AW Conqueror. PRO STD FREE Sans Light Didot Light Inline Regular Slab Regular Carved Regular Carved One Carved Two Carved Three Carved Four

Transcription

1 PRO STD FREE Sans Light Didot Light Inline Regular Slab Regular Carved Regular Carved One Carved Two Carved Three Carved Four available on this format not available on this format aa Sans Light Didot Light Inline Regular Slab Light Carved Regular Carved One Carved Two Carved Three Carved Four Legal Typeface design by Jean François Porchez. Copyright All rights reserved. Distributed exclusively by Typofonderie. Help OpenType font families are compatible with Mac OS and Windows platforms. Please consult our Help section for info concerning the language support, OpenType support, installation and use of these fonts. Exclusive Free version is a free typeface family available exclusively at Typofonderie. 1 info@ +33 (0)

2 Specimen Inline Didot Sans Sans Slab Carved Sans Inline Slab Didot Carved Slab YOUR WORLD PREMIERE TRÈS RUSTIQUE Avant-garde typography SO SIMPLE EXCELLENT references LOVE EXCESS CALIFORNIA SOUL LIGHTY ROYAL PRIN TIN G HOUSE MY BRANDs Your Dynasty BEST NIGHTLIFE FRANCE & GRONLAND 2

3 Glyph set: Didot abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOP QRSTUVWXYZ ABDEFGHJKLLMNNP QRTVWXYZ fiflffffiffl & ctst # $ ƒ # $ ƒ */ \_ -- + = "'.,:; àáâãäåæçèéêëìíîïıłñòóôõöø œšßùúûüýÿžðþ ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏIŁÑ ÒÓÔÕÖØŒŠSSÙÚÛÜÝŸŽÐÞ ` ˆˇ 3

4 all capitals feature ligatures, discretionary ligatures minuscule figures capital figures swashes/stylistic set 1 contextuals/stylistic set 2 alternates/stylistic set 3 Didot opentype features abcdefghijklmnopqrstuvwxyz-» )]@ ABCDEFGHIJKLMNOPQRST-» )]@ fffiffiflffl fffiffiflffl ctst ctst # $ ƒ # $ ƒ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ LN 4

5 Didot 40 pt The Didot typeface is not inspired by the Didot dynasty of the early 19th century but rather the spectacular interpretations of them appearing in the 1960s and 70s. DECADES IN WHICH LARGE TYPE SIZES 18 pt The Didot typeface is not inspired by the Didot dynasty of the early 19th century but rather the spectacular interpretations of them appearing in the 1960s and 70s. Decades in which large type sizes were all the rage in advertising and publishing, contrasted typefaces were everywhere. This new font is an ode to the heyday of dry-transfer alphabets and Herb Lubalin, the typographer who mastered the tight but not touching art of glyphs set ascloseasthis without overlapping. Several titling typefaces made their appearance at the start of the 20th century, notably Acier and Bifur, both created by French POSTER ARTIST CASSANDRE.LATER, IN THE NETHERLANDS, S.H. DE ROSS DESIGNED 5

6 Glyph set: Sans abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOP QRSTUVWXYZ ABDEFGHJKLMNP QRTVWXYZ fiflffffiffl & ctst # $ ƒ # $ ƒ */ \_ -- + = "'.,:; àáâãäåæçèéêëìíîïıłñòóôõöø œšßùúûüýÿžðþ ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏIŁÑ ÒÓÔÕÖØŒŠSSÙÚÛÜÝŸŽÐÞ ` ˆˇ 6

7 all capitals feature ligatures, discretionary ligatures minuscule figures capital figures swashes/stylistic set 1 contextuals/stylistic set 2 alternates/stylistic set 3 Sans opentype features abcdefghijklmnopqrstuvwxyz-» )]@ ABCDEFGHIJKLMNOPQRST-» )]@ fffiffiflffl fffiffiflffl ctst ctst # $ ƒ # $ ƒ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ G 7

8 Sans 40 pt The Sans typeface draws inspiration from those in vogue in Europe 18 pt The Sans typeface draws inspiration from those in vogue in Europe between World Wars I and II. With its geometric lines it evokes the spirits of both Bauhaus and the Art Déco period. Sans, a contemporary Sanserif, is the cornerstone of the family and the jumping off point for the rest of the typefaces. Any text may be swapped around without changing the layout. More commonly seen in Renaissance italics, swashes capitals have also been added. The Didot typeface is not inspired by the Didot dynasty of the early 19th CENTURY BUT RATHER THE SPECTACULAR INTERPRETATIONS OF THEM APPEARING IN THE 1960S AND 70S. DECADES IN WHICH LARGE 10 pt The Sans typeface draws inspiration from those in vogue in Europe between World Wars I and II. With its geometric lines it evokes the spirits of both Bauhaus and the Art Déco period. Sans, a contemporary Sanserif, is the cornerstone of the family and the jumping off point for the rest of the typefaces. Any text may be swapped around without changing the layout. More commonly seen in Renaissance italics, swashes capitals have also been added. The Didot typeface is not inspired by the Didot dynasty of the early 19th century but rather the spectacular interpretations of them appearing in the 1960s and 70s. Decades in which large type sizes were all the rage in advertising and publishing, contrasted typefaces were everywhere. This new font is an ode to the heyday of dry-transfer alphabets and Herb Lubalin, the typographer who mastered the tight but not touching art of glyphs set ascloseasthis without overlapping. Several titling typefaces made their appearance at the start of the 20th century, notably Acier and Bifur, both created by French poster artist Cassandre.Later, in the Netherlands, S.H. de Ross designed a version of Inline for its Nobel family called, naturally, Nobel Inline. Inline pays homage to this beautiful version. A version of AW CONQUEROR SANS, AW CONQUEROR SLAB DRAWS INSPIRATION FROM GEOMETRI- CAL SLAB SERIFS OF THE 1930S, OF WHICH ROCKWELL IS A PERFECT EXAMPLE. LUBALIN GRAPH, A REWORKING OF THE GENRE, CAME OUT IN THE WAKE OF THE AVANT GARDE WAVE OF THE EARLY 70S. IN RECENT YEARS, SLABS HAVE MADE A COMEBACK IN THE GRAPHIC DESIGN WORLD. AW CONQUEROR SLAB ADVANCES 8

9 Glyph set: Inline abcdefghijklmn opqrstuvwxyz & AGQRY # $ */ \_ - + =.,:; àáâãäåæçèéêëìíîïıłñòóôõöøœ šßùúûüýÿžðþ ` ˆˇ 9

10 default figures proportional figures swashes/stylistic set 1 alternates/stylistic set 3 Inline opentype features ABCDEFGHIJKLMNOPQRST-» )]@ # $ # $ AGQRY23 AGQRY23 AGQRY23 10

11 Inline 40 ptthe Sans typeface draws inspiration from those in vogue in Europe between World Wars I and II. With its geometric lines it evokes the spirits of both Bauhaus and the Art Déco period. AW Conqueror Sans, a contemporary Sanserif, is the cornerstone of the family and 11

12 Glyph set: Slab abcdefghijklmn opqrstuvwxyz CAFAKALALLLTNCNDNONN ONPLTERATTUE & AGQVY # $ */ \_ - + = "'.,:; àáâãäåæçèéêëìíîïıłñòóôõöøœ šßùúûüýÿžðþ ` ˆˇ 12

13 default figures swashes/stylistic set 1 alternates/stylistic set 3 spec. ligatures/stylistic set 4 Slab opentype features ABCDEFGHIJKLMNOPQRST-» )]@ # $ AGQVY AGQVY AGQVY CAFAKALALLLTNCNDNONN ONPLTERATTUE CAFAKALALLLTNCNDNONN ONPLTERATTUE 13

14 Slab 40 pt The Sans typeface draws inspiration from those in vogue in Europe between World Wars I and II. With its geometric lines it evokes the spirits of both Bauhaus and the Art Déco period. Sans, a contemporary Sanserif, is the cornerstone of the family and the jumping off 14

15 Glyph set: Carved abcdefghijklmn opqrstuvwxyz AGQQR & # $ */ \_ - + = '".,:; àáâãäåæçèéêëìíîïıłñòóôõöø œšßùúûüýÿžðþ ` ˆˇ A+A+A+A=A 15

16 default figures swashes/stylistic set 1 alternates/stylistic set 3 Carved opentype features ABCDEFGHIJKLMNOPQRST-» )]@ # $ AGQQR AGQQR AGQQR Regular Background/Layer One Outline/Layer Two Stripes/Layer Three Shadow/Layer Four Carved layers ABCDEFGHI ABCDEFGHI ABCDEFGHI ABCDEFGHI ABCDEFGHI Layer One + Layer Four ABCDEFGHI Layer Two + Layer Three ABCDEFGHI Layer Three + Layer Four ABCDEFGHI 16

17 Carved 40 pt The Sans typeface draws inspiration from those in vogue in Europe between World Wars I and II. With its geometric lines it evokes the spirits of both Bauhaus and the Art Déco period. Sans, a contemporary Sanserif, is the cornerstone of the family and 17