The Last Oz Story Musical Overview Product Code: LK8000

Transcription

1 The Last Oz Story Musical Overvie Product Code: LK8000 To hel you find the erfect musical for your next erformance, e have rovided this overvie of the vocal and orchestral demands for this title Solo Songs: Yes Ensemle/Large Chorus Songs: Yes Main Character Details: Elise McKenna (): C4-E5 vocals, moderate Glinda (): C4-B5 vocals, difficult Courageous Lion (either): G3-F5 vocals, difficult Nurse Leone/ Peloros (): G3-D5 vocals, moderate Gale (): A3-E5 vocals, moderate Dr Strohman/ Scarecro (m): A2-F4 vocals, moderate Emma Tyndol/ (): C4-G5 vocals, moderate Total Numer of Songs: 35 Vocal Demands: Difficult Orchestral Demands: Difficult Size of Orchestra: Large (9+) Ready to Perform? When you are ready to erform, lease aly for rights or contact our customer service deartment y clicking elo You ill e romted to log in or create an account We are hay to anser any questions you may have

2 Sheet Music Samle Terms and Conditions By donloading this sheet music samle, you agree to the folloing terms and conditions: -This sheet music samle is availale to assist you in the lay selection rocess -You may vie, rint and donload any of our sheet music samles for erusal uroses -Sheet music samles are not intended for erformance, classroom or other use For any of these uses, you must urchase layooks and rent music materials via our esite or y hone, fax or mail -A short samle is not alays indicative of the entire ork, and e strongly suggest revieing the entire score and reading the entire lay efore lanning a roduction or ordering a cast quantity of scrits The folloing ages contain coyright information and at least one age from a variety of songs ithin the sho

3 *** NOTICE *** The amateur and stock acting rights to this ork are controlled exclusively y THE DRAMATIC PUBLISH- ING COMPANY, INC, ithout hose ermission in riting no erformance of it may e given Royalty must e aid every time a lay is erformed hether or not it is resented for rofit and hether or not admission is charged A lay is erformed any time it is acted efore an audience Current royalty rates, alications and restrictions may e found at our esite: dramaticulishingcom, or e may e contacted y mail at: THE DRAMATIC PUBLISHING COMPANY, INC, 311 Washington St, Woodstock, IL COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES This la rovides authors ith a fair return for their creative efforts Authors earn their living from the royalties they receive from ook sales and from the erformance of their ork Conscientious oservance of coyright la is not only ethical, it encourages authors to continue their creative ork This ork is fully rotected y coyright No alterations, deletions or sustitutions may e made in the ork ithout the rior ritten consent of the ulisher No art of this ork may e reroduced or transmitted in any form or y any means, electronic or mechanical, including hotocoy, recording, videotae, film, or any information storage and retrieval system, ithout ermission in riting from the ulisher It may not e erformed either y rofessionals or amateurs ithout ayment of royalty All rights, including, ut not limited to, the rofessional, motion icture, radio, television, videotae, foreign language, taloid, recitation, lecturing, ulication and reading, are reserved MMXVII Book and lyrics y DAVID MEYERS Music y SCOTT MICHAL Printed in the United States of America All Rights Reserved (THE LAST OZ STORY) Dramatic Pulishing - NOT FOR PERFORMANCE

4 40 3 ust Rememer, Glinda Lights come u on s Room late that night She is lying in ed, eyes closed, hen she hears a dreamy six-note theme GLINDA's fanfare Rising from her ed, she eers out into the audience GLINDA oins her, stage left, ut there is no indication they can see one another It s as if they are in searate dimensions # # # C Seetly, in a gentle to h=54 UNDERSCORE 1?C orch ell cresc # # # # cresc res gtr 7 cresc oco a oco mf n n n n n n dim mf +no Ó cl n? n vc ass 3 oco iu mosso h=60 13 orch ell Ó Ó m guit? ass Dramatic Pulishing - NOT FOR PERFORMANCE 39

5 Glinda m 18 I'm sure that cl Kan - sas has man - y on - ders to m dolce celli? 41 e - hold,? ta - e - stry thoughtful of green green and m 26 Glinda a- ove a With skies that stretch for - ev - er, 22 Glinda gold, I'm sure in Kan-sas All hearts are o-ened u to you n n? n Dramatic Pulishing - NOT FOR PERFORMANCE 40 But ust re-mem-er orch ells no fi

6 42 Glinda Ó 31? too n gtr m n Æ 38? fi Kan - sas al - ays e cresc m dolce your home Dramatic Pulishing - NOT FOR PERFORMANCE 41? I kno ill o ells fl, no The lains n Ó loves you, Ó 39 Glinda Oz Ó Dor -thy 36 Glinda of And

7 54 5 Great to Be Back in Oz As DOROTHY egins to sin her tale, transitional music is heard and the curtains egin to art, revealing Oz DOROTHY, ho is already earing oth silver sliers, stes out of her hosital gon to reveal her Oz clothing She alks ack into the set sinning as the ack stage is transformed into Oz She is delighted to e ack once more, rushing hither and yon to take in every detail Cue DOROTHY: "Oz found me again, and so" Mysterioso 44 n no vies q=72 n n - n n n n n n n n n? 4 4 tua n n n n n n n n n # n n n nn cresc oco a oco n n n tr? molto accel oco a oco 4 n - n- n n - n m fl n +tim n n nnn n n Dramatic Pulishing - NOT FOR PERFORMANCE 53

8 n n n n n 7? n 55 +fl2 n 9 n +hn? 11 +cl, tr n U Ó Here DOROTHY I can't elieve it It's even more onderful than I rememered Everything is ust so so Oz-some! U ææ ææ trem strgs ff? U Ó Dramatic Pulishing - NOT FOR PERFORMANCE 54 I

9 56 13 Recitative q=86 Fan - cy free marima In the shade n n a gt? am, 16 Ó tree Noth - in' oth - ers n solo cello? Ó Dramatic Pulishing - NOT FOR PERFORMANCE 55 of a lunch rit me, ail U e - cause U U u

10 r n 19? m R cello r? Neath'-a sky of munch - kin lue Fills me ith "oohs! and Aahhs" e - cause r no, mar, h R n r Eve - ry day some thin' ne, It's so great to e ack in Oz! full orch r r a sax r n sfz smf 21 Brisk Four q=96 It's so great to e ack in Oz n n? + a sax a sax sfz There's no com - ar - i - son to mf m PERFORMANCE Dramatic Pulishing - NOT FOR 56

11 78 11 When Your Heart Is in the Right Place Cue : "It's in the right lace all rightthat's the troule" Andantino melancolic 44 o, cl rass? 44 lh q=84 Though I may e a man of tin 5? thin, 8 # Ó no, gtr Ó - # gtr There's a heart still eats ith - in? # # - ho stays the course through thick or # Ó oco cresc # # n this # o Dramatic Pulishing - NOT FOR PERFORMANCE 77 hard and slight--ly # n # # tr

12 # rust - y 12 skin #Ó ##? # # One min--ute I # f gtr # # Poco con moto am co-- in', lh o - the next the flood-gates o- en then the tears start stream- in' don my face 15? No on--der I'm so rust- y, I guess this is ho it must e 18? - # # hen your # - Dramatic Pulishing - NOT FOR PERFORMANCE 78 -

13 80 heart is in the right 21? # 23 lace I can't hel feel - in' shee - ish, no # # gtr Ó hn ad-mit- tin' I'm so ee-ish e - ven though it's real-ly no dis - grace # # # #? 24 - Still all you're` ev--er do-- in', is so-- in' and oo - hoo - in, ? - - Dramatic Pulishing - NOT FOR PERFORMANCE 79 # hen your - # - #

14 121 17a Finale Act 1/ (Playoff) segue from #17 They ski off the stage into the audience, eaving u and don the aisles PELORAS sneaks onto the stage and follos them at a discrete distance as they exit through the ack doors of the auditorium as the music ends con moto 28 oco fl, sax 4 4 n n? 4 4 fl, sax f? # # a sax? # # # rass trt # # n # # # n n # 32 f 30 # # # n n trt n n n n n Dramatic Pulishing - NOT FOR PERFORMANCE 120

15 # +fl2 n nn? n n?# n # 3 n 16 40? # # fi # # n n# f # n n # # # 38 # 37 n # n n n # +ic, h, tr R full orch R cresc oco a oco 3 4 n R n n n Dramatic Pulishing - NOT FOR PERFORMANCE 121 n

16 Any Road, Lion, Woodsman, Chorus Cue DOROTHY: "Maye if e ust start over" # # # # Steady to q=96 ### 2 4 #, no? ### 42 # ### # #? ### 8 ### # 13? ### # # sung m Dramatic Pulishing - NOT FOR PERFORMANCE 134 #

17 136 ### # 17 Sung Some roads ### no, gt #? ### # # 22 lead ### to de - for - Oth - ers # # # go, ### #? ### ## # # # # # # But if you don't kno here you ### # # # # #? ### # # an - na # tune, # # a fl, cl sair ### # to 27 Dramatic Pulishing - NOT FOR PERFORMANCE 135 # no, gt # # there full orch # f # # An -y road -'ll take you

18 ### 33 Lion Lion ### #? ### 40 ### e a foot - # # # # # # ath ### ### # # #? ### 47 ### # Or a # # # # # # # # thor - ough - fare An - y road -'ll take you there An - y road -'ll take you f # Dramatic Pulishing - NOT FOR PERFORMANCE 136 # K ith hat comes your ay # o # # # # # # # ### ### # # #? ### It might But if you're O there #

19 138 ### 53 ### Lion # ### 55 There are high roads And # There are high roads And # ### Wait - ing ust for ick ### Lion Wait - ing ust for you to ### Wait-ing ust for ###? ### you to you to ick ick Fast roads and Slo roads Fast roads and Slo roads # # # # a fl, cl 59 lo roads ### # # # m? ### # # Slo roads # # # one # one There are short roads one # and # n a fl, cl Dramatic Pulishing - NOT FOR PERFORMANCE 137 # # # # # # Fast roads and lo roads # lo roads # There are high roads And # #

20 Where Have All the Rainos Gone? Cue DOROTHY (standing at the indo) That doesn t give her the right to take it out on everyone else (A tear runs don DOROTHY s cheek She egins to sing the introduction softly, haltingly, her voice choked ith emotion) 6 U 8 Rain Intro 1 Recitative ruato h=44 C U 6 8 Y?6 U 8 a fl, cl C - C on the in--do ane, I trace the tear--dros fall--ing gentle rain? 3 though eo--le try to tell me that it's on-- ly rain Dramatic Pulishing - NOT FOR PERFORMANCE 209 But

21 , 7 if it's on - ly rain - ing, cresc oco a oco hy am I so lue? I 12 Ruato, ith great exression Ó c Where have all +gtr? if As DOROTHY sings, she moves aout the room, sloly circling the ed until she returns to the indo kne sun last smiled my? # the c- c Ó q=88 ay rain - os gone? Don't kno hen the - 15 May - e I'd feel et - ter if I kne, oco dim? rit ruato gently moving ahead Seems like it's een rain - ing eve # cl # n Dramatic Pulishing - NOT FOR PERFORMANCE ry ass

22 day Rain - ing for fl no? oco rit m so 21 In temo long Where have all the 23 ith their rom - ise? 27 for # mf the clouds n rain - os gone, of a rand ne # # start? to art, # no for? # n # n so dim long Dramatic Pulishing - NOT FOR PERFORMANCE 211 I've een ait - ing gently moving ahead Am I

23 R 30 a little faster rong to kee on search - ing hn oco cresc af - ter day, al - ays? 35 henskies are gray?? some- one say, cresc hy they had And kee on ho--ing look - ing for an an - ser, Can't rit a-- ay?? # rass Dramatic Pulishing - NOT FOR PERFORMANCE 212 day still moving ahead to go # mf