Archival Science, Digital Forensics and New Media Art
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1 DIGITAL FORENSIC RESEARCH CONFERENCE Archival Science, Digital Forensics and New Media Art By Dianne Dietrich and Frank Adelstein Presented At The Digital Forensic Research Conference DFRWS 2015 USA Philadelphia, PA (Aug 9 th - 13 th ) DFRWS is dedicated to the sharing of knowledge and ideas about digital forensics research. Ever since it organized the first open workshop devoted to digital forensics in 2001, DFRWS continues to bring academics and practitioners together in an informal environment. As a non-profit, volunteer organization, DFRWS sponsors technical working groups, annual conferences and challenges to help drive the direction of research and development.
2 Digital'Forensics,'Archival'Science,' DFRWS'2015:'August'12,'2015' Dianne'Dietrich'Cornell'University' Frank'Adelstein'Cayuga'Networks' and'new'media'art' Where'Art'Met'Science'or'' The'Search'For'Intent'
3 Introduction Frank' Background:'Forensic'R&D,'Tools,'Training,'etc.' Interest'in'applying'forensics'to'archival'material' (hey,'this'doesn t'involve'crime!)' Joint'paper'to'understand'commonaliQes'and' points'of'divergence'between'two'areas'
4 Introduction Dianne' Technical'lead'on'grant'at'Cornell'University'Library:' Analyze'a'collecQon'of'CDUROM'art'from'the' 90s' Characterize'it'in'enough'detail'to'develop'framework'for' access'and'preservaqon'framework'other'insqtuqons'could' use'for'similar'collecqons' Parallels'to'forensics:'' We'too'had'incomplete'informaQon'(about'the'artworks)'' Couldn t'always'get'in'touch'with'their'creators'and'didn t' always'know' exactly'how 'something'should'work'
5 Preservation and Access Framework for Digital Art Objects Test bed: 100 born-digital artworks created for CD-ROM, 1990s-2000s Includes: Standalone executable files, installed software, 3D landscapes, works run entirely in web browsers, etc.
6 Context and artistic intent are key I am worried about context and artistic intent how do we retain authenticity in the long term? Access to past works are incredibly valuable to me understanding works not just for their message but also for their technical [aspects that] help new media artist[s] evolve [this] area of practice.
7 New media art is on obsolete hardware Macintosh System 7.0 and up Internet connection and web browser with Shockwave PowerPC processor-based Macintosh computer Macintosh with 680x0 series processor 16 bit color and 13 inch monitor QuickTime 2.1 or better
8 New media art is on obsolete hardware Windows 95 IBM-compatible PC MPC2, 486, or Pentium PC Requires Internet Explorer 5.5, DirectX SVGA video card SoundBlaster compatible sound card Flash player 8 or higher
9 Example 1: Beyond Manzanar Immersive environment based on the Japanese- American internment camp at Manzanar Semi-transparent and fading images integral to the overall experience Needed to optimize graphics rendering in emulated environment Analysis needed to confirm we provided the best possible version of the experience
10 Analysis clarifies limits of access Beyond'Manzanar'(2002)' Tamiko'Thiel'and'Zara'Houshmand'
11 Analysis clarifies limits of access Beyond'Manzanar'(2002)' Tamiko'Thiel'and'Zara'Houshmand'
12 Analysis clarifies limits of access Beyond'Manzanar'(2002)' Tamiko'Thiel'and'Zara'Houshmand'
13 Analysis clarifies limits of access Beyond'Manzanar'(2002)' Tamiko'Thiel'and'Zara'Houshmand'
14 Analysis clarifies limits of access Beyond'Manzanar'(2002)' Tamiko'Thiel'and'Zara'Houshmand'
15 Example 2: Just from Cynthia Compilation of multiple works on a single CD-ROM Many mysteriously named files seemingly unrelated to the actual artworks present on disc File system metadata was insufficient to determine the purpose of the mystery files Running the work in an emulated system was required to understand their purpose Just'from'Cynthia'(2001)' Albert'Sorbelli'
16 File metadata can t tell the whole story Just'from'Cynthia'(2001)' Albert'Sorbelli'
17 File metadata can t tell the whole story Just'from'Cynthia'(2001)' Albert'Sorbelli'
18 File metadata can t tell the whole story Just'from'Cynthia'(2001)' Albert'Sorbelli'
19 Wrap up Intent' SomeQmes'archivists'must'alter'data'to'preserve'the' significant/proper3es/of'digital'material' The'Past' Obsolete'technology'needs'obsolete'tools'and'arcane'knowledge.'' Don t'lose'it'or'assume'it s'no'longer'valuable!'' The'Future' Scary'words:'cloud,'mobile,'ephemeral,'distributed,'ocean'of'data' How'can'highly'interconnected,'massive,'moving'data'be'frozen?' EmulaQon'and'virtualizaQon'are'sQll'imperfect'access'strategies' Preserving'data'long'term' There'is'no'preservaQon'without'loss. ' 'Mabhew'Kirschenbaum'
20 Image credits (in order of appearance) Old'Macs' 'Wikipedia;'hbp://en.wikipedia.org/wiki/File:Macintosh_IIci.png'(Public'Domain)'and' hbp://en.wikipedia.org/wiki/file:indigo_imac_g3_slot_loading.jpg'(cc'by'2.0)' Welcome'to'Macintosh 'Screen'capture'of'System'7'in'BasiliskII'emulator'(Dianne'Dietrich)' Windows'95'Desktop' 'Wikipedia;' hbp://en.wikipedia.org/wiki/file:windows_95_desktop_screenshot.png'(used'with'permission' from'microsok'via'wikipedia)' CreaQve'Labs'Soundblaster'card' 'Wikipedia;' hbp://en.wikipedia.org/wiki/file:kl_creaqve_labs_soundblaster_awe64_gold_ct4390.jpg'(gpl)' Beyond'Manzanar'by'Tamiko'Thiel'and'Zara'Houshmand,'reference'image'from' hbp:// and'dropushadow):'from'cdurom'version'of'work'in'goldsen'collecqon.' Just'from'Cynthia'by'Albert'Sorbelli:''File'lisQngs'in'Ubuntu'and'Mac'OS'8'(Dianne'Dietrich)'
21 Thank you to the PAFDAO team and advisory board Grant PIs: Oya Rieger, Timothy Murray Cornell PAFDAO Team: Desiree Alexander, Madeleine Casad, Dianne Dietrich, Jason Kovari, Danielle Mericle, Liz Muller, Michelle Paolillo Consultants at AVPreserve: Alex Duryee, Chris Lacinak, Kara VanMalssen Advisory Board: Ben Fino-Radin, Jean Gagnon, Rebecca Guenther, Matthew Kirschenbaum, Jon Ippolito, Norie Neumark, Christiane Paul, Richard Rinehart, Simeon Warner This work supported by a grant from the National Endowment for the Humanities Any'views,'findings,'conclusions,'or'recommendaQons'expressed'in'this'presentaQon'do'not'necessarily'represent'those'of'the' NaQonal'Endowment'for'the'HumaniQes.'
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