anatomy cap height x-height baseline descender ligature finial terminal ascender spine small capital uppercase counter cross bar lowercase

Transcription

1 Type Anatomy

2 anatomy cap height x-height baseline stem bowl serif descender ligature ascender finial terminal ascender spine uppercase small capital cross bar counter lowercase 36 thinking with type

3 cap height x-height baseline stem bowl serif descender ligature ascender finial

4 visually speaking, baselines and x-heights determine the real edges of text ascender height Some elements may extend slightly above the cap height. cap height The distance from the baseline to the top of the capital letter determines the letter s point size. descender height The length of a letter s descenders contributes to its overall style and attitude. skin, Body x-height is the height of the main body of the lowercase letter (or the height of a lowercase x), excluding its ascenders and descenders. Bone the baseline is where all the letters sit. This is the most stable axis along a line of text, and it is a crucial edge for aligning text with images or with other text. overhang The curves at the bottom of letters hang slightly below the baseline. Commas and semicolons also cross the baseline. If a typeface were not positioned this way, it would appear to teeter precariously. Without overhang, rounded letters would look smaller than their flat-footed compatriots. Although kids learn to write using ruled paper that divides letters exactly in half, most typefaces are not designed that way. The x-height usually occupies more than half of the cap height. The larger the x-height is in relation to the cap height, the bigger the letters appear to be. In a field of text, the greatest density occurs between the baseline and the x-height. Hey, look! They supersized my x-height. Two blocks of text are often aligned along a shared baseline. Here, 14/18 Scala Pro (14-pt type with 18 pts of line spacing) is paired with 7/9 Scala Pro. letter 37

5

6 font formats PostScript / Type 1 developed for desktop computer systems in the 1980s by Adobe. Type I fonts are output using the PostScript programming language, created for generating high-resolution images on paper or film. A Type 1 font consists of two files: a screen font and a printer font. You must install both files in order to fully use these fonts. a TrueType is a later font format, created by Apple and Microsoft for use with their operating systems. TrueType fonts are easier to install than Type 1 fonts because they consist of a single font file rather than two. Open Type is a format developed by Adobe, works on multiple platforms. Each file supports up to 65,000 characters, allowing multiple styles and character variations to be contained in a single font file. In a TrueType or Type 1 font, small capitals, alternate ligatures, and other special characters must be contained in separate font files (sometimes labelled Expert ); in an OpenType font they are part of the main font. These expanded character sets can also include accented letters and other special glyphs needed for typesetting a variety of languages. OpenType fonts with expanded character sets are commonly labeled Pro. OpenType fonts also automatically adjust the position of hyphens, brackets, and parentheses for letters set in all-capitals.

7 Fonts on Screen

8 anti-alias Anti Alias - is a technique for making the edges of letters look smooth on screen by rendering some pixels in shades of gray. Antialiasing is generally helpful for presenting text on screen at large sizes (12 pixels and higher), but it can make small text difficult to read. Some designers prefer to use bitmap fonts, which are designed to be displayed without antialiasing, for small text on screen. It is more effective for larger point sizes than smaller text sizes.

9 optical compensation The goal of the type desinger is to have all the letters appear uniform in texture and have a an optical gray value (color) so as not to distract the eye and make reading easier E O A V minute optical curved forms the interior A and V diagonals correction are drawn to and exterior of are drawn at middle crossbar extend cap diagonals differ different slopes to is shorter and baseline to in their angles adjust for lateral appear optically emphasis due to top counter is the same as the their respective smaller than straight letters directions the bottom