EMBARGO: 6:45PM (UTC/GMT), 4TH JAN, 2017

Transcription

1 EMBARGO: 6:45PM (UTC/GMT), 4TH JAN, 2017

2 STREET PHOTOGRAPHY HYBRID PHOTOGRAPHY 2017 LUMIX G Road Map 2016 (Photokina) 2017 GH For Professionals GH MP, Venus Engine, 12 fps Burst, DFD OLED 2359k LVF, k Monitor (FA) 4K 30p/25p/24p, High Bitrate Mg Body, Splash/Dustproof, Wi-Fi with NFC GH MP w/o LPF, New Venus Engine, 12 fps Burst, Advanced DFD 5-axis Dual I.S. 2 (Body 5-axis / Lens 2-axis) 3680k OLED LVF, k RGBW Monitor (FA) 4K 60p/50, High Bitrate, 4:2:2 10bit Internal Rec Mg Body, Splash/Dust/Freezeproof -10 o C/14 o F, Wi-Fi / Bluetooth G Shooting Style GX For High-Amateurs GX7 G7/ MP, Venus Engine, 8 fps Burst, DFD 2360k OLED LVF, k Monitor (FA) 4K 30p(25p)/24p Wi-Fi with PW-Less GX GX80/ G80/81/ MP, Venus Engine, 8 fps Burst, DFD Dual I.S. (Body 4-axis / Lens 2-axis) OLED k LVF (Tilt), k Monitor (FA) 4K 30p(25p)/24p, Mg Body, Splash/Dustproof, Wi-Fi with NFC 16MP w/o LPF, Venus Engine, 8 fps Burst, DFD 5-axis Dual I.S. (Body 5-axis / Lens 2-axis) 2360k LVF, k Monitor (Tilt) 4K 30p(25p)/24p, Wi-Fi with PW-Less 16MP w/o LPF, Venus Engine, 9 fps Burst, DFD 5-axis Dual I.S. 2 (Body 5-axis / Lens 2-axis) 2360k OLED LVF, k Monitor (FA) 4K 30p/25p/24p, Wi-Fi with PW-Less GM Premium Compact Body GM1 GM MP, Venus Engine, 5.8 fps Burst 1166k LVF, 3 921k Monitor p(50p) Wi-Fi GF Fashionable GF6 GF MP, Venus Engine, 5.8 fps Burst k Monitor (Tilt) p(50p), Wi-Fi with PW-Less Hands-free Selfie GF MP, Venus Engine, 5.8 fps Burst k Monitor (Tilt) p(50p), Wi-Fi with PW-Less Hands-free Selfie & Beauty Retouch GX MP w/o LPF, Venus Engine, 5.8 fps Burst, DFD k Monitor (Tilt) 4K 30p/25p/24p, Wi-Fi with PW-Less Hands-free Selfie & Beauty Retouch 2

3 GH5 Target Users High-end, Hybrid, High-performance Photo Enthusiast The highest-ever picture quality in LUMIX and high mobility that is advantages of Micro Four Thirds. Pro Videographers Professional video recording performance to lead DSLR/DSLM video camera market Specializing in FIELD PHOTOGRAPHERS with its compact size & lightweight body. Dominating the field of NATURE and DOCUMENTARIES by enhancing mobility and overcoming image quality. Attracting HYBRID PHOTOGRAPHERS who want to expand their business with video in addition to still pictures by improving their cinema / video shooting skills. For CINEMA or FILM CREATORS with its large sensor, interchangeable lenses and 4K. For the field of EVENT, WEDDINGS and YOUTUBERS by enhancing mobility. Dominating the field of NATURE and DOCUMENTARIES by 4K 60p/50p high-quality video recording. 3

4 GH5 Target User (Video) Cinema Market Shallow depth of field / Versatile lens expression / 24P COST Broadcasting Market Deep depth of field / Zoom lens / Mobility Major Cinema Independent Cinema TV Drama Commercials News Indies & Private Cinema Music Clips Sports & Entertainment Reaching out for the field of Cinema with 4:2:2 10-bit recording Promotional Video Documentaries Motion Picture Recording Reaching out for the field of TV/Documentaries with 4K/60p recording GH5 Target Zone Weddings Events 4

5 LUMIX GH5 The Highest-Ever Picture Quality and Professional 4K Video Shooting Performance PHOTOS. VIDEOS. Explore New Frontiers. TM New 20.3MP Sensor w/o LPF / NEW Venus Engine / 5-axis Dual I.S. 2 The Highest-Ever Picture Quality in LUMIX 4K60p / 4:2:2 10bit 4K30p / No Cropping / Unlimited Recording Time Pro Shooting Performance for Video Production 0.05 sec AF with Advanced DFD / 6K PHOTO 30fps / 4K PHOTO 60fps Intuitive Response to Photographer's Intention Splash/Dust/Freezeproof / Mag Alloy Body / 200k Shutter Life / Double SD Slot High Reliability and Durability for Professionals Bluetooth / Wi-Fi 5GHz / HDMI Type A / USB 3.1 / XLR Mic Adaptor (Optional) System Expandability for Professionals * 5GHz Wi-Fi is not available in some countries. Body L Kit: 12-60mm/F (H-ES12060) A Kit: 12-35mm/F2.8 (H-HSA12035) M Kit: 12-60mm/F (H-FS12060) AFS 12 fps / AFC 9 fps Burst Shooting 3,680k-dot 0.76x OLED LVF 3.2 1,620k-dot Free-angle Monitor Battery Grip (Optional) 5

6 LUMIX GH5 Improvement GH5 Sensor New Digital Live MOS 20.3MP w/o LPF Digital Live MOS 16.05MP ISO sensitivity ISO , Extended ISO100 ISO , Extended ISO100 View finder 3,680k-dot OLED, 21mm, 0.76x 2,360k-dot OLED, 21mm, 0.67x Rear monitor 3.2 3:2 1,620k-dot RGBW LCD, Free-angle, Static touch 3.0 3:2 1,040k-dot OLED, Free-angle, Static touch AF Advanced DFD, Approx. 0.05sec DFD, Approx. 0.07sec Shutter Shutter speed 1/8,000-60, Electronic first curtain shutter (1/2,000-60), Bulb 30min, X=1/250 1/8,000-60, Bulb 60min, X=1/250 Shutter life 200,000 times 200,000 times Built-in flash - (External flash burst function is added) GN12 (ISO100), 24mm Burst shooting AFS 12fps, AFC 9fps AFS 12fps, AFC 7fps JPEG: Approx. 600 images, RAW: Approx. 60 images JPEG: Approx. 100 images, RAW: Approx. 40 images Body image stabilizer 5-axis / 5 stops - 6K PHOTO / 4K PHOTO 6K PHOTO: 18MP 30fps (HEVC recording) - 4K PHOTO: 8MP 60fps (H.264 recording) 4K PHOTO: 8MP 30fps Toughness Mg alloy body, Splash/Dust/Freezeproof -10 o C/14 o F Mg alloy body, Splash/Dustproof Format MOV, AVCHD Progressive, MP4 MOV, AVCHD Progressive, MP4 Video Recording rate VFR (Variable Frame Rate) Monitor output 4K60/50p (4:2:0 8bit) 4K30/25p/24p (4:2:2 10bit) No cropping 4K: Max. 60fps FHD: Max. 180fps 4:2:2 10bit output & internal recording (4K60p/50p is output only) 4:2:2 8bit output & internal recording GH4-4K30/25p/24p (4:2:0 8bit) Cropping - FHD: Max. 96fps 4:2:2 10bit (no internal recording) 4:2:2 8bit output & internal recording SD card slot 2, UHS-II U3 1, UHS-I U3 Wi-Fi / Bluetooth / NFC a/n/ac (5GHz) / Bluetooth4.2 (Low Energy) / - * 5GHz Wi-Fi is not available in some countries b/g/n (2.4GHz) / - / Yes Dimensions (W x H x D) x 98.1 x 87.4 mm (excluding protrusions) x 93.4 x 83.9mm (excluding protrusions) Weight Approx. 725g (SD card, battery, body) Approx. 560g (SD card, battery, body) Accessory Battery grip (BGGH5) Battery grip (BGGH3) Gun mic (MS2), XLR mic adaptor (XLR1) Gun mic (MS2), Interface unit (YAGH) 6

7 Picture Quality The Highest-Ever Picture Quality in LUMIX Digital Live MOS Sensor NEW Venus Engine NEW New Digital Live MOS Sensor achieves high-quality, high-sensitivity image recording with quick response. 20.3MP w/o LPF - Higher Resolution Pixel count increased 25% (GH MP GH5 20.3MP) Maximized the resolving power of the lens by Removing the LPF 1.66 Times Faster Readout Speed (vs GH4) Still picture: GH4 approx. 40ms GH5 approx. 24ms 4K video: GH4 approx. 22ms GH5 approx. 15ms Fast continuous shooting No Cropping 4K 60p/50p video Suppressed Rolling Shutter Distortion when using an electronic shutter or while video recording. Venus Engine improvements achieve "Natural Texture Expression. Improved Resolution Multipixel Luminance Generation & Intelligent Detail Processing realize natural, high-resolution expression and improve color moiré suppression. Rich Color Expression Three-dimensional Color Control improves color reproduction of bright and shadow areas. Natural and True-to-life Image Natural image from low to high sensitivity. 1.3 Times Faster Processing (vs GH4) 1.3 times faster processing by 5 Core Codecs realizes no cropping 4K 60p/50p video and 30fps 6K PHOTO (HEVC / H.265). 7

8 Limiting Resolution 5% [LP/PH] New Sensor 20.3MP Digital Live MOS Sensor w/o Low Pass Filter Approx. 5% Improvement in Limiting Resolution NEW Limiting Resolution (5%) GH5 GX ISO 8 with Low Pass Filter w/o Low Pass Filter Removing the LPF improves limiting resolution by approx. 5% compare to the GX8 while minimizing moiré by the high performance Venus Engine. Crisp, Clear, Impressive Images with High-Resolution, True-to-Life Details

9 Contrast Reproduction New Venus Engine High Resolution with Natural Texture Multipixel Luminance Generation & Intelligent Detail Processing & New Sensor with No Low Pass Filter Multipixel Luminance Generation Reference of a 9 times wider range of pixel information improves frequency characteristics compared to conventional demosaic processing. Intelligent Detail Processing This separates the subject into flat, detailed, or edged areas by analyzing the characteristics of the subject for each pixel to control the edge emphasis. 9 Times Area - Conventional Processing - New Processing Flat Area No emphasis Detailed Area Edge emphasis Conventional GH5 Low Improved frequency characteristics Resolution High Edge Area Supressing unnatural edges It Reproduces Subjects in Detail to Achieve Higher Resolution Details Are Emphasized While Suppressing Unnatural Edges 9

10 Picture Quality Evolution Natural, High Resolution without Unnatural Edges GH4 GH5 255 White Black 0 Conventional Processing Suppressing Unnatural Edge Intelligent Detail Processing GH5: No Unnatural White Edges 10

11 Picture Quality Evolution Natural, High Resolution in Details GH4 GH5 GH5: Individual Leaves are Clear 11

12 New Venus Engine New Three-dimensional Color Control - Rich Color Expression The bright parts and the dark parts are separately reproduced by adopting color control according to brightness. Brightness Saturation Hue Saturation Hue Skin color is extracted from the approximate color, and reproduced with faithful, smooth gradation. Rich Color Expression from Dark Parts to Bright Parts 12

13 Picture Quality Evolution New Three-dimensional Color Control - Rich Color Expression GH4 GH5 Clear, Bright Blue Sky 13

14 New Venus Engine High-precision Multi Process NR - Natural, Stereoscopic Effects Noise identification with four times higher resolution improves noise suppression maintains details. Detail Maintaining Details NR Noise Detail Conventional MNR High-precision MNR Maintains Details When Suppressing Noise 14

15 Picture Quality Evolution Natural, Stereoscopic Effects Even at High ISO Settings GH4 GH5 ISO6400 GH5: Natural Noise & Detailed Description 15

16 Shutter Unit High-performance Shutter Unit 200k Releases & Shock Reduction Down to Durable shutter unit withstands approximately 200,000 releases. The LUMIX GH5 uses the spring drive system in the same way as the GH4, but a floating construction for the shutter frame greatly reduces shock to the camera body. 1/6 Approximately. GH4 Shutter Speed = 1/100 sec 1/6 Shock Reduced to Approximately. GH5 Shutter Speed = 1/100 sec Time (sec) Time (sec) Acceleration (mm/sec) Movement (μm) Acceleration (mm/sec) Movement (μm) 16

17 No More Blurred Images 17

18 5-axis Dual I.S. 2 5-stop Correction Power Up to Tele-end* NEW High Precision Gyrosensor Detects Shaking Angular Velocity New Algorithm Calculates Shaking Angle / Signal Processing Body I.S. Corrects Shaking Lens I.S. Corrects Shaking Stop Compensation Effects Gyrosensor data from the body is also used to control hand-shake compensation in the lens. Body I.S. and Lens I.S. compensation allocation is controlled in response to the focal length and shooting conditions, making it possible to use a 5-stop slower shutter speed up to tele-end. 18 * Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50-140mm (35mm camera equivalent f= mm), when H-FS14140 is used.]

19 Benefits Blur-free Shots Even at 5-stop Slower Shutter Speed Up to 280mm NEW Compensation Power Maintained Up to Conventional I.S mm 35mm equiv 5-axis Dual I.S. 2 provides powerful compensation even in telephoto range where Body I.S. drops. 5-stop *CIPA Standard 1/8sec, Blurred 5-axis Dual I.S. 2 * In combination with a 5-axis Dual I.S. 2 compatible lens. 19 Compensation Effect (Photo) - 5-axis Dual I.S. 2 GH5 - Body I.S. GH5 1/8 sec

20 Evolution 5-aix Dual I.S. 2 Compatible Lens Other Lenses incl. Classic Lens : Max. 5-stop Correction Power from Wide to Tele : Max. 5-stop Correction Power by Body I.S. LUMIX Lens Classic Lens Axis Compensation Effects Axis Compensation Effects Still Video Wide *1 Tele *2 Still Video Wide~ *1 Tele~ *2 GH5 5-axis Dual I.S. 2 Body 5 -axis 5 -axis*3 5 -stop 5 -stop Lens 2 -axis 2 -axis axis 5 -axis*3 5 -stop - GH4 Lens I.S. 2 -axis 2 -axis * 100mm (35mm camera equivalent). *2 ~280mm (35mm camera equivalent). *3 Hybrid 5-axis compensation (Optical+Electric).

21 Compatible Lenses Kit Lens LUMIX G Lens Other Brand Lens 21 5-axis Dual I.S. 2 5-axis Dual I.S. Body I.S. LUMIX G VARIO 12-60mm / F ASPH. / POWER O.I.S. Firmware Update LEICA DG VARIO-ELMARIT 12-60mm / F ASPH. / POWER O.I.S. New LUMIX G X VARIO 12-35mm / F2.8 ASPH. II / POWER O.I.S. New LUMIX G X VARIO mm / F2.8 II / POWER O.I.S. New LUMIX G VARIO mm / F II / POWER O.I.S. New LUMIX G VARIO mm / F II / POWER O.I.S. New LUMIX G VARIO mm / F ASPH. / POWER O.I.S. Firmware Update Firmware Update LEICA DG VARIO-ELMAR mm / F ASPH. / POWER O.I.S. Firmware Update in Feb 2017 LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. Firmware Update in 2017 Firmware Update LUMIX G VARIO 14-42mm / F II ASPH. / MEGA O.I.S. Firmware Update in 2017 Firmware Update LUMIX G X VARIO mm / F2.8 / POWER O.I.S. Firmware Update in 2017 Firmware Update LUMIX G VARIO 12-32mm / F ASPH. / MEGA O.I.S. Firmware Update in 2017 Firmware Update LUMIX G VARIO mm / F ASPH. / MEGA O.I.S. Firmware Update in 2017 Firmware Update LUMIX G VARIO mm / F ASPH. / MEGA O.I.S. Firmware Update in 2017 Firmware Update LUMIX G MACRO 30mm / F2.8 ASPH. / MEGA O.I.S. Firmware Update in 2017 Firmware Update LEICA DG NOCTICRON 42.5mm / F1.2 ASPH. / POWER O.I.S. Firmware Update in 2017 Firmware Update LUMIX G 42.5mm / F1.7 ASPH. / POWER O.I.S. Firmware Update in 2017 Firmware Update LEICA DG MACRO-ELMARIT 45 mm / F2.8 ASPH. / MEGA O.I.S. Firmware Update in 2017 Firmware Update Other Lenses

22 Pro Video Shooting Performance 22

23 Evolution - 1 Pro Shooting Performance for Video Production 4K 60P/50P NEW 4:2:2 10bit Internal Rec ( Except for 4K 60p/50p recording ) NEW 400Mbps** All-Intra ( Except for 4K 60p/50p recording ) NEW Smooth, High-resolution Rich Color Profiling High Affinity for Non-linear Editing 3,840 x 2, p 50.00p 150Mbps 4:2:0 8bit LongGOP MP4/MOV 4,096 x 2, p etc. 150Mbps 4:2:2 10bit 3,840 x 2, p etc. LongGOP MP4/MOV 1,920 x 1, p etc. 100Mbps* 4,096 x 2, p 400Mbps** 4:2:2 10bit 3,840 x 2, p etc. All-Intra MP4/MOV 1,920 x 1, p etc. 200Mbps** * Firmware update in April ** Firmware update in second half of Ready for 400Mbps recording by Video-grade class 60 SD Card. No Cropping - High-resolution & Perfect Focal Length Unlimited Recording Time in All Settings NEW 23

24 Evolution - 2 Pro Shooting Performance for Video Production Global Use System Frequency (59.94 / / 24.00Hz) MOV, MP4 (AAC, LPCM), AVCHD Progressive Hybrid Log Gamma* for 4K HDR Video New * Firmware update in second half of Versatile Video Expression Variable Frame Rate 4K / FHD New Focus Transition New V-LogL* & LUT Display Function New High-resolution Anamorphic Video** New * Upgrade software key DMW-SFU1 is needed. ** TBD. Firmware update in second half of Expandability 4:2:2 10bit HDMI Live Output & Internal Rec New HDMI Type A Terminal New Double SD Slot & UHS-II U3 Compatibility New Optional XLR Mic Adaptor New Pro Shooting Assist Features Heat-Dispersing Design & Unlimited Recording 5-Axis Dual I.S. 2 New Wave Form Monitor / Vectorscope New Like709 Gamma & Knee Control New Built-in Microphone with NR Structure New Luminance Level / / (10bit) New 24

25 C4K/4K Recording Formats Container Recording Size System Frequency Frame Rate Bitrate Color Subsampling Compression Sound GH5 GH Hz 50.00Hz 24.00Hz MOV / MP4 C4K 4,096 x 2, p 400Mbps 150Mbps 4:2:2 10bit ALL-Intra 100Mbps 4:2:0 8bit LongGOP - LPCM 59.94p 150Mbps 4:2:0 8bit - High-Res Audio for MOV 2nd half of Mbps ALL-Intra 2nd half of :2:2 10bit 4K 3,840 x 2, Mbps p / 23.98p LongGOP 100Mbps 4:2:0 8bit MP4 AAC 50.00p 150Mbps 4:2:0 8bit LongGOP - 400Mbps ALL-Intra LPCM 2nd half of MOV / MP4 4:2:2 10bit High-Res Audio 4K 3,840 x 2, Mbps for MOV p LongGOP 100Mbps 4:2:0 8bit MP4 AAC MOV / MP4 C4K 4,096 x 2,160 4K 3,840 x 2, p 400Mbps ALL-Intra 2nd half of :2:2 10bit 150Mbps - LongGOP 100Mbps 4:2:0 8bit LPCM High-Res Audio for MOV 400Mbps ALL-Intra 2nd half of :2:2 10bit 150Mbps - LongGOP 100Mbps 4:2:0 8bit 25

26 FHD Recording Formats Container Recording Size System Frequency Frame Rate Bitrate Color Subsampling Compression Sound GH5 GH Hz MOV / MP4 FHD 1,920 x 1, p / 29.97p / 23.98p 50.00Hz MOV / MP4 FHD 1,920 x 1, p / 25.00p 24.00Hz MOV / MP4 FHD 1,920 x 1, p 59.94Hz 50.00Hz MP4 AVCHD MP4 AVCHD FHD 1,920 x 1,080 FHD 1,920 x 1, Mbps 100Mbps 200Mbps 100Mbps 200Mbps 100Mbps 59.94p 28Mbps 4:2:2 10bit ALL-Intra LPCM High-Res Audio for MOV 2nd half of 2017 (4:2:0 8bit) April LongGOP 4:2:0 8bit 4:2:2 10bit ALL-Intra LPCM High-Res Audio for MOV 2nd half of 2017 (4:2:0 8bit) April LongGOP 4:2:0 8bit 4:2:2 10bit ALL-Intra LPCM High-Res Audio for MOV 2nd half of 2017 (4:2:0 8bit) April LongGOP 4:2:0 8bit 23.98p 24Mbps AAC 29.97p 20Mbps 4:2:0 8bit LongGOP 59.94p 28Mbps 59.94i / 23.98p 24Mbps Dolby 59.94i 17Mbps 50.00p 28Mbps AAC 25.00p 20Mbps 50.00p 28Mbps 4:2:0 8bit LongGOP 50.00i 24Mbps Dolby 50.00i 17Mbps 24.00Hz MP4 FHD 1,920 x 1, p 24Mbps 4:2:0 8bit LongGOP AAC 26

27 Video Feature Comparison GH5 GH4 4K video 4096 x p 24p 3840 x p / 50p / 30p / 25p / 24p 30p / 25p / 24p Using sensor area No cropping Cropping 4:2:2 10bit recording 4K 30p / 25p / 24p - FHD 2nd half of p / 50p / 30p / 25p / 24p - ALL-Intra high bitrate video recording 4K 2nd half of Mbps (4:2:2 10bit) - FHD 2nd half of Mbps (4:2:2 10bit) FHD 200Mbps (4:2:0 8bit) 4K file container format (MP4 / MOV LPCM) System frequency is selectable (59.94Hz (23.98HZ) / 50.00Hz / 24.00Hz) Anamorphic (4:3) recording High-resolution anamorphic video 2nd half of p / 25p / 24p - 4K (H.264) 30p / 25p / 24p 30p / 25p / 24p HDMI live output 4:2:2 10bit output & Internal rec 4:2:2 8bit output & Internal rec / 4:2:2 10bit output (no internal rec) VFR 4K (3840 x 2160) Up to 60fps - FHD Up to 180fps Up to 96fps Cinelike gamma V-LogL (optional) Yes with LUT display function Photo Style Like709 gamma (ITU-R BT.709) Yes with knee control - Hybrid log gamma for 4K HDR video 2nd half of Hue adjustment Luminance level adjustment / / (10bit) / / (8bit) Master pedestal adjustment Synchro scan (prevent flicker effect) Wave form monitor display - Operation type (Shutter Duration/ISO, Angle/ISO, Shutter Duration/dB) Time code (rec run / free run) Color bars & 1kHz test tone Focus Focus transition - Focus assist (peaking) Zebra pattern / Histogram / Center marker SD card slot 2 with relay rec & copy rec 1 UHS-II U3 (Vide grade 60) UHS-I U3 Φ3.5mm mic socket Input / output terminal Φ3.5mm headphone socket HDMI output terminal Type A Type D XLR audio input DMW-XLR1 microphone adaptor (optional) DMW-YAGH (optional) 4:2:2 10 bit SDI video output - DMW-YAGH (optional) 27

28 Firmware Update Schedule 2017 Jan CES March April NAB Second Half of 2017 Embargo Start Sales Firmware Update Firmware Update Plan to announce firmware update schedule in April and second half of FHD 4:2:2 10bit 4K 4:2:2 10bit ALL-Intra FHD 4:2:2 10bit ALL-Intra High-resolution Anamorphic Video USB Tethering Hybrid Log Gamma for 4K HDR Video 28

29 History of Video Compression 4:2:2 10bit - High Picture Quality Used for Broadcasting 4:2:2 8bit HD 4:2:2 10bit HD 4:2:2 10bit 4K 4:2:2 10bit 4K 400Mbps All-Intra 4:2:2 GH5 4:2:0 GH bit 10bit

30 Advantages of 4:2:2 10bit Color Grading 4:2:2 10bit enables faithful color grading, that is essential for professional work Shoot Edit Distribution GH5 Cut editing Color Grading Process VFX (CG) synthesizing Telop superimposing Audio editing Movies TV Web Package media Delicate Color Adjustments can be reproduced to match the color grader's intent. Dynamic Color Adjustments can be made, such as turning daytime to evening. Green backgrounds can be eliminated during CG production. 30

31 4:2:2 10bit 4:2:2 Color Subsampling 10bit Color Depth Y Y 256-point Y 4:2:0 Y b r Y 8bit b Color information on 2 lines Color is mixed r 256-point 2 Times Information 4:2:2 Y Y b b r r Y Y 64 Times Information 10bit 1024-point Y b Color information on each line Rich gradation r 1024-point 31

32 HDMI Monitor-Through 4:2:2 10bit HDMI Live Output & Simultaneous Internal Recording NEW Live Output to External Recorder Usage examples) Apple ProRes/Avid DNxHD - 4:2:2 10bit rec up to 4K60p/50p High quality recording in non-compression recorder Simultaneous Internal Recording Usage examples) 4:2:2 10bit simultaneous rec for backup High-quality internal recording in outdoor situations that required mobility Atomos Shogun Inferno Live Output 4:2:2 10bit Apple ProRes Backup 4:2:2 10bit Long GOP All-Intra In 4K60p/50p mode, 10bit mode is not selectable (4:2:2 8bit output only while internal recording). User can select 4K 60p/50p 4:2:2 10bit output without internal recording. 32

33 HDMI Output / Input Compatibility and Flexibility of Use with Other External Devices HDMI Type A Terminal Rarely on digital still cameras, LUMIX GH5 is equipped with HDMI Type A terminal, that is widely used, for professional video production. NEW HDMI Cable Lock Holder * Included accessory. Cable holder prevents the HDMI cable from getting disconnected by accident or the HDMI socket from being damaged. NEW Information Display It is possible to display information simultaneously on both the main unit's rear monitor and the external monitor. HDMI Type A microhdmi Type D (for cameras or smartphones) * For [4K 60p] video output, use an HDMI 2.0 cable that has the HDMI logo on it, and that is described as "4K compatible. 33

34 HDMI Output / Input Compatibility and Flexibility of Use with Other External Devices HDMI Time Code Output Support for ATOMOS devices and devices that are compatible with ATOMOS expanded specifications. The aim is also to support external monitors capable of time code input via HDMI cable. HDMI Rec Control (Start / Stop) Even when there is no SD card inserted and video cannot be recorded by the camera, output is possible by pressing the motion picture button and shutter button. Time Code REC Control LUMIX GH5 HDMI Cable External Recorder LUMIX GH5 HDMI Cable External Recorder * Setting is possible only in Creative Video mode. Frame frequency setting: Recording content = HDMI output. MP4 is not supported. * Setting is possible only in Creative Video mode. Frame frequency setting: Recording content = HDMI output. MP4 is not supported. When [HDMI Time Code Output] is set to [OFF], the REC control data is not output. Applicable devices only. Not possible with a Panasonic recorder. 34

35 Photo Style "Like709 " & Knee Control Like709 & Knee Control Suppress Overexposure by High Luminance Video Signals NEW Like709 Gamma Curve Close to Video/HDTV Standard Rec.709 Gamma Knee Control Pro Video Users Standard Function Output luminance level Knee Point - Knee mode: AUTO/MANUAL selectable 109% 100% Standard Like % 100% * Can be selected in Creative Video mode * Can be selected in Like709 mode Knee Slope - MANUAL mode parameter Master point setting: "80.0" - "107.0%" Master slope curve: "0"-"99" Input luminance level 35

36 V-LogL V-LogL Recording with DMW-SFU1 (Optional) & V-LogL View Assist Function Upgrade Software Key DMW-SFU1 (Optional) enables log video recording (V-LogL). V-Log / V-LogL have been developed to achieve a similar characteristic curve to Cineon which is a characteristic curve of film digitalization. LUT (Look Up Table) V-LogL features a log characteristic with 12 stops. Both V-Log and V-LogL have the same characteristic curve and LUT (Look Up Table) can be utilized in common. V-LogL View Assist Function Images with LUT data applied can be displayed on the camera's shooting screen. Up to four sets of LUT data stored on an SD card (Folder 1) can be registered. NEW Applicable LUT data complies with VARICAM 3DLUT REFERENCE MANUAL Rev.1.0, in ".vlt" format. 36 * The recommended LUT file for this upgrade is the same as that of Varicam35, a LUT complies with ITU-R BT.709. The link to the page for this LUT will be announced at the Firmware Update Ver2.3 page. Reference)

37 Hybrid Log Gamma * Available after firmware update in second half of 2017 Hybrid Log Gamma for 4K HDR Video Recording in Hybrid Log Gamma Playback with HDR Compatible TV HDMI / SD Connections Full-Time Live View Recording by New Venus Engine 37 Standards are being advanced to link with HDR still pictures by 2018.

38 Hybrid Log Gamma * Available after firmware update in second half of 2017 HDR expresses both bright parts and dark parts at the same time to achieve images that are close to what you see with your own eyes Whiteout SDR Conventional Images HDR Blackout 38

39 Anamorphic Shooting 4K Video in 4:3 Aspect for Shooting with Anamorphic Lens NEW A video recording mode for 4K-equivalent resolution in 4:3(1:1.33) is available. Redefine the aspect on NLE postproduction GH5+Lens Recording Aspect Ratio 4:3 (1:1.33) Postproduction Aspect Ratio = 1:2.39 (cinemascope size) 59.94p 150Mbps 4:2:0 8bit LongGOP 400Mbps ALL-Intra 2nd half of Hz 29.97p 4:2:2 10bit 150Mbps April p 100Mbps 4:2:0 8bit LongGOP MOV / MP p 150Mbps 4:2:0 8bit Anamorphic 4K 400Mbps ALL-Intra 3,328 x 2,496 LPCM 2nd half of Hz 4:2:2 10bit 25.00p 150Mbps High-res audio for MOV April 2017 LongGOP 100Mbps 4:2:0 8bit when XLR1 is attached 24.00Hz 24.00p 400Mbps ALL-Intra 2nd half of :2:2 10bit 150Mbps April 2017 LongGOP 100Mbps 4:2:0 8bit High-resolution Anamorphic Video 2nd half of

40 Focus Transition Auto Focus Transition with at a Constant Speed NEW 1. Pre-set the focus arrival position manually 2. Set the focus to the start position and start REC. Set the focus to the stop position (tree) Set the focus to the start position (building). The focus point automatically shifts to the tree at a constant speed. - Focus Arrival Position: 3 points - Transition Speed: 5 speed - REC. Start Link: ON/OFF - Waiting Time: OFF/5sec./10sec. You can also simulate composition and focus position before recording for accurate video creation. 40

41 VFR (Variable Frame Rate) Dramatic Slow Motion Video or Unique Quick Motion Video in 4K / FHD Slow Motion 59.94Hz 24.00Hz 50.00Hz 29.97p 23.98p 24.00p 25.00p - 180fps - Max. 7.5x - 168fps 180fps - 156fps Slow 175fps 180fps 144fps 150fps 165fps 132fps - 150fps 120fps 125fps 135fps 108fps 100fps 120fps 96fps 87fps 105fps 84fps 75fps 90fps 72fps 62fps Max. 2.5x 75fps 60fps 60fps (4K only) Slow 60fps 48fps 50fps 45fps 36fps 37fps 34fps 28fps 30fps 32fps 26fps 27fps 30fps 24fps 25fps Quick Motion 28fps 22fps 23fps 26fps 20fps 21fps 15fps 12fps 12fps 2fps 2fps 2fps Recordable in 4K NEW 41

42 Other Features Control Panel The GUI for exclusive use of the video. Operation Type Shutter Duration/ISO, Angle/ISO, Shutter Duration/dB Shutter Duration Angle Shutter Duration ISO For Still Photographer ISO For Film Creator db For Video Creator Wave Form Monitor / Vectorscope NEW To check brightness, luminance or chroma color balance. Luminance Level for 10bit [0 1023][64 940][ ] can be selected in 10bit. NEW Time Code Time Code makes it easy to synchronize multiple images or sound source content in the post production workflow. Time Code Display Count Up Time Code Value Time Code Mode ON / OFF Rec Run / Free Run Reset / Manual Input / Current Time Drop Frame / Non-Drop Frame 42

43 Other Features Hue Adjustment Hue adjustment is newly added to the Photo Style mode. Cinelike Gamma This gives the video rich, cinema-like gradation. Cinelike D or Cinelike V is selectable. Color Bars & 1kHz Test Tone SMPTE EBU ARIB Master Pedestal Level Synchro Scan Zebra Pattern Center Marker Adjusts the black level in 31 steps. You can reduce flickering and stripes on images in Creative Video Mode. Indicates parts that may be washed out through overexposure in a zebra pattern. Displays [+], which indicates the center of the recording screen. 43

44 Built-in Microphone with NR Structure Built-in Microphone with NR Structure for Clearer Sound Recording NEW MIC OUT Conventional L R Wind Noise Cancelation + Sound Synthesis Noise Reduction for Zooming Signal Processing L R GH5 MIC L R Wind Noise Cancelation REDESIGNED + Sound Synthesis Wind NR Effect 20-25dB (10dB up compared with previous model) Interior Noise Cancelation NEW Interior Noise Reduction Noise Suppression Processing Rejected Noise Reduction for Zooming Signal Processing OUT L R New Built-in Mic for Reference Noise 44

45 Production System Example [A] Simple FHD, 4K Production System A simple, highly mobile style that excels for single-handed operation Selectable from 4:2:0 8-bit picture quality or 4:2:2 10 bit ( Page 27) Long GOP / All-Intra is selectable ( Page 27) Stereo Shotgun Mic. Panasonic DMW-MS2 HD Video Support Lenses Recording Media SDHC or SDXC Video Formats FHD (1,920 x 1,080): MOV/MP4 (LPCM) DCI 4K (4,096 x 2,160): MOV/MP4 (LPCM) 4K UHD (3,840 x 2,160): MOV/MP4 (LPCM) For 4K UHS-I / II U3 ex.) Panasonic RP-SDUC/SDZA Non Linear Editing Apple Final Cut Pro X grass valley EDIUS Pro 8 Adobe Premiere Pro CS6, CC2015 Shooting / Recording Editing 45

46 Production System Example [B] Production System 4:2:2 10-bit recording with external video recorder and SD card Selectable from 4:2:0 8-bit picture quality or 4:2:2 10 bit ( Page 27) Long GOP / All-Intra is selectable ( Page 27) Portable Recorder Recording Media SSD or HDD Docking Station ATOMOS HD Video Support Lenses Power Zoom Lenses ATOMOS NINJA series ATOMOS SHOGUN INFERNO, other SHOGUN series HDMI 2.0 4:2:2 10-bit ProRes HQ ProRes 422 ex.) SanDisk SDSSDXPS-960G USB2.0 USB3.0 H-PS14042 H-PS45175 Zoom Controller Varizoom VZROCKDVX Stereo Shotgun Mic. Panasonic DMW-MS2 4:2:2 10-bit Recording Media SDHC or SDXC For 4K UHS-I / II U3 ex.) Panasonic RP-SDUC/SDZA 4:2:2 10-bit Non Linear Editing Apple Final Cut Pro X grass valley EDIUS Pro 8 Adobe Premiere Pro CS6, CC2015 Shooting / Recording Editing 46

47 Production System Example [C] Production System 4:2:2 10-bit recording with external video recorder and SD card Portable Recorder HDMI Portable Recorder ATOMOS NINJA series Selectable from 4:2:0 8-bit picture quality or 4:2:2 10 bit ( Page 27) Long GOP / All-Intra is selectable ( Page 27) ProRes HQ ProRes 422 Recording Media SSD or HDD Docking Station ATOMOS HD Video Support Lenses Power Zoom Lenses FHD: Panasonic BT-LH910, 1850, K: Panasonic BT-4LH310 SDI ATOMOS SHOGUN INFERNO, other SHOGUN series HDMI 2.0 4:2:2 10-bit ex.) SanDisk SDSSDXPS-960G USB2.0 USB3.0 H-PS14042 H-PS45175 Zoom Controller Varizoom VZROCKDVX Stereo Shotgun Mic. Panasonic DMW-MS2 AC Adaptor DC Coupler 4:2:2 10-bit Recording Media SDHC or SDXC For 4K UHS-I / II U3 ex.) Panasonic RP-SDUC/SDZA 4:2:2 10-bit Non Linear Editing Apple Final Cut Pro X grass valley EDIUS Pro 8 Adobe Premiere Pro CS6, CC2015 Shooting / Recording Editing 47

48 GH4 Production System Example [D] Full 4K Production System Full 4K production system with PL lens 4:2:2 10-bit high-quality video recording Pro Mic. Rec Switch Varizoom VZROCKDVX 4K Recorder AJA KiPro quad ProRes HQ ProRes 422 Recording Media SSD AJA Pack512 Docking Station AJA Pack Dock Thunderbolt USB3.0 Mount Adaptor PL Lens HDMI Matte Box Follow Focus Pro. 4K Monitor Panasonic BT-4LH310 AC Adaptor DC Coupler Non Linear Editing Apple Final Cut Pro X grass valley EDIUS Pro 8 Adobe Premiere Pro CS6, CC2015 Shooting / Recording Editing 48

49 Intuitive Response to Photographer's Intention 49

50 DFD Technology Contrast AF with DFD Technology - Panasonic's Original AF System Imaging Instantaneously Evaluation of 2 Images DFD Extracts Sharpness Levels of Two Images Comparative Calculation Lens Drive Optical Characteristics Sharpness Levels Contrast Calculation AF Controller Converts Distances into Data 50 High Performance Even in Low Light Situations! No Dedicated Device Required! No Separate Calibration Required!

51 New DFD Higher Speed, More Accurate DFD Technology Improves AF Performance NEW Calculating each frame by higher processing Max. twice as high precision both resolution and depth By adopting the motion detector to DFD, the moving subject is detected without error Converts Distances into Data Error Higher Resolution & Depth Back Motion Detector Circuit OFF GH4 Approx. 6 Frames Delay GH5 All Frames GH4 64x36=2,304 GH5 120x68=8,160 Front Motion Detector Circuit ON 51

52 Evolution 1 Higher Speed AF Top Level of Fast AF Performance Thanks to the New DFD and 480fps AF Drive Focus Position 480fps AF New DFD GH5 GH4 240fps AF Newly Developed High-speed Processing Live MOS Sensor BIS Mount Unit with High-speed Mechanical Shutter Current DFD Conventional Contrast AF AF Time GH5 GH sec AF 0.07 sec AF With H-ES12060 at wide-end 9 fps AFC Burst 7 fps AFC Burst 52 Faster

53 Evolution 2 Tracking Performance Motion Detection & New DFD Improve Tracking Performance in Both Plane and Depth Plane: Tracking the Subject Even If It Moves Depth: Continuously Focusing on the Subject DFD for Subject Motion + Contrast AF for Precise Focusing Distance Distance to subject Calculated distance of Contrast AF Calculated distance of DFD DFD compensates for misdetection of Contrast AF Time DFD identifies subject Motion estimation vector & New Depth Information strongly track AF frame In addition to the contrast, DFD AF monitors the Distance of the Subject (Depth) and calculates the best focus position 53

54 Evolution 3 Fulltime AF Smooth 4K PHOTO/VIDEO & 6K PHOTO Recording Thanks to New DFD / AF GH4 Conventional DFD Out of Focus Out of Focus Out of Focus Out of Focus Delay Failure to tracking Delay of focusing Failure to focus GH5 New DFD High-speed DFD Instant tracking Continuous, motion detection DFD Fast tracking Accurate DFD Exact to focus Focus position Continuous detection 2 Subject motion GH4 GH5 1 3 Time 54

55 New AF Mode 225-Area AF Surpassing High-end DSLRs & Intuitive Joystick Control NEW 225-Area Multi AF More precise focusing by increasing the number of AF areas surpassing high-end DSLRs. Custom Multi (225-Area) In Custom Multi mode, you can freely select the AF-area group. Zone AF Focus area group size and position can be customized for Multi AF / Custom Multi AF. Smooth, intuitive 225-area AF control is possible with newly adopted Joystick. 55

56 Customize AF Customize AF According to Shooting Intent NEW With customize AF settings, it is possible to adjust AF directionality depending on the shooting scene. SET 1 SET 2 SET 3 SET 4 56

57 Other Focusing Features Face/Eye Detection AF Seamless 1-Area AF Pinpoint AF Full Area AF The camera automatically detects the eyes in addition to the face. It is possible to freely change the size of the AF frame. More precise auto focusing is possible by further enlarging the focusing area. It s possible to focus on any point in the 100% field of view. Low Light AF Starlight AF MF Assist Focus Peaking One Shot AF Low Light AF makes it possible to focus subjects more precisely in Moonlight with no other light source. The camera shoot a star with auto focus by accurate calculation of the contrast value in a smaller AF zone. This function enlarges its magnification range up to 10x with MF ring control. This function shows the peak of the focus in MF / AF+MF even while recording video. This lets you use the AF even in MF mode to roughly focus on the subject, then go back to MF to precisely focus. 57

58 6K PHOTO / 4K PHOTO 18MP/30fps & 8MP/60fps Unlimited Shooting NEW Approx. 9 times the pixel count of Full HD FHD (Extracted) 2MP 8MP/60fps 4:3 (4,992 x 3, MP) / 3:2 (5,184 x 3, MP) 18MP/30fps 58 * "6K PHOTO" is a high-speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with 18-megapixel (approx x 3000 effective pixel count) that the 6K image manages.

59 4K PHOTO Evolution High-resolution 6K PHOTO X High-speed 4K PHOTO / 60fps NEW Conventional 4K PHOTO 30fps 6K PHOTO 30fps 4K PHOTO 60fps Approx. 18MP / 30fps 4:3 (4,992 x 3, MP) 3:2 (5,184 x 3, MP) Print in Larger Size! Approx. 8MP / 60fps Freeze moments with 60fps (approx.8mp) Suppress the rolling shutter effect 59 * "6K PHOTO" is a high-speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with 18-megapixel (approx. 6,000 x 3,000 effective pixel count) that the 6K image manages.

60 Post Refinement High-quality 6K PHOTO / 4K PHOTO by the Image Composition NEW Noise Reduction Auto noise reduction* in high ISO setting / fast shutter speed recording. The picture is composed according to the result of motion estimation. Rolling Shutter Distortion Correction The rolling shutter distortion occurred on panning shooting is corrected without changing the angle of view. * OFF is selectable Frame of back and forth Frame of back and forth 60

61 Monitor NEW 35mm camera equiv. 3,680k 0.76x OLED 1,620k 3.2 RGBW Super Resolution High Visibility in Outdoor NEW Live View Finder 3,680k-dot OLED Magnification 0.76x Eyepoint 21mm Eye sensor Rear Monitor 1,620k-dot RGBW LCD 3:2, 3.2-inch Free-angle Static touch control 61

62 New LVF Large 0.76x 3,680k OLED LVF Evolved for Active Outdoor Shooting NEW Eye Point: 21mm A long eye point distance is convenient for people who wear glasses. Wider Viewing Angle Clear image even when the eye is moved away from the center of the viewfinder. Clear 3,680k & Large 0.76x High-resolution & high magnification make it easy to see subtle image details. 35mm equiv. GH5 GH4 Type OLED OLED Resolution 3,680k dots 2,360k dots Magnification 1.52x / 0.76x (35mm) 1.34x / 0.67x (35mm) Eye Point 21mm 21 mm 62

63 GH4: 2,360k-dot 1.34x / 0.67x (35mm camera equiv.)

64 GH5: 3,680k-dot 1.52x / 0.76x (35mm camera equiv.)

65 New Rear Monitor Large 3.2-inch 1,620k RGBW Monitor High Visibility Even in Bright Conditions NEW RGBW (Red, Green, Blue, White) pixel structure achieves max. 2 times or more brightness compared to GH4, and enables higher visibility even in bright conditions. 65

66 Durability Durability to Shoot Under Tough Conditions Freezeproof With freezeproof to -10 o C / 14 o F, the LUMIX GH5 supports shooting while skiing, snowboarding or skating. Splash/Dustproof NEW This construction was achieved by tightly sealing the sections of the camera body to enable shooting under extreme conditions. Mg Alloy Body A magnesium alloy frame makes the body lightweight yet durable while bringing ruggedness to the compact size.

67 GUI Improvement More Convenient Operation Meets the Requirements of Professional Users NEW Conventional GH5 GUI looks dull due to unnecessary space between each item. Difficult to find the items (the number of menus has been increased). Some menu items are grayed out. A customizable menu is required. More Professional Evolution Increased the number of items on each page to improve comprehensive usage and visibility (5 lines 8 lines). Re-designed the order and position of each menu item. Custom set-up menu can be categorized. Cause of "gray out" is shown in a pop-up window. Frequently used items can be memorized in "my menu" (up to 23 items). 1 8 lines displayed on each page. 2 Categorized custom set-up menu. 67

68 Main Parts & Controls Φ3.5mm MIC Jack Drive Mode Dial Mode Dial Shutter Button Front Dial Φ3.5mm Headphone Jack WB / ISO / EXP. Compensation Button Motion Picture Button HDMI TypeA Socket USB3.1 Socket 20.3MP Live MOS Sensor w/o Low Pass Filter Hot Shoe Dial Lock Fn1 Button Synchro Terminal LVF / Fn5 Button Eye Sensor Live View Finder Focus Lever AF/AE Lock Button Remote Socket Rear Dial Joystick Double SD Slot Preview / Fn6 Button Free-angle Monitor Q.Menu / Fn2 Button AF Mode / Fn3 Button Fn4 Button 68

69 Double SD Slot Double SD Slot for Larger Capacity Recording & Efficient File Arrangement NEW Relay Rec The recoding media switches automatically and seamlessly from slot 1 to slot 2. Backup Rec Identical data is recorded onto cards in both slots. Allocation Rec You can select slot 1 or slot 2 to record RAW, JPEG, 4K PHOTO, and video data = JPEG RAW Video 4K PHOTO Support HOT SWAP in video recording. JPEG RAW Video 4K PHOTO Folder & file number being the same JPEG RAW Video Folder and file number being the same in RAW and JPEG recording 4K PHOTO 69

70 Power Save LVF Shooting Approx Images* About 2.5 Times Longer Battery Life NEW Auto OFF After 3, 5 or 10 sec The eye sensor detects that the eye has moved away, and the camera automatically enters Sleep mode**. Quick ON When the shutter button is half-pressed, advanced LUMIX technology instantly restores the shooting mode! Normal Setting 410images Power Save LVF Shooting Approx. 1,000images* Viewfinder users who enjoy active shooting get both a high-resolution EVF and extended shooting time! 70 * With H-FS12060 (LVF). Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 3 sec. ** When the rear monitor is set to an on-monitor recording information screen.

71 New Way of Photography 71

72 Post Focus & Focus Stacking Only LUMIX! Focus Control After Shooting NEW DFD Technology calculates the focus areas from a max. of 49 areas Near 6K PHOTOs are shot at 30fps while shifting the focus area. Focus Focus Focus Far Select Combine Post Focus Focus Stacking 72

73 Focus Stacking Control Depth of Field Area After Shooting with Focus Stacking NEW REC: No complicated settings PLAY: Select starting area PLAY: Select finish area No need to focus before shooting. Supported by all LUMIX G/LEICA DG lenses. The green assist display shows the in-focus area to compose the image according to your intention. Composed into a single picture 73

74 Light Composition Beautiful Night Scenery with Illumination by Multi-layering Images Composite Merging (multiple fireworks) Select the frames (max. 40 shots) you wish to combine, and the camera superimposes the brighter parts of the image. Composing to a Single Picture Range Merging (light traces) Select the first and last frames, and the brighter parts of frames within that range will be superimposed. 花火合成写真 74

75 Bracket Mode Versatile Bracket Options to Select the Best Settings Later Bracket Menu Focus Bracket Near Aperture Bracket Open Far Close Exposure Aperture Bracket Focus Bracket WB Bracket Select the Bracket mode to match the situation or conditions, and choose the best one after shooting. 75 Step Can be set in 10 levels Image Count Can be set from 1 to 999 shots Sequence Near to far, or alternately near and far 3 / 5 shots Proper / From Maximum to Minimum ALL By 1-step

76 Unique Built-in Camera Functions Adjust, Develop, and Retouch All Inside the Camera Highlight Shadow RAW Data Development Clear Retouch Highlight and shadow can be separately adjusted. 3 patterns of settings can be customized in addition to 3 preset patterns (Higher Contrast / Lower Contrast / Brighten Shadow). It is possible to convert a picture taken in the RAW into the JPEG right on the camera. Saturation Exposure Comp. Hue Photo Style Noise Reduction i. Dynamic i. Resolution Contrast Sharpness Highlight White Balance Shadow Color Space / Picture Size It is possible to erase unwanted objects or figures in an image by just tracing over them on monitor with a fingertip. 76

77 System Expandability 77

78 Communication Durability Feature Wi-Fi 5GHz* X BLE for Pleasant Remote Control Wi-Fi 5GHz(IEEE802.11a/n/ac)*/2.4 GHz(IEEE802.11b/g/n) & Bluetooth v4.2(bluetooth Low Energy) NEW BLE enables full-time connection between camera and smartphone with low energy consumption. Full-time Connection Once paired, the auto smartphone connection is activated after the second and subsequent use with no camera operation. Auto Transfer After shooting, it automatically switches to Wi-Fi connection, and transfers data to smartphone. Easy Remote Control Remote wake-up from smartphone Auto geo tagging with smartphone s GPS sensor Copy of Settings Copy and set settings from GH5 to another GH5. Other utilization: Smartphone detects your location at home, then camera automatically connects to Wi-Fi router and starts to backup photos to Cloud Service. 78 * 5GHz Wi-Fi is not available in some countries.

79 Optional Accessory DMW-BGGH5 Extended Battery Life & Ergonomic Design DMW-BGGH5 NEW Extended battery life when using 2 batteries. * One in the camera and another in the battery grip. Splash/dust/freezeproof design. Comfortable grip and easy handling (shutter button) even in vertical shooting. Buttons can be used in the same way as the GH5. 79

80 Optional Accessory DMW-XLR1 XLR Microphone Adaptor for Professional Video Production NEW Input: Analog, XLR Jack x 2 terminals Output: Digital, I2S format, Fs = 48k or 96kHz, Bit depth = 16 or 24 bit Shoe Mount For mounting microphone holder or LED light, etc. XLR Jack (2 Terminals) Physical switches / dials for easy setup and checking. Cable Clamp Shoe Connector Openable Cover The setup status of the control panel can be checked through this clear cover. For recoding high-grade stereo surround with attached XLR microphone (2ch). High-res sound recording in 96kHz/24bit. Sound recording format is set from the menu of the camera body. (GH5 MOV only) Good for lip-sync recording. DC power is supplied by the camera body via a shoe connector. 80

81 Other Optional Accessories External Flash / LED Video Light Microphone Battery / AC Power DMW-FL200L DMW-FL360L Stereo Shotgun Mic Stereo Mic Battery DC Coupler AC Adaptor DMW-FL580L VW-LED1 DMW-MS2 VW-VMS10 DMW-BLF19 DMW-DCC12 DMW-AC10 * AC Adaptor DMW-AC10 requires DC Coupler DMW-DCC12. DMW-DCC12 requires AC Adaptor DMW-AC10. Upgrade Software Key Remote Shutter Lens Adaptor Filter / Protector DMW-SFU1 DMW-RSL1 Micro Four Third Lens LEICA M Lens LEICA R Lens DMW-MA1 DMW-MA2M DMW-MA3R MC Protector ND Filter PL Filter Bag Shoulder Strap DMW-BAG2-A/C/R DMW-BAL1 DMW-CZ18 DMW-SSTG1 / 2 / 3 / 5 / 6 / 7 / 8, DMW-SSTL1 81

82 Lens Kit Body Body L Kit Body H-ES12060 LEICA DG VARIO-ELMARIT 12-60mm / F ASPH. / POWER O.I.S. A Kit Body H-HSA12035 LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S. M Kit Body H-FS12060 LUMIX G VARIO 12-60mm / F ASPH. / POWER O.I.S. 82

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