Commercial Audio Newsletter touring solutions. The complete package

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1 Commercial Audio Newsletter touring solutions The complete package

2 Expandability Yamaha touring solutions is not a mixer-stagerack connection system. Although there are many reasons to consider a Yamaha Touring Solution for such a connection, the real power lies in the free topology. The system can handle any number of locations such as stageracks, amp racks, recording racks, mixing consoles - each with channel counts of up to 256 audio channels. Locations can be connected to the system in any combination in any order, without ever having to worry about programming Ethernet, Cobranet or EtherSound devices. We took care of that. Just plug & play. Integration. Yamaha Touring Solutions offers ofcourse audio connectivity. For one, eight, or a few hundred channels, no problem. But there is life beyond the audio... think about DMX light control systems, IP video connections, controlling digital devices with software such as Studiomanager, DME designer, Ampmanager. Not only from Yamaha, any Ethernet-over-IP connection is supported, for example to run QSC control, Hi-Q net, Meyer Sound Compass. Maybe add a Wireless Access Point (WAP) for wireless control of the devices in the system. Or connect to the internet with an isolated VLAN so it can never disturb the audio. That s integration. Supported by all Yamaha Touring Solutions. Redundancy Using just one CAT5 or fibre cable to connect a complete system has it s benefits: light weight, easy to set up. But what if something goes wrong... a cable gets pulled out, a connector fails. To prevent the whole system from being disabled by such a fault, a redundancy system must be built in. Yamaha Touring Solutions uses the most reliable redundancy methods available: Ethernet Spanning Tree and Link Aggregation. Both are in use for decades, in millions of applications all over the world, tested beyond imagination, protecting banks, airports and nuclear power plants. Start your gig without worrying about redundancy, Yamaha Touring Solutions offer it as a standard.

3 Flexibility In the touring business, logistics are a key element in high quality sound productions. Yamaha Touring Solutions are designed with just that factor in mind. Touring companies can store many different racks without worrying about network settings. Yamaha Touring Solutions automatically adjust to the network topology used, and connects the audio of the different locations without having to program switches and network devices on-site. Adding locations, such as an additional mixing console, output rack or recording rack can be done on the fly. A system used for a large FOH/MON/broadcast project with multiple input racks can be used for three seperate projects the next day. Quality How about quality? Yamaha has a reputation to live up to. The AD8HR recallable head amp is a key factor here. It s the same head amp as used in the PM5000 and PM5DRH mixing consoles, world wide accepted as the quality reference level for live audio. Then there is the digital interfacing quality. Same story: the MY platform s reliability is legendary. Yamaha Touring Solutions also include DSP power hidden in the DME devices used. This DSP is the same as used in our mixing consoles - should we say more. Use this quality DSP for speaker processing, additional GEQ s or even for laptop mixing. Open Yamaha Touring Solutions are based on either Cobranet or Ether- Sound, or both, using Ethernet. All these protocols are thoroughly managed open platforms, used by thousands of manufacturers around the world. For audio applications, such as Yamaha Touring Solutions, this offers the possibility to include other manufacturer s products. Feel free to combine any 3rd party product compatible with these protocols, for example use a BSS London, Nexo NXtreme or Peavy Mediamatrix to connect to a Yamaha Touring Solution. You can find a list of compatible products on and www. ethersound.com.

4 Rack type Input Stagerack Input Stagerack I/O DSP Stagerack DSP Amprack AES/EBU I/O rack Nr of inputs 48 RH-quality, recallable 32 RH-quality, recallable 16 recallable - 64 AES/EBU Nr of outputs with DSP 8 with DSP 64 AES/EBU Flightcase 20U 12U 8U 12U 12U

5 Rack type Input Stagerack Input Stagerack I/O DSP stagerack DSP amprack AES/EBU I/O rack Nr of inputs 48 RH-quality, recallable 32 RH-quality, recallable 16 recallable - 96 AES/EBU Nr of outputs with DSP 8 with DSP 96 AES/EBU Flightcase 20U 12U 8U 12U 12U

6 Mixer Kit 16 channels 32 channels 48 channels 16 channels 32 channels 48 channels Format CobraNet CobraNet CobraNet EtherSound EtherSound EtherSound Connects to 01V96 LS9-16 DM1000V2 LS9-32 M7CL-32 O2R96V2 DM2000V2 M7CL-48 PM5D PM5D-RH DSP5D DM1000V2 LS9-32 M7CL-32 O2R96V2 DM2000V2 M7CL-48 PM5D PM5D-RH DSP5D O2R96V2 DM2000V2 M7CL-48 PM5D PM5D-RH DSP5D 01V96 LS9-16 DM1000V2 LS9-32 M7CL-32 O2R96V2 DM2000V2 M7CL-48 PM5D PM5D-RH DSP5D DM1000V2 LS9-32 M7CL-32 O2R96V2 DM2000V2 M7CL-48 PM5D PM5D-RH DSP5D O2R96V2 DM2000V2 M7CL-48 PM5D PM5D-RH DSP5D

7 Network Module Gigabit Node OpticalCon Set FibreFox Set Gigabit Node OpticalCon Set FibreFox Set Format CobraNet CobraNet CobraNet EtherSound EtherSound EtherSound Front Connection Rear Connections Cable Switches Redundancy 4x Ethercon 2x20 RJ45ports 25m EtherCon HP ProCurve Redundant ring / STP 2x OpticalCon 2x FibreFox 6x Ethercon 2x RJ45 ports 2x 100m fiber 2x 100m fiber 2x 25m EtherCon HP ProCurve 1800G-8 Link Aggregation 2x OpticalCon 2x 100m fiber 2x FibreFox 2x 100m fiber

8 Console DM1000V2+MB DM2000VCM+MB LS9-16 LS9-32 M7CL-32+MB M7CL-48+MB Networked I/O* On Board I/O 16/12 24/8 16/8 32/8 32/24 48/24 Mixing Channels stereo 64+4 stereo 32+4 stereo 48+4 stereo Subgroups Aux Matrix - 4 stereo * maximum I/O using appropriate MY cards

9 Console PM5D PM5D-RH DSP5D DME64N DME24N DME satellite Networked I/O* (CN or ES) On Board I/O 64/32 64/32 64/32-8/8 8/0, 0/8 or 4/4 Mixing Channels 48+4 stereo 48+4 stereo 48+4 stereo free design free design free design Subgroups free design free design free design Aux free design free design free design Matrix free design free design free design * maximum I/O using appropriate MY cards

10 Example: medium scale live. FOH console: M7CL48. The M7CL48 offers all mixing and siderack functionality required for medium scale live applications: 48 mixing channels with 4-band PEQ and two dynamic processors for all channels, and 16 auxes feeding 8 matrixes with 4-band PEQ and dynamic processor on all mixes. The effects rack offers up to 4 digital efects, and up to 16 graphic equalisers. A laptop offers additional displays of the mixer s functions as well as a video link with the stage. In addition to the audio, video and DMX light console connection, the 100m fiber cable to the stage can also carry the communication link audio and logic by a 3rd party COMlink, or via a set of DME4io engines. MON console: a second M7CL48. A latop offers additional displays, and a video COMlink with the FOH position. Left side stagerack: 32 inputs with HR quality headamps as used in the legendary PM5000. Head amp control on the FOH console hardware. Right side stagerack: 16 inputs, 8 outputs with DSP supporting on-stage sub mixing. System components 2 M7CL-48MB 48 channel digital mixing console 2 48ch mixer kit 48 channel connection to the network 1 32ch stagerack 32 channel HR quality stagerack 1 16ch stagerack 16 channel 8 output stagerack with DSP 1 8ch amprack 8 channels with speaker processing 1 Fibre Set Optical Con 2x 100m fibre cable on drums 5 Redundant Ring Node redundant Gigabit network node Amprack: 8 channel output with speaker processing and additional graphic EQ s for the main PA and monitor wegdes, controlled by a wireless laptop with access points on stage as well as at FOH position. The racks are connected with CAT5E cabling, distributed on the stage to offer the most efficient connectivity.

11 Example: DSP i/o racks for the event industry This 16/8 stagerack is ideal for the live event industry, offering mixing DSP and connectivity starting at 16 inputs, scalable up to hundreds of inputs by simply adding racks. Connection of racks is a breeze, just one CAT6 or fiber cable is required to connect a location to the system, offering multiple VLAN s at all locations for audio and any IP over Ethernet service such as video, media control, light control. The racks can be used as distributed I/O for a mixing console such as the LS9 or M7CL, but they can also be used as stand-alone racks as the mixing DSP included is more than enough for any live job, including routing, mixing, graphic eq, speaker processing - even SPX quality reverb is included. User friendly software control surfaces can be made with DME designer on a laptop connected to any location in the system, or through wireless access point for total freedom. System components For 16 channels -1 location 1 16/8 DSP stagerack DSP i/o rack, 16 inputs, 8 outputs For 48 channels -3 locations 3 16/8 DSP stagerack DSP i/o rack, 16 inputs, 8 outputs 2 Fibre Set Optical Con 2x 100m fibre cable on drum 3 Redundant Ring Node Redundant Gigabit network node For 32 channels -2 locations 2 16/8 DSP stagerack DSP i/o rack, 16 inputs, 8 outputs 1 Fibre Set Optical Con 2x 100m fibre cable on drum 2 Redundant Ring Node Redundant Gigabit network node For 96 channels -6 locations 6 16/8 DSP stagerack DSP i/o rack, 16 inputs, 8 outputs 3 Fibre Set Optical Con 2x 100m fibre cable on drum 6 Redundant Ring Node Redundant Gigabit network node

12 Yamaha Touring Solutions are integrated systems using Yamaha audio components and 3rd party components from manufacturers such as Hewlett Packard, Auvitran, Neutrik, Connex. Yamaha Touring Solutions are sold through a selected network of system integrators capable of designing and supporting such systems. Yamaha Touring Solutions are available in the countries indicated below. Please contact a Yamaha sales engineer for details. Austria Belgium Czech Republic Estonia Germany Hungary Latvia Lithuania Luxemburg Netherlands Poland Slovakia Slovenia Switzerland The complete package This brochure contains estimate SRP pricing of template networked audio distribution modules for the design of networked audio systems. It includes estimated SRP pricing of 3rd party suppliers such as Hewlett Packard, Auvitran, Neutrik, Connex. The pricing does not include labour costs for design, assembly, build, delivery, training and after sales. The modules are designed as a template, they can be modified and scaled freely depending on the customer s individual requirements. Final design, pricing, quotation, build, delivery, training and after sales by our network of system integrators. All trademarks and registered trademarks are property of their respective owners. YAMAHA Music Central Europe GmbH, Siemensstrasse Rellingen (D), , proaudio@yamaha.de

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