Updated 3rd Edition of Experiencing Music Technology

Transcription

1

2 Updated 3rd Edition of Experiencing Music Technology David Williams Illinois State University Emeritus eter Webster Northwestern University

3

4 Experiencing Music Technology Outline V I: eople Making Technology V II: Computer and Internet Concepts V III: Digital Audio Basics V IV: Doing More with Digital Audio V V: Music Sequencing and MIDI Basics V VI: Doing More with MIDI and Beyond V VII: Music Notation V VIII: Computer Aided Instruction

5 Major Updated Features No major changes in philosophy and design, but.. Completely updated text to reflect changes in music technology in the last 3 years: hardware, software, new technologies such as social computing, wireless, flash memory, and more Over 80 percent of graphics replaced for both hardware and software New hardware profiled and several new software programs added and others removed Attention to the new operating systems for Mac and Windows-based computers D

6 Major Updated Features, cont. rofiles of real people using technology updated Completely new approach to supportive project materials: shift from bundled DVD to online download of the 27 most widely used projects from textbook. More on this later Completely revised references D

7 Viewport II Computer and Internet Concepts New Leopard Mac OSX D

8 Viewport II Computer and Internet Concepts New Vista Windows D

9 Viewport II Computer and Internet Concepts Second Life Virtual World as example of Social Networking D

10 Viewport II: New Technologies Greater use of SMF Type 1 files ExpressCard as well as CCard HDMI as well as DVI interface Increase use of flash memory with greater capacity (fading of Zip disks) WiFi and Cell changes: n and EV-DO D

11 Viewport III Digital Audio Basics itunes Expansion

12 Viewport III Digital Audio Basics New Sound Forge 9

13 Viewport III Digital Audio Basics New Audacity 1.3

14 Viewport III: New Technologies mpeg audio formats: m4p, mp4, m4a & m4b increased sampling rates for sound drivers up to 192 khz due to faster CUs USB mics for podcasting Greater use of USB 2.0 over Firewire D

15 Viewport IV Doing More with Digital Audio Audition 2

16 Viewport IV Doing More with Digital Audio Bus Complexity

17 Viewport IV Doing More with Digital Audio Expanded Table of Effects lug-ins

18 Viewport IV Doing More with Digital Audio New Versions of GarageBand and ACID

19 Viewport IV: New Technologies Enhancements to AAC compression in QuickTime (lossless and faster bit rates) More software with surround sound options and AC-3 and DTS encoding Blu-Ray, HD DVD, and HVD (Holographic Versatile Disc) formats using red, blue, and green lasters with up to 300 gb storage Major reworking of the multi-channel digital audio hardware comparison now including M-Audio Transit and Audiophile USB, Edirol UA-25 and FA-101, and DigiDesign Mbox 2 (more USB than Firewire and more support for DTS and AC-3 playback) Added hand-held digital recorders to comparisons, e.g., the M-Audio MicroTrack II D

20 Viewport V Music Sequencing and MIDI Basics Logic Express

21 Viewport V Music Sequencing and MIDI Basics SONAR Home Studio

22 Viewport V: New Technologies Little change in MIDI and Yamaha mlan didn't take off as projected Major rework of the keyboard workstation comparisons: featured are the Casio WK-3300 for the Entry level and the Korg M3 for the Mid-range ro. Most all keyboard workstations now have USB, flash memory; sophisticated sound synthesis and samples moving downward to Entry level; very high end technologies appear in Mid-range and Budget ro models (e.g. Oasys migrating to Korg M3) Virtualized hardware with software plug-ins permitting management of keyboard synth settings (replacing editor/librarians) D

23 Viewport VI Doing More with MIDI and Beyond Digital erformer 5

24 Viewport VI Doing More with MIDI and Beyond SONAR 6

25 Viewport VI Doing More with MIDI and Beyond MIDI lugins/cubase 4

26 Viewport VI Doing More with MIDI and Beyond Logic ro 7/GarageBand Instrument Sounds

27 Viewport VI: New Technologies USB guitars Other various upgrades to hardware Tascam US-428 replaced with Tascam FW-1082 as featured unit to illustrate mixer/control surface/digital-audio combo unit. Note Firewire based. D

28 Viewport VII Music Notation Notion

29 Viewport VII Music Notation New Features in Finale 2008

30 Viewport VII Music Notation Capture Ideas Feature in Sibelius 5 D

31 Viewport VII Music Notation Teacher Materials Creation in Sibelius 5 D

32 Viewport VII: New Technologies MusicXML 1.0: Basic feature set MusicXML 1.1: Layout formatting & more notation sophistication MusicXML 2.0: Compressed format for audio, graphics, and multimedia & continued refinement of notation feature set Michael Good = MusicXML + Recordare & Dolet lug-in D

33 MIDI xml/mxl 2.0 ETF MUS SCORE Rhapsody Encore MIDI xml/mxl 2.0 ETF MUS (2001) SIB SCORE FINALE 2008 SIBELIUS 5.1 MIDI xml 1.1 xml/mxl 2.0 w/dolet 4.0 MUS MIDI xml 1.1 w/dolet 3.5 SIB SCORCH (2.0) SIBELIUS 5.1 (1.1) (2.0) FINALE 2008 (2.0) D

34 Viewport VIII Computer Aided Instruction Smart Music

35 Viewport VIII Computer Aided Instruction Smart Music

36 Viewport VIII Computer Aided Instruction Groovy Music

37 Viewport VIII Computer Aided Instruction ArtsEdge

38 Viewport VIII Computer Aided Instruction Connect For Education

39 Viewport IX utting it All Together rojects Ideas Related to Software

40 Viewport IX utting it All Together New References

41 D

42 Online Tutorials D

43 Questions?