Contents. Getting Started 4. Importing Media 7. Sequences 9. Project Organization 11. The Timeline 12. Editing 13
|
|
- Rudolph Cox
- 6 years ago
- Views:
Transcription
1 Adobe Premiere Pro Training Page 1 Contents Getting Started 4 Starting a new project 4 What is a renderer? 4 Keyboard Shortcuts 4 The Interface 4 Panels 5 Preview Area - Hidden Feature! 5 Icon View 5 Metadata 5 Workspaces 6 Preferences 6 Media Cache 6 Importing Media 7 Importing Audio 7 Adjusting Audio Channels 7 Raw Files 8 Other Files 8 Sequences 9 Maximum Bit Depth and Maximum Rendering Quality 9 Linear Color 9 Track settings 10 Audio Master Channels 10 Project Organization 11 Finding Media 11 Logging & Marking Footage 11 Important! 11 Multiple Projects 11 The Timeline 12 Navigating in the Timeline 12 Editing 13 The Tool Palette 14 Retiming Clips 14 Freeze frame 14 Match frame 15 Replace Clips 15 Pancake editing 15
2 Adobe Premiere Pro Training Page 2 Transitions 16 Adding Transitions 16 Adjust transitions 16 Setting default transitions 16 Audio transitions types 16 Saving Transition Presets 16 Morph Cut 16 Audio 17 Audio Time Units 17 Soloing and Muting 17 Adjust Clip Gain (input volume) 17 Adjust Volume in the Timeline 17 Adjust Volume with the Audio Clip Mixer 17 Adjust Volume in the Effect Controls Panel 18 Using the audio track mixer 18 Adding Audio Effects 18 Fixing noise in Audition 18 Editing Music with Remix 19 Mapping Audio Channels 19 Multicamera Workflow 20 Effects 21 Scaling 21 Intrinsic Effects 21 Adjust Motion in Timeline Monitor 21 Time remapping 21 The Effects Panel 21 Popular effects 22 Copying/Pasting/Removing Effects 22 Saving presets 22 Master effects 22 What do the FX Badges mean? 22 Working with nested footage 22 Adjustment layers 23 Transparent video 23 Masking 23 Color Correction 24 Scopes 24 Lumetri Color Panel 24 Other Common Color Effects 24 Broadcast Legal/Safe 24
3 Adobe Premiere Pro Training Page 3 Titles 25 Add Titles 25 Duplicate Titles - Very Important! 25 Create Leaders, Color Bars and Mattes 25 Working with After Effects 26 Exporting 27 Match Sequence Settings 27 Other Settings 27 h.264 vs Quicktime h Queue vs Export 27 Create watch list 27 Where To Next? 28
4 Adobe Premiere Pro Training Page 4 Starting a new project Getting Started The dialog box asks a lot of questions You can change ALL these settings after you ve created the project File > Project Settings to get back to these settings at any time Best to set scratch disks/auto save at the start of the project What is a renderer? The renderer plays video and generates previews What is the Mercury Engine Playback? 64 bit Multi-threading GPU rendering What is CUDA, OpenCL or Software Only? CUDA = Nvidia graphics cards only (fastest) OpenCL = Other supported graphics cards (good) Software Only = CPU only (slowest) Keyboard Shortcuts Premiere Pro > Keyboard Shortcuts The shortcut for shortcuts (Option + Cmd+K) Can set to Final Cut 7 or Avid Media Composer shortcuts Custom shortcuts Make sure you save them when you change them Copy to clipboard The Interface Common editing panels Shift 1-4 to move between these Open 0101_GettingStarted Step through multiple source (Shift+2) To step through multiple timelines (Shift+3) Other panel shortcuts - Window menu (next to name)
5 Adobe Premiere Pro Training Page 5 Panels Adjusting Panels Resizing Dragging Floating (Cmd+drag) Stacking - solo mode Full screen panel - the magic key! ` (accent grave or tilda) Full screen picture Ctrl + ` Preview Area - Hidden Feature! Project Panel > panel menu > Preview Area See poster frames and important media information for selected clip Show video and audio usage Click inverted triangle to open in sequence Icon View Click at the bottom left of your project panel Expand size with slider Hover scrub Sort by fields Create your own User Order by dragging Use JKL for playback or mark in and out points (I/O) Best of both worlds List view with thumbnails turned on Project Panel > panel menu > Thumbnails Metadata Need to be in list view to see metadata Move columns by dragging them Project Panel > panel menu > Metadata Display Search for Codec Search for Video usage/audio Usage
6 Adobe Premiere Pro Training Page 6 Workspaces Select workspaces from Window > Workspace Reset current workspace if you mess things up Save your own workspaces Preferences File > Project Settings > consistent names Go to Premiere Pro > Preferences General Default transition length Set focus to timeline after insert/overwrite edits Snapping to timeline Opening bins default behavior Autosave Set save number and increments Media Cache Media Cache Where Premiere stores waveforms and other support files for playback Where to store your cache files? A fast drive Preferably not the same drive your application is on In a team environment, ideally a network drive Clean every 2-3 weeks to keep size down, or when troubleshooting playback/rendering issues in Premiere
7 Adobe Premiere Pro Training Page 7 Methods File > Import (Cmd I) Double-click blank space in the Project Panel Drag and drop from Finder Importing Media The Media Browser (a smarter way to import) Best for raw media, camera cards & spanned clips Import Assets/P2 Media Click Media Browser > panel menu > Edit columns for more metadata Preview in source monitor Importing Audio A little different in Premiere than other NLEs Best to set up everything correctly BEFORE you start editing A few definitions Audio channel - an individual audio stream (mono, left, mic 3, etc.) Audio clip - contains audio channels Audio track - contains audio clips Open 01_Audio In Avid and FCP7, media can have multiple audio clips but each clip contains 1 audio channel In Premiere, media can have multiple audio clips but each clip can also contain multiple channels This saves on screen real estate and manual panning More versatile control over channel mixing Import 05_That Summer.mp3 Audio clip types Mono - 1 channel Stereo - 2 channel channels Adaptive - many channels, adjustable as you edit Adjusting Audio Channels Clip > Modify > Audio Channels (Shift + G) Change channel and number of clips Import Mid John mp4 Can t change the number of channels once it hits the timeline Set it and forget it Premiere Pro > Preferences > Audio Set all default tracks to mono
8 Adobe Premiere Pro Training Page 8 Raw Files Premiere can handle most raw formats natively No need to wait for transcodes Import Red Video.r3d Best to ingest through the Media Browser Use playback resolution to play files that are 2K+ Effect Panel > Source Settings to adjust raw settings Other Files Combine separate video and audio files Clip > Merge clip Merge Sync_Video.mov Still images Best file types for stills - jpeg, tif, png or psd psd is the best, supports layers & alpha channels Import Theft_Unexpected_Layered.psd Importing vector images (ai and eps) Does not support vector scaling Scale Brightlove_film_logo.ai Adjust clip interpretation Clip > Modify Frame rate, aspect ratio, field order, alpha channel Do I need to transcode? No, you can mix codecs and frame rates on the same timeline Importing sequences from other NLEs Can import FCP7 XML, AAFs and EDLs Common issues importing these formats include titles, mattes, motion effects, other effects, speed ramps What about syncing a file with a script? You need to do this with Premiere Pro CC or earlier View the script in the Metadata panel Open NFCC_PSA.mov
9 Adobe Premiere Pro Training Page 9 Sequences How to create a sequence File > New Sequence New Item button (bottom right of project panel) > Sequence Ignore the presets, no one uses them Drag and drop media onto the New Item button Drag NFCC_PSA.mov onto a new sequence What is an editing mode? It does not refer to a specific codec It constrains your choices to match an export format All sequence settings can be changed afterwards, except for one (audio master channels) What is a preview codec? Unlike FCP, Premiere forgets previews on export unless you specify otherwise in your export settings A lot of clips and effects will playback in Premiere without needing to be rendered Selecting a preview codec Default codec is fine (I-Frame Mpeg), but not highest quality To change the codec, make sure you set to File Format to custom Maximum Bit Depth and Maximum Rendering Quality What is Maximum Bit Depth? Render your effects at 32-bit color depth (very high) It does not change the bit depth of your sequence Use this for color correcting, blending images, high bit depth source files What is Maximum Render Quality Improves the quality of anything that is scaled or animated inside of Premiere These 2 settings are only used on previews, do not affect exports These 2 settings are on by default if you re using GPU acceleration, unless you re using an effect that isn t supported by GPU Linear Color What is Linear Color? In addition to Maximum Render Quality, this affects how images are blended, dissolved and color corrected This setting will also affect exports regardless of your settings in export
10 Adobe Premiere Pro Training Page 10 Track settings You can add/delete tracks after you have created your sequence Track types Mono tracks accepts both mono and stereo clips Will only output channel 1 of stereo clips Standard tracks - accepts both mono and stereo clips (my preference) 5.1 tracks - only accepts 5.1 audio Adaptive tracks - accept stereo, mono and other adaptive clips Used for more complex track mapping in multichannel workflows Audio Master Channels This setting determines the output audio channels for your sequence Mono Stereo 5.1 Multichannel (up to 32 channels) The one sequence setting that cannot be changed
11 Adobe Premiere Pro Training Page 11 Project Organization Finding Media How to find things in the Project Panel The magnifying glass in the Project Panel to search all metadata Edit > Find to search specific criteria Search John in project Open 0301_Organization sequence How to find things in the Timeline Edit > Find Find All will highlight all clips at once Search bins File > New > Search Bin Create bins based on search criteria Automatically updated Logging & Marking Footage In and Out shortcuts Marking (I and O) Jump to In or Out Point (Shift+I/O) Clear in and outs (Option+X) Make subclips Cmd+U Markers Add a marker (M) Add a marker with text (M twice) Go to next marker (Shift+M) Go to previous Marker (Cmd+Shift+M) Extend marker beyond 1 frame (click+option) and drag handles Important! Anything that exists in a sequence MUST also exist in the Project Panel You will get a warning before Premiere deletes anything Multiple Projects Can you open more than 1 project at a time? File > Import You can import an entire project or selected sequences Media Browser You can import sequences as well as assets You can load sequences in the source monitor and the timeline You can copy/insert/drag sections of a sequence The only thing you can t do is edit other projects Import Other/Import.prproj in project
12 Adobe Premiere Pro Training Page 12 The Timeline Navigating in the Timeline Zoom horizontally Zoom in and out (+ and -) Zoom to sequence (\) Drag slider at the bottom of the timeline Open 0401_Timeline sequence Zoom vertically Expand all tracks (Shift +/-) Expand all video tracks (Cmd +/-) Expand all audio tracks (Option +/-) Drag sliders to the right of the timeline Adjust individual track heights - drag line between each track Adjust video/audio middle - drag line in between video/audio to adjust middle Adding/deleting tracks Sequence > add/delete tracks Right-click to the right of track name > add/delete track Show waveforms Timeline Panel > Wrench Icon > Show Audio Waveform Playback resolution Next to Timeline Monitor Wrench Icon Moving between edits Snapping Linking Up/down arrows Cmd up/down to select clip Sequence > selection follows playhead Shortcut is S to toggle on or off Link/unlink media (Cmd+L) Temporarily unlink media (Option+select) Toggle linked selection for entire timeline (click the linked selection button under the timecode in the Timeline panel). Overlays/Title Safe Timeline Monitor > Wrench > Safe Margins Timeline Monitor > Wrench > Overlays/Overlay settings
13 Adobe Premiere Pro Training Page 13 Editing Playing clips JKL (of course) Smaller speed increments (Shift+JKL) Open 0501_Editing sequence Add to timeline Drag directly from Project panel to Timeline Load in Source Monitor Drag to Timeline Drag to Timeline monitor Drag audio/video only using icons above the Source monitor controls The audio icon can also be used to show the waveform Insert/overwrite buttons (, &.) Track patching in the Timeline The box to the left patches media loaded in the Source panel to tracks in the timeline The box to the right is for selecting tracks in the timeline These two boxes are not related and do not communicate to each other Fit to fill Create a 4-point edit (in/out in Source and in/out in Timeline) to open the Fit to Fill dialog Deleting Delete a clip (Delete) Delete a clip and remove the gap (Option+Delete) Razor tool Shortcut (C) Cut through selected tracks (Cmd+K) Cut through all tracks (Shift+Cmd+K) Show Through Edits Timeline > Wrench > Show Through Edits Quick way to trim clips in the timeline Q and W
14 Adobe Premiere Pro Training Page 14 The Tool Palette Select forward (A) Hold down shift to select one track Select backwards (Shift+A) Ripple (B) Waste of a shortcut Use Cmd while dragging the edit point instead Rolling edits (N) Or use Option+Left/Right Slip tool (Y) Or use Option+Cmd+Left/Right) Add Shift to jump 5 frames Moving clips Move up/down tracks (Option+Up/Down) Move across time (Cmd+Left/Right) Ripple move clips (Cmd+Drag) Duplicating Edit > Copy/Paste Option+Drag Retiming Clips Rate stretch tool (R) Open 0502_Speed sequence Drag edit points to adjust speed Clip Speed Dialog (Cmd+R) Enter duration or speed Reverse speed Frame sampling vs Optical Flow Freeze frame Clip > Video Options > Hold frame Clip > Video Options > Insert Frame Hold segment Open 0503_Freeze sequence
15 Adobe Premiere Pro Training Page 15 Match frame Match frame (F) Open 0501_Editing sequence Reverse match frame (Shift+R) Right-click > Reveal in project Replace Clips Option+drag from Project Panel Edit point will become first frame of new clip Open 0504_Replace sequence Shift+Option+drag from Project Panel Edit point will be relative to new clip In timeline Right-click > Replace with Clip > From Bin Right-click > Replace with Clip > From Source Monitor Right-click > Replace with Clip > From Source Monitor, Match Frame Pancake editing Load selects sequence in Source Monitor by Cmd+clicking in the Project Panel Source Monitor > Wrench > Open Sequence in Timeline Drag your editing sequence below this timeline to create two stacked timelines Make sure Insert/Overwrite Nests is turned off (under timecode in Timeline) Drag directly from selects sequence to editing sequence, copy/paste or insert/overwrite Open 0505_Selects sequence
16 Adobe Premiere Pro Training Page 16 Transitions Adding Transitions All transitions are stored in the Effects Panel (Shift+7) Drag to edit point Open 0601_Transitions sequence Add default transition Select edit point Add video transition (Shift+D) Add audio transition (Shift+Cmd+D) Add both video and audio transition (Cmd+D) Adjust transitions In the timeline Drag the handles to adjust both sides equally Hold shift to adjust one side Double-click to enter a duration In the Effect Controls Panel Select the transition in the timeline Enter the duration Adjust the alignment Manually move the transition icon for custom position Setting default transitions In the Effect Panel, right-click the transition you want to be the default Select Set as Default Transition Audio transitions types Constant Gain (fades audio at a constant rate, not very natural) Constant Power (smooth fade, good for crossfading) Exponential Fade (even smoother fade, good for fading up from silence) Saving Transition Presets The only transition you can save as a preset is Cross Dissolve Select in Timeline Effect Controls Panel > panel menu > Save Preset Preset is saved to Effects Panel > Presets Morph Cut Morph cut will atempt to smooth out jump cuts in your footage It is located in the transitions bin in the Effects panel, just drag it onto an edit point Let it analyze and then you ll need to render the transition for real-time playback It works best with interviews subjects on locked-down shots with minimal movement in the background
17 Adobe Premiere Pro Training Page 17 Audio Time Units Audio Cut audio more finely using audio units rather than video frames Timeline > panel menu > Audio Time Units Open 0701_AudioTimeUnits sequence When you re editing audio linked to video with Audio Time Units on, everything will cut to frames unless you select the clips individually or unlink themvv Soloing and Muting Solo and mute tracks In the timeline, to the right of the track name Open 0702_Levels sequence Adjust Clip Gain (input volume) In the Project Panel or Timeline Shortcut is G Set gain Normalize multiple clips individually (All Peaks) Normalize multiple clips relatively (Max Peak) Gain adjustments over 6 decibels will not translate correctly in OMFs Adjust Volume in the Timeline Same shortcuts as FCP (brackets) Timeline > Wrench > Show Audio Keyframes Adjusting overall volume of a clip Use cursor to drag volume up or down Use brackets ([ and ]) Keyframing volume of a clip Use pen tool (P) to add keyframes or Cmd+click with select tool (V) Right-click keyframes to adjust the rate of change to something smoother (ease in, bezier, etc.) Adjust Volume with the Audio Clip Mixer Window > Audio Clip Mixer (Shift+9) Use this to Adjust media in the Source Monitor before adding it to the timeline (overall level only) Adjust individual clips in the timeline (turn on write keyframes to adjust over time) To reduce the number of keyframes adding when adjusting levels in real-time, go to Preferences > Audio > Linear Keyframe thinning
18 Adobe Premiere Pro Training Page 18 Adjust Volume in the Effect Controls Panel Effect Controls Panel Enter volume or increment with arrow keys Add keyframes by clicking the stopwatch icon next to Level Using the audio track mixer Adjust volume for an entire track (Shift+6) Add track keyframes Expand the track till you see the Show Keyframes icon Click the Show Keyframes icon and select Track Keyframes Add effects to a track Click Show/Hide effects triangle at the top left of the Track Mixer panel Add effect by clicking the small triangle icon to the right of the track effect slot Adding Audio Effects Audio EQ Good for enhancing voices or eliminating hum Dynamics (Compression) Good for leveling out voices Loudness radar Best added as an effect to the Master track Right-click the effect and select Post Fader to ensure it is measuring the loudness after any volume changes Double-click the effect name to open it s dialog box Set radar speed (the duration of the sequence) Use the Peak Indicator at the top right of dialog to monitor True Peak It measures loudness in real-time, but you can get the same results at 4x or 8x speed Fixing noise in Audition Select a clip or sequence Edit > Send to Audition Check Send through Dynamic Link to avoid having to render out the video In Audition Select a sample of the noise that doesn t include dialogue and press Shift+P to capture Noise Print Press Shift+Cmd+P to open the Noise Reduction dialog Click Select Entire File Drag the Noise Reduction slider till you re happy Click Apply and Save the file Open 0703_NoiseReduction sequence
19 Adobe Premiere Pro Training Page 19 Editing Music with Remix Open 0704_Remix sequence In Audition File > New > Multitrack Session Add music to a track Clip > Enable > Remix When analyzing is finished, drag the Remix icon at the end of the clip (looks like a staircase) to the desired length Mapping Audio Channels Right-click a track in the timeline and select Track Output Channel Assignments Open 0702_Levels sequence Standard and Mono tracks are sent to channel pairs only If you only want to send to one channel, use the Pan dial in the Track Mixer panel
20 Adobe Premiere Pro Training Page 20 In the project panel Multicamera Workflow Select all the video/audio you need for your multicamera edit Select Clip > Create Multicamera Source Sequence Sync using audio if all your camera angles have audio but no common timecode Move source clips to Processed Clips bin is good practice in case one of the angles doesn t sync Audio Sequence Settings Camera 1 = audio will come from first camera selected, or audio only file All Cameras = audio will come from all cameras (not a mixdown - each clip will be editable) Switch Audio = audio will come from the active angle during editing In the Timeline Monitor, click Wrench > Multi-Camera Use 1-9 to toggle angles, or select in Timeline Monitor Cmd+click to change angles and add an edit point To flatten your multicamera edit (e.g. for sending to another program), right-click clips and select Multicamera > Flatten You cannot undo this (outside of your standard undo limits), so be sure to make a back-up of your original sequence
21 Adobe Premiere Pro Training Page 21 Effects Scaling Scale to Frame Size This will resample your clips to fit any sequence Do not use this option if you want to scale up your clips more Open 0801_IntrinsicEffects sequence Set to Frame Size This will actually scale your clips to fit you current sequence using the Motion effect Use this option if you want to scale up your clips more Intrinsic Effects These are effects that feature on every video clip, including motion, opacity, Time Remapping Adjusted in Effect Controls Panel Use up/down keys to adjust values Also click+drag mouse over value Add Cmd (smaller increments) or Shift (larger increments) Click stopwatch icon to add keyframes/delete all keyframes Adjust Motion in Timeline Monitor Double-click for handles You may need to change the zoom level to be able to see these If there are multiple layers stacked in the timeline Click effect control box (next to Motion name in Effect Controls Panel) Time remapping In the timeline Expand your video track as high as possible Right-click the fx badge at the head of the clip and select Time Remapping > Speed A white line will appear in the center of the clip Hold down Cmd and click where you want to add your keyframe The clip is now broken into two speed segments With the selection tool, drag with white line up or down either side of the keyframe to adjust speed Drag keyframe handles to adjust speed transition The Effects Panel Use the magnifying glass to search for effects Use the Effect Type buttons (next to the magnifying glass) to filter specific effects, including: Accelerated effects (uses GPU for fast playback and rendering) 32 bit color (uses the highest possible colorspace for color work) Open 0802_TimeRemap sequence YUV color (processes color in YUV, good for exposure and color adjustments)
22 Adobe Premiere Pro Training Page 22 Popular effects Crop and drop shadow are not intrinsic effects - search for these in the Effects panel Open 0802_WarpStabilize sequence Warp Stabilizer Too many instances of this effect in one project can significantly increase project file size Ultra Key for green screen work (similar to Keylight in After Effects) Copying/Pasting/Removing Effects Open 0804_GreenScreen sequence Copy effect (Cmd+C) Paste attributes (Option+Cmd+V) Open 0805_AddRemoveEffects sequence Right-click clip > Remove effects Saving presets Select effect in Effect Controls Panel (Cmd+click to select multiple) Effect Controls Panel > panel menu > Save Preset Scale = scale keyframes to length of clip the preset is applied to Anchor In/Out = keep keyframes at exact duration, relative to beginning or end of the clip Master effects Select a clip in the timeline Open 0806_MasterEffects sequence In the Effect Controls Panel At the top left of the panel, click the greyed out Master version of the clip Any effects will ripple through all instances in the project To turn off, select the clip in the project panel Right-click > Disable masterclip effects What do the FX Badges mean? grey/white = no effect yellow = intrinsic effects modified purple = other effects, no intrinsic effects modified green = other effects, intrinsic effects modified red = master effect Working with nested footage Open 0807_MultipleEffects sequence From the timeline Select clips, then Clip > Nest (doesn t include audio) Select clips, then Sequence > Make Subsequence (drag new sequence from Project Panel)
23 Adobe Premiere Pro Training Page 23 Adjustment layers Add effects to adjustment layers to be adjust to any clips below them Transparent video Use Transparent Video layers to generating new items, such as Timecode and Grids Masking Every effect can have multiple masks added Open 0808_Masking sequence Use the Track forward/backwards buttons to analyze the movement in the image and track the mask accordingly
24 Adobe Premiere Pro Training Page 24 Scopes Window > Lumetri Scopes Wrench to choose scopes Color Correction Lumetri Color Panel Open 0901_Lumetri sequence A panel dedicated to all your color needs Click to expand each section Add input LUTs Add your vignettes Assign a keyboard shortcut to toggle on/off to quickly check your progress Keyboard Shortcuts > Bypass Lumetri Color Effects Other Common Color Effects Three-Way Color Corrector Fast Color Corrector Tint Color Balance (HLS) Broadcast Legal/Safe Open 0902_BroadcastSafe sequence Use the Video Limiter Effect to make video broadcast safe Add to an adjustment layer rather than each individual clip Recommend not using Smarter Limiter, can have weird results sometimes, especially with whites
25 Adobe Premiere Pro Training Page 25 Titles Add Titles Title > New Title > Default Still Open 1001_Titles sequence Duplicate Titles - Very Important! If you want to create another title based on an existing one, DO NOT copy and paste in the timeline This just creates a new instance of the same title, and any changes will be made to both titles The right way to do it Option+drag to new location This will create a new title in the Project Panel Create Leaders, Color Bars and Mattes Project panel > New Item
26 Adobe Premiere Pro Training Page 26 Working with After Effects You can copy/paste clips between the two programs To import an After Effects Comp through Dynamic Link File > Adobe Dynamic Link > Import After Effects Composition Or use Media Browser To create a text template in After Effects Composition > Composition Settings > Advanced tab Check Template All unlocked text layers will become editable in Premiere Right-click clip > Render and Replace to convert the linked clip to a more playback-friendly format Right-click clip > Return to Unrendered to revert to the original dynamic link
27 Adobe Premiere Pro Training Page 27 Match Sequence Settings Exporting Checking this option will use the preview codec of your sequence for export Other Settings Use previews - check this to your sequence previews Effects > Image Overlay to add a watermark Effects > Timecode Overlay to add timecode h.264 vs Quicktime h.264 For h.264 encoding, I recommend using the h.264 format rather than Quicktime The result are much better, and exports much faster Extension will be mp4 Queue vs Export Export will export directly from Premiere, and lock you out of the program Queue will send to Adobe Media Encoder Great option if you need to keep working in Premiere Also uses more CPU for faster exports Create watch list In the bottom right panel of Media Encoder Add folders and formats Whenever a file shows up in the directory, Media Encoder will automatically queue and render the file
28 Adobe Premiere Pro Training Page 28 Where To Next? Adobe Forums ( Moving to Adobe Premiere Pro (Facebook) PremierePro.net (sells a great book that is a deep dive into the program) Video Revealed (Youtube) premierebro.com (stay up to date with news, articles and tutorials) The Premiere Pro (my website)
Editing in Premiere Pro CC 2015
Editing in Premiere Pro CC 2015 Lesson 1: Exploring the Interface Exploring the Interface The Source Window The Program Window The Settings Menu Revealing the Video Scopes The Workspace Bar The Project
More informationEditing and Finishing in DaVinci Resolve 12
Editing and Finishing in DaVinci Resolve 12 1. Introduction Resolve vs. Resolve Studio Working in the Project Manager Setting up a Multi User Login Accessing the Database Manager Understanding Database
More informationEditing and Effects in DaVinci Resolve 12.5
Editing and Effects in DaVinci Resolve 12.5 1. Working with the Project Media Working with the Project Media Importing the Project Selecting a Capture Drive Relinking Media 2. Exploring the Edit Page The
More informationEditing & Color Grading 101 in DaVinci Resolve 15
Editing & Color Grading 101 in DaVinci Resolve 15 1. Exploring Resolve Exploring Resolve The Media Page The Edit Page The Fusion Page The Color Page The Fairlight Page The Deliver Page The Processing Pipeline
More informationAdobe Premiere Pro CC 2018
Course Outline Adobe Premiere Pro CC 2018 1 TOURING ADOBE PREMIERE PRO CC Performing nonlinear editing in Premiere Pro Expanding the workflow Touring the Premiere Pro interface Keyboard shortcuts 2 SETTING
More informationLarry Jordan s Favorite Keyboard Shortcuts for Adobe Premiere Pro CC 2015
Larry Jordan s Favorite Keyboard Shortcuts for Adobe Premiere Pro CC 2015 Category Shortcut What It Does NOTES These are default keyboard shortcuts that ship with Premiere Pro CC 2015. Windows users, substitute
More informationFor today, choose Format: NTSC Rate: Use: DV-NTSC Anamorphic (North American, widescreen)
Final Cut Pro Final Cut Pro is a sophisticated video-editing program made by Apple. It is the editing software of choice for multimedia journalists using Apple computers, and is comparable to Adobe's Premiere
More informationPremiere Pro Desktop Layout (NeaseTV 2015 Layout)
Premiere Pro 2015 1. Contextually Sensitive Windows - Must be on the correct window in order to do some tasks 2. Contextually Sensitive Menus 3. 1 zillion ways to do something. No 2 people will do everything
More informationSection 1. The basics of using OSX (Yosemite) 2. Adobe Video Production Workflow. 3. Starting and naming your Prelude project
Premiere Pro CC 207 Help Guide This help book is designed as a visual guide to introduce you to some of the basic operations of the Adobe workflow and help you answer basic editing questions. For a more
More informationPremiere Pro CC 2018 Essential Skills
Premiere Pro CC 2018 Essential Skills Adobe Premiere Pro Creative Cloud 2018 University Information Technology Services Learning Technologies, Training, Audiovisual, and Outreach Copyright 2018 KSU Division
More informationCreative Web Designer Course
Creative Web Designer Course Photoshop 1. Getting to Know the Work Area Starting to work in Adobe Photoshop Using the tools Setting tool properties Undoing actions in Photoshop More about panels and panel
More informationPremiere Pro Manual Basics - Toolbars, Options and Panels
Premiere Pro Manual 01 - Basics - Toolbars, Options and Panels 2017 1st edition This Premiere Pro Manual is one of an introductory series specially written for the Arts and Humanities Students at UEA by
More informationMedia Commons Workshop: Final Cut Pro X
Media Commons Workshop: Final Cut Pro X mediacommons@psu.edu mediacommons.psu.edu/instruction/workshops Description This is the Final Cut Pro Video Basics workshop. In this workshop we will cover how to
More informationorg How to Import and Edit with Premiere Pro school Uploading Files Determine what kind of camera you used to film for your project.
j tech org school Uploading Files How to Import and Edit with Premiere Pro Determine what kind of camera you used to film for your project. This document has been written to accommodate the JVC and CanonHD
More informationStart Project and create Sequence. Creating a New Project - Open program with the Desktop Shortcut - Select New Project
Start Project and create Sequence Creating a New Project - Open program with the Desktop Shortcut - Select New Project General project settings - Select Browse to specify saving location - Give name to
More informationAdobe Audition CC Detailed Video Training Outline Chapter 1 - Overview
Adobe Audition CC Detailed Video Training Outline Chapter 1 - Overview 01.01 Welcome An overview of this entire training 01.02 What This Training Covers What this training covers How to use this training
More informationHow You Use the Timeline
How You Use the Timeline The Timeline and the Canvas display two different views of the same sequence. The Timeline shows the chronological arrangement of clips and layered video and audio clip items,
More informationCreative Media User Guide.
Creative Media User Guide. Adobe Premiere Pro CC2015 Adobe Premiere Pro CC 2015 User Guide Type: Video editing Difficulty: Intermediate to Advanced Operating system: Mac or PC (Mac only in the creative
More informationEDITING GUIDE (EDIT SUITES)
PREMIERE PRO CC (VERSION 2015.2) EDITING GUIDE (EDIT SUITES) Version 3.3 (FEB 2016) PREMIERE PRO CC EDIT GUIDE - La Trobe University 2015 latrobe.edu.au 2 What do you want to do? 3 1. Back up SD card footage
More informationAll available panels can be found under the Window pull-down menu. Timeline Main panel. Where media clips are combined and edited
Week 12 Premiere Pro Video Editing software - Merging of video, still images and audio. Adobe Premiere - www.adobe.com/premiere Adobe Media Encoder Separate program for converting Video and Audio files.
More information11 EDITING VIDEO. Lesson overview
11 EDITING VIDEO Lesson overview In this lesson, you ll learn how to do the following: Create a video timeline in Photoshop. Add media to a video group in the Timeline panel. Add motion to still images.
More informationAdobe Premiere Pro CC 2015 Tutorial
Adobe Premiere Pro CC 2015 Tutorial Film/Lit--Yee GETTING STARTED Adobe Premiere Pro CC is a video layout software that can be used to create videos as well as manipulate video and audio files. Whether
More information12 Duplicate Clips and Virtual Clips
12 Duplicate Clips and Virtual Clips Duplicate clips and virtual clips are two powerful tools for assembling a video program in Premiere. Duplicate clips can be useful for splitting clips into a number
More informationPremiere Pro CS6 Help Guide
Premiere Pro CS6 Help Guide This help book is designed as a visual guide to introduce you to some of the basic operations of the Adobe workflow and help you answer basic editing questions. For a more help,
More informationoit Final Cut Express Intermediate Video Editing on a Mac UMass Office of Information Technologies Introduction...
oit UMass Office of Information Technologies Final Cut Express Intermediate Video Editing on a Mac Introduction... 2 The Interface... 3 Keep Organized... 4 Import Media... 5 Assemble Video Projects...
More informationAdobe After Effects CS6 Digital Classroom
Adobe After Effects CS6 Digital Classroom AGI Creative ISBN-13: 9781118142790 Table of Contents Starting up About Digital Classroom 1 Prerequisites 1 System requirements 1 Starting Adobe After Effects
More informationLesson overview. This lesson will take approximately 50 minutes.
4 Organizing Media Lesson overview In this lesson, you ll learn about the following: Using the Project panel Staying organized with bins Adding metadata to your clips Using essential playback controls
More informationFinal Cut Pro X for Final Cut Pro 7 Editors. White Paper September 2011
for Editors White Paper September 2011 2 Contents Page 2 Page 4 Page 5 Page 8 Page 9 Page 11 Page 14 Page 15 Contents Introduction Getting Started Projects Events, Source Media, and Render Files Interface
More informationAdobe Exam 9A0-154 Adobe Premiere Pro CS5 ACE Exam Version: 6.0 [ Total Questions: 95 ]
s@lm@n Adobe Exam 9A0-154 Adobe Premiere Pro CS5 ACE Exam Version: 6.0 [ Total Questions: 95 ] Question No : 1 How are the sync lock and track lock functions different? A. A track that is sync locked can
More informationFINAL CUT PRO 7 COMPLETE SHORTCUT GUIDE FILTERS AND EFFECTS AUDIO CAPTURE EDITING COMPOSITING. Add Level Keyframe
COMPILED BY ZAK RAY FINAL CUT PRO 7 COMPLETE SHORTCUT GUIDE AUDIO Add Level Keyframe!"K Audio Scrubbing #S Gain +1dB $= Gain +3dB $] Gain -1dB $- Gain -3dB $[ Pan Center $period Pan Left $comma Pan Right
More informationPremiere - Jazz Video Project Tutorial
-Open Premiere and set up the Premiere Project -At the bottom left of the Project bin change the view from icon view to list view -Import all audio and video clips to the Project Bin window -Right Click
More informationIntro to Premiere Pro
Intro to Premiere Pro by Tim Whitney CUNY GRADUATE SCHOOL OF JOURNALISM Contents GETTING STARTED 1 Before you Begin 1 Creating a New Project 1 Media Cache Settings 2 Auto Save 2 Project Window & Media
More informationAdobe Premiere. Digital Media Commons 129 Herring Hall. (713)
Adobe Premiere Digital Media Commons 129 Herring Hall http://dmc.rice.edu/ dmc-info@rice.edu (713) 348-3635 2 Adobe Premiere Adobe Premiere is a powerful non-linear video editing software package, designed
More informationAdobe After Effects CS5 Digital Classroom
Adobe After Effects CS5 Digital Classroom Team, AGI Creative ISBN-13: 9780470595244 Table of Contents Starting Up. About Digital Classroom. Prerequisites. System requirements. Starting Adobe After Effects
More informationIf you haven't already - Create Account in DaVinci Resolve (User Name & Password)
COLOR CORRECTION GUIDE DAVINCI RESOLVE & ADOBE PREMIERE (v2) If you haven't already - Create Account in DaVinci Resolve (User Name & Password) In Locked Project, duplicate your Premiere Sequence. Rename
More informationIntroduction to Premiere Pro CC
Introduction to Premiere Pro CC Course Name: Introduction to Premiere Pro CC Description: In this three-day course, you ll get a thorough overview of the interface, tools, features, and production flow
More informationXtoCC/Project X₂7. Quick-Start Guide... Before exporting XML for XtoCC translation Workflow Options... 3
XtoCC/Project X₂7 XtoCC (also called Project X₂7) allows you to take your Final Cut Pro X event clips and/ or project(s) directly to Adobe Premiere Pro CC or CS6, Adobe Audition CC, Adobe After Effects
More informationAdobe Premiere Pro CC 2015 Certification Review
Adobe Premiere Pro CC 2015 Certification Review 40 questions; 50 Minutes Need to know for matching and/or multiple choice: Razor tool Slide tool Rate Stretch tool Ripple Edit tool Mark In Mark Out Insert
More informationAudio Editing Cheat Sheet
Mr. Moffett - Digital Literacy - Gettysburg Address Project Name: Audio Editing Cheat Sheet with Adobe Audition CS6 Why Audition? Audition is a professional audio editing program that works well with other
More informationEDIUS for Avid Editors. By Maxim Jago, 123 Training September 2013
EDIUS for Avid Editors By Maxim Jago, 123 Training www.123training.co.uk September 2013 TABLE OF CONTENTS 3. Introduction 3. About This Overview 4. Differences and Similarities 4. Let s start with what
More informationPerforming Basic Functions in Version 4.5 of EDIUS Pro / EDIUS Broadcast
How To Guide Performing Basic Functions in Version 4.5 of EDIUS Pro / EDIUS Broadcast desktop. grassvalley. com professional. grassvalley. com 2008 Thomson. All rights reserved. Grass Valley is a trademark
More informationKeys for selecting tools
Keys for selecting tools Use these shortcuts in the Tools panel. In most cases, you can momentarily switch tools by holding down the keyboard shortcut for the tool. Selection tool V V Rotation tool W W
More informationAdobe Premiere Course Curriculum
Adobe Premiere Course Curriculum EXPLORING THE INTERFACE New features in Adobe Premiere CS5 (CS6) Nonlinear editing in Adobe Premiere CS5 (CS6) Presenting the standard digital video workflow Incorporating
More informationSound Editing in Final Cut Pro 10.3
Sound Editing in Final Cut Pro 10.3 1. Sound Fundamentals 2. The Building Blocks of Sound Anatomy of a Waveform Changing Waveform Size & Clip Height Reference Audio Waveforms Expanding Audio in the Primary
More informationAvid Certified Media Composer Course Outlines
Avid Certified Media Composer Course Outlines 101 Fundamentals Course (2 Days) Introduction... Lesson 1: Introduction to Media Composer... Launching Media Composer... 2 Understanding the Select Project
More informationIn this lesson, you will learn how to build a typical
Lesson 1 20 21 Basic Animation Building your first animation while you learn a typical After Effects workflow. d In This Lesson 22 starting a project; creating folders 23 importing footage; alpha channels
More informationPremiere Pro CC Getting Started
Premiere Pro CC Getting Started File Management File management might be an odd place to begin, but correct file structure is important in Premiere Pro to keep your work neat and tidy, and stop the risk
More informationAdobe Premiere. Just as Adobe Photoshop is
Adobe Premiere by jack and Sue Drafahl Just as Adobe Photoshop is one of the most popular image-editing software lucts, its brother, Adobe Premiere is just as popular in the video editing world. But wait,
More informationCamtasia... 3 What is Camtasia and how do I download it?... 4 How do I record a video in Camtasia?... 6 How do I edit video and audio in
CAMTASIA Table of Contents... 3 What is and how do I download it?... 4 How do I record a video in?... 6 How do I edit video and audio in?...14 How do I apply effects in?...19 How do I use a Green Screen
More informationBORIS FX. Boris AAF Transfer Last updated February 18, Release Notes. System Requirements
BORIS FX Boris AAF Transfer 2.0.4 Last updated February 18, 2011 Release Notes System Requirements Supported Operating Systems: Apple Macintosh OS 10.5 or greater Supported hosts: Apple Final Cut Pro 6
More informationGetting Started with Adobe After Effects
Getting Started with Adobe After Effects Creative Cloud - Windows Miami Arts Studio - Instructor M. Pate Training, Outreach, Learning Technologies & Video Production Technology Productions Levels 4-7
More informationIntroduction to Adobe Premiere Pro 5.5 Page 1 Table of Contents
Introduction to Adobe Premiere Pro 5.5 Page 1 Table of Contents Part 1: The Interface 2 Introduction; Premiere Pro Interface Overview, Project Window 3 Project Window cont., Source Window 4 Source Window
More informationApplication. EDIUS for Avid Editors. Based on Grass Valley EDIUS 6 and Avid Media Composer 5. By Maxim Jago, 123 Training
Application Note By Maxim Jago, 123 Training www.123training.co.uk November 2010 Based on Grass Valley EDIUS 6 and Avid Media Composer 5 Contents Introduction 1 About This Overview 1 Differences and Similarities
More informationSequence settings for this project. Sequence settings for this project. source monitor. The Program Window: The Bin. The Sequence Window: The Timeline
John Roach - Parsons the New School for Design Adobe Premier - Editing Video 1. Open Premiere and start a new project In the New Project Window name your project and then click BROWSE to either create
More informationCreating a short stop motion animation with Adobe Photoshop CC. Open Adobe Photoshop CC. A note about embedding
Creating a short stop motion animation with Adobe Photoshop CC Open Adobe Photoshop CC A note about embedding Photoshop CC never embeds video or sound into your document. Instead, it links to the original
More informationAutomatic Duck Ximport AE User Guide
Automatic Duck Ximport AE User Guide last updated September 28, 2017 About Ximport AE This plug-in imports XML files from Final Cut Pro X 10.1.2 and later into After Effects CS6 or After Effects CC. Using
More informationClick New Project from the Premiere Pro Welcome screen, or select File > New Project.
Multi Cam How to guide 1. Create a project Click New Project from the Premiere Pro Welcome screen, or select File > New Project. In the New Project dialog box, enter a name for the project, and click OK
More informationHow to apply and adjust video effects
Adobe Premiere Pro CS6 Project 4 guide How to apply and adjust video effects Adobe Premiere Pro CS6 features more than 130 video effects. You apply video effects to clips to give them special visual characteristics
More information1 Interface Fundamentals
1 Interface Fundamentals Windows The Media Composer interface is focused on three primary windows: the Composer, the Timeline and the Project. The Composer window contains the source and record monitors
More informationRecording. The Mixing Desk. Overview the Soundtrack Pro workspace
Drama Sound Studios Using Soundtrack Pro 3 (v.03 updated 18 November 2010) You cannot use this system without training and a username. These notes are designed to remind you what you were shown in training.
More informationInstructor: John Aden FINAL CUT PRO X WORKSHOP
Instructor: John Aden FINAL CUT PRO X WORKSHOP Introduction: (10 MIN) Your name, where you work, how did you hear about Open Media Foundation, any relevant experience, why do you want to learn Final Cut
More informationAn Editor s Guide to Premiere Pro CS6, Second Edition Teacher s Guide
An Editor s Guide to Premiere Pro CS6, Second Edition Teacher s Guide 250 Course Version 1.0 To download the most recent version of this document, visit http://www.peachpit.com/academics/academics_detail.aspx?st=67281
More informationADOBE PREMIERE PRO Lesson: The Basics
ADOBE PREMIERE PRO Lesson: The Basics 1. Insert your flash drive and make sure it shows up on the Desktop 2. Click on the Premiere icon 3. Click on Create New Project 4. Name your project LEARNING_yourlastname
More informationAdobe Premiere Pro. Video Editing Basics
Adobe Premiere Pro Video Editing Basics Course objectives: Understand the workspace Manage project content Editing techniques Add titles and graphics Work with Audio Export a completed project Student
More information1617 APPDC Lesson 2 Worksheet Review sheet for Lesson 2 (This assignment is worth 100 POINTS!) KEY
1617 APPDC Lesson 2 Worksheet Review sheet for Lesson 2 (This assignment is worth 100 POINTS!) Premiere Pro Default Workspace KEY 1. Name, and then describe, the panel located in the top right corner of
More informationVideo Editing With Final Cut Express
Video Editing With Final Cut Express PAGE 1 Start Up Page 1 of 4 Start Up...pages 1-4 Log and Transfer...pages 5-6 Importing Material from USB-stick, CD a.o... page 7 Working With Clips...page 8 Working
More informationSection 2 - Part A - Setup Start Time End Time Duration Recording Section Overview 0:00 0:33 0:33 Recording Setup Overview 0:33 0:54 0:21 Recording Au
Section 1 - Part A - Course Introduction Start Time End Time Duration Preparation Overview 0:00 0:49 0:49 Welcome and Congratulations! 0:49 1:26 0:37 Course Overview 1:26 2:52 1:26 Course Resources 2:52
More informationHow to apply and adjust video effects
Adobe Premiere Pro CC Guide How to apply and adjust video effects Premiere Pro features more than 130 video effects. You apply video effects to clips to give them special visual characteristics such as
More informationCamtasia Studio 5.0 PART I. The Basics
Camtasia Studio 5.0 Techsmith s Camtasia Studio software is a video screenshot creation utility that makes it easy to create video tutorials of an on screen action. This handout is designed to get you
More informationThe Muvipix.com Guide to Sony Movie Studio Platinum 13
The Muvipix.com Guide to Sony Movie Studio Platinum 13 Chapter 1 Get to know Sony Movie Studio Platinum 13... 5 What s what and what it does The Sony Movie Studio 13 interface 6 The Project Media window
More informationAdobe Flash Course Syllabus
Adobe Flash Course Syllabus A Quick Flash Demo Introducing the Flash Interface Adding Elements to the Stage Duplicating Library Items Introducing Keyframes, the Transform Tool & Tweening Creating Animations
More informationAdobe After Effects CC
Adobe After Effects CC Categories Pink Activate Tools Peach Markers Light blue Layers & Navigation Purple Properties in Timeline Orange Time Navigation Dark blue Open & Preview Yellow Timeline & Workarea
More informationAdobe Premiere Pro CC Panels
Adobe Premiere Pro CC Panels The "Effects Control Panel" This is where you control or adjust your effects. It is often nested under the Source monitor. The "Program Monitor" This is where you will watch
More informationUpdate & : The Easy Guide to Final Cut Pro X
Update 10.0.6 & 10.0.7: The Easy Guide to Final Cut Pro X This short update has been written to outline specific changes between the latest releases of Final Cut Pro X, versions 10.0.6 and 10.0.7, and
More informationAn Introduction to Adobe Premiere Pro CS6
An Introduction to Adobe Premiere Pro CS6 1 Introduction PPro v1a January to Adobe 2013 RS Premiere Pro Roger Shufflebottom 2013 rogershuff@yahoo.co.uk Roger Shufflebottom 2013 rogershuff@yahoo.co.uk2
More informationORGANIZING YOUR ARTWORK WITH LAYERS
9 ORGANIZING YOUR ARTWORK WITH LAYERS Lesson overview In this lesson, you ll learn how to do the following: Work with the Layers panel. Create, rearrange, and lock layers and sublayers. Move objects between
More informationHow to trim clips in the Timeline panel
Adobe Premiere Pro CC Guide How to trim clips in the Timeline panel You can trim clips (set a clip s In and Out points) in the Timeline by using Premiere Pro tools (Figure 1), or by using shortcut keys
More informationHindenburg Journalist Guide - Windows
Hindenburg Journalist! 1 Hindenburg Journalist Guide - Windows Introduction! 4 Overview! 5 Menu Bar! 5 Tool Bar! 5 Tracks! 5 Workspace! 5 Transport bar! 6 QPPM Meter & Counter! 6 Clipboard! 6 Favorites!
More informationPage 1 of 4. Sound Editing Course Outline Duration: 5 Days
Page 1 of 4 Sound Editing Course Outline Duration: 5 Days Audition CC Course Outline Lesson 1: Audio Interfacing Audio interface basics audio setup Windows setup Testing inputs and outputs with Audition
More informationIntroduction to Premiere Pro
Introduction to Premiere Pro by Daniel Nienhuis Workflow setting up your files Before importing media or opening Premiere, create a folder for everything to go into. It s always better to be more organized
More informationMedia Composer Features List
Media Composer s List Apply Mask Regions Vertical Scroll in Timeline Bin View Icons Navigate with Mouse Scroll Wheel 9-way Multicam for XDCAM HD 50 Add or Remove Items in the Audio Mixer Tool Add Effects
More informationIt s All About Speed! Customizing DS and Learning How to Edit Faster Saturday, April 17 th, 10:15 11:30am
It s All About Speed! Customizing DS and Learning How to Edit Faster Saturday, April 17 th, 10:15 11:30am INTRO Avid DS is a powerful and flexible tool for post production. Its open architecture enables
More informationThe Muvipix.com Guide to Vegas Movie Studio Platinum 14
The Muvipix.com Guide to Vegas Movie Studio Platinum 14 What have I gotten myself into?... 1 Some basic questions and simple answers about Vegas Movie Studio 14 and how it works Chapter 1 Get to know Vegas
More informationAdvanced Color Grading in DaVinci Resolve 15
Advanced Color Grading in DaVinci Resolve 15 1. Introduction Color Page Overview 2. Opening a Resolve Archive Opening an Archive Grading Workflow Steps Balancing Shots Shot Matching Secondary Grading Creating
More information95.9 fm CKUW Policies & Procedures
95.9 fm CKUW Policies & Procedures Resource Workshop Introduction to SoundForge Tutorial Room 4CM11 515 Portage Ave. Winnipeg MB, R3B 2E9 Vox: (204) 786 9782 Fax: (204) 783 7080 E: ckuw@uwinnipeg.ca www.ckuw.ca
More informationAdding Video Filters and Transitions
Adding Video Filters and Transitions 8 You can add professional touches to your movie by applying filters to clips to create special looks or effects and adding transitions between your clips. Applying
More informationModifier Keys. Option Key. Command Key. Shift Key. Control Key. Return Key. Tab
EYBOARD HORTCUTS Adobe Lightroom s strength isn t just as a RAW processor, but as a complete workflow solution from memory card ingestion to printing. Refining your workflow to speed up this process will
More informationVideo Streaming and Editing
Module Presenter s Manual Video Streaming and Editing Effective from: December 2013 Ver. 1.0 Presenter s Manual Aptech Limited Page 1 Amendment Record Version No. Effective Date Change Replaced Pages 1.0
More informationFINAL CUT PRO SET UP TO OPEN PROGRAM:
FINAL CUT PRO SET UP TO OPEN PROGRAM: Double click the film clapper icon to open Final Cut. TO START YOUR PROJECT: FILE MANAGEMENT: First you have to do some file management. You need to tell the software
More informationIndex A Add Black Clip command 239 Add Graphics Clip command 240 Additive Dissolve effect 608 AIFF exporting 539 importing 139 alias 31 All-On-One Mas
A Add Black Clip command 239 Add Graphics Clip command 240 Additive Dissolve effect 608 AIFF exporting 539 importing 139 alias 31 All-On-One Mastering 508 alpha channel 396 all-black 396 all-white 396
More informationQUICK GUIDE FOR STARTING A NEW PREMIERE ELEMENTS PROJECT
QUICK GUIDE FOR STARTING A NEW PREMIERE ELEMENTS PROJECT 1. Create a folder on the DATA DRIVE (or your external HD) for your project. You can do this by either holding CONTROL while clicking in the open
More informationBoris XML Transfer 3
Boris XML Transfer 3 Product Documentation and Release Notes - May 16, 2011 Contents Product Description What's New with this Version System / Host Requirements Key Features Installation Procedure Registration,
More informationAdobe Premiere Elements Workspace overview. Creating a new project. About projects. Start a new project
Adobe Premiere Elements Workspace overview The Adobe Premiere Elements workspace is optimized for the four major phases of a project: organizing footage (video, stills, and audio), editing a movie, creating
More informationAdobe Premiere: Getting Started
Prepared by Ansel Herz for the UW Department of Communication http://www.com.washington.edu/tech/irc/ Questions? Comments? Contact Kristina Bowman at kriscb@uw.edu. Adobe Premiere: Getting Started This
More informationAdobe Premiere Elements Tutorial
Adobe Premiere Elements Tutorial Starting a New Project To import movie clips from a digital video camera, click on the Capture Video button. You will be prompted to name your project and choose a location
More informationCinePlay! User Manual!
CinePlay User Manual 1 CinePlay! User Manual! CinePlay is a professional Mac media player complete with timecode overlays, markers, masking, safe areas and much more. It is ideal for dailies, portfolios,
More informationHitFilm Express - Editing
HitFilm Express - Editing Table of Contents Getting Started 3 Create New Project 3 Workspaces 4 The Interface 5 Trimmer 5 Viewer 5 Panels 6 Timeline 7 Import Media 7 Editing 9 Preview 9 Trim 9 Add Clip
More informationHow to edit audio tracks
How to edit audio tracks Although at times you will use Adobe Audition to record new audio, you will often use it to edit, clean up, or add effects to an existing audio file such as an audio file recorded
More informationCommand Key Shortcuts
D Keyboard Shortcuts Command Key Shortcuts............................... 628 Keyboard Shortcuts................................. 634 Tabbing Commands.................................... 639 Program Mode.....................................
More informationThe Monitor Window. 3.The Monitor Window Premiere Pro 1.5 H O T
3.The Monitor Window Premiere Pro 1.5 H O T 3 The Monitor Window Source vs. Program Playing Source Video In and Out Points Setting In and Out Points Clearing In and Out Points H O T Premiere Pro HOT DVD
More information