6

8 Remove and Add Sound Libraries Function button to list the sound libraries in the USB Memory. The following page is showed: 5. Press the "YES" Function button to perform the removal. Press "NO" if you no longer want to perform the function. NOTE ABOUT THE REMOVAL OF SOUND LIBRARIES Internal libraries - The internal libraries are not permanently deleted. They are stored in factory memory area ("INTERNAL ARCHIVE") ready to be reloaded again. See "Recovery a Library from the "INTERNAL ARCHIVE"" (p. 7) and "Restore the Factory Sounds (FACTORY SOUND)" (p. 9). External libraries. The external libraries are permanently deleted. Make sure to have a backup, if you think you need them again. The instrument shows the sound libraries contained in the USB Memory s \SOUND folder. Press the "INTERNAL" Function button to return to viewing the internal archive. 4. Use the [ ] [ ] buttons to select the sound library you prefer. 5. To open the sound library, press the [ ] button. The sound/sounds contained in the library are displayed. Adding a Library 1. Press the "ADD" Function button to add a library. The display shows the libraries previous removed: 6. Use the [ ] [ ] buttons to select the sounds and play the keyboard to listen them. If the sounds are to your liking, you can import the library into the internal memory. 7. if you want to know the size of the library, press the "INFO" Function button. In the example above, the list of removed libraries is empty (no libraries has been previously deleted). In this case you can add only libraries from USB "Memory". The following example shows that some libraries was removed and the list of "INTERNAL ARCHIVE"shows which they are: 8. Press the IMPORT ALL Function button to import the sound library. The instrument asks you in which sound family you want to import the library: 2. If you want get information about the internal free memory, press the "FREE SIZE" Function button. The page shows the memory available express in MB and percent. This function is useful to know how much available free memory you have to load new libraries. Adding a Library from USB Memory 1. To load the library into your USB Memory, please refer to "Importing USER Sound Library" in the owner's manual of your instrument. 2. Insert the USB Memory into the USB port of your instrument. 3. From the "INTERNAL ARCHIVE" page, press the USB 9. Use the [ ] [ ] buttons to select in which sound family you want to import the library. 10. Press the "EXECUTE" Function button to perform the function. A confirmation message informs you that the sound library has been imported. Recovery a Library from the "INTERNAL ARCHIVE" Thanks to this function you can reload previously removed internal libraries. 7

9 Sound Library - More Flexibility Exporting a Sound Set ("EXPORT SETUP") This function export the sound set, that you have previously prepared, in a USB Memory. 11. Use the [ ] [ ] buttons to select the library you want reload into internal memory. 12. To open the sound library, press the [ ] button. The sound/sounds contained in the library are displayed. 1. Prepare your Sound Set using the functions previously explained: "ADD" and "REMOVE". See "Remove and Add Sound Libraries" (p. 6). 2. Insert a USB Memory into the USB port of your instrument. 3. Press the [MENU/EXIT] button and use the [ ] [ ] buttons to select the "SOUND SETUP" function group. 13. Use the [ ] [ ] buttons to select the sounds and play the keyboard to listen them. If the sound is to your liking, you can import the library into the internal memory. The "SOUND SET" page appears: 14. if you want to know the size of the library, press the "INFO" Function button. 4. Use the [ ] [ ] buttons to select "EXPORT SETUP" and press the [ ] button to access the function. The display changes to: 15. Press the IMPORT ALL Function button to import the sound library. The instruemnt asks you in which sound family you want to import the library: 5. If you want to name your Sound Set, please refer to the owner's manual of oyur instrument. 6. Press the "OK" Function button to save your Set. A confirmation message is temporarily showed. 16. Use the [ ] [ ] buttons to select in which sound family you want to import the library. 17. Press the "EXECUTE" Function button to perform the function. A confirmation message informs you that the sound library has been imported. Sound Setup (Collecting Sound Sets for a Performance) This is a useful function that allows you to prepare a sound set for a performance. If, in a performance, you will use only piano sounds, you can create a Sound Set that contain only piano sounds. In this way you can use the maximum size of internal memory of the keyboard for piano sounds. Importing a Sound Set ("IMPORT SETUP") This function import the sound set previously saved in a USB Memory. NOTE Before to import a Sound Set take in consideration that your current Sound Set, in the internal memory, will be replace. You can lost external sound libraries previously loaded from a USB Memory. Regarding the internal sound libraries no problem, You can recover them in the "INTERNAL ARCHIVE". See "Adding a Library" (p. 7). 1. Insert a USB Memory that contains previously saved Sound Set into the USB port of your instrument. 2. Press the [MENU/EXIT] button and use the [ ] [ ] buttons to select the "SOUND SETUP" function group. 8

10 Restore the Factory Sounds (FACTORY SOUND) The "SOUND SET" page appears: Restore the Factory Sounds (FACTORY SOUND) Using this function you can restore all sound libraries as they came out of the factory. 3. Use the [ ] [ ] buttons to select "IMPORT SETUP" and press the [ ] button to access the function. The display shows the list of the Sound Set in the USB Memory: 1. Press [MENU/EXIT] button and select FACTORY SOUND function using the [ ], [ ] and [ ] buttons. The following page appears: 4. Use the [ ] [ ] buttons to select the Sound Set. 5. Press the "IMPORT" Function button to load the Sound Set. A confirmation message is temporarily showed. 2. Press the "YES" Function button proceed. The message Complete informs you that the VIVO H1 Sound Libraries has been restored. If you no longer want to restore the sound libraries, press the "NO" Function button. 4 Other New Useful Functions Adjusting the Keyboard Velocity Response According to the Sound Thanks to the "Velocity Compand" function, you can adjust the keyboard velocity for each sound by the T2L MENU. You can choose to expand the velocity of a Piano sound and compress the velocity of a strings or Pad sound. 1. Please refert to the owner's manual of your instrument on how to access the T2L EDITOR function. How to select the keyboard part and the sound to edit it. 5. Use the [ ] [ ] buttons to adjust the parameter you selected. Parameter Setting Explanation Start 0~127 Rate 0.1~8.0 It is the starting point of the velocity curve where you want to operate with the compression or expansion. It is the compression/expansion coefficient that you want to use. Offset 0~127 It's the minimum value of velocity. In the example below you can see that the Start point was set to 52, the "Offset" starts from the value 35 and the rate was set to In the example below we selected the sound of the Main part. Use the [ ] [ ] buttons to move the cursor under the Velocity Compand function. Compression Rate Expansion Start Offset 3. Press the button [ ] to access the function. The following page appears: 6. Press the "RESET" Function button to restore the parameters at the default value. Customize the Global Keyboard Response (Key Touch) 4. Use the [ ] [ ] buttons to select one of the three parameters available. Until now you could choose the keyboard response from 7 predefined curves: Heavy ++, Heavy+, Heavy, Normal, Light, Light+, Light++. With the new OS 4.00 you can modify the velocity curve as you wish, starting from one of the preset curves. 9

11 Other New Useful Functions 1. Press [MENU/EXIT] button and select SETTING KEYBOARD TOUCH function using the [ ], [ ] and [ ] buttons. The following page is shown. 1. Press [MENU/EXIT] button and select USB AUDIO function using the [ ], [ ] and [ ] buttons. The following page is shown. 2. Use the [ ] [ ] buttons to choose your desiderate velocity response. The following settings are available: Setting Value Explanation Keyboard Touch *Fixed Value 1~127 Light++, Light+, Light, Normal, Heavy, Heavy+, Heavy++, Fixed [1~127] Please refer to the owner's manual. Allows you to set the value when Curve is set to Fixed. 3. To customize the velocity curve press the "VELOCITY" Function button. 4. Use the [ ] [ ] buttons to select one of the 5 points that characterize the curve: "pp", "p", "mf", "f", "ff". 2. Use the [ ] [ ] buttons to select the parameter you want to edit. 3. Use the [ ] [ ] buttons to choose the desiderate audio level. Added a New Function to the Expression Pedal and Wheel2 (FX MANUAL) A new function was added to the Expression Pedal and Wheel 2. By the Expression Pedal or the Wheel 2 you can control the "Manual" parameter of the effector. See the "1: Wah-Wah" (p. 11) and the "2: Cut Filter" (p. 11). The EXPRESSION PEDAL parameter is now changed as follows: EXPRESSION PEDAL 5. Use the [ ] [ ] buttons to modify the value of the selected point. Curve Point Explanation "pp" standing for pianissimo and meaning "very soft". Parameter Setting Explanation "p" standing for piano and meaning "soft". Expression: The pedal is assigned to the expression. "mf" standing for mezzo-forte and meaning ""half loud"". Funct. Expression, Modulation, FX -Manual Modulation: The pedal is assigned to the Modulation. FX -Manual: You can control the "Manual" parameter of the effector. See the "1: Wah-Wah" (p. 11) and the "2: Cut Filter" (p. 11). "f" standing for forte and meaning "loud". "ff" standing for fortissimo and meaning "very loud". Part Off, Main, Coupled, Lower, Main+Lw, Main+Cp OFF: Select OFF if you don t need expression pedal. MAIN, COUPLED, LOWER, MAIN+LW, MAIN+CP: the damper pedal is assigned to the specified part or parts. 6. Use the "RESET" Function button to restore the point at the default value. Your velocity curve is automatically saved in the global area when the instrument is turned off. The WHELL2 ASSIGN parameter is now changed as follows: WHEEL2 ASSIGN Adjust the USB Audio Level (USB AUDIO) 10 Use this function if you need to adjust the audio output and input levels via USB. For more information about USB audio streaming see "UBS Audio Streaming and MIDI" (p. 5).

12 Three New Effectors Added Parameter Setting Explanation Funct. Part Modulation, Rotary S/L, Expression, FX -Manual Default: Modulation Off, Main, Coupled, Lower, Main+Lw, Main+Cp Three New Effectors Added Modulation: Using the WHEEL 2 you will add modulation to the notes you are playing at that time. Rotary S/L: This function alternate between the fast and slow Rotary speeds. Expression: The WHELL 2 is assigned to the expression. FX -Manual: You can control the "Manual" parameter of the effector. See the "1: Wah-Wah" (p. 11) and the "2: Cut Filter" (p. 11). OFF: Select OFF if you don t need of wheel 1. MAIN, COUPLED, LOWER, MAIN+LW, MAIN+CP: the pedal is assigned to the specified part or parts. The following three new effectors have been added for all parts of the keyboard. 1: Wah-Wah It is a type of effect that alters the tone and frequencies of the input signal to create a unique sound, mimicking the human voice and taking the onomatopeic name "Wah-Wah". Parameter Setting Explanation Mode Auto, Manual Manual 0 ~ 127 Filter Low Pass, High Pass, Band Pass, Peak Auto: The "Manual" parameter is automatically controlled by the internal LFO. Manual: The "Manual" parameter is controlled by the expression pedal or the WHELL 2 (if your instrument is equiped with WHELL 2). Remember that in addition, the Expression Pedal socket must be assigned to the function "FX-MANUAL". See "Added a New Function to the Expression Pedal and Wheel2 (FX MANUAL)" (p. 10). Adjusts the center frequency at which the effect is applied. This parameter can be also controlled by the expression pedal or the WHELL 2 (if your instrument is equiped with WHELL 2). Remember that in addition, the Expression Pedal socket must be assigned to the function "FX-MANUAL". See "Added a New Function to the Expression Pedal and Wheel2 (FX MANUAL)" (p. 10). Low Pass : The wah effect will be applied over a low frequency range. High Pass: The wah effect will be applied over a high frequency range. Band Pass : The wah effect will be applied over a narrow frequency range. Peak: The wah effect will be applied over a specific center frequency. Low Freq 100Hz ~ 10.0KHz Selects the frequency of the low range. High Freq 100Hz ~ 10.0KHz Selects the frequency of the High range. Low Q 0.5 ~ 10.0 Move this parameter to adjusts the width of the area around the Low or Hi Q 0.5 ~ 10.0 High Frequecy. LFO Rate 0.1Hz ~ 12.50Hz Frequency of modulation. LFO Curve Linear, Quadratic LFO curve trend. Balance 0 %~ 100% Adjusts the balance between original and the effect sound. 2: Cut Filter This filter that attenuates ("cut") some frequency range. Parameter Setting Explanation Manual 0 ~ 127 Slope Type 12db/Ocatve, 24db/Ocatve Low Pass, High Pass, Band Pass, Peak Adjusts the center frequency at which the effect is applied. This parameter can be also controlled by the expression pedal or the WHELL 2 (if your instrument is equiped with WHELL 2). Remember that in addition, the Expression Pedal socket must be assigned to the function "FX-MANUAL". See "Added a New Function to the Expression Pedal and Wheel2 (FX MANUAL)" (p. 10). The slope of filter attenuation is usually quantified in decibels per octave. Low Pass : Attenuates the frequencies above a cutoff frequency, allowing low frequencies to pass through the filter. High Pass: Attenuates the frequencies below a cutoff frequency, allowing high frequencies to pass through the filter. Band Pass : The filter is applied over a narrow frequency range. Peak: The filter is applied over a specific center frequency. Low Freq 100Hz ~ 10.0KHz Selects the frequency of the low range. High Freq 100Hz ~ 10.0KHz Selects the frequency of the High range. Low Q 0.5 ~ 10.0 Move this parameter to adjusts the width of Hi Q 0.5 ~ 10.0 the area around the Low or High Frequecy. 3: Compressor This filter that attenuates ("cut") some frequency range. Parameter Setting Explanation Threshold Ratio -40dB ~ 0dB 1:1 ~ inf:1 Knee Width 0.0 ~1.0 Attack Time Release Time Makeup Stereo Link 0ms ~ 250ms 0ms ~ 1000ms -24dB ~ -24dB Off, On The compression is activated only when the input signal exceeds the threshold level. Input levels above the threshold will be compressed, and input levels below the threshold will not be compressed. This parameter determines how strong is the compression. At 1:1, the compressor has no effect. For all other values the output signal will be compressed in according to the ratio value. At Inf:1, the compressor becomes a brick-wall limiter; once the signal hits the Threshold, the output level will no longer increase, regardless of the input level. Increasing this value will produce a more soft volume change around the Threshold level. This parameter determines how quickly the compressor will take affect after the signal crosses above the threshold. This parameter controls how quickly the compressor will stop reducing volume level after the signal falls below the threshold. Allows you to boost the compressed signal. as compression often attenuates the signal significantly. Set the parameter "On" to operate in stereo mode. by info.tecnotext@gmail.com 11

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14 VIVO OS 4.01 for VIVO instruments Additional features compared to the previous version - Added Midiset name during write a MIDISET. - Added the import of SOUND SETUP saved from other instruments. - Added into Zone FUNCTION the Volume Send (On/Off) and the Panpot Send (On/Off). - Added the possibility to navigate into folders of USB drive into SOUND LIBRARY. - Added the envelope mode parameters for wah-wah FX. - Added the DELETE SET function on Memory Set. - Added Low Limit/High Limit for Main Part. - Added Resonance using a Sostenuto pedal. - FIXED BUGS

15 AQUAVIVA OS 4.03 for VIVO and COMBO J7 instruments Additional features compared to the previous version - 3 simultaneous Part Layer with Lower Mode Switch (On/Off). (Only for VIVO S1-S3-S7-P3-P7-J7) - VIVO EDITOR APP for ipad has been upgraded to Ver. 2.0 with all new features and parameters. (Only for VIVO S1-S3-S7-SX7, P3-P7, H1-H3-H7) - Half Damper on Electric Pianos. - Reverb On/Off button on Reverb Page - Transpose On/Off button on Transpose Page - New Low frequency 40Hz/60Hz for EFX Equalizer - New Low frequency 40Hz/60Hz for Master EQ - Zone Reverb Level and Send (On/Off) (Only for VIVO S1-S3-S7) - Low/High Limits on Lower Part - Low/High Limits on Pedal Part (Only for J7) - Coarse and Fine Tune for Lower Part - Coarse and Fine Tune for Pedal Part (Only for J7) - Lower/Main/Coupled Hold on switch assign (Only for VIVO S3-S7-P3-P7) - Lower/Main/Coupled Hold on assignable Pedals - FX Manual assignable to Central and Left Pedal (Only for VIVO H1-H3-H7) - Keyboard Zone (Only for COMBO J7)

16 VIVO OS 4.05 for VIVO and COMBO J7 Additional features compared to the previous version - Compatibility with new Platinum library - Added Import / Export MIDI Set on USB Memory - Added Wheel setting in Memory or Global mode (only for S7 & S3)

17 VIVO OS 4.06 for VIVO and COMBO J7 Additional features compared to the previous version - New Back-up function (Export / Import) for all models - New Editor APP compatibility (only for J7 S9) - New additional internal patches (only for S9) (Japan Live, Japan Bright, Japan Classic, Japan Memory) - Bugs correction