V i k to r nüb e l 2013
|
|
- Theresa Lane
- 6 years ago
- Views:
Transcription
1 Viktor nübel 2013
2 Graphic Design & Typography Viktor works as a graphic designer and type designer in Berlin. The main focus of his work can be found in the fields of corporate design, web design, web development, logotype design and designing typefaces. On the following pages you can find the current state of play.
3 Project Logo Types logotype design diverse left to right, top to bottom: 1 Readgeek readers website 2 mikrotext ebook publisher 3 dpo consulting firm 4 Julia Büttner journalist 5 s personal work 6 Elektromobilität im Dialog online portal 7 denk!mal youth project 8 BLOG web blog 9 blogmacherei blogging company
4 Project mikrotext logo type, web develpoment, web design mikrotext GBR 2013 Ebook publishing house.
5 Project Blogmacherei logo type, web develpoment, web design seld-initated 2012/2013 Workshops on blogging and WordPress.
6 ProjeCt Readgeek visual identity Readgeek UG 2012/13 Recommendation website for book lovers and heavy readers visual identity. Farbvarianten & Dateiformate Schriftarten Grundfarben Readgeek arbeitet immer mit den Schriften PT Serif und PT Sans in den folgenden Schnitten und Anwendungen. Die Schrift wird sowohl im Web wie auch im Printbereich angewendet. RGB CMYK S/W ABCDEFGHIJKLMNOPQRSTUVWXYZ.,!? abcdefghijklmnopqrstuvwxyz PT Serif Bold: Nur für die Hauptüberschriften. Für alle Anwendungen im Web oder für Bildschirm-Präsentationen Farbwerte R=210 G=35 B=25 R=40 G=00 B=30 Dateien Readgeek_Logo_RGB.jpg Readgeek_Logo_RGB.pdf Readgeek_Logo_RGB.ai Für Druckanwendungen Farbwerte C=00 M=100 Y=100 K=05 C=30 M=40 Y=00 K=100 Dateien Readgeek_Logo_CMYK.tif Readgeek_Logo_CMYK.pdf Readgeek_Logo_CMYK.ai Für monochrome Anwendungen Farbwerte R=00 G=00 B=00 Dateien Readgeek_Logo_black.jpg Readgeek_Logo_black.pdf Readgeek_Logo_black.ai ABCDEFGHIJKLMNOPQRSTUVWXYZ.,!? abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ.,!? abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ.,!? abcdefghijklmnopqrstuvwxyz PT Sans Regular, Italic, Bold: Für Unterüberschriften und jeglichen Fließtext. BoldItalic wird nach Möglichkeit nicht verwendet. 20% 30% 40% 50% 85% 100% 85% 100% 40% 50% 20% 30% RGB-Farbwerte CMYK-Farbwerte Webwerte R=210 G=35 B=25 #d72319 R=225 G=135 B=10 #f5ae1e R=40 G=00 B=30 #28001e Readgeek, 2012 Readgeek, 2012
7 ProjeCt Readgeek web design Readgeek UG 2012/13 Recommendation website for book lovers and heavy readers web design.
8 ProjeCt Readgeek web development Readgeek UG 2012/13 Recommendation website for book lovers and heavy readers web development.
9 Project mamibox web design Bertelsmann AG / mobile melting 2012 Webshop for expectant and young mothers.
10 Project Theatertreffen-Blog web design, web development Berliner Festspiele since 2009 Webblog for theberlin theater festival.
11 ProjeCt The Way To Nowwhere Island poster Kate McNaughten 2013 Movie poster.
12 ProjeCt PTL Attention type design self-initiated 2012 Type family. Published by primetype. The typeface is available at MyFonts, FontShop, primetype tactile information RETHINK TYPE! Maximierungsprinzipien Occupied Space systemkritischer ansatz MANIFESTO! the global movement ADBASTARD how money works today NEW! PTL Attention ExtraLight PTL Attention Light PTL Attention Regular PTL Attention Book PTL Attention Medium PTL Attention Bold PTL Attention ExtraBold PTL Attention Heavy PTL Attention Black PTL Attention ExtraLightItalic PTL Attention LightItalic PTL Attention RegularItalic PTL Attention BookItalic PTL Attention MediumItalic PTL Attention Bold Italic PTL Attention ExtraBoldItalic PTL Attention HeavyItalic PTL Attention BlackItalic ABCDEFGHIJKLMNOPQRSTUVWXYZ.,:;!? abcdefghijklmnopqrstuvwxyzß* ^ abcdefghijklmnopqrstuvwxyz # % $ ƒ+ # % $ ƒ+ # % $ ƒ+ # % $ ƒ+ ¼½¾ ŋō / () + <>= ± ~ ()[]{} µπ Ω &@ / \- _ ÀÁÂÃÄÅĀĂĄǺÆǼÇĆĈĊČĎÐĐÈÉÊËĒĖĘĚĜĞĠĢ ĤĦIÌÍÎÏĨĪĬĮİIJĴĶĹĻĿŁÑŃŅŇÒÓÔÕÖŌŎŐØǾŒÞŔ ŖŘŚŜŞŠȘŢŤŦ ÙÚÛÜŨŪŬŮŰŲŴẀẂẄÝŶŸỲŹŻŽ àáâãäåāăąǻæǽçćĉċčďđèéêëēĕėęěðĝğġģĥħì íîïĩīĭįiıijĵķĺļŀłñńņňòóôõöōŏőøǿœþrŕŗřśŝşšșţť ŧùúûüũūŭůűųŵẁẃẅýŷÿỳźżž àáâãäåāăąǻæǽçćĉċčďđèéêëēĕėęěðĝğġģ ĥħìíîïĩīĭįiıijĵķĺļŀłñńņňòóôõöōŏőøǿœþrŕ ŗřśŝşšșţťŧùúûüũūŭůűųŵẁẃẅýŷÿỳźżžåå ffi $ ff fi ffi fj ffj fl ffl fb ffb fh ffh fk ffk ft fft ti tt Th TT
13 Project Oliva & Oliva Italic type design self-initiated 2009/2010 Display typeface. Published by veer. The typeface is available at MyFonts, veer, Fontspring A Typeface Extra Vergine soul explosion graphique 1/4vodka + 1/4lime juice + 2/4 ginger beer kiki blowberg Baroquococo artdeco A decorative & constructive typeface PINGPONG KLUB Oscar nomination for Best Film Titel Typeface brown sugar ABCDEFGHIJKLMNOPQRSTUV WXYZ.,:;!? abcdefghijklmnopq rstuvwxyzß & (/)[ ]{\}* ff fi fj fl ft ffi ffj ffl fft IJ ij»«- _ # ^% + <=>~ $ ªº ¹²³ ¼½¾ ÀÁÂÃÄÅÆĀĂĄÇĆĈ ĊČĎĐÞÈÉÊËĒĔĖĘĚĜĞĠĢĤĦÌÎÍÏĮĨİĪIJ ĶÐŁĹĻĽĿÑŃŅŇÒÓÔÖØŒŌŎŐ ŔŖŘŠŚŜŞȘŢŤŦÙÚÛÜŨŪŬŮŰŲŴÝ ŸŶŽŹŻ àáâãäåæāăąçćĉċčďđþèéê ëēĕėęěĝğġģĥħìîíïįĩıīijķðłĺļľŀñń ņňʼnòóôöøœōŏőŕŗřšśŝşșţťŧùú ûüũūŭůűųŵýÿŷźżž `ˆ ˇ Ω π ij ⁰¹²³⁴⁵⁶⁷⁸⁹/₀₁₂₃₄₅₆₇₈₉ ABCDEFGHIJKLMNOPQRSTUV WXYZ.,:;!? abcdefghijklmnopq rstuvwxyzß & (/)[ ]{\}* ff fi fj fl ft ffi ffj ffl fft IJ ij ti tj»«- _ # ^% + <=>~ $ ªº ¹²³ ¼½¾ ÀÁÂÃÄÅÆĀĂĄ ÇĆĈĊČĎĐÞÈÉÊËĒĔĖĘĚĜĞĠĢĤĦ ÌÎÍÏĮĨİĪIJĶÐŁĹĻĽĿÑŃŅŇÒÓÔÖ ØŒŌŎŐŔŖŘŠŚŜŞȘŢŤŦÙÚÛ ÜŨŪŬŮŰŲŴÝŸŶŽŹŻ àáâãäåæ āăąçćĉċčďđþèéêëēĕėęěĝğġģĥħìîíïį ĩıīijķðłĺļľŀñńņňʼnòóôöøœōŏőŕŗř šśŝşșţťŧùúûüũūŭůűųŵýÿŷźżž `ˆ ˇ Ω π ij ⁰¹²³⁴⁵⁶⁷⁸⁹/₀₁₂₃₄₅₆₇₈₉
14 s Viktor Nübel is a graphic designer living and working in Berlin. He has studied social science before changing to graphic design. He has graduated from design akademie berlin with the thesis»type Attack!«, which finally results in the typeface PTL Attack. Among other things he made an internship at MetaDesign, worked for FSI FontShop International and 2 years for FontShop s international design conference TYPO Berlin.Nowadays he works for agencies and clients of different fields, specialized in web design, logotypes, identities and type design. He also does consulting work and workshops. Since over 4 years he is working with the open source web software WordPress. He has developed and designed serveral webblogs and websites, also online shops. Berliner Abgeordnetenhaus Berliner Festspiele Berlin Verlag Blogmacherei CAMP4 dan pearlman Design Hotel Lux11 Drawn & Quarterly Grafenstein Hahn Film Hatje Cantz Verlag Hessisches Staatstheater Wiesbaden Henrik Pfeifer Photography mobile melting Gmbh n-ost Reprodukt Radon Labs CV 2003 Internship MetaDesign AG Team: Das MoMA in Berlin 2004 Designer at TeleCom30, Telecommunication company 2005 Diploma»Type Attack!«Degree in communication design, design akademie berlin 2006 Internship FSI FontShop International Type Department Contact Viktor Nübel Pintschstraße 15 D Berlin mail@viktornuebel.com +49. (0) TYPO Berlin 2007»Music«Conference-Assistent 2008 TYPO Berlin 2008»Image«Conference-Assistent since 2009 freelance designer
MANTIKA. SANS & INFORMAL A successful melding of diverse typographic styles. humanistic undertones
MANTIKA SANS & INFORMAL A successful melding of diverse typographic styles. SANS a a a a INFORMAL a a humanistic undertones READER-FRIENDLY Character shapes are clear and easy to read DIFFICULT TO CATEGORIZE
More informationHeimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil
Atlas Font Foundry Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil abcdefghijklmnopqrstuvwxyzßfbfifjfl 1234567890# $ àáâãäåāăąǻ ABCDEFGHIJKLMNOPQRSTUVWYZ& 1234567890@.,:;!?)]} * Heimat
More informationHeimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil
Atlas Font Foundry Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil abcdefghijklmnopqrstuvwxyzßfbfifjfl 1234567890# $ àáâãäåāăąǻ ABCDEFGHIJKLMNOPQRSTUVWYZ& 1234567890@.,:;!?)]} * Heimat
More informationin a digital context Copenhagen February 28th, 2017
Typography in a digital context Copenhagen February 28th, 2017 HI! e Types creates meaningful and attractive brands based on strong ideas and strategy Værnedamsvej 6, 1619 København V What defines
More informationHeimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil
Atlas Font Foundry Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil abcdefghijklmnopqrstuvwxyzßfbfifkflft 1234567890#$ àáâãäåāăąǻ ABCDEFGHIJKLMNOPQRSTUVWYZ& 1234567890@.,:;!?)]} * Heimat
More informationThe Future of Web Typography. Richard Rutter
The Future of Web Typography Richard Rutter ÿ Ultra light Light Regular Bold Black Ultra black Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Ultra light Light Regular Bold Black Ultra
More informationThe Future of Web Typography. Richard Rutter
The Future of Web Typography Richard Rutter ÿ Ultra light Light Regular Bold Black Ultra black Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Ultra light Light Regular Bold Black Ultra
More informationDESIGN AND BRAND GUIDELINES
DESIGN AND BRAND GUIDELINES Address Phone & Fax Online LinkResearchTools GmbH LeonardBernsteinStraße 10/ Floor 7 Saturn Tower 1220, Vienna, Austria, Europe Phone AT: +43 720 116 440 Phone US: +1 866 3473660
More informationThird Party Identity Guidelines
Third Party Identity Guidelines Introduction Introduction This document has been developed to provide anyone using The Wolfson Foundation logotype with clear guidelines on how the brand identity can be
More informationsuas das maior do o simples soma é que todo a partes
suas das maior do o simples soma é que todo a partes Aquino Aquino is a display calligraphic stencil typeface inspired by a liturgic book made by portuguese friar Tomás Aquino in 1735 Collectaneum Sacri
More informationVersion /10/2015. Type specimen. Bw STRETCH
Version 1.00 08/10/2015 Bw STRETCH type specimen 2 Description Bw Stretch is a compressed grotesque designed by Alberto Romanos, suited for display but also body text purposes. It started in 2013 as a
More informationExclusive Pro version Parisine Office Pro version is available from 55 one weight/ one user.
PRO STD Regular Italic Bold Italic Bold available on this format not available on this format Parisine Office aa Parisine Office Regular Parisine Office Italic Parisine Office Bold Parisine Office Bold
More informationHouschka Pro a type specimen. 1
a type specimen info@g-type.com 1 Introduction wasted affection Light 11/13 pt Thin & Italic 38/44 pt Houschka was named after a confectioner s shop in Salzburg which had a wonderful 1930 s frontage and
More informationsection four typography contents introduction...44 helvetica neue...45 bodoni...46 examples of type usage...47 body text examples...
section four typography 43 contents introduction...44 helvetica neue...45 bodoni...46 examples of type usage...47 body text examples...48 introduction Consistent application of type fonts and styles allows
More informationSquare of jaw and strong of limb
Square of jaw and strong of limb Burlingame Extra Bold 1 Burlingame Burlingame Burlingame is a multi-purpose font family that started out as a single typeface with a more specialist purpose. There s a
More informationBRAND IDENTITY STANDARDS GUIDE
BRAND IDENTITY STANDARDS GUIDE JANUARY 2015 TABLE OF CONTENTS This brand identity standards guide was created to help establish the BCIU s visual brand image and bring consistency to all visual representations
More informationCorporate Identity Guidelines
Corporate Identity Guidelines CONTENTS 1.0 TRADEMARK Watco Companies Logo Logo Clear Space Logo Variations Project Logos Proper Logo Use 03 04 05 06 07 08 2.0 TYPOGRAPHY Type Family 3.0 COLOR Brand Color
More informationOur brand guidelines. Our photography
1 brand guidelines photography Hello. We re the Motor Ombudsman. Please give this document your full attention. It should help you get to know more about us and our corporate guidelines. 2 This section
More informationREFRIGERATOR DELUXE. MICKEY SNAGS Earth Rockets Square Set. MICKEY SNAGS Earth Rockets Square Deco Set. MICKEY SNAGS Earth Rockets Open Set
The Story of REFRIGERATOR DELUXE alternate characters AACCEEGGGKK MMNNRRSSS aaacceejjkk rrsssttuuww 1122233 stylistic sets Normal: MICKEY SNAGS Earth Rockets Square Set MICKEY SNAGS Earth Rockets Square
More informationHouschka Rounded Alt a type specimen. 1
a type specimen info@g-type.com 1 Introduction Houschka Rounded Alt Light 11/13 pt Houschka Rounded Alt ExtraBold & Italic 32/38 pt is identical to the original Houschka Rounded family with the exception
More informationGraphic Identity Standards and Guidelines. Gilman School
Graphic Identity Standards and Guidelines Gilman School P August 21, 2009 Why We have Guidelines The graphic identity for Gilman School is summarized in these Graphic Identity Standards and Guidelines.
More informationINTRODUCTION. Please respect the integrity of the brand and the careful thought and craft that has gone into it.
BRAND STANDARDS MAY 2017 INTRODUCTION The Intelligent Office brand is more than a name. It is a complete system of color, typography and artwork that reflects the true spirit of the organization. Using
More informationCorporate Identity Guidelines
Corporate Identity Guidelines - CONTENTS 1.0 TRADEMARK Watco Companies Logo Logo Clear Space Logo Variations Project Logos Proper Logo Use 03 04 05 06 07 08 2.0 TYPOGRAPHY Type Family 3.0 COLOR Brand Color
More informationPushpay Simple Brand Guide. Volume 1.0
ushpay Simple Brand Guide Volume 1.0 rimary Logo HORIZONTAL VERTICAL INFO The ushpay logo is the face of the brand. It is the one element that is used on all communication pieces and should always be implemented
More informationThe Future of Web Typography. Richard Rutter
The Future of Web Typography Richard Rutter ÿ opening double quote closing double quote opening single quote closing single quote en dash em dash minus multiplication ellipsis Aboard Minerva off the Coast
More informationLetters from Sweden. Type Specimen. Ivar Nostalgi. Designed by Göran Söderström
Type Specimen Letters from Sweden Ivar Nostalgi Designed by Göran Söderström Published April 2018 Introduction The advent of phototypesetting in the 1950s liberated type design. As soon as letters stopped
More informationThe Future of Web Typography. Richard Rutter
The Future of Web Typography Richard Rutter apple.com ÿ Ultra light Light Regular Bold Black Ultra black Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Ultra light Light Regular Bold
More informationcorporate identity guidelines
Seilevel Corporate Identity Guidelines Introduction 1 Preferred Signature and Components Logo Space and Minimum Size Signature Variations Color Palette Typography Signature Misuse 2 3 4 5 6 7 corporate
More informationBrand Overview COLORS / FONTS / LOGOS rd Street, Suite 210 Denver, CO communityengineeringcorps.org
Brand Overview COLORS / FONTS / LOGOS 1031 33rd Street, Suite 210 Denver, CO 80205 720 204-3194 Color Palette PRIMARY COLORS PRIMARY PALETTE For most situations, it is important to utilize the two main
More informationHouschka Rounded. a type specimen. 1
a type specimen info@g-type.com 1 Introduction wanton destruction Light 11/13 pt ExtraBold & Italic 38/44 pt Houschka was named after a defunct confectioner s shop in Salzburg, Austria, which had a wonderful
More informationMEDIA KIT. MARCH 2019 / v. 1
MEDIA KIT MARCH 2019 / v. 1 BRAND CONSTRUCTION three elements: the Symbol, the (HOLDINGS). To maintain its impact and immediate visual recognition, no text, graphic element, or edge should interfere with
More informationunderstanding typography
understanding typography What is typography?! it is what language looks like! it is the art and technique of modifying type and arranging it on a page What does the arrangement of type mean? the arrangement
More informationJaroslav. Jaroslav Introduction 1/6. Definition. Basic info. OpenType Features
Jaroslav Introduction 1/6 Jaroslav Definition Jaroslav is a typeface that breaks down typical assumptions on the construction of a monolinear grotesque, but still maintains excellent readability and the
More informationV 1.0. This is Bell. A guide to using the Bell identity.
V 1.0 This is Bell. A guide to using the Bell identity. 1 Table of Contents TABLE OF CONTENTS 1 2 3 4 5 6 7 The Logo - page 5 Colours - page 10 Typography - page 13 Iconography - page 17 Brand Add-ons
More informationStyle guide.
Style guide www.nam.org Logo Orientation The orientation of the Manufacturing Institute logo is shown below. The base line of the logo mark and typography should be aligned. The logo mark and typography
More informationThe American Legion. Visual Style Guide
The American Legion Visual Style Guide 04.15.2015 Table of Contents Communicating the American Legion Brand 3 The Legion Emblem 4 Emblem 5 Logo Type 6 Standard Typefaces 7 Myriad Pro 8 Minion Pro 9 Color
More informationWELCOME TO WESTCONN ATHLETICS BRAND GUIDELINES
AT H L E T I C S B R A N D G U I D E L I N E S WELCOME TO WESTCONN ATHLETICS This document serves as a resource for understanding and applying the WestConn Athletics brand, identity and creative expression.
More informationMuirMcNeil. Five. A stencil type system in three geometric contours
MuirMcNeil Five A stencil type system in three geometric contours MuirMcNeil Five Five is one of a series of stencil type systems published by MuirMcNeil in 2017. Constructed from basic geometric segments,
More informationOrganon Sans. a type specimen. 1
a type specimen info@g-type.com 1 Introduction Light 11/13 pt Bold Caps & Small Caps 75/65 pt The six weight typeface is a stylish, legible and feature-laden OpenType family which complements its sister,
More informationDESIGN AND BRAND GUIDELINES
2N TELEKOMUNIKACE a.s. DESIGN AND BRAND GUIDELINES CONTACT Address Phone & Fax Online 2N TELEKOMUNIKACE a.s. Modřanská 621/72 143 01 Prague 4 Czech Republic Phone: (+420) 225 271 111 Fax: (+420) 225 271
More informationINTRODUCTION. Your brand guidelines detail exactly how to format all of your company s materials for every single person who works with your business.
BRAND GUIDELINES INTRODUCTION Your brand guidelines detail exactly how to format all of your company s materials for every single person who works with your business. Refer back to these guidelines whenever
More informationBrand Guide Template 1 BRAND STYLE GUIDE
Brand Guide Template 1 BRAND STYLE GUIDE Brand Guide for THE WHOLE BEAN 2 Mission Statement Who We Are We are part of the local community, providing a space for friends and family to share in products
More informationSTYLE AND USAGE GUIDELINES
STYLE AND USAGE GUIDELINES Meet. Play. Celebrate. Syracuse Logo OFFICIAL LOGO FOR The Oncenter logo must always be presented as above, with the icon placed at left and with equidistant spacing between
More informationVisual Style Guide. April 2016
Visual Style Guide April 2016 Page 2 Contents Introduction to the Logo 3 Safe Area and Size 4 Incorrect Usage 5 Color Palette 6 Typography 7 Tone and Style of Photography 9 Print Examples 10 Screen Examples
More informationConsumer product portfolio. Marketing CookBook
Consumer product portfolio Marketing CookBook CONTENTS INTRODUCTION F-Secure consumer identity overview Colors and patterns Typography 3 4 5 PRODUCTS Identity, examples of marketing execution SAFE FREEDOME
More informationGrowing Our Own Through Collaboration
NWI INITIATIVE NUCLEAR WORKFORCE Growing Our Own Through Collaboration BRAND STANDARDS reference guide Brand Standards 2011 SRS Community Reuse Organization. All rights reserved. Version 1.0-02.10.2011
More informationff Sanuk OT Regular fontfont info guide Sections Introduction to OpenType Font and Designer Information Supported Layout Features Language Support
fontfont info guide fontfont opentype ni na nb ne nm n1 n0 n3 n2 ng n9 n8 nz n4 n5 n6 nn nj n. nr version 01 April 2006 Sections a b c d e Introduction to OpenType Font and Designer Information Supported
More informationTypography 2! HCC 710 2/1 /13. Human&Centered,Compu/ng,at,University,of,Maryland,,Bal/more,County
Typography 2! HCC 710 2/1 /13 1, Human&Centered,Compu/ng,at,University,of,Maryland,,Bal/more,County Letterform Critiques! 25-30 minutes 2, Wordpress Questions / " Graphic Design Inspirations! 3, Human&Centered,Compu/ng,at,University,of,Maryland,,Bal/more,County
More informationTouro University California Brand Standards
Touro University California Brand Standards 7.2010 version 2 1 Introduction Touro University California Brand Attributes Interdisciplinary Unique and important, this approach crosses traditional boundaries.
More informationDMD DIAMOND, BRAND GUIDE ISSUE 01: DESIGN MANUAL CREATED FOR: DMD DIAMOND DESIGN AND BRAND GUIDELINE BOOK
DMD DIAMOND, BRAND GUIDE ISSUE 01: DESIGN MANUAL CREATED FOR: DMD DIAMOND DESIGN AND BRAND GUIDELINE BOOK CREATION DATE: FEBRUARY 2018 ISSUE 01: BRAND GUIDELINE CREATED FOR: DMD Diamond www.bit.diamonds
More informationBrand guidelines Vyopta br Januar and guideline y 2018 v A-001 s 1
Brand guidelines Vyopta January brand 2018 guidelines v A-001 1 The new Vyopta brand The Vyopta brand is more than just a logo. It s a comprehensive visual system and language made up of many parts that
More informationVIVO Identity Guidelines
VIVO Identity Guidelines May 2010 Version 1.0 00 Contents 01 02 03 04 05 06 Introduction About VIVO VIVO Identity Elements Space Size Color System (web and print) Identity Colors Primary Color Palette
More informationSECTION 1: LOGO USAGE...4-7
GRAPHIC Standards TABLE OF CONTENTS SECTION 1: LOGO USAGE...4-7 a. Primary Logo Signature... 4 b. Logo Signature Sizes and Proportions... 4 c. Clear Zone... 5 d. Color Options... 5 e. Co-branding... 6
More information20 _. 14 _ Visual Identity. 03 _ Brand Message. 24 _ Brand Consistency 04 _. 10 _ Color Palette. 02 _ Our Mission. Our Logo. Our.
brand guidelines 02 Our Mission 03 Brand Message 04 Our Logo 06 Construction & Clearspace 07 Using Our Logo 08 Logo Don ts 09 On Photographs 10 Color Palette 12 Primary Colors 13 Complimentary Colors 14
More informationPollen. Pollen Italic PollenRegular Pollen Bold Pollen Bold Italic. A poetically joyful text typeface by Eduardo Berliner for TypeTogether
Pollen A poetically joyful text typeface by Eduardo Berliner for TypeTogether about the typeface This typeface finds a perfect balance between technical excellence, careful design of letter forms for extended
More informationCANES COMMUNITIES REGIONAL VISUAL IDENTITY MANUAL. March 2015
CANES COMMUNITIES REGIONAL VISUAL IDENTITY MANUAL March 2015 Table of Contents Identity Introduction................................................. 1.0 Using This Manual... 1.1 Identity Policy.........................................................
More informationBRAND BOOK BRANDING DOCUMENT
BRAND BOOK BRANDING VERSION 1.0 DOCUMENT / 2018 Brand Manual OTM Capital (OTM Ventures Inc) WE LOVE OUR BRAND. BE MINDFUL WHEN APPLYING IT. ABOUT THIS GUIDE This brand book is a guide that streamlines
More informationGraphics Standards Manual
Graphics Standards Manual Association of Faculties of Pharmacy of Canada Association des Faculties de Pharmacie du Canada Prepared May 21, 2003 By PlanetFish Design Contents OUR NAME & LOGO 3 LOGO COLOURS
More informationbranding standards and guidelines Edition 5.4
branding standards and guidelines Edition 5.4 1 Introduction This guide is designed to outline the basic elements that make up Hogan s visual branding. Use it to familiarize yourself with our latest requirements,
More informationCONTENTS. The Brand 3. Logo 4. Alternative Looks & Tagline 6. Color 9. Logo Usage 11. Typography 12. Web 13. Cobranding Ratio 15
BRANDING GUIDE CONTENTS The Brand 3 Logo 4 Alternative Looks & Tagline 6 Color 9 Logo Usage 11 Typography 12 Web 13 Cobranding Ratio 15 2 THE UPCI BRAND DESIGN PHILOSOPHY 1. THE GLOBE Since the wireframe
More informationfont influenced by the industrial designer s. P Pure mechanical shapes are to give the characters the ri These subtle human to
LOEW 3 11 Light Loew is a geometric based sans serif influenced by the early industrial designer s. 14 Medium 18 XBold Loew is a geometric ba font influenced by the industrial designer s. P mechanical
More informationnew lanark brand guidelines version 1.5 NEW LANARK
new lanark brand guidelines version 1.5 NEW LANARK new lanark contents 2 1 about 2 identity 3 colour 4 typography 5 applications 2 about new lanark introduction 4 This document can be used for reference
More informationThe 2011 rupeeequipped. from jy&a Fonts.
The 2011 rupeeequipped fonts from jy&a Fonts. A jack ya n & associ afs In July 2010, the Indian cabinet approved the design of a rupee symbol. This marked India s importance in the global economy and the
More informationAlphaDelta. Wiescher-Design available from Fontworks UK Ltd
AlphaDelta Wiescher-Design available from Fontworks UK Ltd www.type.co.uk ALPHA AlphaDelta AlphaDelta PKG: Light, Plain, Bold AlphaDelta Light AlphaDelta Plain AlphaDelta Bold Dies ist Blindtext. Er ist
More informationPalatino. Palatino. Linotype. Palatino. Linotype. Linotype. Palatino. Linotype. Palatino. Linotype. Palatino. Linotype
Copyright 2013 Johanna Corsini Arts 79 Typography 1 Sources: http://en.wikipedia.org/wiki/ http://en.wikipedia.org/wiki/typography By Johanna Corsini P a a P o l t a a n L P i l t n a i o a o y l t n n
More informationBy Michael Parson Banja
Banja Page 4 Page 5 By Michael Parson Banja typeface The story for the Banja typeface started through a contest call for script style typeface. With a specific set of constraints, the goal was to design
More informationAFerry Brand Guidelines
2 Contents Introduction 3 The AFerry Logo 4 Protecting Our Master Logo 5 Incorrect Master Logo Application 6 AFerry Family Logos 7 Typography 8 Print Typography 9 Digital Typography 10 Colour 11 Responsive
More informationQUICK GUIDE. Graphics Standards & Guidelines University of Nebraska at Kearney
QUICK GUIDE Graphics Standards & Guidelines University of Nebraska at Kearney 08 2016 Summary The visual identity for the University of Nebraska Kearney is the face the school shows the public. It is representative
More informationFerrysavers Brand Guidelines
2 Contents 3 4 5 6 7 8 9 10 11 12 13 Introduction The Ferrysavers Logo Protecting Our Master Logo Incorrect Master Logo Application Ferrysavers Family Logos Typography Print Typography Digital Typography
More informationPrimary Logo. Corporate logo - primary. The centered logo is only to be used when the length of the common logo is problematic for an application.
Primary Logo Corporate logo - primary The elements of the logo may be arranged in two predetermined configurations: the primary logo (which also has a small version and the centered logo. The centered
More informationPassion for fonts. Passion for fonts. Passion for fonts. Passion for fonts.
www.durotype.com Overview Font Family Seconda XtraSoft Fonts Seconda XtraSoft Thin Seconda XtraSoft Thin Italic Seconda XtraSoft Light Seconda XtraSoft Light Italic Seconda XtraSoft Regular Seconda XtraSoft
More informationCONTENTS. The Brand 3. Logo 4. Alternative Looks & Tagline 6. Color 9. Logo Usage 11. Typography 12. Web 13. Divisions & Departments 14
BRANDING GUIDE CONTENTS The Brand 3 Logo 4 Alternative Looks & Tagline 6 Color 9 Logo Usage 11 Typography 12 Web 13 Divisions & Departments 14 2 THE UPCI BRAND DESIGN PHILOSOPHY 1. THE GLOBE Since the
More informationBRANDING AND STYLE GUIDELINES
BRANDING AND STYLE GUIDELINES INTRODUCTION The Dodd family brand is designed for clarity of communication and consistency within departments. Bold colors and photographs are set on simple and clean backdrops
More informationGESTALT COMMUNITY SCHOOLS BRANDING AND DESIGN GUIDELINES
GESTALT COMMUNITY SCHOOLS BRANDING AND DESIGN GUIDELINES BRAND GUIDELINE V.2 2016 WELCOME IT S THE GESTALT COMMUNITY SCHOOLS BRANDING GUIDE TO THE GALAXY This guideline will help you determine the best
More informationUNICEF USA Brand Guidelines
Brand Guidelines VERSION 1.0 March 2017 Contents 7 MASTER BRAND LOGO 28 TYPOGRAPHY 9 Versions 29 Fonts 10 Colors and Backgrounds 33 Using Type 11 Size and Clear Space 34 Type Style Examples 12 Don ts 13
More informationAHSN North East & North Cumbria. Identity Guidelines
AHSN North East & North Cumbria Version 2.1 1 Identity Guidelines Guidelines / Contents Version 2.1 2 Page No. 3 4 5 6 7 8 9-13 Contents Introduction Logo Colours Usage & Positioning What Not to Do Typefaces
More informationBranding Guidelines. April
Branding Guidelines April 2015 HOW WE CO-ORDINATE OUR MES SAGE Contents SECTION 1 Introducing the Table Tennis England brand 1.1 Welcome to our brand 1.2 Our vision, values and strategy 1.3 Tone of voice
More informationBrand Standards 2014
Logo The logomark consists of the Texas state seal and the logotype. There is a vertical and horizontal version both utilize a two-color palette and a black and white palette. The horizontal format is
More informationBRANDING GUIDE INSTITUTIONAL SYMBOLS. Branding Guide Overview. The University Seal. Symbolism of the Seal
Branding Guide Overview The Illinois Wesleyan University Branding Guide is designed to provide clear information on the proper use of approved graphics, colors and fonts for any application of the IWU
More informationThe Fresno EOC logo includes the box symbol and wordmarks
Brand Guidelines box symbol wordmarks The Fresno EOC logo includes the box symbol and wordmarks Introduction The foundation of our graphic identity system, the Fresno EOC logo, represents the most concise
More informationLogo Guidelines. Office of Creative Services
Logo Guidelines Office of Creative Services creativeservices@stthom.edu 713.525.3120 Crest and wordmark The primary academic markt is to be used with all communications as the visual identity of University
More informationTABLE OF CONTENTS. About OASIS. Branding. Typography. Colors. Brand Guidelines for OASIS Inc., First Edition 2015 OASIS Inc. All rights reserved.
Brand Guidelines TABLE OF CONTENTS About OASIS 3 Mission, work and structure Branding 4 Primary logo 6 Alternate logos 8 Logo clear space & minimum size 10 Incorrect use of the logo Typography 12 Preferred
More informationMozilla firefox für xbox 360 downloaden
Cerca Mozilla firefox für xbox 360 downloaden Internet Explorer is a series of graphical web browsers developed by Microsoft and included in the Microsoft Windows line of operating systems, starting in
More informationNational CyberWatch Center Brand Guidelines (truncated) January 2015
Brand Guidelines (truncated) January 2015 Introduction This book is meant to guide all internal, external, partner, alliance and member usage of the brand, logo, name and/or identity. It should guide all
More information01: The Digital Explorer Identity
Brand Guidelines Brand Guidelines 01: The Digital Explorer Identity 02: Use of the Identity 03: Color Palette 04: Logo Colour Usage 05: Use of the Digital Graphic 06: Typeface 07: File Formats 08: Sample
More informationBRANDING AND STYLE GUIDE MAY 2017
BRANDING AND STYLE GUIDE MAY 2017 INTRODUCTION This branding and style guide is intended to provide staff with tools they need to represent the CAPSLO brand consistently across all types of visual communication.
More informationSTEP IN. STAND UP. Campaign Guidelines
STEP IN. STAND UP. Campaign Guidelines March 2017 PURPOSE PURPOSE OF THESE GUIDELINES With the launch of the new marketing campaign, it is important to maintain the integrity of communications across all
More informationMINNETONKA BRAND IDENTITY GUIDE
MINNETONKA BRAND IDENTITY GUIDE CONTENTS I INTRODUCTION 03 OUR HISTORY 04-05 OUR BRAND ESSENCE 06 II LOGO GUIDELINES 07 LOGOTYPE 08 LOGO CLEARANCE 09 ARROWHEAD ICON 10 ICON CLEARANCE 11 III INCORRECT USAGE
More informationThe Future of Web Typography
The Future of Web Typography Richard Rutter I m co-founder of Clearleft, a user experience consultancy in Brighton. I m an user experience designer by day and a web typography evangelist by night. ÿ Typography
More informationBranding Guide ST. MARK CATHOLIC SCHOOL LOGOS, COLORS AND TYPOGRAPHY FOR MARKETING COMMUNICATIONS AND SPORTS TEAMS WHERE FAITH AND KNOWLEDGE MEET
Branding Guide LOGOS, COLORS AND TYPOGRAPHY FOR MARKETING COMMUNICATIONS AND SPORTS TEAMS This Branding Guide shows several variations of the logo for St. Mark Catholic School, as well as versions of the
More informationIDENTITY STANDARDS VERSION 2.0 / FALL 2014
IDENTITY STANDARDS VERSION 2.0 / FALL 2014 2 3 IDENTITY STANDARDS VERSION 2.0 / FALL 2014 This manual outlines the standards for the University Union. Please direct any comments or suggestions to the
More informationCorporate identity guide
Corporate identity guide MANU CORPORATE IDENTITY GUIDE V1. 6-216 2 Brand philosophy Table of contents File structure CORPORATE IDENTITY PHILOSOPHY We create beautiful products to enhance your (digital)
More informationLast modified November Visual Identity Guidelines
Last modified November 2012 Visual Identity Guidelines INTRODUCTION The City of Brandon s logo is one that recognizes the importance of community and family, while paying homage to its strong ties to agriculture
More informationRegular & Italic SemiBold & Italic. Thin & Italic Light & Italic Regular & Italic Medium & Italic Bold & Italic ExtraBold & Italic Poster & Italic
Ø Display Thin & Italic Light & Italic Regular & Italic Medium & Italic Bold & Italic ExtraBold & Italic Poster & Italic Text Regular & Italic SemiBold & Italic Bold & Italic 1 Author Rejuvenating the
More informationLogo. Primary. Secondary
Logo The logomark consists of the Texas state seal and the logotype. There is a vertical and horizontal version both utilize a two-color palette and a black and white palette. The horizontal format is
More informationGÉANT CORPORATE IDENTITY GUIDELINES FOR USE. connect communicate collaborate
GÉANT CORPORATE IDENTITY GUIDELINES FOR USE connect communicate collaborate THE LOGO The GÉANT logo is the core element within the brand. From printed brochures and datasheets through PowerPoint presentations
More informationWednesday, April 6, 16
During the 1950s, an important design movement began in Switzerland and Germany. It was known as the SWISS STYLE or INTERNATIONAL STYLE. Wednesday, April 6, 16 The characteristics of this style are: -
More informationFontForum. FontForum Designer Profile: Hans Schumacher URW++ DESIGN & DEVELOPMENT GMBH. Poppenbütteler Bogen Hamburg Germany
FontForum FontForum Designer Profile: Hans Schumacher URW++ DESIGN & DEVELOPMENT GMBH Poppenbütteler Bogen 36 22399 Hamburg Germany TEL +49 (0) 40 60605 0 FAX +49 (0) 40 60605 111 info@urwpp.de www.urwpp.com
More informationFort Edmonton Park Logo Guidelines 1
Fort Edmonton Park Logo Guidelines 1 Visual Identity Fort Edmonton Park (FEP) is represented by a logo that incorporates distinctive typography combined with stylized illustration of the fort. The colour
More informationMINI BRAND GUIDELINES
MINI BRAND GUIDELINES 9.18.17 TABLE OF CONTENTS SECTION 1 Introduction 3 SECTION 4 The Hamline Logo(s) & Seal 5 SECTION 5 Colors 16 SECTION 6 Typography 20 Questions about how to use this brand guide?
More information