in a digital context Copenhagen February 28th, 2017

Size: px
Start display at page:

Download "in a digital context Copenhagen February 28th, 2017"

Transcription

1 Typography in a digital context Copenhagen February 28th, 2017

2 HI!

3 e Types creates meaningful and attractive brands based on strong ideas and strategy

4

5 Værnedamsvej 6, 1619 København V

6

7

8

9

10

11

12

13

14 What defines good typography?

15 Cutwater

16 Typed in Nouvel

17 Typed in El Nacional

18 FAUX Typed in Faux Orient

19 FAUX Typed in Faux Occident

20 Typed in Noir Text

21 Typed in Nationale

22 Typed in Tiny Hands by Mark Davis

23 Typed in Q Stencil

24 Typed in Codan Sans and Codan Typewriter

25 Typed in Berlingske Serif Text

26

27

28 Novozymes Thin Novozymes Regular ?&% Novozymes Italic Novozymes Bold Typed in Novozymes

29 TITEL

30 Why is type important?

31

32

33 Print Digital A strong relation to the production team Device OS Browser User settings Content editor Bandwidth CMS

34 Type unifies!

35 Circular Laurenz Brunner, Lineto

36 PayPal Sans Big & Small Kris Sowersby, Klim Foundry

37 Zetta Sans & Serif by Jonas Hecksher, Playtype

38 Print Digital Logo Format Paper Colors Fonts Grid Images/video Logo Format Papirkvalitet Colors Fonts Grid Images/video

39 Fi2% CASE New corporate typeface Fidelity Investments PLEASE NOTE: THIS CASE CAN NOT BE SHARED IN THIS PDF DUE TO LEGAL TERMS GO TO DESIGN.FIDELITY.COM FOR CASE STUDY

40 Tupografi CASE New typeface for Tuborg created in partnership with Tobias Røder and Wibroe, Duckert & Partners

41 Cutwater

42 z z z z Old: Handset caps and Cheltenham Tuborg Serif

43 Tuborg Serif Family Tuborg Serif Regular Tuborg Serif Bold Tuborg Serif Extrabold

44 DER ER EN NY SERIF I BYEN

45 Hvad drikker Møller?

46 TUBORG...selvfølgelig

47 Tuborg er brygget på vand, gær, humle...og humor

48 ABCDEF GHIJKØLM NOPTRSQ UWXYZ

49 abcde fghijkølm nopqrstu wxyz

50 & #?! /,;:.) >+<=

51 UPPERCASES LOWERCASES STANDARD PUNCTUATION UPPERCASE PUNCTUATION STANDARD MATH SYMBOLS UPPERCASE MATH SYMBOLS SYMBOLS DEFAULT LINING FIGURES & CURRENCIES PROPORTIONAL LINING FIGURES & CURRENCIES TABULAR LINING FIGURES & CURRENCIES PROPORTIONAL OLDSTYLE FIGURES & CURRENCIES TABULAR OLDSTYLE FIGURES & CURRENCIES SUPERSCRIPTS & SUBSCRIPTS NUMERATORS & DENOMINATORS PREBUILT FRACTIONS ACCENTS ACCENTED UPPERCASES ACCENTED LOWERCASES LIGATURES DISCRETIONARY LIGATURES ALTERNATIVES ALPHANUMERICAL SUPERIORS DINGBATS CIRCLED FIGURES ABCDEFGHIJKLMNOPQRSTUVWWXYZÆŒÐÞẞIJ abcdefghijklmnopqrstuvwxyzæœðþßijſ?!"&'([{ }])*- ([{ }])- :@ +<=>~ ± +<=>~ ± $ $ $ $ $ ⁰¹²³⁴⁵⁶⁷⁸⁹ ₀₁₂₃₄₅₆₇₈₉ ½⅓¼ ⅛ ⅔ ¾ ⅜ ⅝ ⅞ ^` ʼˆˇ ˇ ÀÁÂÃÄÅĀĂĄÇĆĈĊČĎĐÈÉÊËĒĔĖĘĚĜĞĠĢĤĦÌÍÎÏĨĪĬĮİĴĶĸĹĻĽĿŁÑŃŅŇʼnŊ ÒÓÔÕÖØŌŎŐŔŖŘŚŜŞŠȘȚŢŤŦÙÚÛÜŨŪŬŮŰŲŴẀẂẄÝŶŸỲŹŻŽ àáâãäåāăąçćĉċčďđèéêëēĕėęěĝğġģĥħìíîïĩīĭįiĵķĸĺļľŀłñńņňʼnŋ òóôõöøōŏőŕŗřśŝşšșțţťŧùúûüũūŭůűųŵẁẃẅýÿŷỳźżž fi fl ff fb fh fj fk ft ffi ffl ffb ffh ffj ffk fft,-.- Th fm fn fr fu fv fw fy gj kv kw ky tv tw ty ij abcdefghijklmnopqrstuvwxyz ⓿❶❷❸❹❺❻❼❽❾❿

52 Communication on multiple channels!

53

54 Hafnia Sans REGULAR BOLD BLACK

55 WILLIAM KVIST No. 6

56 abcdefghijklmnopqrstuvxyzåøæ ABCDEFGHIJKLMNOPQRSTUVXYZÅØÆ

57 abcdefghijklmnopqrstuvxyzåøæ ABCDEFGHIJKLMNOPQRSTUVXYZÅØÆ

58 abcdefghijklmnopqrstuvxyzåøæ ABCDEFGHIJKLMNOPQRSTUVXYZÅØÆ

59

60 VI ER FCK

61 Hovedstaden De danske mestre VI ER F.C. KØBENHAVN

62 NEDRE C

63

64 F.C. KØBENHAVN STARTOPSTILLING 10 SEP 2016 TELIA PARKEN 31 OLSEN 22 ANKERSEN 25 ZANKA 5 JOHANSSON 3 AUGUSTINSSON 7 VERBICČ 6 KVIST 8 DELANEY (C) 24 TOUTOUH 23 PAVLOVICČ 11 CORNELIUS 1 Andersen, 2 Høgli, 15 Antonsson, 19 Santander, 16 Gregus, 32 Amankwaa, 33 Falk

65 92

66

67

68

69

70

71 New (old) possibilities!

72 realdania.dk 2007

73 Typed in Italian Plate No2 Expanded realdania.dk 2017

74 Typed in Italian Plate No6 & No7

75 Typed in Italian Plate No1

76

77 Choose your type!

78 System default or free font Licensed fonts Bespoke fonts Times New Roman Arial Verdana Open Sans Play Berlingske Serif Nationale Italian Plate No1 Q La Fontaine Fidelity Sans Tuborg Serif Novozymes DI Sans Albatros

79 Choose fonts with options: Multiple weights, styles and related families Berlingske Light & Italic Berlingske Regular & Italic Berlingske Medium & Italic Berlingske Demibold & Italic Berlingske Bold & Italic Berlingske Extrabold & Italic Berlingske Black & Italic Berlingske Light & Italic Berlingske Regular & Italic Berlingske Medium & Italic Berlingske Demibold & Italic Berlingske Bold & Italic Berlingske Extrabold & Italic Berlingske Black & Italic Berlingske Condensed Light & Italic Berlingske Condensed Regular & Italic Berlingske Condensed Medium & Italic Berlingske Condensed Demibold & Italic Berlingske Condensed Bold & Italic Berlingske Condensed Extrabold & Italic Berlingske Condensed Black & Italic and many more

80

81 72 pt 48 pt 24 pt 18 pt 14 pt 12 pt 10 pt 8 pt 6 pt 5 pt 4 pt

82 SF Display SF Text

83 SF Text vs. SF Display

84 SF Family

85

86

Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil

Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil Atlas Font Foundry Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil abcdefghijklmnopqrstuvwxyzßfbfifjfl 1234567890# $ àáâãäåāăąǻ ABCDEFGHIJKLMNOPQRSTUVWYZ& 1234567890@.,:;!?)]} * Heimat

More information

Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil

Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil Atlas Font Foundry Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil abcdefghijklmnopqrstuvwxyzßfbfifkflft 1234567890#$ àáâãäåāăąǻ ABCDEFGHIJKLMNOPQRSTUVWYZ& 1234567890@.,:;!?)]} * Heimat

More information

Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil

Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil Atlas Font Foundry Heimat Didone Heimat Display Heimat Sans Heimat Mono Heimat Stencil abcdefghijklmnopqrstuvwxyzßfbfifjfl 1234567890# $ àáâãäåāăąǻ ABCDEFGHIJKLMNOPQRSTUVWYZ& 1234567890@.,:;!?)]} * Heimat

More information

MANTIKA. SANS & INFORMAL A successful melding of diverse typographic styles. humanistic undertones

MANTIKA. SANS & INFORMAL A successful melding of diverse typographic styles. humanistic undertones MANTIKA SANS & INFORMAL A successful melding of diverse typographic styles. SANS a a a a INFORMAL a a humanistic undertones READER-FRIENDLY Character shapes are clear and easy to read DIFFICULT TO CATEGORIZE

More information

Organon Sans. a type specimen. 1

Organon Sans. a type specimen. 1 a type specimen info@g-type.com 1 Introduction Light 11/13 pt Bold Caps & Small Caps 75/65 pt The six weight typeface is a stylish, legible and feature-laden OpenType family which complements its sister,

More information

Houschka Pro a type specimen. 1

Houschka Pro a type specimen. 1 a type specimen info@g-type.com 1 Introduction wasted affection Light 11/13 pt Thin & Italic 38/44 pt Houschka was named after a confectioner s shop in Salzburg which had a wonderful 1930 s frontage and

More information

The Future of Web Typography. Richard Rutter

The Future of Web Typography. Richard Rutter The Future of Web Typography Richard Rutter ÿ Ultra light Light Regular Bold Black Ultra black Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Ultra light Light Regular Bold Black Ultra

More information

The Future of Web Typography. Richard Rutter

The Future of Web Typography. Richard Rutter The Future of Web Typography Richard Rutter ÿ Ultra light Light Regular Bold Black Ultra black Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Ultra light Light Regular Bold Black Ultra

More information

Houschka Rounded Alt a type specimen. 1

Houschka Rounded Alt a type specimen. 1 a type specimen info@g-type.com 1 Introduction Houschka Rounded Alt Light 11/13 pt Houschka Rounded Alt ExtraBold & Italic 32/38 pt is identical to the original Houschka Rounded family with the exception

More information

Houschka Rounded. a type specimen. 1

Houschka Rounded. a type specimen. 1 a type specimen info@g-type.com 1 Introduction wanton destruction Light 11/13 pt ExtraBold & Italic 38/44 pt Houschka was named after a defunct confectioner s shop in Salzburg, Austria, which had a wonderful

More information

Square of jaw and strong of limb

Square of jaw and strong of limb Square of jaw and strong of limb Burlingame Extra Bold 1 Burlingame Burlingame Burlingame is a multi-purpose font family that started out as a single typeface with a more specialist purpose. There s a

More information

Version /10/2015. Type specimen. Bw STRETCH

Version /10/2015. Type specimen. Bw STRETCH Version 1.00 08/10/2015 Bw STRETCH type specimen 2 Description Bw Stretch is a compressed grotesque designed by Alberto Romanos, suited for display but also body text purposes. It started in 2013 as a

More information

The Future of Web Typography. Richard Rutter

The Future of Web Typography. Richard Rutter The Future of Web Typography Richard Rutter apple.com ÿ Ultra light Light Regular Bold Black Ultra black Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Museo Slab Ultra light Light Regular Bold

More information

REFORMA. Instructions for use

REFORMA. Instructions for use REFORMA Instructions for use Conditions for the use of Reforma Reforma family styles The Reforma typeface family can be freely downloaded and used by any person, in private or professional capacity, under

More information

Chevin Pro. a type specimen. 1

Chevin Pro. a type specimen. 1 a type specimen info@g-type.com 1 Introduction Light 11/13 pt Chevin is a modern, rounded type family in 6 weights which was designed with functionality and legibility in mind. With its open counters and

More information

Alphabet. elemental visual signs 26 characters frozen sounds

Alphabet. elemental visual signs 26 characters frozen sounds Alphabet elemental visual signs 26 characters frozen sounds Evolution Handwriting > minimum number of strokes Engraving > lowercase > minimum number of curved lines > capitals Letterforms Appearance of

More information

Regular & Italic SemiBold & Italic. Thin & Italic Light & Italic Regular & Italic Medium & Italic Bold & Italic ExtraBold & Italic Poster & Italic

Regular & Italic SemiBold & Italic. Thin & Italic Light & Italic Regular & Italic Medium & Italic Bold & Italic ExtraBold & Italic Poster & Italic Ø Display Thin & Italic Light & Italic Regular & Italic Medium & Italic Bold & Italic ExtraBold & Italic Poster & Italic Text Regular & Italic SemiBold & Italic Bold & Italic 1 Author Rejuvenating the

More information

The Future of Web Typography

The Future of Web Typography The Future of Web Typography Richard Rutter I m co-founder of Clearleft, a user experience consultancy in Brighton. I m an user experience designer by day and a web typography evangelist by night. ÿ Typography

More information

TYPOGRAPHY. ascender arm (as on the capital T) descender bar (as on the capital H) counter ear (as on the lower case g and r)

TYPOGRAPHY. ascender arm (as on the capital T) descender bar (as on the capital H) counter ear (as on the lower case g and r) TYPOGRAPHY Parts of letters: base line x-height ascender arm (as on the capital T) descender bar (as on the capital H) extenders bowl counter ear (as on the lower case g and r) serif stroke tail (as on

More information

Exclusive Pro version Parisine Office Pro version is available from 55 one weight/ one user.

Exclusive Pro version Parisine Office Pro version is available from 55 one weight/ one user. PRO STD Regular Italic Bold Italic Bold available on this format not available on this format Parisine Office aa Parisine Office Regular Parisine Office Italic Parisine Office Bold Parisine Office Bold

More information

section four typography contents introduction...44 helvetica neue...45 bodoni...46 examples of type usage...47 body text examples...

section four typography contents introduction...44 helvetica neue...45 bodoni...46 examples of type usage...47 body text examples... section four typography 43 contents introduction...44 helvetica neue...45 bodoni...46 examples of type usage...47 body text examples...48 introduction Consistent application of type fonts and styles allows

More information

Jaroslav. Jaroslav Introduction 1/6. Definition. Basic info. OpenType Features

Jaroslav. Jaroslav Introduction 1/6. Definition. Basic info. OpenType Features Jaroslav Introduction 1/6 Jaroslav Definition Jaroslav is a typeface that breaks down typical assumptions on the construction of a monolinear grotesque, but still maintains excellent readability and the

More information

BRAND ASSETS AND GUIDELINES

BRAND ASSETS AND GUIDELINES BRAND ASSETS AND GUIDELINES PAS Brand Guidelines 2 The PAS Brand The PAS visual style uses a bold, energetic aesthetic. The focus is on personality and good vibes allowing for a deeper connection with

More information

font influenced by the industrial designer s. P Pure mechanical shapes are to give the characters the ri These subtle human to

font influenced by the industrial designer s. P Pure mechanical shapes are to give the characters the ri These subtle human to LOEW 3 11 Light Loew is a geometric based sans serif influenced by the early industrial designer s. 14 Medium 18 XBold Loew is a geometric ba font influenced by the industrial designer s. P mechanical

More information

VOICE OF TYPE LECTURE 1

VOICE OF TYPE LECTURE 1 VOICE OF TYPE LECTURE 1 TYPOGRAPHY II COUNTY COLLEGE OF MORRIS PROFESSOR GAYLE REMBOLD FURBERT VOICE OF TYPE As you look at typefaces, analyze their forms, learn their history and learn how to use them

More information

Typefaces are character sets based on distinct design characteristics.

Typefaces are character sets based on distinct design characteristics. Level 3 WGHS VISUAL ARTS 2011 ART DESIGN Typography An Introduction to Type Type Design Since the first recordings of letterforms the concept of the typographic form has evolved into a seemingly endless

More information

INTRODUCING THE Transition family

INTRODUCING THE Transition family INTRODUCING THE Transition family A TYPFACE DESIGNED BY JAN ERASMUS CIRCA 2006 INFORMATION GUIDE RELEASED AND DISTRIBUTED BY: Cybergraphics.bz ALSO DISTRIBUTED BY: Fonts.com Linotype.com ITC.com Transition

More information

IDENTITY & STYLE GUIDE. Keller Williams Identity & Style Guide 04.18

IDENTITY & STYLE GUIDE. Keller Williams Identity & Style Guide 04.18 IDENTITY & STYLE GUIDE THE PURPOSE OF THIS GUIDE Keller Williams believes that real estate is a local business, driven by individual agents and the market share they ve earned. This conviction is at the

More information

REFRIGERATOR DELUXE. MICKEY SNAGS Earth Rockets Square Set. MICKEY SNAGS Earth Rockets Square Deco Set. MICKEY SNAGS Earth Rockets Open Set

REFRIGERATOR DELUXE. MICKEY SNAGS Earth Rockets Square Set. MICKEY SNAGS Earth Rockets Square Deco Set. MICKEY SNAGS Earth Rockets Open Set The Story of REFRIGERATOR DELUXE alternate characters AACCEEGGGKK MMNNRRSSS aaacceejjkk rrsssttuuww 1122233 stylistic sets Normal: MICKEY SNAGS Earth Rockets Square Set MICKEY SNAGS Earth Rockets Square

More information

Typography Main typography EC Square Sans Pro

Typography Main typography EC Square Sans Pro 1.4 Typography 33 Main typography EC Square Sans Pro EC Square Sans Pro is the mandatory font for the Commission s logo, images incorporating texts and for professional publications. Three main weights

More information

Brand Standards 2014

Brand Standards 2014 Logo The logomark consists of the Texas state seal and the logotype. There is a vertical and horizontal version both utilize a two-color palette and a black and white palette. The horizontal format is

More information

suas das maior do o simples soma é que todo a partes

suas das maior do o simples soma é que todo a partes suas das maior do o simples soma é que todo a partes Aquino Aquino is a display calligraphic stencil typeface inspired by a liturgic book made by portuguese friar Tomás Aquino in 1735 Collectaneum Sacri

More information

Elements of typographic design

Elements of typographic design Type Terminology Serif fonts Sans serif fonts Elements of typographic design Times News Roman Ariel Verdana Calligrapher 24 pt 20 pt 14 pt 10 pt Univers 45 Light Univers 45 condensed light Univers 55 Univers

More information

Font classification review

Font classification review Font classification review Taken from Lettering & Type by Bruce Willen Nolen Strals Old Style Transitional Modern Slab Serif Garamond ag Baskerville ag Bodoni ag Cowboys ab Sans Serif Gill Sans ag Decorative

More information

MODULE CM 2004 / STAGE 2 / SEMESTER 2 / SESSION Module title Design Principles and Context

MODULE CM 2004 / STAGE 2 / SEMESTER 2 / SESSION Module title Design Principles and Context MODULE CM 2004 / STAGE 2 / SEMESTER 2 / SESSION 06-07 Module title Design Principles and Context Typography Fonts are classified under the following headings. Old Face fonts make use of contrasting wide

More information

Logo. Primary. Secondary

Logo. Primary. Secondary Logo The logomark consists of the Texas state seal and the logotype. There is a vertical and horizontal version both utilize a two-color palette and a black and white palette. The horizontal format is

More information

Passion for fonts. Passion for fonts. Passion for fonts. Passion for fonts.

Passion for fonts. Passion for fonts. Passion for fonts. Passion for fonts. www.durotype.com Overview Font Family Seconda XtraSoft Fonts Seconda XtraSoft Thin Seconda XtraSoft Thin Italic Seconda XtraSoft Light Seconda XtraSoft Light Italic Seconda XtraSoft Regular Seconda XtraSoft

More information

Type specimen. Bw Vivant

Type specimen. Bw Vivant Bw Vivant type specimen 2 Description Designed by Moritz Kleinsorge & Alberto Romanos, Bw Vivant is a glamorous sans serif font family. It marries the visual appeal of deeply modulated serif typefaces

More information

REMORA. a type specimen. 1

REMORA. a type specimen. 1 REMORA a type specimen info@g-type.com 1 a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a a ffy REMORA SANS REMORA CORP Remora is an extensive new humanist sans serif available in two

More information

Letters from Sweden. Type Specimen. Ivar Nostalgi. Designed by Göran Söderström

Letters from Sweden. Type Specimen. Ivar Nostalgi. Designed by Göran Söderström Type Specimen Letters from Sweden Ivar Nostalgi Designed by Göran Söderström Published April 2018 Introduction The advent of phototypesetting in the 1950s liberated type design. As soon as letters stopped

More information

User-Centered Website Development: A Human- Computer Interaction Approach

User-Centered Website Development: A Human- Computer Interaction Approach User-Centered Website Development: A Human- Computer Interaction Approach Daniel D. McCracken City College of New York Rosalee J. Wolfe DePaul University With a foreword by: Jared M. Spool, Founding Principal,

More information

understanding typography

understanding typography understanding typography What is typography?! it is what language looks like! it is the art and technique of modifying type and arranging it on a page What does the arrangement of type mean? the arrangement

More information

The Future of Web Typography. Richard Rutter

The Future of Web Typography. Richard Rutter The Future of Web Typography Richard Rutter ÿ opening double quote closing double quote opening single quote closing single quote en dash em dash minus multiplication ellipsis Aboard Minerva off the Coast

More information

! " # $ % & ' ( ) * +, -. / : ; < =

!  # $ % & ' ( ) * +, -. / : ; < = ! " # $ % & ' ( ) 32 33 34 35 36 37 38 39 40 41 * +, -. / 0 1 2 3 42 43 44 45 46 47 48 49 50 51 4 5 6 7 8 9 : ; < = 52 53 54 55 56 57 58 59 60 61 >? @ A B C D E F G 62 63 64 65 66 67 68 69 70 71 H I J

More information

By Michael Parson Banja

By Michael Parson Banja Banja Page 4 Page 5 By Michael Parson Banja typeface The story for the Banja typeface started through a contest call for script style typeface. With a specific set of constraints, the goal was to design

More information

Font, Typeface, Typeface Family. Selected Typographical Variables

Font, Typeface, Typeface Family. Selected Typographical Variables Font, Typeface, Typeface Family Font: A font is a set of printable or displayable text character in a specific style, weight, and size. E.g. Helvetica Italic 10 Point. Typeface: The type design for a set

More information

BRAND BURNER DESIGN AND CONTROL GUIDELINES

BRAND BURNER DESIGN AND CONTROL GUIDELINES BRAND BURNER DESIGN AND CONTROL GUIDELINES prepared by gobrandgo! Oct. 2016 version 1.0 CONTENTS LOGO IDENTITY All Allowed Logo Versions BRAND COLORS Primary & Secondary Color Variations 03 05 BRAND TYPE

More information

Branding Guide ST. MARK CATHOLIC SCHOOL LOGOS, COLORS AND TYPOGRAPHY FOR MARKETING COMMUNICATIONS AND SPORTS TEAMS WHERE FAITH AND KNOWLEDGE MEET

Branding Guide ST. MARK CATHOLIC SCHOOL LOGOS, COLORS AND TYPOGRAPHY FOR MARKETING COMMUNICATIONS AND SPORTS TEAMS WHERE FAITH AND KNOWLEDGE MEET Branding Guide LOGOS, COLORS AND TYPOGRAPHY FOR MARKETING COMMUNICATIONS AND SPORTS TEAMS This Branding Guide shows several variations of the logo for St. Mark Catholic School, as well as versions of the

More information

V i k to r nüb e l 2013

V i k to r nüb e l 2013 Viktor nübel 2013 Graphic Design & Typography Viktor works as a graphic designer and type designer in Berlin. The main focus of his work can be found in the fields of corporate design, web design, web

More information

FREQUENTLY ASKED QUESTIONS

FREQUENTLY ASKED QUESTIONS apple installation FREQUENTLY ASKED QUESTIONS Should I use OpenType (.otf ) or OpenType TT (.ttf )? Both formats work with Windows and Mac OS. If you primarily use Microsoft Office on Windows or WordPerfect,

More information

Logo Style Guide. February 20, 2008

Logo Style Guide. February 20, 2008 Logo Style Guide February 20, 2008 Table of Contents Communicating the Plexera Brand. 1 The Plexera Logo. 2 Using the Plexera Logo. 3 Color Palette. 4 Logo Don ts. 5 Typefaces. 6 Product Naming Typography.

More information

Myriad Pro Light. Lining proportional. Latin capitals. Alphabetic. Oldstyle tabular. Oldstyle proportional. Superscript ⁰ ¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹,.

Myriad Pro Light. Lining proportional. Latin capitals. Alphabetic. Oldstyle tabular. Oldstyle proportional. Superscript ⁰ ¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹,. Myriad Pro Light Latin capitals A B C D E F G H I J K L M N O P Q R S T U V W X Y Z & Æ Ł Ø Œ Þ Ð Á Â Ä À Å Ã Ç É Ê Ë È Í Î Ï Ì İ Ñ Ó Ô Ö Ò Õ Š Ú Û Ü Ù Ý Ÿ Ž Ă Ā Ą Ć Č Ď Đ Ě Ė Ē Ę Ğ Ģ Ī Į Ķ Ĺ Ľ Ļ Ń Ň Ņ

More information

Logo & Brand Identity Guidelines

Logo & Brand Identity Guidelines Logo & Brand Identity Guidelines Prepared 08/22/17 by 0 Contents 0.1 0.2 0.2.1 0.3 0.4 0.5 Logo Specifics Typeface Details Typography in Use Colour Specifications Logo Styles (lock-ups) Logo Best Practices

More information

Palatino. Palatino. Linotype. Palatino. Linotype. Linotype. Palatino. Linotype. Palatino. Linotype. Palatino. Linotype

Palatino. Palatino. Linotype. Palatino. Linotype. Linotype. Palatino. Linotype. Palatino. Linotype. Palatino. Linotype Copyright 2013 Johanna Corsini Arts 79 Typography 1 Sources: http://en.wikipedia.org/wiki/ http://en.wikipedia.org/wiki/typography By Johanna Corsini P a a P o l t a a n L P i l t n a i o a o y l t n n

More information

Brand Guidelines HOAR PROGRAM MANAGEMENT. All rights reserved. Copyright 2014.

Brand Guidelines HOAR PROGRAM MANAGEMENT. All rights reserved. Copyright 2014. Brand Guidelines 2014 0.1 Table of Contents Table of Contents 0.1 Contact Information Hoar Program Management Andi Sims Marketing Director asims@ (205) 423-2395 (office) (205) 213-7955 (cell) 1.0 Introduction

More information

OTTER TAIL COUNTY - MINNESOTA LOGO USAGE POLICY

OTTER TAIL COUNTY - MINNESOTA LOGO USAGE POLICY OTTER TAIL COUNTY - MINNESOTA LOGO USAGE POLICY Prepared By: The Branding Task Force as directed by the Division Directors and the Otter Tail County Board of Commissioners. Manual Version Control Version

More information

OUR TYPOGRAPHY APPROVED UNIVERS FONTS. Univers 65 Bold Univers 65 Bold Oblique Univers 75 Black Univers 75 Black Oblique

OUR TYPOGRAPHY APPROVED UNIVERS FONTS. Univers 65 Bold Univers 65 Bold Oblique Univers 75 Black Univers 75 Black Oblique BRAND TYPOGRAPHY For Internal Use Only Not For Use With The Public. For help and guidance on our brand standards, contact marketinginbox@firstcommand.com. 63 OUR TYPOGRAPHY Typography is a powerful extension

More information

Multimedia for the Web: Creating Digital Excitement. Multimedia Element Text

Multimedia for the Web: Creating Digital Excitement. Multimedia Element Text : Creating Digital Excitement Multimedia Element Text Chapter Concepts Discuss Fonts Understand Fonts Define Cascading Style Sheets (CSS) Explain Additional Options for Implementing Text on the Web Chapter

More information

Brand Identity Guide

Brand Identity Guide Brand Identity Guide Logos Preferred Logo The official logo for St. Vrain Valley Schools. Use the full-color version of the logo when possible. Logos can be downloaded at http://www.svvsd.org/logos FULL

More information

BRAND. For Internal Use Only Not For Use With The Public. For help and guidance on our brand standards, contact

BRAND. For Internal Use Only Not For Use With The Public. For help and guidance on our brand standards, contact BRAND TYPOGRAPHY. 1 OUR TYPOGRAPHY. Typography is a powerful extension of our brand s personality. It plays an important role in creating a consistent look for First Command across all communications and

More information

Third Party Identity Guidelines

Third Party Identity Guidelines Third Party Identity Guidelines Introduction Introduction This document has been developed to provide anyone using The Wolfson Foundation logotype with clear guidelines on how the brand identity can be

More information

Floats, Grids, and Fonts

Floats, Grids, and Fonts Floats, Grids, and Fonts Computer Science and Engineering College of Engineering The Ohio State University Lecture 17 Recall: Blocks, Inline, and Flow flow body inline paragraph heading horz rule blocks

More information

Growing Our Own Through Collaboration

Growing Our Own Through Collaboration NWI INITIATIVE NUCLEAR WORKFORCE Growing Our Own Through Collaboration BRAND STANDARDS reference guide Brand Standards 2011 SRS Community Reuse Organization. All rights reserved. Version 1.0-02.10.2011

More information

typography.net Shaker Pure, energetic, contemporary

typography.net Shaker Pure, energetic, contemporary typography.net Shaker Pure, energetic, contemporary typography.net Introduction ABCDEFGHIJKLMNOPQRSTUVWXYZ About Shaker families Features Language support Further information Shaker is a lively sans with

More information

HURME GEOMETRIC SANS

HURME GEOMETRIC SANS No.1 SHARP No.2 ALTERNATIVE HURME TYPEFACE SPECIMEN PRINT SAMPLES No.3 BLUNT No.4 SWASH Hurme Geometric Sans Typeface Specimen 03/20/2013 2 Page heading: Black. 30pt/30pt. Byline: Regular/Bold SmallCaps.

More information

Type on the Web: Dos, Don ts and Maybes Ilene Strizver

Type on the Web: Dos, Don ts and Maybes Ilene Strizver Type on the Web: Dos, Don ts and Maybes Ilene Strizver What exactly is Type on the Web? How does it differ from print? Type in print Fixed Predictable Controllable Appearance varies depending on: Operating

More information

The building block of a CSS stylesheet. A rule consists of a selector and a declaration block (one or more declarations).

The building block of a CSS stylesheet. A rule consists of a selector and a declaration block (one or more declarations). WDI Fundamentals Unit 4 CSS Cheat Sheet Rule The building block of a CSS stylesheet. A rule consists of a selector and a declaration block (one or more declarations). Declaration A declaration is made

More information

ewjduhiz tvnsgfq Brenner Type System: Typotheque type specimen & OpenType feature specification. Please read before using the fonts.

ewjduhiz tvnsgfq Brenner Type System: Typotheque type specimen & OpenType feature specification. Please read before using the fonts. Typotheque type specimen & OpenType feature specification. Please read before using the fonts. OpenType font family supporting Latin based languages with their own Small Caps, with extensive typographic

More information

BRAND IDENTITY STANDARDS GUIDE

BRAND IDENTITY STANDARDS GUIDE BRAND IDENTITY STANDARDS GUIDE JANUARY 2015 TABLE OF CONTENTS This brand identity standards guide was created to help establish the BCIU s visual brand image and bring consistency to all visual representations

More information

Script for Interview about LATEX and Friends

Script for Interview about LATEX and Friends Script for Interview about LATEX and Friends M. R. C. van Dongen July 13, 2012 Contents 1 Introduction 2 2 Typography 3 2.1 Typeface Selection................................. 3 2.2 Kerning.......................................

More information

The Future of Web Typography

The Future of Web Typography The Future of Web Typography Richard Rutter I m cofounder of Clearleft, a user experience consultancy in Brighton. I m an user experience designer by day and a web typography evangelist by night. In fact

More information

Friendly Fonts for your Design

Friendly Fonts for your Design Friendly Fonts for your Design Choosing the right typeface for your website copy is important, since it will affect the way your readers perceive your page (serious and formal, or friendly and casual).

More information

HomeNet Automotive Visual Identity Guide

HomeNet Automotive Visual Identity Guide HomeNet Automotive Visual Identity Guide Official Care and Feeding of the HomeNet Automotive Brand Version 1.2 September 3, 21 Table of Contents HomeNet Automotive s Branding Mission - A letter from Jesse

More information

Typography. is the foundation of good web design

Typography. is the foundation of good web design Typography is the foundation of good web design my name is Samantha Warren I am a web designer for Viget Labs I teach web & graphic design at the Center for Digital Imaging Arts at Boston University &

More information

Logo & Brand Identity Guidelines. Media Sonar Technologies

Logo & Brand Identity Guidelines. Media Sonar Technologies Technologies Logo & Brand Identity Guidelines 0 Contents 1.0 Logo Specifics 2.0 Typeface Details 3.0 Icons 4.0 Colour Specifications 5.0 Logo Styles (lock-ups) 5.1 Logo Best Practices Logo Construction

More information

Visual Style Guide. April 2016

Visual Style Guide. April 2016 Visual Style Guide April 2016 Page 2 Contents Introduction to the Logo 3 Safe Area and Size 4 Incorrect Usage 5 Color Palette 6 Typography 7 Tone and Style of Photography 9 Print Examples 10 Screen Examples

More information

Introduction A global icon needs an iconic logo. Fashion has evolved since 1969, when Gap opened its first store. Our logo has changed with the

Introduction A global icon needs an iconic logo. Fashion has evolved since 1969, when Gap opened its first store. Our logo has changed with the Introduction A global icon needs an iconic logo. Fashion has evolved since 1969, when Gap opened its first store. Our logo has changed with the times, too. One thing that hasn t changed is our mission

More information

web identity standards

web identity standards section ten 86 contents introduction...87 offi cial vs. non-offi cial sites...88 banner... 89-90 tagline and the web...91 tagline and the web: improper use...92 typography for the web: live text...93 typography

More information

ff Sanuk OT Regular fontfont info guide Sections Introduction to OpenType Font and Designer Information Supported Layout Features Language Support

ff Sanuk OT Regular fontfont info guide Sections Introduction to OpenType Font and Designer Information Supported Layout Features Language Support fontfont info guide fontfont opentype ni na nb ne nm n1 n0 n3 n2 ng n9 n8 nz n4 n5 n6 nn nj n. nr version 01 April 2006 Sections a b c d e Introduction to OpenType Font and Designer Information Supported

More information

Lumin Lumin Sans Lumin Sans Condensed Lumin Display

Lumin Lumin Sans Lumin Sans Condensed Lumin Display Typotheque type specimen & OpenType feature specification. Please read before using the fonts. Lumin Lumin Sans Lumin Sans Condensed Lumin Display OpenType font family supporting Latin based languages

More information

V Y. Fragment Pro. Fragment Pro. 1 Copyright 2013 Vít Šmejkal All rights reserved

V Y. Fragment Pro. Fragment Pro. 1 Copyright 2013 Vít Šmejkal All rights reserved & V Y Fragment Pro 1 Copyright 2013 Vít Šmejkal All rights reserved www.vtypo.com VY 2 Copyright 2013 Vít Šmejkal All rights reserved www.vtypo.com exa cos uvz 3 Copyright 2013 Vít Šmejkal All rights reserved

More information

COMPANY BRANDING guidelines. colors styles fonts usage

COMPANY BRANDING guidelines. colors styles fonts usage COMPANY BRANDING 2014 guidelines colors styles fonts usage TABLE OF CONTENTS I Premier Pools and Spas Logo II Our Font - Open Sans III Color Scheme IV The Tiles THE LOGO The Premier Pools and Spas logo

More information

Brand Identity Guidelines

Brand Identity Guidelines 1st - 7th November 2018 Brand Identity Guidelines Introduction Week is taking place from 1st-7th November 2018 and is a national, cross-industry initiative to promote responsible gambling. To create a

More information

typography.net Fenland Modern, flowing, twisting

typography.net Fenland Modern, flowing, twisting typography.net Fenland Modern, flowing, twisting typography.net Introduction ABCDEFGHIJKLMNOPQRSTUVWXYZ About The family Features Language support Further information Fenland offers a bold and striking

More information

Brand Guidelines. Brand Guidelines. Keeper Security, Inc

Brand Guidelines. Brand Guidelines. Keeper Security, Inc Brand Guidelines rev 9.21.17 Keeper Security, Inc. 2017 Keeper Security, Inc. 2017 1 Don't Get Hacked. Get Keeper. The Leading Secure Password Manager and Digital Vault for Businesses and Individuals.

More information

CANES COMMUNITIES REGIONAL VISUAL IDENTITY MANUAL. March 2015

CANES COMMUNITIES REGIONAL VISUAL IDENTITY MANUAL. March 2015 CANES COMMUNITIES REGIONAL VISUAL IDENTITY MANUAL March 2015 Table of Contents Identity Introduction................................................. 1.0 Using This Manual... 1.1 Identity Policy.........................................................

More information

Unit 4. Multimedia Element: Text. Introduction to Multimedia Semester 2

Unit 4. Multimedia Element: Text. Introduction to Multimedia Semester 2 Unit 4 Multimedia Element: Text 2017-18 Semester 2 Unit Outline In this unit, we will learn Fonts Typography Serif, Sans Serif, Decorative Monospaced vs. Proportional Style Size Spacing Color Alignment

More information

Tribunal. ewjduhiz tvnsgfq. Typotheque type specimen & OpenType feature specification. Please read before using the fonts.

Tribunal. ewjduhiz tvnsgfq. Typotheque type specimen & OpenType feature specification. Please read before using the fonts. Typotheque type specimen & OpenType feature specification. Please read before using the fonts. Tribunal OpenType font family supporting Latin based languages with their own small caps, with extensive typographic

More information

Graphics Standards Manual

Graphics Standards Manual Graphics Standards Manual Association of Faculties of Pharmacy of Canada Association des Faculties de Pharmacie du Canada Prepared May 21, 2003 By PlanetFish Design Contents OUR NAME & LOGO 3 LOGO COLOURS

More information

GÉANT CORPORATE IDENTITY GUIDELINES FOR USE. connect communicate collaborate

GÉANT CORPORATE IDENTITY GUIDELINES FOR USE. connect communicate collaborate GÉANT CORPORATE IDENTITY GUIDELINES FOR USE connect communicate collaborate THE LOGO The GÉANT logo is the core element within the brand. From printed brochures and datasheets through PowerPoint presentations

More information

ABCDEFGHIJKLMNOPQRSTUVWXYZ ÁÀÂÄÃÅÆÇÐÉÈÊËÍÌÎÏÑÓÒÔÖÕØŒÞÚÙÛÜÝŸŽ. abcdefghijklmnopqrstuvwxyz áàâäãåç ðéèêëíìîïłñóòôöõøšœþßúùûüýÿž

ABCDEFGHIJKLMNOPQRSTUVWXYZ ÁÀÂÄÃÅÆÇÐÉÈÊËÍÌÎÏÑÓÒÔÖÕØŒÞÚÙÛÜÝŸŽ. abcdefghijklmnopqrstuvwxyz áàâäãåç ðéèêëíìîïłñóòôöõøšœþßúùûüýÿž 12 12345 The font family is a comprehensive suite of typefaces designed in 2013 for The newspaper for their daily print and digital editions. The fonts were conceived and designed as a set of interconnected

More information

typography.net Trilogy Sans Functional, expansive, clean

typography.net Trilogy Sans Functional, expansive, clean typography.net Trilogy Sans Functional, expansive, clean typography.net Introduction ABCDEFGHIJKLMNOPQRSTUVWXYZ About Trilogy Sans families Features Language support Further information Trilogy Sans is

More information

8/19/2018. Web Development & Design Foundations with HTML5. Learning Objectives (1 of 2) Learning Objectives (2 of 2)

8/19/2018. Web Development & Design Foundations with HTML5. Learning Objectives (1 of 2) Learning Objectives (2 of 2) Web Development & Design Foundations with HTML5 Ninth Edition Chapter 3 Configuring Color and Text with CSS Slides in this presentation contain hyperlinks. JAWS users should be able to get a list of links

More information

LOGO & BRAND STANDARDS GUIDE

LOGO & BRAND STANDARDS GUIDE LOGO & BRAND STANDARDS GUIDE INTRODUCTION The SparkPost Brand Standards Guide provides key information needed to accurately and consistently produce external and internal documents and communications.

More information

Corporate Identity Style Guide. April 2014

Corporate Identity Style Guide. April 2014 Corporate Identity Style Guide April 2014 Table of Contents Our Signature 1.0 Restrictions Legibility 2.0 Color 2.1 Usage with Photos 2.2 Color Palette 3.0 Typography Primary Type 4.0 Websafe / Alternate

More information

ACSC 231 Internet Technologies

ACSC 231 Internet Technologies ACSC 231 Internet Technologies Lecture 7 Web Typography Efthyvoulos Kyriacou - Assoc. Prof. Frederick University Resources: C. Markides (Frederick University) Slide 1 ACSC 231: Internet Technologies 23/12/2008

More information

F PROT. Sub-brands FILE SERVER SECURITY

F PROT. Sub-brands FILE SERVER SECURITY BRANDING MANUAL Logo The F PROT Circle Icon was designed by Ágúst Gunnarsson and was introduced in 2006. We consider it very strong and it is at the focal point of a lot of our material. The latest update

More information

Selecting fonts from the WIRIS editor user interface Configuring fonts in the plugins and low level configuration... 2

Selecting fonts from the WIRIS editor user interface Configuring fonts in the plugins and low level configuration... 2 Font configuration Document Release: 1.0 2011 January, Maths for More www.wiris.com Contents Selecting fonts from the WIRIS editor user interface... 2 Configuring fonts in the plugins and low level configuration...

More information

Trust runs deep. Brand Communications Guidelines. Version 12.1,

Trust runs deep. Brand Communications Guidelines. Version 12.1, Trust runs deep Brand Communications Guidelines Version 12.1, 08.25.2017 Flint & Walling logo lockup Flint & Walling logo script (includes the Zoeller Meatball) Flint & Walling logo name bar Flint & Walling

More information

Brand Guidelines. version

Brand Guidelines. version Brand Guidelines version 2017.1 Primary Logo The OPSWAT logo is a universal signature spanning all of our communications. Because it is such a recognizable and highly visible asset, it s important that

More information