Chapter 11. Caustics and Global Illumination

Size: px
Start display at page:

Download "Chapter 11. Caustics and Global Illumination"

Transcription

1 11 and Global Illumination Chapter 11 Direct illumination occurs when a light source directly illuminates an object or objects in a scene. Indirect illumination occurs if light illuminates objects by reflection or transmission by other objects. Global Illumination is the technique used to describe Indirect Illumination. Indirect Illumination includes Global Illumination, Final Gather and effects such as. are light patterns formed by focused light. They are created when light from a source illuminates a diffuse surface by way of one or more specular reflections or transmissions. Examples of Caustic effects include the "hot spots" seen on surfaces when light is focused through a refractive glass or reflected off metal, or the patterns created on the bottom of a swimming pool from light shining through the water. Since Global Illumination and cannot be simulated efficiently using standard Raytracing methods mental ray uses a mechanism based on Photon Maps. Light is emitted from the source in the form of energy (called photons) and then followed as they bounce around a scene until they re either absorbed or escape to infinity. The absorbed photons are then stored in a Photon Map and used at render time to calculate illumination in a scene. Photons can be emitted from standard light sources as well as from user defined photon emitting shaders.

2 CHAPTER 11 A glass of cognac In this chapter, you will learn the following: How to use ; How to fine-tune ; How to use Global Illumination; How to fine-tune Global Illumination. In this exercise, you will learn to enable and fine-tune its effects. 1 Open scene file cognacglass_start.mb Render the scene to see the initial results using Maya Software Rendering. This is a simple scene consisting of a glass and a Spot Light. The glass and its contents have refractive materials, and the Spot Light casts Raytraced Shadows. You can see that the shadows cast by the glass are properly colored and transparent, but the image lacks the "hot spots" usually seen when light shines through glass. 280 RENDERING

3 CAUSTICS AND GLOBAL ILLUMINATION Initial render using Maya Software Renderer 2 Enable Open the Render Globals window and change your selected renderer to mental ray. In the mental ray tab of the Render Globals, go to the Quality Presets setting and select the Preview preset. Scroll to the Ray Tracing section and increase the Raytrace settings: Set Refractions to 6. This is the number of times the ray must go through a transparent surface before it stops. Set Max Trace Depth to 8 (Reflection rays + Refraction rays). Scroll to the and Global Illumination section and note that are now enabled. Increase Max Refraction Photons and Max Photon Depth to 6. The photon goes through 6 transparent surfaces before hitting a diffuse surface (the wall) and stopping. Therefore, the default value of 5 would not produce proper results. Scroll to the Translation section of the Render Globals, and set Export Verbosity to Progress Messages so that you can check Maya s Output Window for progress messages when you render. RENDERING 281

4 CHAPTER 11 3 Turn on photon emission In order to use, at least one of the light sources in your scene must emit photons. Each photon emitted by the light source is traced through the scene until it either hits a diffuse surface or until it has been reflected or transmitted a maximum number of times as indicated by the photon trace depth. The Caustic Photon Map holds just those photons that have been specularly reflected or refracted, before hitting a diffuse surface where they are stored. Note: It is also possible to use custom mental ray shaders as photon emitters. In the Hypershade s Lights tab, select spotlightshape1 and open the Attribute Editor. Scroll to the mental ray attribute section and turn on Emit Photons in the and Global Illumination subsection. Photon Intensity is the amount of light distributed by the light source. Each photon will carry a fraction of the light source energy and distribute it into the scene. Leave Photon Intensity at the default (8000) for now. The number of Caustic Photons emitted by the light source will determine the quality of the generated. More photons produce higher quality results, but also increase memory usage. A suggested workflow is to use the default number of photons or less while tuning your image, to produce quick, low-quality. You can increase the number of photons to produce higher quality images. Leave Caustic Photons at the default number (10000) for now. Exponent acts like decay; the intensity increases as the value decreases. The default value of 2 simulates quadratic (realistic) decay. Leave this setting at the default value for now. The Physical option will not be used. 282 RENDERING

5 CAUSTICS AND GLOBAL ILLUMINATION Caustic and Global Illumination light attributes 4 Test render the scene You should now see Caustic effects around the glass, but the brightness and quality will not be very good; the Caustic effects will be spotty. Further tuning is needed to improve the appearance of. Initial results of render with RENDERING 283

6 CHAPTER 11 5 Fine-tuning You may find that the Caustic effects are not bright enough. Raising or lowering the Photon Intensity of your light source will increase or decrease the brightness of your. Open the Attribute Editor for the light and, in the and Global Illumination section, change the Photon Intensity value until you have better results. Try a setting of In the mental ray tab of the Render Globals, scroll to the and Global Illumination section. The appearance of can be fine-tuned using the Caustic Accuracy and Radius settings. Radius controls the maximum distance at which mental ray considers photons. For example, to specify that only photons within 1 scene unit away should be used, set Radius to 1. When Radius is left at the default value of 0, the renderer will itself calculate an appropriate radius based on your scene size. However, this default result is not always acceptable, as in this case. Increasing the Radius will generally decrease noise but give a more blurred result. To decrease noise without blurring details, it would be necessary to increase the number of Caustic photons emitted by your light source. Increase Radius in small increments and test render until you have acceptable results. Try a setting of 1.5 or 2. Accuracy controls how many photons are considered during rendering. The default is 64; larger numbers make the smoother. For example, to specify that at most 100 photons should be used to compute the Caustic brightness, set Accuracy to 100. Increase Accuracy in small increments and test render until you have acceptable results. Try a setting of RENDERING

7 CAUSTICS AND GLOBAL ILLUMINATION Caustic Radius 2.000, Accuracy 100, Photon Intensity Changing the Caustic Filter Type to Cone can produce smoother results. In the mental ray tab of the Render Globals, scroll to the and Global Illumination section and change Caustic Filter to Cone. Results using Cone filter RENDERING 285

8 CHAPTER 11 Global Illumination To further increase the quality of Caustic effects, you can increase the amount of emitted photons. This will slow down your rendering time, but improve image quality. In the and Global Illumination attributes for your light, increase Caustic Photons. Try a setting of Caustic Photons, Accuracy 200, Radius 1.5 Further improvements to generally require experimentation with the light s Energy, Caustic Photons and Exponent values, as well as the Render Globals Caustic Accuracy and Radius values. The scene file cognacglass_finished.mb has the finished results of this exercise. Global Illumination In this exercise, you will enable Global Illumination and fine-tune the results. 1 Open scene file Global_start.mb This scene consists of a bike in a garage. The garage door is animated open, allowing indirect light to spill into the scene and illuminate its contents. Go to the last frame of the animation where the illumination will be at it s fullest. We will tune from there. 286 RENDERING

9 CAUSTICS AND GLOBAL ILLUMINATION Global Illumination 2 Enable Global Illumination Open the Render Globals window and change your selected renderer to mental ray. In the mental ray Render Globals, go to the Quality Presets setting and select the PreviewGlobalIllum preset. Scroll to the and Global Illumination section and note that Global Illumination is now enabled. 3 Turn on photon emission As with, at least one of the light sources in your scene must emit photons. In the Hypershade s Lights tab, select spotlightshape1 and open the Attribute Editor. Under the Spot Light attribute section, turn Intensity to 0. This means that all illumination in the scene will come solely from photons. Scroll to the mental ray attribute section and turn on Emit Photons in the and Global Illumination subsection. Leave Photon Intensity at the default Leave Exponent at its default value of 2 for now. Leave Global Illum Photons at the default number Test render the scene There is very little if any illumination in the scene. Further tuning is needed. Note: If you get a message stating that "no photons stored after emitting photons" means that photons emitted by the source don t hit any energy-storing object. One reason this can happen is the photon emitting source is emitting photons in the wrong direction. 5 Change the Exponent value As mentioned in the previous exercise, the Exponent attribute represents decay. To increase the chances of photons reaching the back of the garage, increase your Exponent to 1. Render the scene. RENDERING 287

10 CHAPTER 11 Global Illumination 6 Change the Photon Intensity values Notice you can now see the bike at the back of the garage a little more clearly but, you may find that overall, the scene is still not bright enough. Change the Photon Intensity value to Render the scene. Exponent 1, Photon Intensity Change the Radius The scene is bright enough, but now we need to further fine-tune our photons. In the mental ray tab of the Render Globals, open the and Global Illumination section. Scroll to the Global Illum Radius section and increase this value from 0 to 1. Increasing this value will help smooth out the photons and reduce blotchiness. If you still find that your photons are not smooth enough, increase the Radius to 2. Continue increasing the radius until you see little or no change in image quality. Using the Keep Image button from the Render view window menu bar, will allow you to compare current renders to previous renders. When you reach the point where changing the Radius has little effect on the image, start increasing your Global Illum Accuracy value. 288 RENDERING

11 CAUSTICS AND GLOBAL ILLUMINATION Global Illumination Tip: Increase your Radius until you see no change in your render. Then start increasing the Accuracy value. 8 Increase the Accuracy Slowly increase the Global Illumination Accuracy values. This will further refine your photons, helping to smooth them. Radius 2, Global Illumination Accuracy 900 Further refinements All illumination in this scene comes solely from photons. You may find that the shadow information created this way is either weak or absent. The below image is an example of the above scene with a Directional Light with low intensity and soft Shadow Maps. This helps add depth to the scene and separate the bike from the background. In the next chapter, we cover Final Gather which can also be used to bump up shadow information. RENDERING 289

12 CHAPTER 11 SUMMARY Global Illumination and Shadow Maps SUMMARY Adding and Global Illumination to your scenes can help create more subtle and realistic light effects. This chapter covered the following topics: and Global Illumination; Enabling /Global Illumination in the Render Globals; Emitting photons from a light source; Fine-tuning Caustic and Global Illumination effects. 290 RENDERING

Raycast Rendering Maya 2013

Raycast Rendering Maya 2013 2000 2012 Michael O'Rourke Raycast Rendering Maya 2013 (See also the Intro to Lights and Rendering tutorial for an introduction to the basics of rendering an image) Concept There are several algorithms

More information

Photo Studio Optimizer

Photo Studio Optimizer CATIA V5 Training Foils Photo Studio Optimizer Version 5 Release 19 September 008 EDU_CAT_EN_PSO_FF_V5R19 Photo Studio Optimizer Objectives of the course Upon completion of this course you will be able

More information

There are many kinds of surface shaders, from those that affect basic surface color, to ones that apply bitmap textures and displacement.

There are many kinds of surface shaders, from those that affect basic surface color, to ones that apply bitmap textures and displacement. mental ray Overview Mental ray is a powerful renderer which is based on a scene description language. You can use it as a standalone renderer, or even better, integrated with 3D applications. In 3D applications,

More information

TUTORIAL 7: Global Illumination & Ambient Occlusion

TUTORIAL 7: Global Illumination & Ambient Occlusion TUTORIAL 7: Global Illumination & Ambient Occlusion The goal of this short tutorial is to introduce a few select aspects of mental ray so that you may consider incorporating them in your projects if appropriate.

More information

Caustics - Mental Ray

Caustics - Mental Ray Caustics - Mental Ray In this tutorial we are going to go over some advanced lighting techniques for creating realistic caustic effects. Caustics are the focused patterns of light which form after light

More information

Ok, so to get started we will take a look at the settings in the Render setup. If we were to take a render right now this is what we would see...

Ok, so to get started we will take a look at the settings in the Render setup. If we were to take a render right now this is what we would see... Caustics - V-Ray In this tutorial we are going to go over some advanced lighting techniques for creating realistic caustic effects using the V-Ray renderer. Caustics function in V-Ray much like they function

More information

THEA RENDER ADAPTIVE BSD ENGINE

THEA RENDER ADAPTIVE BSD ENGINE THEA RENDER ADAPTIVE BSD ENGINE ADAPTIVE (BSD) ENGINE Adaptive (BSD) is the name of the biased engine inside Thea Render. This engine is a biased one (this is why we use the abbreviation "BSD") as it uses

More information

Caustics - Mental Ray

Caustics - Mental Ray Caustics - Mental Ray (Working with real caustic generation) In this tutorial we are going to go over some advanced lighting techniques for creating realistic caustic effects. Caustics are the bent reflections

More information

Illumination Algorithms

Illumination Algorithms Global Illumination Illumination Algorithms Digital Lighting and Rendering CGT 340 The goal of global illumination is to model all possible paths of light to the camera. Global Illumination Global illumination

More information

Advanced Maya Texturing and Lighting

Advanced Maya Texturing and Lighting Advanced Maya Texturing and Lighting Lanier, Lee ISBN-13: 9780470292730 Table of Contents Introduction. Chapter 1 Understanding Lighting, Color, and Composition. Understanding the Art of Lighting. Using

More information

Advanced Maya e Texturing. and Lighting. Second Edition WILEY PUBLISHING, INC.

Advanced Maya e Texturing. and Lighting. Second Edition WILEY PUBLISHING, INC. Advanced Maya e Texturing and Lighting Second Edition Lee Lanier WILEY PUBLISHING, INC. Contents Introduction xvi Chapter 1 Understanding Lighting, Color, and Composition 1 Understanding the Art of Lighting

More information

Lecture 18: Primer on Ray Tracing Techniques

Lecture 18: Primer on Ray Tracing Techniques Lecture 18: Primer on Ray Tracing Techniques 6.172: Performance Engineering of Software Systems Joshua Slocum November 16, 2010 A Little Background Image rendering technique Simulate rays of light - ray

More information

MASY Easy Caustics. A Manual

MASY Easy Caustics. A Manual MASY Easy Caustics A Manual Table of Contents Introduction...3 Chapter 1: The Base Rig...4 Chapter 2: The Props and Scenes...8 Introduction Thank you for purchasing the Easy Caustics lighting pack for

More information

Basic Rendering Techniques Part B

Basic Rendering Techniques Part B Basic Rendering Techniques Part B Using Materials in 3d Max The simplest method for changing g the default gray color of a 3d object is to apply hue to the object using the diffuse color feature. The physical

More information

Submerge Camera Shader

Submerge Camera Shader Submerge Camera Shader In this tutorial we are going to take a look at a simple scene with a swimming pool and a teapot and we will use the Mental Ray Camera shader called "Submerge" to change the look

More information

Computer Graphics. Lecture 13. Global Illumination 1: Ray Tracing and Radiosity. Taku Komura

Computer Graphics. Lecture 13. Global Illumination 1: Ray Tracing and Radiosity. Taku Komura Computer Graphics Lecture 13 Global Illumination 1: Ray Tracing and Radiosity Taku Komura 1 Rendering techniques Can be classified as Local Illumination techniques Global Illumination techniques Local

More information

Topic 12: Texture Mapping. Motivation Sources of texture Texture coordinates Bump mapping, mip-mapping & env mapping

Topic 12: Texture Mapping. Motivation Sources of texture Texture coordinates Bump mapping, mip-mapping & env mapping Topic 12: Texture Mapping Motivation Sources of texture Texture coordinates Bump mapping, mip-mapping & env mapping Texture sources: Photographs Texture sources: Procedural Texture sources: Solid textures

More information

Mental Ray for BK5100

Mental Ray for BK5100 for BK5100 Practical guide: Global Illumination Interior and MIA Materials Tweety 1 Technisch Ontwerp en Informatica Lecture overview Final Gather Exterior Lighting and rendering an exterior scene using

More information

MR Shaders Dielectric Materials Rendering Glass and Simple Caustics

MR Shaders Dielectric Materials Rendering Glass and Simple Caustics Dielectric Material This shader is a physically based material shader that can be used to simulate dielectric media such as glass, water, and other liquids. The shader uses Fresnel's formulas for dielectric

More information

Ray Tracing. CSCI 420 Computer Graphics Lecture 15. Ray Casting Shadow Rays Reflection and Transmission [Ch ]

Ray Tracing. CSCI 420 Computer Graphics Lecture 15. Ray Casting Shadow Rays Reflection and Transmission [Ch ] CSCI 420 Computer Graphics Lecture 15 Ray Tracing Ray Casting Shadow Rays Reflection and Transmission [Ch. 13.2-13.3] Jernej Barbic University of Southern California 1 Local Illumination Object illuminations

More information

Think about film & lighting

Think about film & lighting Quiz 3: Textures Camera and Lighting for Animation Hand back Quiz 2 Amy Gooch CS 395: Intro to Animation Summer 2004 Think about film & lighting Reality! Cameras & Viewpoint Lighting in animation Same

More information

CGDD 4113 Final Review. Chapter 7: Maya Shading and Texturing

CGDD 4113 Final Review. Chapter 7: Maya Shading and Texturing CGDD 4113 Final Review Chapter 7: Maya Shading and Texturing Maya topics covered in this chapter include the following: Shader Types Shader Attributes Texturing the Axe Life, Love, Textures and Surfaces

More information

IBL/GI & GLASS. Getting Realistic Results By Yon Resch. The Three Types of GI lighting and Glass

IBL/GI & GLASS. Getting Realistic Results By Yon Resch. The Three Types of GI lighting and Glass IBL/GI & GLASS Getting Realistic Results By Yon Resch Glass and other transparent materials are some of the hardest materials to render realistically. This has mainly to do with the number of additional

More information

COMP371 COMPUTER GRAPHICS

COMP371 COMPUTER GRAPHICS COMP371 COMPUTER GRAPHICS SESSION 15 RAY TRACING 1 Announcements Programming Assignment 3 out today - overview @ end of the class Ray Tracing 2 Lecture Overview Review of last class Ray Tracing 3 Local

More information

Turn your movie file into the homework folder on the server called Lights, Camera, Action.

Turn your movie file into the homework folder on the server called Lights, Camera, Action. CS32 W11 Homework 3: Due MONDAY, APRIL 18 Now let s put the ball in a world of your making and have some fun. Create a simple AND WE MEAN SIMPLE environment for one of your ball bounces. You will assign

More information

Lighting & 3D Graphics. Images from 3D Creative Magazine

Lighting & 3D Graphics. Images from 3D Creative Magazine Lighting & 3D Graphics Images from 3D Creative Magazine Contents Introduction Definitions 3D Lighting Basics 3D Light Sources Lighting Controls & Effects Brightness & Colour Shadows Hotspot And Falloff

More information

: CASE STUDY: USING MAYA AND MENTAL RAY FOR PHOTOREALISTIC INTERIOR LIGHTING

: CASE STUDY: USING MAYA AND MENTAL RAY FOR PHOTOREALISTIC INTERIOR LIGHTING 2006-1795: CASE STUDY: USING MAYA AND MENTAL RAY FOR PHOTOREALISTIC INTERIOR LIGHTING Marty Fitzgerald, East Tennessee State University American Society for Engineering Education, 2006 Page 11.312.1 Case

More information

Topic 11: Texture Mapping 11/13/2017. Texture sources: Solid textures. Texture sources: Synthesized

Topic 11: Texture Mapping 11/13/2017. Texture sources: Solid textures. Texture sources: Synthesized Topic 11: Texture Mapping Motivation Sources of texture Texture coordinates Bump mapping, mip mapping & env mapping Texture sources: Photographs Texture sources: Procedural Texture sources: Solid textures

More information

Computer Graphics. Lecture 10. Global Illumination 1: Ray Tracing and Radiosity. Taku Komura 12/03/15

Computer Graphics. Lecture 10. Global Illumination 1: Ray Tracing and Radiosity. Taku Komura 12/03/15 Computer Graphics Lecture 10 Global Illumination 1: Ray Tracing and Radiosity Taku Komura 1 Rendering techniques Can be classified as Local Illumination techniques Global Illumination techniques Local

More information

Topic 11: Texture Mapping 10/21/2015. Photographs. Solid textures. Procedural

Topic 11: Texture Mapping 10/21/2015. Photographs. Solid textures. Procedural Topic 11: Texture Mapping Motivation Sources of texture Texture coordinates Bump mapping, mip mapping & env mapping Topic 11: Photographs Texture Mapping Motivation Sources of texture Texture coordinates

More information

SAMPLING AND NOISE. Increasing the number of samples per pixel gives an anti-aliased image which better represents the actual scene.

SAMPLING AND NOISE. Increasing the number of samples per pixel gives an anti-aliased image which better represents the actual scene. SAMPLING AND NOISE When generating an image, Mantra must determine a color value for each pixel by examining the scene behind the image plane. Mantra achieves this by sending out a number of rays from

More information

MITOCW MIT6_172_F10_lec18_300k-mp4

MITOCW MIT6_172_F10_lec18_300k-mp4 MITOCW MIT6_172_F10_lec18_300k-mp4 The following content is provided under a Creative Commons license. Your support will help MIT OpenCourseWare continue to offer high quality educational resources for

More information

Cast Shadows Maya 2013

Cast Shadows Maya 2013 2000-2012 Michael O'Rourke Cast Shadows Maya 2013 Concept Cast shadows are defined on a per-light basis, because shadow-casting computations can be time-consuming Cast shadows are off by default in Maya,

More information

Mia Round Corners Node

Mia Round Corners Node Mia Round Corners Node NAKHLE Georges - july 2007 This tutorial describes how to use the mental ray MIA Round Corners node. 1) Create a polygonal cube, and make sure that mental ray plug-in is loaded.

More information

I have a meeting with Peter Lee and Bob Cosgrove on Wednesday to discuss the future of the cluster. Computer Graphics

I have a meeting with Peter Lee and Bob Cosgrove on Wednesday to discuss the future of the cluster. Computer Graphics Announcements Assignment 4 will be out later today Problem Set 3 is due today or tomorrow by 9am in my mail box (4 th floor NSH) How are the machines working out? I have a meeting with Peter Lee and Bob

More information

Announcements. Written Assignment 2 out (due March 8) Computer Graphics

Announcements. Written Assignment 2 out (due March 8) Computer Graphics Announcements Written Assignment 2 out (due March 8) 1 Advanced Ray Tracing (Recursive) Ray Tracing Antialiasing Motion Blur Distribution Ray Tracing Ray Tracing and Radiosity Assumptions Simple shading

More information

Advanced Graphics. Path Tracing and Photon Mapping Part 2. Path Tracing and Photon Mapping

Advanced Graphics. Path Tracing and Photon Mapping Part 2. Path Tracing and Photon Mapping Advanced Graphics Path Tracing and Photon Mapping Part 2 Path Tracing and Photon Mapping Importance Sampling Combine importance sampling techniques Reflectance function (diffuse + specular) Light source

More information

Lighting. To do. Course Outline. This Lecture. Continue to work on ray programming assignment Start thinking about final project

Lighting. To do. Course Outline. This Lecture. Continue to work on ray programming assignment Start thinking about final project To do Continue to work on ray programming assignment Start thinking about final project Lighting Course Outline 3D Graphics Pipeline Modeling (Creating 3D Geometry) Mesh; modeling; sampling; Interaction

More information

A Brief Overview of. Global Illumination. Thomas Larsson, Afshin Ameri Mälardalen University

A Brief Overview of. Global Illumination. Thomas Larsson, Afshin Ameri Mälardalen University A Brief Overview of Global Illumination Thomas Larsson, Afshin Ameri Mälardalen University 1 What is Global illumination? Global illumination is a general name for realistic rendering algorithms Global

More information

Me Again! Peter Chapman. if it s important / time-sensitive

Me Again! Peter Chapman.  if it s important / time-sensitive Me Again! Peter Chapman P.Chapman1@bradford.ac.uk pchapman86@gmail.com if it s important / time-sensitive Issues? Working on something specific? Need some direction? Don t hesitate to get in touch http://peter-chapman.co.uk/teaching

More information

critical theory Computer Science

critical theory Computer Science Art/Science Shading, Materials, Collaboration Textures Example title Artists In the recommend real world, two the main following: factors determine the appearance of a surface: basic understanding what

More information

Part I The Basic Algorithm. Principles of Photon Mapping. A two-pass global illumination method Pass I Computing the photon map

Part I The Basic Algorithm. Principles of Photon Mapping. A two-pass global illumination method Pass I Computing the photon map Part I The Basic Algorithm 1 Principles of A two-pass global illumination method Pass I Computing the photon map A rough representation of the lighting in the scene Pass II rendering Regular (distributed)

More information

Advanced Rendering CHAPTER. Render Window. Learning Objectives. Image Pane

Advanced Rendering CHAPTER. Render Window. Learning Objectives. Image Pane CHAPTER Advanced Rendering Learning Objectives After completing this chapter, you will be able to: Make advanced rendering settings. Set the resolution for a rendering. Save a rendering to an image file.

More information

Rendering and Radiosity. Introduction to Design Media Lecture 4 John Lee

Rendering and Radiosity. Introduction to Design Media Lecture 4 John Lee Rendering and Radiosity Introduction to Design Media Lecture 4 John Lee Overview Rendering is the process that creates an image from a model How is it done? How has it been developed? What are the issues

More information

Global Illumination. COMP 575/770 Spring 2013

Global Illumination. COMP 575/770 Spring 2013 Global Illumination COMP 575/770 Spring 2013 Final Exam and Projects COMP 575 Final Exam Friday, May 3 4:00 pm COMP 770 (and 575 extra credit) Projects Final report due by end of day, May 1 Presentations:

More information

Consider a partially transparent object that is illuminated with two lights, one visible from each side of the object. Start with a ray from the eye

Consider a partially transparent object that is illuminated with two lights, one visible from each side of the object. Start with a ray from the eye Ray Tracing What was the rendering equation? Motivate & list the terms. Relate the rendering equation to forward ray tracing. Why is forward ray tracing not good for image formation? What is the difference

More information

Art? 2 Computer Graphics 2 The Stages of Production 4 The CG Production Workflow 8 Core Concepts 10 Basic Film Concepts 21 Summary 26

Art? 2 Computer Graphics 2 The Stages of Production 4 The CG Production Workflow 8 Core Concepts 10 Basic Film Concepts 21 Summary 26 Contents Introduction xvii Chapter 1 Introduction to Computer Graphics and 3D 1 Art? 2 Computer Graphics 2 The Stages of Production 4 The CG Production Workflow 8 Core Concepts 10 Basic Film Concepts 21

More information

Chapter 6- Lighting and Cameras

Chapter 6- Lighting and Cameras Lighting Types and Settings When you create a scene in Blender, you start with a few basic elements that will include a camera, but may or may not include a light. Remember that what the camera sees is

More information

Photoshop PSD Export. Basic Tab. Click here to expand Table of Contents... Basic Tab Additional Shading Tab Material Tab Motion Tab Geometry Tab

Photoshop PSD Export. Basic Tab. Click here to expand Table of Contents... Basic Tab Additional Shading Tab Material Tab Motion Tab Geometry Tab Photoshop PSD Export Click here to expand Table of Contents... Basic Tab Additional Shading Tab Material Tab Motion Tab Geometry Tab The Photoshop PSD Export image filter is an image saver masquerading

More information

Chapter 9- Ray-Tracing

Chapter 9- Ray-Tracing Ray-tracing is used to produce mirrored and reflective surfaces. It is also being used to create transparency and refraction (bending of images through transparent surfaceslike a magnifying glass or a

More information

CS5620 Intro to Computer Graphics

CS5620 Intro to Computer Graphics So Far wireframe hidden surfaces Next step 1 2 Light! Need to understand: How lighting works Types of lights Types of surfaces How shading works Shading algorithms What s Missing? Lighting vs. Shading

More information

Global Illumination. CSCI 420 Computer Graphics Lecture 18. BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Ch

Global Illumination. CSCI 420 Computer Graphics Lecture 18. BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Ch CSCI 420 Computer Graphics Lecture 18 Global Illumination Jernej Barbic University of Southern California BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Ch. 13.4-13.5] 1 Global Illumination

More information

Global Illumination. Global Illumination. Direct Illumination vs. Global Illumination. Indirect Illumination. Soft Shadows.

Global Illumination. Global Illumination. Direct Illumination vs. Global Illumination. Indirect Illumination. Soft Shadows. CSCI 480 Computer Graphics Lecture 18 Global Illumination BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Ch. 13.4-13.5] March 28, 2012 Jernej Barbic University of Southern California

More information

Final Project: Real-Time Global Illumination with Radiance Regression Functions

Final Project: Real-Time Global Illumination with Radiance Regression Functions Volume xx (200y), Number z, pp. 1 5 Final Project: Real-Time Global Illumination with Radiance Regression Functions Fu-Jun Luan Abstract This is a report for machine learning final project, which combines

More information

Photon Mapping. Due: 3/24/05, 11:59 PM

Photon Mapping. Due: 3/24/05, 11:59 PM CS224: Interactive Computer Graphics Photon Mapping Due: 3/24/05, 11:59 PM 1 Math Homework 20 Ray Tracing 20 Photon Emission 10 Russian Roulette 10 Caustics 15 Diffuse interreflection 15 Soft Shadows 10

More information

Global Illumination. Why Global Illumination. Pros/Cons and Applications. What s Global Illumination

Global Illumination. Why Global Illumination. Pros/Cons and Applications. What s Global Illumination Global Illumination Why Global Illumination Last lecture Basic rendering concepts Primitive-based rendering Today: Global illumination Ray Tracing, and Radiosity (Light-based rendering) What s Global Illumination

More information

So far, we have considered only local models of illumination; they only account for incident light coming directly from the light sources.

So far, we have considered only local models of illumination; they only account for incident light coming directly from the light sources. 11 11.1 Basics So far, we have considered only local models of illumination; they only account for incident light coming directly from the light sources. Global models include incident light that arrives

More information

Rendering Part I (Basics & Ray tracing) Lecture 25 December 1, 2015

Rendering Part I (Basics & Ray tracing) Lecture 25 December 1, 2015 Rendering Part I (Basics & Ray tracing) Lecture 25 December 1, 2015 What is rendering? Generating an image from a 3D scene model Ingredients Representation of 3D geometry Specification for camera & lights

More information

Global Illumination. Global Illumination. Direct Illumination vs. Global Illumination. Indirect Illumination. Soft Shadows.

Global Illumination. Global Illumination. Direct Illumination vs. Global Illumination. Indirect Illumination. Soft Shadows. CSCI 420 Computer Graphics Lecture 18 Global Illumination Jernej Barbic University of Southern California BRDFs Raytracing and Radiosity Subsurface Scattering Photon Mapping [Angel Ch. 11] 1 Global Illumination

More information

General mental ray questions

General mental ray questions HDRI For Artists Siggraph 2008 mental ray HDRI FAQ By Håkan Zap Andersson, mental images version 4.1: April 25, 2008 General mental ray questions What is/are the primary reasons I should use mental ray

More information

CS130 : Computer Graphics Lecture 8: Lighting and Shading. Tamar Shinar Computer Science & Engineering UC Riverside

CS130 : Computer Graphics Lecture 8: Lighting and Shading. Tamar Shinar Computer Science & Engineering UC Riverside CS130 : Computer Graphics Lecture 8: Lighting and Shading Tamar Shinar Computer Science & Engineering UC Riverside Why we need shading Suppose we build a model of a sphere using many polygons and color

More information

Today. Anti-aliasing Surface Parametrization Soft Shadows Global Illumination. Exercise 2. Path Tracing Radiosity

Today. Anti-aliasing Surface Parametrization Soft Shadows Global Illumination. Exercise 2. Path Tracing Radiosity Today Anti-aliasing Surface Parametrization Soft Shadows Global Illumination Path Tracing Radiosity Exercise 2 Sampling Ray Casting is a form of discrete sampling. Rendered Image: Sampling of the ground

More information

Advanced Distant Light for DAZ Studio

Advanced Distant Light for DAZ Studio Contents Advanced Distant Light for DAZ Studio Introduction Important Concepts Quick Start Quick Tips Parameter Settings Light Group Shadow Group Lighting Control Group Known Issues Introduction The Advanced

More information

Computer graphics Labs: Blender (2/3) LuxRender: Interior Scene Rendering

Computer graphics Labs: Blender (2/3) LuxRender: Interior Scene Rendering Computer graphics Labs: Blender (2/3) LuxRender: Interior Scene Rendering University of Liège Department of Aerospace and Mechanical engineering Designed with Blender 2.76b LuxRender During the first tutorial

More information

Chapter 12- NURBS & Meta Shape Basics

Chapter 12- NURBS & Meta Shape Basics Chapter 12- NURBS & Meta Shape Basics When you press Shift-A for Add, you will notice other object types beside meshes, cameras and lights that can be created. Two types of objects that can be created

More information

AWE Surface 1.0 Documentation

AWE Surface 1.0 Documentation AWE Surface 1.0 Documentation AWE Surface is a new, robust, highly optimized, physically plausible shader for DAZ Studio and 3Delight employing physically based rendering (PBR) metalness / roughness workflow.

More information

Indirect Illumination

Indirect Illumination Indirect Illumination Michael Kazhdan (601.457/657) HB Ch. 14.1, 14.2 FvDFH 16.1, 16.2 Surface Illumination Calculation Multiple light source: 2 Viewer N 1 V I = I E + K A I A + K D N, + K S V, R n I Overview

More information

COM337 COMPUTER GRAPHICS Other Topics

COM337 COMPUTER GRAPHICS Other Topics COM337 COMPUTER GRAPHICS Other Topics Animation, Surface Details, Global Illumination Kurtuluş Küllü based on the book by Hearn, Baker, and Carithers There are some other important issues and topics that

More information

4) Finish the spline here. To complete the spline, double click the last point or select the spline tool again.

4) Finish the spline here. To complete the spline, double click the last point or select the spline tool again. 1) Select the line tool 3) Move the cursor along the X direction (be careful to stay on the X axis alignment so that the line is perpendicular) and click for the second point of the line. Type 0.5 for

More information

CS 325 Computer Graphics

CS 325 Computer Graphics CS 325 Computer Graphics 04 / 02 / 2012 Instructor: Michael Eckmann Today s Topics Questions? Comments? Illumination modelling Ambient, Diffuse, Specular Reflection Surface Rendering / Shading models Flat

More information

Indirect Illumination

Indirect Illumination Indirect Illumination Michael Kazhdan (601.457/657) HB Ch. 14.1, 14.2 FvDFH 16.1, 16.2 Announcements Midterm on October 17 th Office hours: Misha: Monday 2-3 Malone 229 Sing Chun: Friday 9-10 Malone 216

More information

Photorealism: Ray Tracing

Photorealism: Ray Tracing Photorealism: Ray Tracing Reading Assignment: Chapter 13 Local vs. Global Illumination Local Illumination depends on local object and light sources only Global Illumination at a point can depend on any

More information

- SHASHANK ASHWIN SEM VI

- SHASHANK ASHWIN SEM VI - SHASHANK ASHWIN SEM VI 082503034 PROJECT OBJECTIVE OF THE PROJECT COMPARATIVE STUDY OF RENDER ENGINES FOR USE IN SIMULATING VARIOUS LIGHTING CONDITIONS Standard of reference - mental ray MAJOR RENDER

More information

rendering equation camera all

rendering equation camera all 1 Even the most recent existing methods are either not good at or not capable of handling complex illumination, such as reflected caustics on the floor. In this work we will show how to combine the strengths

More information

AECOsim Building Designer Quick Start Guide

AECOsim Building Designer Quick Start Guide AECOsim Building Designer Quick Start Guide Chapter A17 Rendering 2012 Bentley Systems, Incorporated www.bentley.com/aecosim Table of Contents Rendering...3 The Camera... 3 Materials... 5 Material Palettes...

More information

03. 3ds Max Design & Mental Ray

03. 3ds Max Design & Mental Ray Design + Computing 03. 3ds Max Design & Mental Ray 9/23/2015 CAD & Graphics II HOM2027 Fall 2014 Every Wednesday 2:00 pm 5:50 pm Jin Kook Lee, PhD. 02-2220-2645 designit@hanyang.ac.kr Assistant Professor,

More information

V-RAY MATERIAL SETTINGS

V-RAY MATERIAL SETTINGS V-RAY MATERIAL SETTINGS author: Wouter Wynen brought to you by: 2006 VisMasters. All rights reserved. VisMasters and the VisMasters logo are trademarks of ArchVision, Inc. All other trademarks belong to

More information

RND102 - Intro to Path Tracing & RIS in RenderMan

RND102 - Intro to Path Tracing & RIS in RenderMan RND102 - Intro to Path Tracing & RIS in RenderMan Why this course? With a new version of RenderMan (19) comes an additional completely different rendering architecture: path tracing (uni & bi-directional)

More information

03 RENDERING PART TWO

03 RENDERING PART TWO 03 RENDERING PART TWO WHAT WE HAVE SO FAR: GEOMETRY AFTER TRANSFORMATION AND SOME BASIC CLIPPING / CULLING TEXTURES AND MAPPING MATERIAL VISUALLY DISTINGUISHES 2 OBJECTS WITH IDENTICAL GEOMETRY FOR NOW,

More information

Practical Techniques for Ray Tracing in Games. Gareth Morgan (Imagination Technologies) Aras Pranckevičius (Unity Technologies) March, 2014

Practical Techniques for Ray Tracing in Games. Gareth Morgan (Imagination Technologies) Aras Pranckevičius (Unity Technologies) March, 2014 Practical Techniques for Ray Tracing in Games Gareth Morgan (Imagination Technologies) Aras Pranckevičius (Unity Technologies) March, 2014 What Ray Tracing is not! Myth: Ray Tracing is only for photorealistic

More information

Reflection and Shading

Reflection and Shading Reflection and Shading R. J. Renka Department of Computer Science & Engineering University of North Texas 10/19/2015 Light Sources Realistic rendering requires that we model the interaction between light

More information

Texture Mapping. Images from 3D Creative Magazine

Texture Mapping. Images from 3D Creative Magazine Texture Mapping Images from 3D Creative Magazine Contents Introduction Definitions Light And Colour Surface Attributes Surface Attributes: Colour Surface Attributes: Shininess Surface Attributes: Specularity

More information

Lighting and Shading. Slides: Tamar Shinar, Victor Zordon

Lighting and Shading. Slides: Tamar Shinar, Victor Zordon Lighting and Shading Slides: Tamar Shinar, Victor Zordon Why we need shading Suppose we build a model of a sphere using many polygons and color each the same color. We get something like But we want 2

More information

Chapter 4- Blender Render Engines

Chapter 4- Blender Render Engines Chapter 4- Render Engines What is a Render Engine? As you make your 3D models in, your goal will probably be to generate (render) an image or a movie as a final result. The software that determines how

More information

Global Rendering. Ingela Nyström 1. Effects needed for realism. The Rendering Equation. Local vs global rendering. Light-material interaction

Global Rendering. Ingela Nyström 1. Effects needed for realism. The Rendering Equation. Local vs global rendering. Light-material interaction Effects needed for realism Global Rendering Computer Graphics 1, Fall 2005 Lecture 7 4th ed.: Ch 6.10, 12.1-12.5 Shadows Reflections (Mirrors) Transparency Interreflections Detail (Textures etc.) Complex

More information

Illumination. Michael Kazhdan ( /657) HB Ch. 14.1, 14.2 FvDFH 16.1, 16.2

Illumination. Michael Kazhdan ( /657) HB Ch. 14.1, 14.2 FvDFH 16.1, 16.2 Illumination Michael Kazhdan (601.457/657) HB Ch. 14.1, 14.2 FvDFH 16.1, 16.2 Ray Casting Image RayCast(Camera camera, Scene scene, int width, int height) { Image image = new Image(width, height); for

More information

CGS 3034 Lecture 2 Ball Bounce

CGS 3034 Lecture 2 Ball Bounce CGS 3034 Lecture 2 Ball Bounce Introduction to Computer Aided Animation Instructor: Brent Rossen Ball Bounce Example 1 Setup a new project: BallBounce Use Default placement settings Exports to Image folder

More information

Using mental ray for Exterior Renderings

Using mental ray for Exterior Renderings 12/1/2005-8:00 am - 11:30 am Room:N. Hemispheres (Salon A4) (Dolphin) Walt Disney World Swan and Dolphin Resort Orlando, Florida Using mental ray for Exterior Renderings Mark Couture - Intellicon Solutions,

More information

Photon Mapping. Michael Doggett Department of Computer Science Lund university

Photon Mapping. Michael Doggett Department of Computer Science Lund university Photon Mapping Michael Doggett Department of Computer Science Lund university Outline Photon Mapping (ch. 14 in textbook) Progressive Stochastic 2011 Michael Doggett How to make light sampling faster?

More information

Corona Sky Corona Sun Corona Light Create Camera About

Corona Sky Corona Sun Corona Light Create Camera About Plugin menu Corona Sky creates Sky object with attached Corona Sky tag Corona Sun creates Corona Sun object Corona Light creates Corona Light object Create Camera creates Camera with attached Corona Camera

More information

Realistic Lighting in Autodesk Maya with Mental Ray Area Light

Realistic Lighting in Autodesk Maya with Mental Ray Area Light Beteckning: Faculty of Engineering and Sustainable Development Realistic Lighting in Autodesk Maya with Mental Ray Area Light Nichlas Larsson June 2012 Bachelor Thesis, 15 hp, C Computer Science Creative

More information

Lighting Models. CS116B Chris Pollett Mar 21, 2004.

Lighting Models. CS116B Chris Pollett Mar 21, 2004. Lighting Models CS116B Chris Pollett Mar 21, 2004. Outline Overview Light Sources Surface Lighting Effect Basic Illumination Models Overview An illumination model (lighting model) is used to calculate

More information

Rendering: Reality. Eye acts as pinhole camera. Photons from light hit objects

Rendering: Reality. Eye acts as pinhole camera. Photons from light hit objects Basic Ray Tracing Rendering: Reality Eye acts as pinhole camera Photons from light hit objects Rendering: Reality Eye acts as pinhole camera Photons from light hit objects Rendering: Reality Eye acts as

More information

Ray Tracing. CS334 Fall Daniel G. Aliaga Department of Computer Science Purdue University

Ray Tracing. CS334 Fall Daniel G. Aliaga Department of Computer Science Purdue University Ray Tracing CS334 Fall 2013 Daniel G. Aliaga Department of Computer Science Purdue University Ray Casting and Ray Tracing Ray Casting Arthur Appel, started around 1968 Ray Tracing Turner Whitted, started

More information

Image Synthesis. Global Illumination. Why Global Illumination? Achieve more photorealistic images

Image Synthesis. Global Illumination. Why Global Illumination? Achieve more photorealistic images Part I - Photorealism 1 Why? Achieve more photorealistic images All images are from MentalRay s website 2 Computer Science Dept. Technion Page 1 3 4 Computer Science Dept. Technion Page 2 5 From Alexander

More information

The V-Ray installer will automatically remove any previous installations. This will allow you to seamlessly upgrade from previous versions.

The V-Ray installer will automatically remove any previous installations. This will allow you to seamlessly upgrade from previous versions. Overview This guide is to serve as a reference for installing V-Ray for 3ds Max and 3ds Max Design. Please refer to the Glossary page for specific terms used in this document. If you experience any problems,

More information

Global Illumination CS334. Daniel G. Aliaga Department of Computer Science Purdue University

Global Illumination CS334. Daniel G. Aliaga Department of Computer Science Purdue University Global Illumination CS334 Daniel G. Aliaga Department of Computer Science Purdue University Recall: Lighting and Shading Light sources Point light Models an omnidirectional light source (e.g., a bulb)

More information

Rendering with mental ray and 3ds Max

Rendering with mental ray and 3ds Max Rendering with mental ray and 3ds Max Rendering with mental ray and 3ds Max Second Edition Joep van der Steen Ted Boardman AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO

More information

Glass Gambit: Chess set and shader presets for DAZ Studio

Glass Gambit: Chess set and shader presets for DAZ Studio Glass Gambit: Chess set and shader presets for DAZ Studio This product includes a beautiful glass chess set, 70 faceted glass shader presets and a 360 degree prop with 5 material files. Some people find

More information

REU Modeling Course Day 1 pt2 AutoDesk Maya - More Modeling

REU Modeling Course Day 1 pt2 AutoDesk Maya - More Modeling REU Modeling Course Day 1 pt2 AutoDesk Maya - More Modeling Maggie Iglesias Pena iglesias@iastate.edu Workshop Workflow Let s Review last session Creating & Applying Materials Rendering Today s mini goal

More information