Durham E-Theses REZAEI, MARIAM

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Durham E-Theses Commentary on the Portolio o Comositions submitted or the degree o PhD in Music Comosition, University o Durham by Mariam Rezaei, 2016 REZAEI, MARIAM Ho to cite: REZAEI, MARIAM (2017)

1 Durham E-Theses Commentary on the Portolio o Comositions submitted or the degree o PhD in Music Comosition, University o Durham by Mariam Rezaei, 2016 REZAEI, MARIAM Ho to cite: REZAEI, MARIAM (2017) Commentary on the Portolio o Comositions submitted or the degree o PhD in Music Comosition, University o Durham by Mariam Rezaei, 2016, Durham theses, Durham University. Available at Durham E-Theses Online: htt://etheses.dur.ac.uk/11968/ Use olicy The ull-text may be used and/or reroduced, and given to third arties in any ormat or medium, ithout rior ermission or charge, or ersonal research or study, educational, or not-or-rot uroses rovided that: a ull bibliograhic reerence is made to the original source a link is made to the metadata record in Durham E-Theses the ull-text is not changed in any ay The ull-text must not be sold in any ormat or medium ithout the ormal ermission o the coyright holders. Please consult the ull Durham E-Theses olicy or urther details.

2 Academic Suort Oce, Durham University, University Oce, Old Elvet, Durham DH1 HP Tel: htt://etheses.dur.ac.uk 2

3 ESFA Mariam Rezaei Piano, Har, Double Bass, Turntables Full Score

4 Published at.rezaei.co.uk With thanks to Huddersield Contemorary Music Festival and Novemberest First erormance, 21 st November 2011 at Huddersield Contemorary Music Festival ith John Tilbury (iano), Rhodri Davies (har), Michael Duch (Double Bass) and Mariam Rezaei (Turntables) First erormance duration o 1 minutes, 0 seconds.

5 Perormance Directions Temo is not strict. Allo each note to naturally decay. Large chords can be slit and/or rolled i the erormer ishes. Harmonics : Either lay a natural/artiicial harmonic resulting rom the given note OR lay any octave o the ritten note as a harmonic. The use o any iano edals is otional hen not directed. Esa I Play itches at given range. Follo articulation and dynamic instructions. Glissandos: Given notes are a guide or glissandos using ans but are an indication o seed. Turntable : use a looed Bass Trombone sound on C. Use Controller one scale in C major. Esa II Duration arox 5 m Notes are collected into cells, divided by double barlines. Each cell must last a minimum o 8 seconds and a maximum o 20 seconds. Each musician must have comleted the ull cell beore everyone moves onto the next cell. Notes in each cell can be ordered in any ay. Notes do not indicate rhythm or duration. A erormer may ish to be silent at any oint or as long as they ish. Silences should be measured in ull cells. Any imlements or auxiliary instruments may be used in this iece. Use any eects, harmonics, imlements or auxiliary instruments. Either lay a natural/artiicial harmonic resulting rom the given note OR lay any octave o the ritten note as a harmonic Play cells through rom A- C Turntable to use boed Cello sound, looed. Section A Play any articulation, dynamic, rhythm, duration, and itch at any range. Section B and C Play any articulation, dynamic, rhythm and duration unless indicated. Play itches at given range unless laying harmonics.

6 Esa III Duration arox m Play itches in given range. Follo articulation and dynamic instructions. Follo the temo o the Double Bass. The temo marking is only an indication and rubato can be used. Turntable to use a high itched oscillator samle, looed. Comosed 2011, revised

7 q b # - - -

8 > - B - b b - - Ó > - æ - æ - b j Œ Ó J Œ Ó. J Œ Ó Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

9 . J Œ Ó b b æ æ b b - J. Œ Ó - J. Œ Ó > BJ.- Œ Ó J. Œ Ó < Ÿ>~~~~~~~~~~~~~~~~~ b b

10 b b > < > b b b b - æ sz - æ

11 #

12 # # # # # # # # # # # b b b b b b b b b b b b b # b b # # # b # n # b # # # b b

13 # # ## # # # # # # # # # b µ µ µ # # # # # # # # # # # # # b # # # # # # # # # # # # # # # # # # # # # # # # # # # # o # o # o B # B # # # # #

14 # # # # # # # # # # # # # # # n# # # # n n # # # n # B B # # # # # # # # # n n n n # # # n n ## # # n n n n n # # # #

15 b b b b b b b b # # # # n n #n # n # # # # # n # # # # n n B B B n # # # n n b b n # n n# # # n # # # # n # n

16 # b # # ##n n# n# # # n # # # n # # # # n # # n ## n n # # # # # # n # # # n n n n n# n b n n n n # n ## # # n n n n n n n B Bo n b

17 b Œ < > b B B B # o o o b # # # b b # b b b # # n ## n n nn # # b b b b b b b # b <n> b # # b # b # # bn # b # b o b o o

18 bb <n> b b b bb b b b b b bb b b b # n n # # # n# # n n# n n # # n b b b

19 q q q / /

20 b / B B j. µ j. B j µ > µ. J.. µ. B >. J J. B j J. B µ J. b µ. J B. J µ. B J / j B >. B µ µ B : Ó µ - B B> µ 2 B > 2 /

21 Ó Ó Ó Ó > / > µj -. > > BJ -. B > µ B. n.. B. :2 :2 µ B. > sz > sz O O Bµ - æ ~ O O O O ~ ~ /

Missy Mazzoli. Magic With Everyday Objects. Sample begins on following page

Missy Mazzoli. Magic With Everyday Objects. Sample begins on following page SchirmerOnDemand htt://digital.schirmer.com/ G. Schirmer's Library o Digital Perusal Scores Missy Mazzoli Magic With Everyday Objects Samle begins on ollowing age Score or sale rom G. Schirmer Rental Library