Songs from Bedlam. for solo baritone voice and chamber orchestra. Jess Langston Turner
|
|
- Junior Bailey
- 5 years ago
- Views:
Transcription
1 Sogs rom edlam or solo baritoe voice ad chamber orchestra 01 ess Lagsto Turer
2 ii
3 Acceted by the aculty o the acobs School o Music, Idiaa iversity, i artial ulillmet o the requiremets or the degree Doctor o Music Aaro Travers, Chairma o the Research Committee Director o Documet David Dzubay Q ha iii
4 iv
5 Sogs rom edlam or solo baritoe voice ad chamber orchestra 01 ess Lagsto Turer v
6 rogram otes: Tom O'edlam is a aoymous oem rom 17th cetury Eglad about a ictitious imate rom the iamous edlam isae asylum Durig the time i hich the oem as eed, it as quite commo or asylums to allo outsiders to stad at the gates ad atch the imates, much as oe ould atch aimals i a zoo today Thrill-seekers ere eve alloed to brig sticks ith hich to goad the imates i they ere ot actig i a suicietly etertaiig maer Traditio holds that the asylums became so overcroded that imates ere eriodically tured loose ito the coutryside to ed or themselves Tom O'edlam as oe o these (likely aocryhal) imates ho adered the lad beggig or ood ad moey Reereces to the character o Tom O'edlam aear ote i the literature o the day, icludig the orks o Shakeseare The drama o the music, as i the oem, is rimarily sychological, takig lace maily i the sick mid o oor Tom as he is tormeted by both his light as a beggar ad the iscrutable halluciatios ad delusios hich haut him day ad ight The music is broke u ito our sectios, each o hich corresods to a staza o the oem etee each o these sectios, a short rerai aears i hich Tom sigs his beggig sog, askig or ood, clothes, ad moey, hile reassurig the listeer that he is i act comletely harmless I the irst staza, Tom oers ords o cautio to the listeer Durig the irst art o this irst sectio, the vocal lie hovers betee seech ad sog, makig use o occasioal exteded techiques such as vocal ry, srechgesag, ad alsetto sigig Tom the breaks ito a obsessive sig-sog as he urges the listeer to take care lest they id themselves i the same coditio as he I the secod staza, Tom describes his time i the edlam asylum Withi this staza, the laguage used to describe to horrors o edlam directly cotradicts the situatios themselves ("stubble sot ad daity," "Seet his," "holesome huger," etc) Throughout this sectio, a Reaissace dace tue aears i various guises, uxtaosed ith violet outbursts rom the ids ad brass ad brutal hi strokes ad avil strikes rom the ercussio I the third staza, Tom bemoas his costat loeliess accomaied by ar-o aimal cries ad ait satches o distat church music Here, the music requires the siger to avigate large leas, costatly breakig rom ull voice to alsetto This techique serves to heighte the sorroul mood as Tom sotly ees ad moas to himsel The ourth staza sees Tom beig hisked aay by his delusios ad halluciatios Tom ois i a imagiary battle ad imagies a ourey ar beyod the edge o the ko orld The music here is militaristic, comlete ith drums, cymbals, ad aares, hoever, everythig is distorted ad coused as Tom attemts to march ith a beat that is mercurial ad imossible to ollo It is ot he ho has goe mad, it is the orld aroud him Hoever, i the ed, reality takes over ad a desodet Tom aders aay ito the distace still bemoaig his itiul coditio Castig a shado over the etire iece is the sectre o the amous sog "L'Homme Armee" ("The Armed Ma") Much o the melodic ad harmoic material throughout the iece is based o motives oud i "L'Homme Armee," ad i the ial sectio o the iece, the armed ma ially reveals himsel i the orm o a ild taretella that bursts orth suddely ad violetly "L'Homme Armee" also orms the basis or the Reaissace-like church music that emerges rom the distace i the third sectio as ell as at the very ed o the iece The costat resece o the "armed ma" throughout the iece serves as a remider that violece ad isaity are art ad arcel o oe aother --ess Lagsto Turer vi
7 erormace Notes: Throughout the solo baritoe art, the olloig secial otatio is used: ad oteheads idicate alsetto M o a ote stem idicates the use o srechgesag x oteheads idicate seech Text: Tom O'edlam (Aoymous) rom the hag ad hugry gobli That ito rags ould red ye, Ad the sirit that stads by the aked ma I the ook o Mooes - deed ye That o your ive soud seses You ever be orsake, Nor ader rom your selves ith Tom Abroad to beg your baco (Chorus) While I do sig "ay ood, ay eedig, Moey, drik or clothig" Come dame or maid, be ot araid, oor Tom ill iure othig O thirty bare years have I Tice tety bee eraged, Ad o orty bee three times itee I durace soudly caged O the lordly lots o edlam, With stubble sot ad daity, rave bracelets strog, seet his dig-dog, With holesome huger lety Whe I short have shor my sour ace Ad sigged my hory barrel, I a oake i I oud my ski As a suit o gilt aarel The moo's my costat Mistriss, Ad the loly ol my morro, The lamig Drake ad the Nightcro make Me music to my sorro With a host o urious acies Whereo I am commader, With a burig sear ad a horse o air, To the ilderess I ader y a kight o ghosts ad shados I summoed am to tourey Te leagues beyod the ild orld's ed Methiks it is o ourey vii
8 Duratio : 17:00 Trasosed Score Istrumetatio: lute 1 (doublig iccolo) lute (doublig alto lute) Oboe 1 Oboe E b Clariet b ass Clariet assoo Cotrabassoo Hor 1 Hor b Trumet 1 (doublig b iccolo trumet) b trumet (doublig b iccolo trumet) Teor tromboe ercussio 1 -- chais, chimes, bass drum (share / erc ), had drum, tambourie, lio's roar (or cuica), brake drums ( o dieret itch), large tam-tam, vibrahoe, miiature crash cymbals, suseded cymbal ercussio -- almglocke, suseded cymbal, castaets, glockesiel, bass drum (share / erc 1), triagle, crotales, giat hi, tom-toms (), vibrasla, mark tree, vibrahoe, sare drum, small tam-tam, lexatoe Har iao/celesta (1 layer) Violi 1 ( stads) Violi ( stads) Viola (at least layers) Cello (at least layers) Double ass (at least layers, at least 1 ith lo C extesio) viii
9 lute 1 (doublig iccolo) lute (doublig Alto lute) Oboe 1 C lute b X I ader rom yourselves ith Tom q = Distat, ree histle toes over igered lo E b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ X Sogs rom edlam (01) ess Lagsto Turer C lute h b X h histle toes over igered lo E b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b X X (b 198) ~~~~~~~~~~~~ Oboe E b Clariet b ass Clariet assoo Cotrabassoo Hor i 1 Hor i Trumet i b 1 (doublig b icc Trumet) Trumet i b (doublig b icc Trumet) Tromboe ercussio 1 ercussio * Notes idicate he chais are to be loered Rests idicate he chais are to be raised (as quietly as ossible) chais (loered oto oode block or lak) * Har isert aer betee strigs (C-A) ( ) D C b E b G b A iao/ Celesta # # b b celesta # b # b # aritoe Violi 1 Violi Viola I ader rom yourselves ith Tom q = Distat, ree b O solo, co sord O O O altri, co sord # # O - O - solo, co sord O O O b O altri, co sord O - O - b b O O O O O - o # O # - O b O b O O O O - # # O - O O # # O O O Ȯ O - O Cello Double ass 01 by lueay Way Music blueayaymusiccom
10 l 1 l ~~~~~~~~~~~~~~~~~~~ A X ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b h X h X b h ~~~~~~~~~~~~~~~~ Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (chais) erc H Cel # b b # # # # b b b Vl 1 Vl solo, co sord O O # # O - altri, co sord solo, co sord O # O - altri, co sord O O O # O # - O O O O O O O - O # O Ȯ # - O # O - O b O O b O b O O O # # O - # O- O - # O- O b O b b O O # O - O- O - # O - D
11 l 1 l Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (bd/chais) erc H 10 X ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~ b b X ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b h key slas ith breath oise, as raidly as ossible, loest register b Ÿ~~~~~~~~~~~~~~ b X key slas ith breath oise, as raidly as ossible, loest register key slas ith breath oise, as raidly as ossible, loest register Ÿ~~~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ b * to iao * key slas ith breath oise, as raidly as ossible, loest register ~~~~~~~ ~~~~~~~ ~~~~~~~ ~~~~~~~ key slas ith breath oise, as raidly as ossible, loest register key slas ith breath oise, as raidly as ossible, loest register key slas ith breath oise, as raidly as ossible, loest register iao 1 co sord bass drum (largest mallet available) b shade itch ith had sto mute cu mute b strike loest strigs ith alm lv strike loest strigs ith alm lv srechgesag rom the hagg Vl 1 Vl D 10 O O # # O - O O Ȯ O - O Div 1 strike strigs ith alm sul ot sul ot #
12 l 1 l 1 breath oise/ key clicks (lo register) breath oise/ key clicks (lo register) Ob s breath oise/ key clicks (lo register) breath oise/ key clicks (middle register) C H 1 H b Tt 1 b Tt ı ı harmo mute, stem removed lt lt (soudig) Tb erc 1 (bd/chais) erc (almglocke) H o () (q ) raid scurryig igure over strigs dameed by aer vocal ry (arx itch) b sus cym (boed) y b y b very gradual itch bed castaets b ad hu - gry gob - li that i - to raggs (q ) b bd strike loest strigs ith alm strike loest strigs ith alm b ry b mute o mute o (h ) ater chime almglocke ord, alsetto Vl 1 Vl solo, seza sord O - O - b b O - D strike strigs ith alm (sul ot) (sul ot) # (h ) (h )
13 l 1 l 19 a ar-o cry harmoic gliss o o o # o o o o o b b Ob s C b b H 1 H b Tt 1 b Tt Tb sto mute sto b sto mute sto mute b b erc 1 (bd/chais) erc (almglocke) H o remove aer ~~~~~~~~~~~ i a eerie sig-sog b b b b ould red z scrae strig ith coi oe castaets bd strike loest strigs ith alm b strike loest strigs ith alm somehat breathy, mysterious ad the b b b b b almglocke sir - it that stads Vl 1 Vl D 19 Div, ord b O solo harmoic gliss, sul ot Div b b O o Ȯ O O O O solo O - O - O - O - Div seza sord O O h tutti bo tailiece altri, seza sord Ȯ h b seza sord b
14 l 1 l Ob s C b 7 b ~ ~ b ~ b b ~ # # # # # # # # 9 H 1 H b Tt 1 b Tt Tb erc 1 (bass drum) erc (almglocke) H o Vl 1 Vl D () A () () A b b by the ak ed ~ ~ ~ b b dam 7 b b b ma i the b b ord ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I II I II II II I I # ~ # raid chaotic oodlig i highest register raid chaotic oodlig i highest register raid chaotic oodlig i highest register raid chaotic oodlig i highest register raid chaotic oodlig i highest register raid chaotic oodlig i highest register raid chaotic oodlig i highest register raid chaotic oodlig i highest register # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ o ater chime - very ree - seza misura - - b - b - # - Mooes 9 layers, cotiue ad lib i a similar maer sub ~~~~~~~~~~~~~~~~~~~~~
15 l 1 l Ob s C 0 (q = ) 1 histle toes over igered D ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ X q = oco meo mosso h h ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ histle toes over igered D X H 1 H b Tt 1 b Tt Tb erc 1 (bass drum) erc H 1 glock (delicate metal mallets) G # # semre lv Lightly scrae strigs ith loose ire brushes Stay ithi the give rage o itches ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cel Vl 1 Vl b 0 ~~~ de-ed (q = ) () ~~~~~~~~~~ ry (arox itch) ye 1 b celesta X solo, co sord q = oco meo mosso o o b O - altri, co sord izz oe layer # # O altri, co sord b b b o b o b b O - b O - O - # # O # O # - O - - b # # O O O O O O # O # - # # O - # # O O - D solo b altri # div (i ossible) # (solo) bo tailiece 7
16 l 1 l ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ X ~~~ h ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ h take icc Temo I (q = ) X Ob s C H 1 H b Tt 1 b Tt harmo mute, stem exteded (or st mute + i stad) b icc tt Tb erc 1 erc (glock) H Cel 1 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b b b : : b b b R o o R o o o A Vl 1 Vl O O o o O - b b O # # O # # O - Div a tutti co sord b b O - tutti co sord o arm tutti co sord arco Div a tutti # # O - o arm o arm co sord b Temo I (q = ) # # D 8
17 l 1 l Ob 8 9 leggiero R icc R s C b # H 1 H b icc Tt 1 b Tt Tb st mute secco R sto mute harmo mute, stem removed sto mute harmo mute, stem removed erc 1 (had drum/ tamb) erc (glock) H 1 R Ö o Ö o Ö o Éo o Ü R Ö o small had drum/ tambourie y R y y R Ö o Ö o Cel Vl 1 Vl D 8 () () () () 9 # # b # strum tutti ~~~~~~ ~~~~~~ ~~~~~~ b b b # b # b b # b sim b # # # # b # b # b b 9 overressure overressure overressure overressure # b # # # # # # b # # # b # # b b b b b loco b b b b
18 icc l Ob 8 s # # # # # C b b b b # b H 1 H b icc Tt 1 b Tt Tb erc 1 (had drum/ tamb) erc (glock) 1 y y y y y y y y y y y H Cel Vl 1 Vl D () b b # () loco # # loco b # b # r That o your # # b grazioso ive # # # loco # # b # # b # # # # # r b # b # That o your ive b # # # # # # # b # b # # # # b # b # b b # b b b b r That o your # b b b # # # # # b b b i a obsessive sig-sog ive 8 # # b b # b b b # b b b # # # # 10
19 icc l 9 b b 1 b b Ob s C # # r b b b R b H 1 H b icc Tt 1 b Tt Tb secco b b R b r r R R mute o erc 1 (had drum/ tamb) erc (glock) 1 y y y y y y y y y y y y H Cel Vl 1 Vl 9 b # # # # # b b () b b b b b b b b soud se - ses you ev - er ev - er ev - er ev - er ev - er be or -sak - e 1 # # # b # # # # b # # # b # # b # # b b ~~~~~~ ~~~~~~ # # b b ~~~~~~~ b b b sim b b b # # # # b b b # # # # b # # # # b b Nor b # # b b b b b D 11
20 icc l Ob # # # s C r # H 1 H b icc Tt 1 b Tt (st (sto mute) R R Tb oe R r erc 1 (had drum/ tamb) erc (glock) 1 y y y y y y y y y y H Cel a der b b rom your - b # b selves ith b b # # # # R b R Tom ith Tom ith Vl 1 Vl () # # # # b # # () b () # # ~~~~~~ ~~~~~~ ~~~~~~~ b # # # # # # b b b b b b b ~~~~~~~ ~~~~~~ ~~~~~~~ # # b # # b # # b # # ~~~~~~~ ~~~~~~ ~~~~~~ # # # # b # # # # b b b ~~~~~~ ~~~~~~~ b b b b ~~~~~~ D 1
21 icc l Ob 8 b b b b b # # # # # 9 # # oco accel s C # # # # H 1 H b Tt 1 b Tt Tb erc 1 (had drum/ tamb) erc (glock) H 1 b b R # b (st mute) # # r l l l b b b b y y glock (delicate metal ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ y y y y Cel Vl 1 Vl D 8 () () mute o () b () b b b Tom izz b izz b # # # # b b b # # mute o b b b asty loco b b b loco b * # b b # 9 seza sord seza sord loco # # # # izz b b b loco izz b b b b # # # 1 a b # b broad arco arco b oco accel b b # # # oco accel accel # # # # b b b b b b b b b # # # #
22 icc l Ob s C (accel) 1 b b q = 80 iu mosso b H 1 H b Tt 1 b Tt mute o mute erc 1 (had drum/ tamb) erc (glock) H 1 y y y y to chais to almglocke Cel Vl 1 Vl 1 () # # () # # b (accel) b b b # b # b b b b b b b, la b # # # # b * b b reeat ad lib, gradually acceleratig b seak a breath here ecessary la - la - la - la - la - la - (etc) # # b b b b b # # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cotiue to accelerate util all sese o itch has bee lost Ater the orchestra ades out comletely, gradually trail o (-7 sec) as i losig your trai o thought q = 80 iu mosso ca - sec Cotiue i a similar maer, gradually acceleratig ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cotiue i a similar maer, gradually acceleratig ~~~~~~~~~~~~~~~~~~~~~~~~~ Cotiue i a similar maer, gradually acceleratig ca - sec ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cotiue i a similar maer, gradually acceleratig ~~~~~~~~~~~~~~~~~~~~~~~~ Cotiue i a similar maer, gradually acceleratig ~~~~~~~~~~~~~~~~~~~~~~~~~~ Cotiue i a similar maer, gradually acceleratig ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ca - sec ca -7 sec Div a D 1
23 l 1 7 Temo I (q = ) 71 l Ob s C breath accets H 1 H b Tt 1 b Tt Tb erc 1 (chais) erc (almglocke) H chais almglocke (sot yar mallets) breath Cel Vl 1 Vl D 7 arco, co sord Temo I (q = ) IV arco, co sord ith eté - Raid irregular rhythmic atters, like morse code eté - Raid irregular rhythmic atters, like morse code b IV arco, co sord IV arco, co sord hal b Tom b b hal # b b IV ( ) eté - Raid irregular rhythmic atters, like morse code ( ) (h) (q) (h ) (q ) # # ( ) (q ) III b 1 71 b ith eté - Raid irregular rhythmic atters, like morse code b b III b ( ) III b Tom ( ) III b (q ) ( ) (h ) ( ) b b (h ) (h ) (h ) (h ) (h ) (h ) (h ) (h ) b
24 l 1 l ~~~~~~~~~~~~~~~~~~~~~~~~ histle toes over igered A q = oco meo mosso E H s C H 1 H b Tt 1 b Tt Tb erc 1 (chais) erc (almglocke) H Cel Vl 1 Vl D 7 (q ) (q ) (q ) (q ) b ith tutti tutti # b b b (q ) 7 Tom ( ) b tutti II b tutti a b b ( ) # II b b b (h) (q) (h ) ( ) (q ) ȯ (h) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (h) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ broad to beg your ba ( ) II # b (h ) (h ) (h ) ( ) b ( ) (h ) # Imrovise as ast as ossible (d otes ad aster), usig oly the otated itches, semre b b b b Ȯ (h ) # Ȯ (q ) (h ) # Ȯ b b b b b b # # O ( ) ( ( ) (h ) (h ) I # b ( ) (q ) small had drum/ tambourie y y y 78 (h ) (h ) (semre b co b b b (semre trem) b I b b ~~~~~~~~~ ~~~~~~~~~ q = oco meo mosso (h ) (h ) 1
25 l 1 l 79 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ histle toes over igered A ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 8 Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (had drum/ tamb) erc (almglocke) y y y y y y y y y y y y # H () (h) ~~~~~~~~~~~~~~~~~~~~~~~~ () (h) ~~~~~~~~~~~~~~~~~~~~~~~~ i a eerie srechstimme to iao While I do * sig, - - b "A - y ood A - y eed - ig Mo-ey, drik, or cloth-ig b Vl Vl D solo, co sord o o o # o o o ȯ 17
26 l 1 l 8 ~~ 8 Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (had drum/ tamb) erc (almglocke) H y y y y y y y y y y y y bass drum (largest mallets available) y y Cel sug # b Come dame or maid be ot a A very breathy b - raid, oor Tom ill i - ure oth-ig" almost a hiser - - Vl Vl D Tutti, div # 18
27 l 1 89 II O the Lordly lots o edlam q = 10 (Double time) l Ob s C # # # # # # b b # # # # b b b b # # # # b b # # H 1 H b Tt 1 b Tt Tb # # # # # # erc 1 (had drum/ tamb) to musical sa erc (bass drum) H Cel Vl 1 89 II O the Lordly lots o edlam q = 10 (Double time) Vl D b # # # # b # b # # b # Glissadi ad lib, sul E Stay i lo to mid register ~~~~ Glissadi ad lib, sul E Stay i lo to mid register # ~~~~ ~~~~~ ~~~~~~~~~ ~~~~ ~ ~ ~ ~~~~~~~~~ ~~~~ 19
28 icc l Ob s C 9 # b b # # 9 # # # # # [ b b b b # # b 99 ] ~~~~~~~~~~~~~~~~~~ Cotiue raid chromatic iguratios ad lib, semre staccato - loest register [ b b H 1 H b icc Tt 1 b icc Tt Tb # seza sord seza sord b luger mute + o + b # # o + b # o "elehat call" (harmoic gliss) # ~~~~~~~~~ erc 1 (had drum/ tamb) erc (bass drum) H o iao # # Vl 1 Vl D 9 Glissadi ad lib, sul G Stay i lo to mid register ~~~~ ~~~~ ~~~~~~~~~~~~~ 9 Glissadi ad lib, sul G Stay i lo to mid register Glissadi ad lib, sul C Stay i lo to mid register ~~~~~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Gradually trasitio ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ to mid-high register Glissadi ad lib, sul C Gradually trasitio Stay i lo to mid register ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ to mid-high register Gradually trasitio ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ to mid-high register Gradually trasitio ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ to mid-high register ~~~~ ~~~~~~~~~~~~~~~~~~ ~~~~~~ ~~~ ~ ~~ ~ ~ ~ ~ ~~ ~ ~ ~~~~ ~~~ ~~~~~~~ 99 tutti, seza sord # Glissadi ad lib, sul D Stay i lo to mid register ~~~ ~~~~ ~ Glissadi ad lib, sul G Stay i lo to mid register ~~~~~ ~~~~ ~~~~ ~~ ~~ ~~~~~~ 0
29 icc l Ob s C H 1 H b icc Tt 1 b icc Tt Tb erc 1 (mus sa) erc (bass drum) H o 100 ~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cotiue raid chromatic iguratios ad lib, semre staccato - loest register [ b b b b b ] ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ () b b Create tremolo by raidly coverig ad ucoverig mouthiece oeig ith had mouthiece aloe b "elehat call" (harmoic gliss) musical sa (boed) (aroximate itches) o+ b b ] ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ # # ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ Cotiue raid chromatic iguratios ad lib, semre staccato - loest register # b b # b b # o+ b + o b ~~~~~~~~~~~~~~~ b # # # # ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ b ~~~~~~~~~~~ b reattach mouthiece b + b # # # Vl 1 Vl D 100 () # # Gradually trasitio ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ to mid-high register ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Gradually trasitio to mid-high register mid-high registers ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Gradually trasitio to mid-high register ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ scratch mid-high registers o div ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ h mid-high registers scratch ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ mid-high registers o div ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ mid-high registers o div ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # Gradually trasitio to mid-high register 1 # # X # X # # mid-high registers scratch scratch o div h # #
30 icc l Ob s C H 1 H b icc Tt 1 b icc Tt Tb erc 1 (mus sa) erc H o Vl 1 Vl D 10 b b ord # (h ) ~~~~~~~~~~~~~~~~~~~~~ b b () 10 () ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (h) ~~~~~~~~~~~~~~ + b b # + b b # o to cu mute # b mid-high registers ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ X X X X X # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # # # # mid-high registers scratch o div o div scratch Cotiue raid ad chaotic chromatic igures i lo-mid register - semre legato Cotiue raid ad chaotic chromatic igures i lo-mid register - semre legato Double togue as ast as ossible b icc tt (bass drum) # # o div scratch # # # # # # # lt lt lt to lio's roar/ brake drums b b X X X X X X X o div scratch # b b # # # # # # # # # brake drums (H+L) 10 b b # b b b # b Í b Í b ı b Í b Í ord O O O O O b b Í b b q = 80 Meo mosso b b bellicose ad erratic 10 + ~ ~ or thir - ty bare years q = 80 Meo mosso + ~~~~~~~~~~~ q = 11 sub # # R : bell toes # ä ä R R R # R eroce # l eroce b l eroce b eroce tutti ord mute (reg) mute (reg) ä ä ä ä b ä b ä cu mute bell ä toes or i stad ä b b lio's roar giat slastick b b cu mute ä y # ä # l tutti ord eroce b ~~~~~~~~ ~~~~~~~~~~~ cu mute or i stad q = 11 sub bell toes bell toes bell toes bell toes brake drums or O ~~~~
31 icc l Ob s C q = 80 sub 107 q = 11 sub + # # # # ä # b b l l ä # b b l l ä # # ä # ä ä ä ä # ä q = 80 sub # # H 1 H b icc Tt 1 b icc Tt Tb erc 1 (lio's roar/ brake drums) erc (sla stick) ä ä ä ä b ä b ä ä ä ä # ä y ~~~~~~~~ ~~~~~~~~~~~~ ä ä mute o ä ä mute o b ä b ä ä ä ä # ä y H o Vl 1 Vl ~~ q = 80 sub () 107 b # thir - ty bare years have I ı ~~~~~~~~ b ~~~~~ ı b b ~~~~~~~~~~~ b b ~~~~~~~~~~~ q = 11 sub + b ~~~~~~~~~~~ b b b b or ~~~~ b # thir - ty bare years have q = 80 sub ı ~~~~~~~ ~~~~~ ~~~~~~ D O O O O # # O b O # b l # b l O O O O O # O #
32 icc l Ob s 111 # # # # # # # # # # 11 # # q = 11 oco iu mosso # # C H 1 H b icc Tt 1 b icc Tt Tb b b b seza sord seza sord b b b b b b erc 1 (chimes) erc (crotales) H o chimes b crotales (brass mallets) # b # G lv to slastick lv g g g g g g g Vl 1 Vl D 111 () A I A A N ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a a O A (sig) tice altri b te b b ty tice te ty tice te - 11 q = 11 oco iu mosso b b sul ot b b solo loco sul ot sul ot sul ot sul ot b b b b b b b b b b b b sul ot b b
33 icc l 11 + b b Ob s # b # C b b b H 1 H b icc Tt 1 b icc Tt Tb b mute i mute i b b b erc 1 (lio's roar/ brake drums) erc (sla stick) H o g g g g g g g g g b ty tice te b b b ty b tice te - ty bee e-raged, Vl 1 Vl D 11 + (solo) b b altri, div sul ot sul ot b b b b b ord b b b b ord b ord ord b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
34 icc l Ob s C H 1 H b icc Tt 1 b icc Tt Tb erc 1 (lio's roar/ brake drums) erc (sla stick) H o Vl 1 Vl D 119 # # # # bell # ä toes ä # # l b l b mute ä ä ä ä ä mute ä ä ä ä ä b ä cu mute b ä or i stad b ä b ä b ä cu mute ä ä or i stad ä ä ä # ä ä # ä ä ä y y y b b 119 ~~~ ~~~ ~~~ b b ~~~~~~~~~~ ~~~~~~~~~~~ uis # uis b + # # # ä ä # # l b l b + ~~~~~~~~~~~ b b b b # b b Ad o q = 80 sub q = 80 sub b ~~~~~ ~~~~~~~ q = 11 sub # b or - ty bee three times i - tee # l b l b b b q = 11 sub ~~~~~~~~~ ~~~~~~~~~~~ b b ~~~~~~~~~~~~~~~~~~ # b
35 icc l Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (lio's roar/ brake drums) erc (sla stick) H o 1 ä ä b ä ä # ä # # # # # # # b l b l b to sto mute to st mute to st mute to st mute y y y y y b b # ~~~~~~~~~~ b b to celesta # # # ~~~ molto accel # # # # # # # # # # # # b l # # l b b ~~~~~~~~ ~~~~~~~~~~~~~~~~ # ~ ~ ~ ~~~~~~~~ ~~~~~~~~~~~ # # # # # # # # # # # # b # b b i dur - ace soud-ly caged i dur - ace soud-ly caged i dur - ace soud-ly caged soud-ly caged soud-ly caged st mute st mute b b # to had drum/tamb ~~~~~ # ~~~~~~~~~ ~ ~ ~ st mute # # # # # # # b b b # b b l l l y y y y l Ï # # # Vl 1 1 molto accel Vl D # # b b l l # # b b # l # l b b # # # # b b 7
36 icc l Ob s C 17 h= (I oe) elegatly - elegatly # - elegatly - elegatly b - - b - b - b b b - b - b - 1 b b H 1 H sto mute @ b icc Tt 1 b icc Tt Tb erc 1 (had drum/ tamb) erc y elegatly y y y y y y y y y y H o A b b g b b b b b g b b b b g b b b b g Vl 1 Vl D 17 tutti tutti tutti h= (I oe) col lego battuto i extreme uer register - sigle strokes as raidly as ossible col lego battuto i extreme uer register - sigle strokes as raidly as ossible col lego battuto i extreme uer register - sigle strokes as raidly as ossible ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (sig) ith grossly exaggerated elegace O 8 the b lord 1 izz uis : b b b b b - ly lots o ed lam : b b b : b b b b ith : b b
37 icc l Ob 17 # 10 b b b b - b - b b s C - b - b # # H 1 H b icc Tt 1 b icc Tt Tb mute o elegatly b - mute o - - b - - b - b erc 1 (had drum/ tamb) erc y y y H o Vl 1 Vl D b b b g 17 G b stub # chage to izz (still i extreme high register) 10 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ stub # - ble sot ad dai - - ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ stub # - ble sot ad dai - - ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ stub # - ble sot ad dai - - # : # b b b g b # # # # # # : # # # # g b b b b b b # ty chage to izz (still i extreme high register) # ty # ty : # # # # # chage to izz (still i extreme high register) # (ot) # ith # ith # ith C b b b b b b b # - ble sot ad dai - - ty ith stub - ble stub stub stub # ble # ble # ble b b b b b b # sot # sot # sot # sot ad ad ad ad Ê 9
38 icc l Ob s C 1 17 b b # 1 # leggiero b leggiero b b b b leggiero # # b b H 1 H b Tt 1 < < < < - - < - - < - - < - # - < # - - < b Tt Tb - < - < - < - < - < harmo mute, + stem i b b o + o erc 1 (had drum/ tamb) erc H b b C b b Cel Ê () dai celesta ty g g ith chord chages g g g # g b b b g to iao harsh ad abrasive b O l the l Vl 1 Vl D 1 17 ~~~~~~~ dai ~~~~~~~~~~~~~ ty dai ty 1 sul ot b ~ sul ot b ~ ~ sul ot sul ot b ~ o div o div scratch # # # scratch # ~ ~ ~ ~ # ~ b ~ ~ b ~ 0
39 icc l Ob 1 # b b b b # b b # b # b b # b # b b b b b b # b b b b b # b b b # s C H 1 H b icc Tt 1 b icc Tt Tb + o + o + o + o + o + b o oe + o lt lt lt oe # + o erc 1 (lio's roar/ brake drums) erc (sla stick) H Cel Ê lor(d) l l b l l (or) - d ly lo(ts) (o) ts o ed lam l Vl 1 Vl D 1 # # # (q) (q) sim sim sim # # # b b b # # # (q ) (q ) b b b ~ ~ ~ ~ # # # ~ ~ ~ ~ b 1
40 icc l Ob s C H 1 H b icc Tt 1 b icc Tt Tb erc 1 (lio's roar/ brake drums) erc (sla stick) H o Vl 1 Vl D 1 q = 11 sub b b # b l eroce b q = 11 sub solo ord eroce lio's roar y giat sla stick ~~~~~~~~~ b iao b b b b 1 eroce uis ord b l uis ord eroce b ~~~~~ b b # alsetto mute mute b b # cu mute cu mute or i stad cu mute or i stad brake drums altri With mute o mute o sul ot b b sul ot stub # b b ble sot ad dai - ty With stub b b b b b b b b # b b b b b b b b b b b b b b b b b b b b b b b b b b b b b b b b b b b ble sot ad b b b b b b b b b ord ord b b b b b b Div
41 icc l Ob s C H 1 H b icc Tt 1 b icc Tt Tb erc 1 (tam-tam/ brake drums) erc (bass drum) H 17 b b b b b b # # # b b b b # b b b # b # b b # b b # # b b # # # b # b # b bass drum # lg tam-tam (largest beater available), brake drums 17 q = 88 Suddely much sloer - dramatico b 180 b b b b b (mute o) b b take b Cl (mute o) o + b o b b giat slastick y y y b o Vl 1 Vl D () 17 dai ty b b b b b b b b b b # # b b b b b b b b # # b b # b b # b b b b b b b b # # alm cluster (hite otes) (black otes) b b b b b b b b b b 17 q = 88 Suddely much sloer - dramatico 180 ı ı loco sost b ä rave b ä brace ä b - lets strog seet his dig - dog, tutti, div ä b sul ot sul ot b b b to celesta b ä b ä b ä ä b ord b ord b
42 icc l Ob 18 q = Meo mosso b b b b b b b b b take C lute take alto lute 190 s C H 1 H b Tt 1 b Tt Tb erc 1 (tam-tam/ brake drums) erc (sla stick) H Cel Vl 1 Vl D lg tam-tam (largest beater available), brake drums y alsetto celesta ith cloyig seetess ad 18 q = Meo mosso () b solo b Ȯ O () b b solo # # Ȯ O b b solo b b Ȯ O b solo # # Ȯ O b b b b b g b b hole b b b b g b b - some hu - ger le b Ȯ b O # Ȯ # O Ȯ small had drum/ tambourie O # Ȯ # O b b b b g y y b b Ȯ # # Ȯ b b Ȯ # # Ȯ y y y ty Ȯ Ȯ Ȯ Ȯ actual itch solo o o o o # o o y y 190 Ȯ Ȯ Ȯ Ȯ o y y y breathy srechstimme While O O O O y y y almglocke (sot yar I do sig, 19 (q )
43 icc l Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (had drum/ tamb) erc (almglocke) @ y y @ y y y y y H Cel # - # # # # "A-y oode A-y eed - ig Mo - ey, drik, or cloth - ig" Come dame or maid be ot a - raid, (sig) # b D (srechstimme) oor Vl Vl D
44 icc III The mooe's my costat Mistrisse q = Suseded l alto lute Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (had drum/ tamb) erc (bass drum) H Cel Vl 1 Vl 198 y y y b Tom ill i - ure oth - ig y y y bass drum hal, co sord y y y hal, co sord y R (harmoics soud 8va) G 0 o Ñ III The mooe's my costat Mistrisse q = Suseded D hal, co sord
45 l A l Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (glock) erc 1 glock (sotest mallets available) H É o É o D Vl 1 0 () * * Whe I * short 0 allo voice to break over slur have Vl D 7
46 l 1 07 A l Ob # s C H 1 H mute b Tt 1 cu mute b Tt Tb cu mute erc 1 erc 1 (glock) H Cel 07 1 * shore A my * sour Ê G * ace, Vl 1 Vl 07 () soli, div sul soli, div sul ot soli, sul ot soli, div sul ot D 8
47 l A l Ob s C H 1 H b Tt 1 b Tt Tb erc 1 erc (glock) H 1 # Cel # Ê C # A Vl 1 10 () Ad 1 sigged my hor y Vl D 9
48 l 1 1 A l Ob s C H 1 H (mute) b Tt 1 b Tt (cu mute) # Tb (cu mute) erc 1 erc (glock) H o Ñ É o É o Cel Ê bar rel, I a Vl 1 Vl D () 1 soli sul ot soli sul ot soli sul ot soli sul ot soli sul ot co sord co sord co sord ord ord 0
49 l 1 18 A l Ob s # # C H 1 H b Tt 1 b Tt Tb erc 1 erc (glock) H Cel Vl 1 Vl D () 18 oak G e () solo b O O o solo o solo O O O solo # i A O O O o O O O # # O O O I O oud my o O b O O # O O O o O O ski G O O O O o co sord o O O b O loco O O co sord 1
50 l 1 A l Ob s # C H 1 H b Tt 1 b Tt Tb erc 1 erc (glock) H Cel Vl 1 Vl () () As a suit C É o co sord # # # gilt A # # solo É a - Div a co sord III D
51 l 1 8 A l Ob s # C H 1 H b Tt 1 b Tt Tb erc 1 erc (glock) H 8 # # # # # # to crotales (med rubber mallets) É Cel * ar # G # # # # el * The Vl 1 8 () () Vl (div a) (div a) (div a) D co sord III # co sord co sord III # III co sord co sord # III # co sord III co sord co sord # Ḃ # III co sord III co sord#
52 l 1 A l Chromatic oodlig as raidly as ossible - stay i the rage o C' to ' b b (barely audible) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ob s C Chromatic oodlig as raidly as ossible - stay i the rage o E' to A' # (barely audible) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Chromatic oodlig as raidly as ossible - stay i the rage o E'' to A'' # (barely audible) ~~~~~~~~~~~~ H 1 H b Tt 1 b Tt Tb erc 1 (vibes) erc (glock) vibrahoe (sotest mallets available) ( ) Chromatic oodlig as raidly as ossible - stay i the rage o ' to '' (barely audible) b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ H Cel ( ) Chromatic oodlig as raidly as ossible - stay i the rage o C to (barely audible) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) Stay i the rage o D to G ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ moo's # my co b stat Mis trisse, Ad the lo ly ol b # A # Vl 1 (div a) Vl (div a) () b co sord II co sord İI b co sord II co sord İI (q ) # (div a) (div a) b # b b # b # b b D
53 l 1 A l Ob s C 7 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Chromatic oodlig as raidly as ossible - stay i the rage o D'' to G'' b b (barely audible) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 et histle C lute ä ~~~ H 1 H b Tt 1 b Tt Tb sto mute harmo mute, stem removed cover oeig o mute ith had + + harmo mute, stem removed harmo mute, stem removed cover oeig o mute ith had cover oeig o mute ith had + + cover oeig o mute ith had gradually ucover mute oeig semre sost gradually ucover mute oeig semre sost gradually ucover mute oeig semre sost gradually ucover mute oeig semre sost i the ar distace, barely audible o i the ar distace, barely audible o o i the ar distace, barely audible i the ar distace, barely audible o b b b erc 1 (vibes) erc H Cel 7 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ my mor # roe, # # # Cotiue i a similar maer o the otated itches ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 1 Vl 1 (div a) Vl (div a) (div a) (div a) D 7 # a N N 9
54 l 1 A l 7 et histle oo ee b oo lt Ob s C H 1 H b Tt 1 b Tt Tb gradually cover mute oeig gradually cover mute oeig b b gradually cover mute oeig gradually cover mute oeig # # b breath accets â sto mute + b o b o o o b erc (sus cym) erc (crotales) H Cel Vl 1 (div a) Vl (div a) D 1 (#) # # # crotales (med rubber mallets) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cotiue i a similar maer o the otated itches # very breathy ad mysterious The b lam - ig Drake 7 b # b sus cymbal (boed) b b # # # #
55 l 1 A l Ob s C H 1 H b Tt 1 b Tt Tb erc 1 erc (crotales) Vl Vl 1 D H Cel ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b 1 # as beore ( ) b b b b ad the b # b b Night b 7 7 create easily seakig multihoic b b sto mute b create easily seakig multihoic # b b + + b + # cro make (div a) (div a)
56 l 1 A l Ob s C H 1 H b Tt 1 b Tt Tb o o o o b b b # # b erc1 (mark tree) erc (crotales) H ~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) # as beore mark tree (thiest beater available) y Cel ~~~~~~~~~~~~ ~~~~~~~~~~~~ breathy stage voice The lam -ig Drake ad sig Night - cro make me Vl 1 Vl D 1 The hiser outside layers co sord iside layers hiser outside layers hiser iside layers The lam-ig The lam -ig Drake outside layers, co sord ad Night - cro outside layers hiser lam - ig Drake Drake The lam - ig Drake iside layers hiser iside layers The lam - ig Drake ad Night - cro hiser The lam - ig Drake ad Night outside layers, co sord co sord ad Night - cro ad Night - cro ad Night - cro cro solo, co sord O 8
57 l 1 A l 8 Ob s C Create easily seakig multihoic H 1 H b Tt 1 b Tt Tb (sto mute) b (harmoic gliss - like a distat hol) (sto mute) b (harmoic gliss - like a distat hol) erc1 (mark tree) erc (crotales) H y lv lv o o o o o o o o o o Cel lv lv mus * sic to my sor A G ro solo Vl 1 altri, outside oly Vl 8 O O b b O () O O O O O O O O O b b O O O O O O O O O O b b O O O O O O O O (outside) D (outside) (outside) 9
58 l A l Ob s C # # # H 1 H b Tt 1 (as beore) b (as beore) b b b b b Tt Tb erc 1 erc H o o o o o o o o o Cel mu C # sic to my sor A # 77 O O b b O 78 O O O O O O O O O b b O O O O O O O O O O bb O O O O O O Vl 1 (div a) Vl (div a) () solo, co sord solo, co sord solo, co sord # (outside layers) solo solo, co sord solo, co sord solo, co sord # b b # # # # # b D 0
59 l 1 A l Ob 8 87 # easily seakig multihoic hiser loudly across mouthiece hile igerig otated itches ("Seaklute") - solo ood - b - eed ig # # - s C H 1 H b mute o b Tt 1 b Tt Tb cu mute cu mute # cu mute co sord erc 1 (had drum/ tamb) erc H Cel # small had drum/tambourie y # y y # # G # # # # # y # # y # to iao ro Vl 1 Vl D 8 () a () () () A () # () a Ȯ () A O b 87 1
60 l 1 A l Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (had drum/ tamb) erc Vl Vl 1 D o H y y 9 solo, bo tailiece y y - - mo ey - y 9 9 # drik cloth ig take icc - b - R - y y R y b - - # # - -
61 l 1 A l 00 IV With a host o urious acies q = 11 Double time C lute take Ob s C H 1 H b Tt 1 b Tt Tb erc 1 (kick dr/ cr cym) erc H kick drum (dameed)/ miiature crash cymbals sare drum (sares o), thi sticks like a bizzare military march like a bizzare x x x x x x x x x o Vl 1 Vl D 00 IV With a host o urious acies q = 11 Double time seza sord Div Div uis seza sord sul ot seza sord sul ot o o o b seza sord seza sord sul ot # # seza sord izz seza sord izz seza sord izz # seza sord b # izz # # ~~~ ~~~ ȯ o @ b # ~~~ # O O O # O O # # # # # ~~~ # o o # # ~~~ #
62 l 1 0 l Ob s C aare-like # # H 1 H b Tt 1 b Tt Tb erc 1 (kick dr/ cr cym) x x x x x x x x o Vl 1 Vl D 0 o (sul ot) (sul ot) o o o # (sul ot) # # # # # # ~~~ ~ ~ @ o o b b # ~~~ o o o o o o b b b @ b b b b # # ~~~ ~~~
63 l l Ob s C H 1 H b Tt 1 mute o sto mute # b Tt Tb erc 1 (kick dr/ cr cym) erc H lg bass drum, dameed (largest mallet available) # # o Vl 1 Vl D loco 11 o arm # # # # # bellicose ad erratic # 1 With a host l b l b b # b # With a # host # b # With a host
64 icc l Ob s C 1 # C lute # # # # # # icc b b b b b b b b b b b # b b b # b # # # # # # # # # mouth sire mouth sire mouth sire 19 b Imrovise usig oly the otated itches, semre staccato Note duratios should rage betee a 8th ad a 1th # ~~~~~~~~~~~~~~~~~ Imrovise usig oly the otated itches, semre staccato Note duratios should rage betee a 8th ad a 1th # ~~~~~~~~~~~~~~~~~ H 1 H b icc Tt 1 b icc Tt Tb sto mute st mute st mute lt lt toy-like # # sto mute toy-like # # mouth sire # + luger mute # # # # o+ o+ o+ o+ erc 1 (kick dr/ cr cym) erc x x rim x x x x x x x x head x H mouth sire o mouth sire Vl 1 Vl # 1 hal-shouted o ur - - ious a -cies tutti # tutti, arco # # # # b b b b b b b b b b b b # # izz # With a 19 b host Imrovise usig oly the otated itches Note duratios should rage betee a 8th ad a 1th # izz With a Imrovise usig oly the otated itches Note duratios should rage betee a 8th ad a 1th # ~~~~ ~~~~~~~~~~~~~~~~~ D
65 icc l Ob s C H 1 H b icc Tt 1 b icc Tt Tb erc 1 (lio's roar) erc (sare dr) H 1 Imrovise usig oly the otated itches, semre staccato Note duratios should rage betee a 8th ad a 1th # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Imrovise usig oly the otated itches, semre staccato Note duratios should rage betee a 8th ad a 1th # # # # + x x x x x x x x x x x x x x # # # # # # o+ o+ lio's roar # x x x x x x x x x x x x x x # # # # # + o # # # # # # # # + o + # to bass drum x x x x x x x x x x o Vl 1 Vl 1 # host With a ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # host # With a # host o D arco arco arco arco @ @ 7
66 icc l Ob s C ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~ b b # # b 8 marcato marcato marcato marcato marcato # # b b # # # # # H 1 H b icc Tt 1 b icc Tt Tb erc 1 (bass drum) erc (sare dr) H o Vl 1 Vl D # # # o mute out # x x x x x b ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~ # ur - ious a - cies here-o I am com-ma - der With a bur # mute o mute o rimshot # b # 8 to lexatoe - - b - - # # b bass drum (largest mallet available) marcato 8 # # b # # G D# A o ed # outside layers, sul ot b b # outside layers, sul ot outside layers, sul ot # #
67 icc l Ob s C 9 b b # # b b b b # # # # b b b b b b b # # b # 1 # b b b # # # b b b b b b b b b # H 1 8 H b icc Tt 1 b icc Tt Tb # # marcato # # oe oe oe marcato b b b # # erc 1 (bass drum) erc (lexatoe) H o # # # # b D E b G # b b b b lexatoe b # b b b b ~~~~~~~~~~~~~~~~~~~~~~ dam dam l l b # G A b b b # ~~~~~~~~~~~~~~~~~~ b b E b b ~~~~~~~~ Vl 1 Vl D 9 # # ig b # # # # b # tutti, ord tutti, ord b b b b # # 1 izz izz izz izz # # ad a horse # b b # b b # o # air b b b b ~~~~~~~~~~~~~ 9
68 icc l Ob s C b # b b b b b b # # b b b # b # # # b b b b b # # # b b b H 1 H b Tt 1 b Tt Tb # # # # aare-like # # mute o # # # # # b erc 1 (bass drum) erc (lexatoe) H o dam l # ~~~~~~~~~~~~ D # A b b dam l ~~~~~~~~~~~~~~~~ b b # b # # b # # # b b b # b # # b b b b # ~~ ~~~~~~~~~~~~~~~~~~~~~~ to the ild er - ess b I Vl 1 Vl D b # b b # b Div Div b b b b b b b b b b b b b # # # ord # # # # # ord b b b # # # # # # # b b b b # # # # # # # # arco arco b arco b 0
69 icc l Ob s C 7 # # # # b b b b b # # # b b b # # # # # b b b # # # b oco meo mosso 1 q = 10 light ad elegat b - light b ad elegat - - b - < H 1 H b icc Tt 1 b icc Tt Tb # b # b mute o b b # # # # # # # # # # # # # # # # # # # erc 1 (bass drum) erc (lg triagle) H o Vl 1 Vl D b # # # b a b b b b 7 b b b b # # # # # # # # b b b b b # # # b b # b b # # b # b # b b b b b # # # # # # # # # # # # # # # b b b b # # b b # b # # # # # # # # # # # # large triagle (thickest beater) # # der dam choke # # oco meo mosso 1 q = 10 1
70 icc l Ob s C - b - b # - - < - - b - - b b - - b - - b < b b - b b - - b - - # # - b - # - - < b - - b # b - - b - - H 1 H b icc Tt 1 b icc Tt Tb # # # # # # # # # # erc 1 (bass drum) erc (triagle) E dam @ G # dam choke # # # # # # # # # # take Vl 1 Vl D # # # # # # # # # # @
71 icc l Ob s C q = 1 Molto Allegro 9 8 # l l # l l l l l l l l l l l l l raid key clicks/breath oise (loest register) raid key clicks/breath oise (loest register) raid key clicks/breath oise (loest register) raid key clicks/breath oise (loest register) raid key clicks/breath oise (middle register) raid key clicks/breath oise (middle register) Imrovise usig oly the otated itches, semre legato Note duratios should rage betee a quarter ad a 8th # # (h ) (h ) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # H 1 H b icc Tt 1 b icc Tt Tb l l l l # l # l # # l l l l l loose valve cas loose valve cas take mouth sire sto mute lt (h) lutter valves (h) lutter valves (h) ~~~~~~~~~~~~~~~~~ (h) ~~~~~~~~~~~~~~~~~ erc 1 (bass drum) erc (tri/avil/ tom-toms) H o Vl 1 Vl D loco 8 loco l l l avil - struck ith heavy metal hammer l l take mouth sire q = 1 Molto Allegro 9 to kick drum/miiature crash cymbals # # # Imrovise usig oly the otated itches, semre legato Note duratios should rage betee a quarter ad a 8th Imrovise usig oly the otated itches, semre legato Note duratios should rage betee a quarter ad a 8th ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # y a kight uis, izz uis, izz # # uis, izz b y # # (h ) (h ) (h ) (h ) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a tom-toms (brushes) # b kight o ghosts #
72 icc l Ob s C b b (h) (h) (h) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # b b # 7 take mouth sire take mouth sire take mouth sire b b # # H 1 H b icc Tt 1 b icc Tt Tb (e) ~~~ (e) ~~~ b (q ) (q ) (h ) (h ) ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~ (e) (e) tighte valve cas tighte valve cas harmo mute, stem i b + o sto mute lt b sto b b st mute + o + o erc 1 (kick dr/ cr cym) erc (tom-toms/ sare drum) H : kick drum (dameed)/ miiature crash cymbals sare drum (sares o), thi sticks x o y a b kight o # ghosts ad shad b os b I aare-like b b sum moed am to Vl 1 Vl D # b b b (h) (h) (h) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (h) (h) (h) # b 7 uis arco
73 icc l Ob s C H 1 H b icc Tt 1 b icc Tt Tb 8 b b b b # b b b # # # # # # # # b # # b b b # b # b mouth sire mouth sire mouth sire sto mute o, to reg mute sto mute o, to reg mute + o + o mouth sire b b 0 b b b b erc 1 (kick dr/ cr cym) erc (sare dr) H x x mouth sire x to chimes o mouth sire tour ey Te strike loest strigs ith alm leagues Vl 1 Vl D 8 arco # # # b b b b b # b arco b urioso uis urioso 0 urioso b b b b
74 icc l Ob s C b b # # # b # H 1 H b icc Tt 1 b icc Tt Tb b b mute b mute cu mute b erc 1 (chimes) erc chimes b b b b b b * H o Te (strike strigs) leagues # # be- yod # # Te leagues Vl 1 Vl D b b urioso b b b b urioso # # # b b # # # b b # # # b b
75 icc l Ob s C 9 # # b # # b b b 71 b # # b b b b b b b H 1 H b icc Tt 1 b icc Tt Tb b b mute o mute o # mute o # oe b erc 1 (chimes) b b b b b lv erc (tamb) H o # # bey-od the ild # # b ild ild orld's ed O b # * b b b b b b b * Vl 1 Vl D 9 # # # b b # # # b b gradually overressure gradually overressure gradually overressure 71 gradually overressure # # # gradually overressure b b # # # b b scratch o div scratch o div scratch o div scratch o div scratch o div h (o trem) (o trem) (o trem) 7
76 icc l Ob s C 7 # q = 1 Temo di Taretella H 1 H b icc Tt 1 b icc Tt Tb # brilliate 8 b 8 brilliate brilliate brilliate b b erc 1 (lg tam-tam) erc (tamb) lg tam-tam Y Y y Y 8 tambourie 8 y y lv y y y y y y y y y y y y H o Vl 1 Vl D 7 * (o trem) (o trem) # * (h ) (h ) (h ) (h ) (h ) soke ad lib, i a loud theatrical voice Me-thiks it is o our - ey div # # div div div b q = 1 Temo di Taretella uis 8 b b # # b uis 8 # # b # b uis 8 # b b b ~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~ 8
77 icc l Ob 8 88 b b b b b b b b # # s C H 1 H b icc Tt 1 b icc Tt Tb b b b erc 1 (bass drum) erc (tamb) H y y y y y y y y y y y y y y y y y y y y y y small bass drum (dameed) y to tom-toms (sare sticks) b b o Vl 1 Vl D 8 b b b # # # # b b # # b b # b b # b # # b # b # b b b 88 izz div b b b b b 9
78 icc l Ob s C 90 b b b b b b b b b b # # b b b b b b b # 9 esate ä ä ä b = ä b ä ä ä b ä ä ä b H 1 H b Tt 1 b Tt Tb b b b b b b b b b b erc 1 (bass drum) erc (tom-toms) H o b b gliss tom-toms (sare sticks) ~~~~~~~~~~~~~~~~~~~~~ esate o ed b b b Vl 1 Vl D 90 b b b b uis # b 70 Div Div 9 esate ä ä ä esate esate b b = overressure overressure overressure ä ä ä ä ä ä overressure ä ä ä b ä ä ä b ä ä ä b ä ä ä b b ä ä ä ä ä ä ä ä ä
79 icc l Ob s C 97 b ä ä ä b ä ä ä b b b b b b 99 ä ä ä b ä ä ä ä b b b b ä ä # b ä b b b # b - - # # # b b # b b b b b # b b b b b b b b # # b b # # # - b - - b - b - - H 1 H b Tt 1 b Tt Tb () b b # # # lt # lt b b # lt # lt # lt loco lt erc 1 (bass drum) erc (tom-toms) H o b b b b b b b b # : : ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vl 1 Vl D 97 b b ä ä ä ä ä ä ä ä ä b ä ä ä b ä b ä b b ä ä ä ä 99 ä ä ä ä ä ä ä ä ä b b ä ä ä ä ä ä ä ä ä ä ä ä b b b ä b ä b ä b ä b ä ä ä ä ä ä ä - b - ä b ä b ord ord b b # b - b - b b b b b b b b b # b b # b b b b b b 71
80 icc l Ob s C 0 q = 80 Suddely much sloer, very ree b b b 09 create easily-seakig multihoic b b b multihoic as beore create easily-seakig multihoic H 1 H b icc Tt 1 b icc Tt Tb erc 1 (sus cym) erc (sm tam-tam) H b # b b ~~~~~ ~~~ to sto mute to sto mute to sus cym (boed) small tam-tam (boed) y sus cymbal (boed) y y y y y lv lv y y y y y y lv lv o ~~~~~ ~~~~~ b b srechgesag b b ood - A- y A - y eed ig Mo - ey, b - - b drik, Vl 1 Vl (div a) D 0 q = 80 Suddely much sloer, very ree b b b b b b b Div a Div a Div a IV b IV b IV b IV b b II b II b II 09 III b III b III b III b # b III b III b # # III b III b # # 7
81 icc 1 17 l Ob s C # # # b b b b b b H 1 H b Tt 1 sto mute # sto mute b Tt Tb harmo mute, stem removed # b loco b erc 1 (sus cym) erc (sm tam-tam) H y to chimes y y y y y to tom-toms (sare sticks) o - b or cloth - # - ig Come dame or maid be ot a b D b b Vl 1 Vl D 1 A A A A a # # a a # a A # # # 17 # # b b b b 7
I g n a t i a n E x e r c i s e s
Christoher Stark I g a t i a E x e r c i s e s or sioietta 9 Full Score S O M M E R S O P U B L I S H I N G INSTRUMENTATION Flute Oboe B b Clariet Bassoo F Hor straight mute C Trumet straight bucket mutes
More informationDan Tramte. 3-branes. for three percussionists and fixed electroacoustics
Da Tramte -braes or three ercussioists ad ixed electroacoustics Perormace otes -Eve though there are oly ever two ercussioists layig at oe time, three ercussioists are required i all three braes are erormed.
More informationTriangles!(2012)! For$flute,$violin$and$piano$ $ Adam$Mirza$
Triagles(01) Forlute,violiadiao AdamMirza TRIANGLES(01) PerormaceNotes Geeral Thereisoscoreorthisieceolyarts Atertheiecebegis,thethreelayersareusychoizedromeachotherormostotheieceIthemiddletheycometogetherbriely:romRehearsalLetterAto(althoughtheFluteistacitithissectio)
More informationKJOS CONCERT BAND GRADE 4 WB418F $8.00 ANDREW BOYSEN, JR. SAMPLE TIME STREAMS (AFTER TRICYCLE)
KOS CONCERT BAND GRADE WB8 $800 ANDREW BOYSEN, R TIME STREAMS (ATER TRICYCLE) SAMLE THE COMOSER Adre Boyse, r is resetly a roessor i the music deartmet at the Uiversity o Ne Hamshire, here he coducts the
More informationPreview Only. Legal Use Requires Purchase. The Defibrillator JAZZ ADRIEN RE INSTRUMENTATION
a divisio o Alred JAZZ The Deirillator Coductor 1st E Alto Saxohoe 2d E Alto Saxohoe 1st B Teor Saxohoe 2d B Teor Saxohoe E Baritoe Saxohoe 1st B Trumet 2d B Trumet rd B Trumet 4th B Trumet ADRIEN RE INSTRUMENTATION
More informationDuration: 5:05. Medium-Difficult. Psalm 130. Kenneth Bray ( ) BC976. for Brass Choir PREVIEW ONLY
Duration: 5:05 Medium-Diicult salm 10 BC976 Kenneth Bray (1919-1999) or Brass Choir REVIEW ONLY Eighth Note ublications salm 10 Kenneth Bray This is an intensely ersonal comosition hich began as a iece
More informationAubrie Powell. Promenade. for orchestra. Duration 8 minutes
Aurie Poell Promeade or orchestra Duratio miutes ORCHESTRA Flutes ( d dl Piccolo) Ooes ( d dl Eglish Hor) Clariets assoos Hors i F Trumets i C Tromoes (rd ass) Tua Timai (ith Cymal) Percussioist Har Piao
More informationMICHAEL SCHACHTER. FREYLEKHE TANZEN for Symphony Orchestra PERUSAL SCORE (2011) DURG MUSIC, INC.
MICHAEL SCHACHTER FREYLEKHE TANZEN or Symhony Orchestra (011) PERSAL SCORE DRG MSIC, INC PERSAL SCORE Perormance considerations: Horns 1 and should begin the erormance in the audience, lanking the audience
More informationVoid: for Orchestra. University of Arkansas, Fayetteville. Jared Aragon University of Arkansas, Fayetteville
University o Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 7015 Void: or Orchestra Jared Aragon University o Arkansas, Fayetteville Follo this and additional orks at: htt://scholarorksuarkedu/etd
More information.= ca.36. q = q. = ca.60. u u u u. 2008, Odhecaton Z Music (BMI)
u = ca6 = ca60 u u u u u q = q u u u u u u 008, Odhecato Z Music (BMI) Geige A Klariette Teor- Saxoho Klavier q k»ca 8 8 8 8 8 16 16 izz arco # - - a # # - # - # - # # 8 8 8 8 8 a Dämer a # # 19 # -
More informationAaron Grad. The Lost Voice
Aaron Grad g The Lost Voice Original story, ords and music by Aaron Grad Created ith suort rom Culture and the Langston Hughes Perorming Arts Institute Aroximately minutes For narrator, baritone voice
More informationARGENTA MUSIC CHANT. for contrabass and piano SHEILA SILVER
ARGENTA MSIC CHANT or contrabass and iano SHEILA SILVER ARGENTA MSIC CHANT or contrabass and iano I Mysterious and chant-like (2000/01) II With long breaths (200/0) III Stillness (200/0) SHEILA SIVER iano
More informationPatrick Reed. A Thesis
LX atrick Reed A Thesis Sumitted to the Graduate College o oling Green State niversity in artial ulillment o the requirements or the degree o MASTER O MSIC May 201 Committee: Elainie Lillios, Advisor Christoher
More informationNumber Nine Dream for ensemble and live electronics
MIKA PEL Number Nine Dream or ensemble and live electronics (2009) EIGENTUM DES VELEGES ALLE ECHTE VBEHALTEN ALL IGHTS ESEVED HENY LITL S VELAG / C PETES ANKUT/M LEIPZIG LNDN NEW YK NUMBE NINE DEAM (2009)
More informationSymbiopholie! A Proud and Crazy March. Jonathan Dagenais. Instrumentation:
Duratio: 5:50 GRADE B1609 $7500 Symioholie! A roud ad razy March oatha Dageais Istrumetatio: iccolo - 1 lute 1 - REVIEW lute - ONLY Ooe 1-1 Ooe - 1 ariet 1 - ariet - ariet - B Bass lariet - 1 Bassoo 1,
More informationT HREE REALLY M AD TENORS
N ICOLAS SCHERZINGER T HREE REALLY M AD TENORS or three teor saxohoes ad couter (MAX) S cherzim usic P ress Coosed or ad dedicated to Lauret Estoey ulia Nola ad Steve Stusek T HREE R EALLY M AD T ENORS
More informationa Strange Peace Jonathan Sokol
a Strange Peace Jonathan Sokol Instrumentation Sorano, doubling Large Triangle Viola, doubling Large and Small Triangles Violoncello, doubling Large and Small Triangles Percussion: Crotales (2-octave set),
More informationJason Freeman Prior Art for chamber ensemble C Score
Jason Freeman rior Art or chamber ensemble C Score Instrumentation: Flute Oboe (doubles on Metal Wind Chimes ( )) ass Clarinet Horn (doubles on Susended Cymbal ( )) ercussion [1 layer]: iano Violin Viola
More informationConcerto for Trombone
ERUSAL SCORE - NOT OR ERORMANCE USE STEVEN RYANT Concerto or Tromone and Orchestral inds ercussion Commissioned or oseh Alessi y the Dallas inds, the University o Texas at Austin ind Ensemle, and a consortium
More informationSYMPHONY MALIGNE RANGE
YMPHONY MALIGNE RANGE by Robert Rival A thesis submitted in conormity ith the requirements or the degree o Doctor o Musical Arts Graduate Deartment o the aculty o Music niversity o Toronto Coyright by
More informationBy My Side Neil A. Kjos Music Company San Diego, California
KOS CONCERT BAND GRADE 4 $00 ANDREW BOYSEN r SA M L E By My Side Neil A Kos Music Comany San Diego, Caliornia About the Comoser Andre Boysen r (b 9) is resently a roessor in the music deartment at the
More informationSifting Through the Ruins
Sitig Through the Ruis or mezzosorao, viola ad iao Liy Larse Aoymous Viola Piao 5 æ=58 loosely as i callig, chatig molto legato I e Hardy distat, elllike P loosely Keeig quietly quietly, loosely Music
More informationT h e H i g h l a n d / E t l i n g F u l l O r c h e s t r a S e r i e s. Selections from American Suite. Preview Only
GRADE LEVEL: T h e H i g h l a n d / E t l i n g u l l O r c h e s t r a e r i e s elections ro Aerican uite A usical ostcard to the orld! Your audiences ill be thrilled ith this early iece o Aericana,
More informationProducing For A While
David Dzua roducig or A While orao eemle (01) roducig or A While (01) Duratio: 7:0 remiere: Nov 9, 01, IU Ne Muic Eemle; Lide McLea, orao; David Dzua, coductor Itrumetatio: lute/iccolo Ooe Clariet a Clariet
More informationThe revival of a waning moon
University o Ioa Ioa Research Online Theses and Dissertations Sring 011 The revival o a aning moon Minyo Kim University o Ioa Coyright 011 Minyo Kim This dissertation is available at Ioa Research Online:
More informationIlari Laakso. Writing These Poems. Settings of three poems by Chrys Salt. for female voice and piano
068 Ilari Laakso Writing These Poems Settings of three oems by Chrys Salt for female voice and iano 018 Coyright by the Cooser All Rights Reserved No art of this ublication may be coied or reroduced in
More informationCecilia Damström. Op.34. Via Crucis. String Quartet 21'
Cecilia Damström O. Via Crucis Strig Quartet 1' 0101 Via Crucis O. I. The First Statio: Jesus is Codemed to Death The Secod Statio: Jesus Carries His Cross The Third Statio: Jesus Falls the First Time
More informationFIVE. Saxophone Quartet & Drums/Percussion. Bruce Pennycook Austin, Texas. December 2011 BMI Inc., New York
FIVE Saxohone Quartet Drums/Percussion Bruce Pennycook Austin, Texas December 20 BMI Inc, New York FIVE - Saxohone Quartet and Percussion Bruce Pennycook 12/20 Duration: ~ 1 minutes Program Notes FIVE
More informationFULL SCORE. Dreidel Dance
FLL SCORE Symhonic Band Grade 5 CARL FISCHER SERIES Dreidel Dance Roert Thurston SPS76 INSTRMENTATION Full Score Piccolo Flute Flute Ooe Clarinet in B Clarinet in B Clarinet in B Bass Clarinet in B Bassoon
More informationLiviu Marinescu HARMONIC FIELDS. for chamber ensemble version 1
Liviu Marinescu HARMONIC IELDS or chamber ensemble version 1 2010 INSTRUMENTATION lute Clarinet in Bb (transosed score) Percussion Piano Violin 1 susended cymbal (including a bo) ood blocks tom-toms bass
More informationMoon on one side, Sun on the other
Moon on one side, Sun on the other or har and interactive music system 2006 Roert Roe rogram Note (2006) as comosed or Soia Asunción Claro, ho gave the remiere at the 200 International Comuter Music Conerence
More informationAdarna : for flute & orchestra.
niversity o Louisville ThinkIR: The niversity o Louisville's Institutional Reository Electronic Theses and Dissertations 5-2015 Adarna : or ute orchestra abez Co niversity o Louisville ollo this and additional
More informationHYMN TO MUSIC. Allegro q=112. JUBILEE PSALM Dedicated to Steve De Veirman and Furiakanti, Furiosa and Furiant - Ghent
HYMN TO MUSIC JUBILEE PSALM Dedicated to Steve De Veirman and Furiakanti, Furiosa and Furiant - Ghent Lyrics: Charles Sprague (Boston, 1791-1875) Clap hands (END) 's Choir Allegro q=112 Music: Erika Budai
More informationSchoonenbeek Kees Arranger, Composer, Director, Publisher, Teacher
Schooneneek Kees Arranger, Comoser, Director, ulisher, Teacher Netherlands, Dieren Aout the artist Kees Schooneneek as orn in Arnhem, the Netherlands, on Octoer 1 st 197He studied the iano at the Conservatory
More informationJourney. University of Arkansas, Fayetteville. Darren Alan Rainey University of Arkansas, Fayetteville. Theses and Dissertations
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-201 ourney Darren Alan Rainey University of Arkansas, Fayetteville Follo this and additional orks at: htt:scholarorksuarkeduetd
More informationAnthony Hedges Arranger, Composer, Publisher
Athoy Hedges Arrager, Comoser, ulisher Uited Kigdom, Beverley Aout the artist Athoy Hedges as or i 9 He taught at The Royal Scottish Academy o Music ad susequetly ecame Reader i Comositio at Hull Uiversity
More informationXi Wang (2010) for flute, clarinet (Bb/Eb), violin, cello, percussion and piano. Perusal Only
Xi Wang Echo Poem Image (2010) orlute,clarinet(bb/eb),violin,cello,ercussionandiano CommissionedbyVoicesoChange PremieredbyVoicesoChange atthecaruthauditoriumindallas,txondecember5,2010 XiWangMusicPublisher
More informationfor 17 instruments Matthew William Goodheart A dissertation submitted in partial satisfaction of the requirements for the degree of
o 17 istumets by Matthe William Goodheat A dissetatio submitted i atial satisactio o the equiemets o the degee o Docto o hilosohy i Music i the Gaduate Divisio o the Uivesity o Calioia, ekeley Committee
More informationSAMPLE ANDREW BOYSEN, JR. PULSE C O N S E R V A T O R Y E D I T I O N S NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA
KS CNCERT BAND GRADE 5 WB9 $900 ANDREW BYSEN, R PLSE C N S E R V A T R Y E D I T I N S NEIL A KS MSIC CMPANY SAN DIEG, CALIRNIA THE CMPSER Adre Boyse, r is resetly a roessor i the music deartmet at the
More informationDecember 8, Dear Percussion Ensemble Member,
December8,2012 DearPercussionEnsembleMember, Congratulationsonyouracceptancetothe2013Region2HighSchoolPercussionEnsemble.We hopethatyouwillfindyourexperiencewiththeensembletobebothexcitingandmusically
More informationABSTRACT. School of Music. Five Minutes and Ix, which together comprise Two for Orchestra, are closely
ASTRACT Title o Dissetation: TW R RCHESTRA Stehen ank Lilly, Docto o Musical Ats, 200 Dissetation diected y: Associate oesso Mak Wilson School o Music ive Minutes and Ix, hich togethe comise To o chesta,
More informationIGOR STRAVINSKY. Excerpts from THE RITE OF SPRING. Arranged by Robert Buckley INSTRUMENTATION
LL CORE Grade IGOR TRAVINKY Excerts rom THE RITE O RING Arranged y Roert Buckley INTRMENTATION 1 ull core 1 iccolo lute 1 lute 1 Ooe 1 1 Ooe Bassoon B Clarinet 1 B Clarinet B Clarinet B Bass Clarinet E
More informationHints and Hauntings. for contrabass and stereo digital sound. Kirsten Volness
Hints and Hauntings or contraass and stereo digital sound Kirsten Volness 2010 Hints and Hauntings or contraass and stereo digital sound Perormance Notes: Perormer must e amliied ith microhone or alance
More informationMarch, Boy Scouts of America (1916) Editorial Notes
March, Boy Scouts o America (1916) Sousa received three silver loving cus or his sixty-second birthday on November 6, 1916, when the Sousa Band was engaged or the Hi Ho Hooray show in Philadelhia. One
More informationThe Low Arc of the Sun
STEVEN RYANT The Lo Arc o the Sun String Orchestra (018) ROGRAM NOTE The Lo Arc o the Sun is a string orchestra arrangement o the original and ork o the same title, itsel a art o the larger Miniature Suite,
More informationOCCIDENTE - ORIENTE FIRMAMENTO
# # vi ithout La Laao ithout LL Lmouthiece Lmouthiece L LL L L LL L n vi cresc L ithout L L L L L L L L L L LL ithout m a ithout mouthiece a o # m ##### vi cresc ithout a ithout a mouthiece # # 8 :m o
More informationA Million Suns At Midnight
EEN RYN Millio us t Midight Chorus, ymhoic ad, ad trig Orchestra EEN RYN EX Y KEIN DUNLO Millio us t Midight Chorus, ymhoic ad, ad trig Orchestra Duratio: ca. 10 Commissioed y the rkasas tate ad ad Orchestra
More informationBattle With the Frost Giants. from The Hammer of Asgard. David Marlatt
Battle With the rost Giants rom The Hammer o Asgard David Marlatt Battle With the rost Giants is the third and inal movement to The Hammer o Asgard, an original soundtrack style comosition or rass and
More informationCLARINET SPRING 2018 ENSEMBLE AUDITION MATERIAL
CLARINET SPRING 018 ENSEMBLE AUDITION MATERIAL 1 PLEASE PERORM THE TWO EXCERPTS LISTED ON THIS PAGE THEN THE REMAINING PAGES INCLUDE PORTIONS O THE CLARINET 1/SOLO CLARINET PART OR WINE DARK SEA THE AUDITION
More informationBOUND FOR SOUTH AUSTRALIA
Hadbells $3.0 (full score ad percussio parts sold separately) $3.0 BOUND FO SOUTH AUSTALIA for 3- oct. hadbells Traditioal sea shaty arr. Alex Guebert (201) 201 Alex Guebert. Distributed by The Golde Dace..HadbellMusic.com
More informationEchoes of Egypt Featuring THE NILE; BUILDING THE PYRAMIDS; SANDSTORM; HOMAGE TO THE SUN GOD, RA and THE PHARAOHS. Preview Only
Concert BAND Echoes o Egyt eaturing THE NILE; BUILDING THE YRAMIDS; SANDSTORM; HOMAGE TO THE SUN GOD, RA and THE HARAOHS Conductor st lute nd lute Ooe Bassoon st B Clarinet nd B Clarinet rd B Clarinet
More information1. GAGARIN (Beyond Blue Sky)
4 Delicately q = 100 Verse 1 m 4 m Solo or Sos 1. GAGARIN (Beyond Blue Sky) from the SPACE RACE song cycle - SA and iano - Back in A-ril nine-teen six - ty one, Yu -ri Ga-ga-rin as the cho-sen one. A C
More informationCentennial Tribute SAMPLE. Written for California State University, Fresno (est. 1911) John Bliss
Ceteial Triute Writte or Calioria State Uiversity, Freso (est 1911) y oh Bliss Istrumetatio 1 Coductor Score 2 Hor i F 3 4 2 Piccolo 3 Tromoe 10 Flute 3 Tromoe 3 4 2 Ooe 2 Euhoium (+2 TC) 2 Eglish Hor
More informationSAMPLE TIMOTHY BROEGE. The Water Is Wide A JACK STAMP SUITE. the fourth movement of. Neil A. Kjos Music Company San Diego, California
KOS CONCERT BAND GRADE $800 TIMOTHY BROEGE The Water Is Wide the ourth movement o A ACK STAM SITE Neil A Kos Music Comany San Diego, Caliornia About the Comoser Born November 6, 9 and raised in Belmar,
More informationOratio Horarum - Miserere per piccolo insieme e controtenore
F P Ubertelli Oratio Horarum - Miserere er iccolo insieme e controtenore FULL SCORE MMXVI INSTRUMENTATION Flauto / Flauto Piccolo Clarinetto Basso in Bb / Clarinetto in Bb Sassoono Tenore in Bb / Sassoono
More informationPreview Only. Mvt. III from the suite SEA TO SKY INSTRUMENTATION
SYMHONIC BAND Conductor iccolo st lute nd lute Oboe Bassoon Eb Sorano Clarinet st Bb Clarinet nd Bb Clarinet rd Bb Clarinet Eb Alto Clarinet Bb Bass Clarinet st Eb Alto Saxohone nd Eb Alto Saxohone Bb
More informationLansing D. McLoskey. CATHERINE'S WHEEL for marimba & violin
Lansing D. McLoskey CATHERINE'S WHEEL or marimba violin Lansing D. McLoskey or Eduardo Leandro and Yeon-Su Kim CATHERINE'S WHEEL OR MARIMBA VIOLIN E R O R M A N C E N O T E S : Accidentals aly to the octave
More informationConcerto for Double Bass
osh Trentadue (01) Commissioned y and Dedicated to Matthe Gison 01 M.O.T.I.F. (ASCAP).joshtrentadue.com INSTRUMENTATION Flute (dls. Piccolo) Ooe (dls. English Horn) Bassoon Alto Saxohone (dls. Sorano Saxohone)
More informationPestis Atreus: A Short Oratorio. Brian Bijan Bondari. B. Mus., Valdosta State University, 2003 M. Mus., University of Kansas, 2006
estis treus: hort Oratorio y rian ian ondari Mus, aldosta tate University, 200 M Mus, University o Kansas, 2006 2009 rian ian ondari ubmitted to the Deartment o Musi and Dane and the aulty o the Graduate
More informationA RHETORICAL GUIDE TO EBB. Daniel James Zajicek, B.M.. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS. May 2006 APPROVED:
A RHETORICAL GUIDE TO EBB Daiel ames Zaicek, BM Thesis reared or the Degree o MASTER O MUSIC UNIVERSITY O NORTH TEXAS May 200 AROVED: oseh Klei, Maor roessor o Nelso, Mior roessor David Scharz, Committee
More informationSYMBOLIST SYMPHONY FOR ORCHESTRA JEREMY SCHROPP A DISSERTATION
SYMOLIST SYMHONY OR ORCHESTRA by EREMY SCHRO A DISSERTATION resented to the School o Music and Dance and the Graduate School o the niversity o Oregon in artial ulillment o the requirements or the degree
More informationSONATA. for Violin and Piano JACOB BERANEK
SONATA or Violin and iano ACOB BERANEK ROGRAM NOTES aco Beranek s Sonata or Violin and iano comines several musical elements to orm one, uniied comosition It incororates a variety o inluences rom dierent
More informationMike Forbes. Instrumentation. 1 - Conductor s Full Score 8 - Violin Violin Viola 5 - Violoncello 5 - Double Bass.
Hear and download this iece at www.jhmusic.com JH string orchestra Grade 4.5 dance o the trolls Mike orbes Instrumentation 1 - Conductor s ull Score 8 - Violin 1 8 - Violin 2 5 - Viola 5 - Violoncello
More informationGRADIENT DESCENT. Admin 10/24/13. Assignment 5. David Kauchak CS 451 Fall 2013
Adi Assiget 5 GRADIENT DESCENT David Kauchak CS 451 Fall 2013 Math backgroud Liear odels A strog high-bias assuptio is liear separability: i 2 diesios, ca separate classes by a lie i higher diesios, eed
More informationKees Schoonenbeek Arranger, Composer, Director, Publisher, Teacher
Kees choonenbeek rranger, Composer, Director, ublisher, eacher Netherlands, Dieren bout the artist Kees choonenbeek as born in rnhem, the Netherlands, on October 1 st 197.He studied the piano at the Conservatory
More informationRusty Banks. 2ba4. Tuba, Stereo Playback, and Boomboxes
Rusty Banks 2ba Tuba, Stereo layback, and Boomboxes Rusty Banks 2ba Tuba, Stereo layback, and Boomboxes Notes: 2ba, is a ork or tuba and electronics ritten in a style I have dubbed Brasslotation. Imagine
More informationTHE AGONY OF MODERN MUSIC
THE AGONY O MODERN MSIC or chorus, soloists, and chamer ensemle Dmitri Tymoczko 10 Woolorth Center rinceton, N 05 dmitri@rincetonedu rincetonedu/~dmitri to Stanley Cavell TABLE O CONTENTS Textsiii erormance
More informationCopying is illegal. Review copy only. b b b b. - w. œ œ. w - œ œœ œ. œ œ. J Ï - - œ - œ - - & b b b b 4 Œ. Tu es Petrus SAT(B)B and Organ*
2 Prus, super hac pram aediicabo Eccliam meam, portae ieri o prevalebut versus eam. Et tibi dabo clav regi coelorum. uggted Registratio: : Pricipal 16', 8', 4', Mixture, to : Flute 8', Pricipal 4', 2 2/3',
More informationSAMPLE BRUCE YURKO. Ankrovag Fanfare A JACK STAMP SUITE. the first movement of. Neil A. Kjos Music Company San Diego, California
KOS CONCERT BAND GRADE 5 WB77F $900 BRUCE YURKO Akrovag Faare the irst movemet o A ACK STAMP SUITE Neil A Kos Music Compay Sa Diego, Calioria About the Composer Bruce Yurko received his Bachelor o Sciece
More informationMarch, The Thunderer (1889)
, The Thunderer (1889) Other than the fact that Sousa s thunderer as undoubtedly a Mason, his identity may never be revealed. The Thunderer march as dedicated to Columbia Commandery No. 2, Knights Templar,
More informationINFERNO FOR ORCHESTRA HAU-WEI CHANG
INERNO OR ORCHETRA y HAWEI CHANG A THEI reseted to the chool o Music ad Dace ad the Graduate chool o the iversity o Orego i artial ulillmet o the requiremets or the degree o Master o Music ue 01 THEI AROVAL
More informationSonnets of Love and Chaos
nkar ulishing Comany www.garro.com mail@garro.com onnets o Love Chaos or (div.) chorus tacy Garro onnet exts. What lis my lis have kissed, where, why What lis my lis have kissed, where, why, have orgotten,
More informationA Tuba for Christmas Lyrics by Al Simmons Music by Claude Lapalme (My first song!!) Arranged and Orchestrated by Claude Lapalme
Vocal Score Al Scherzando q = 112 A Tuba for Christmas Lyrics by Al Simmons Music by Claude Lapalme (My first song!!) Arranged and Orchestrated by Claude Lapalme Piano mf reely q = 82-100 Good things in
More informationCity, University of London Institutional Repository
City Research Online City, University Lndn Institutinal Resitry Citatin: Gat, Gnçal (016) Algrithm and Decisin in Musical Cmsitin (Unublished Dctral thesis, Guildhall Schl Music and Drama) This is the
More informationMICHAEL MARKOWSKI UNFAMILIAR TERRITORY FOR SOLO CLARINET & WIND ENSEMBLE SAMPLE SCORE - NOT FOR PERFORMANCE - NOT A PURCHASED COPY
MICHAEL MARKOWSKI UNFAMILIAR TERRITORY FOR SOLO CLARINET WIND ENSEMBLE SAMPLE SCORE NOT FOR PERFORMANCE NOT A PURCHASED COPY SAMPLE SCORE NOT FOR PERFORMANCE NOT A PURCHASED COPY MICHAEL MARKOWSKI UNFAMILIAR
More informationMartin Schlumpf. Streams» Doppelkonzert für Klarinette, Bassposaune und 17 Instrumente
Martin Schlum Streams» Doelkonzert ür Klarinette, assosaune und 17 Instrumente Streams ------ Double concerto or clarinet, bass trombone and 17 instruments, ritten beteen anuary and November 2010 or Matthias
More informationsilhouettes Perusal for Wind Ensemble [2016] Christopher LaRosa
ilhouette o Wid Eemble [0] Chitohe Laoa chilaoacom ilhouette o Wid Eemble Commiioed by the Atlatic Coat Coeece Bad Diecto Aociatio 05 ame E Cot Gat o Youg ad Emegig Wid Bad Comoe [0] Chitohe Laoa chilaoacom
More informationDeliver Us Odham County Youth Theatre
Voice Treble Solo Choir Piao Deliver Us Odham Couty Youth Theatre Stephe Schwartz 9 Trumpet Solo 16 20 Moderately Slow p Pesate E5 A A Egyptia Guards: CMS Studio - Craig M.Swatt Copyright 201 Mud Sad j
More informationHarriet. I. Araminta's Escape II. Stranger in a Strange Land III. Moses. for Wind Symphony. O'Neal Douglas [2010] Commissioned by
Harriet I Araminta's Escae II Stranger in a Strange Land III Moses or Wind Symhony O'Neal Douglas [2010] Commissioned y The Cali School o Music Commissioning roect or the Montclair State niersity Wind
More informationFor Grace Episcopal Church, Anniston, Alabama. On the Third Day (A Celebration of Life) Preview Only PATRICK ROSZELL (ASCAP) INSTRUMENTATION
SYMPHONIC BAND Grade Conductor Piccolo st lute nd lute Ooe Bassoon st B Clarinet nd B Clarinet rd B Clarinet B Bass Clarinet E Contralto Clarinet BB Contraass Clarinet st E Alto Saxohone nd E Alto Saxohone
More informationMM SATB divisi a cappella
On the Night Train.d //09 :0:44 PM MM 03 Twist J. On The Night Train SATB divisi a caella Joseh Twist is a member o the nger generation o Australianborn comosers. Based in Brisbane at the University o
More information$9.00. Mark Camphouse SAMPLE
KS CNCERT BAND GRADE 5 WB $900 Mark Camhouse To American Canvases C N S E R V A T R Y E D I T i o n s SAMLE Neil A Kos Music Comany SAN DIEG CALIRNIA THE CMSER A roduct o the rich cultural lie o Chicago
More informationExtra Conductor Score: $8.00. Style: Rock Grade Level: 2.5 WHAT'S YOUR HURRY? Rob Vuono, Jr.
Etra Conductor Score: 0265701 $800 Style: Rock Grade Level: 25 WHAT'S YOUR HURRY N lid ot va o rr e an c rm er o o rp er en ce on ly e Ro Vuono, r Instrumentation lute (optional) 1st Alto Sa 2nd Alto Sa
More informationSETTLE FOR ME from Crazy Ex-Girlfriend Season 1
SETTLE OR ME from Crazy Ex-Girlfried Seaso 1 Music & Lyrics y RACHEL BLOOM, ADAM SCHLESINGER & ACK DOLGEN Copyright MMXV CBS Studios Ic. ad Warer Bros. Etertaimet Ic. SETTLE OR ME from Crazy Ex-Girlfried
More informationOne advantage that SONAR has over any other music-sequencing product I ve worked
*gajedra* D:/Thomso_Learig_Projects/Garrigus_163132/z_productio/z_3B2_3D_files/Garrigus_163132_ch17.3d, 14/11/08/16:26:39, 16:26, page: 647 17 CAL 101 Oe advatage that SONAR has over ay other music-sequecig
More informationamor omnia suite PROMOTIONAL COPY lotta wennäkoski FENNICA GEHRMAN OY, HELSINKI duration 24' the score is transposed instrumentation:
ltta ennäkski amr mnia suite (ased n the silent lm music "amr mnia" cmmissined and remiered y the nnish radi symhny rchestra 2012) duratin 2' the scre is transsed instrumentatin: lutes (secnd duling alt
More informationFor the Children or the Grown-Ups?
~ holiday song or SATB chorus vibraphone (or piano) ~ Anonymous Text Music by Christopher Hoh HohMade Music 619 Seventh Street South Arlington, VA 2220 USA 'Tis the week beore Christmas and every night
More informationPreview Only L ESPRIT DU TOUR. Legal Use Requires Purchase. (Fanfare for Lance) By Randol Alan Bass. Instrumentation
Grade Level: (DIICULT) Instrumentation Conductor core iccolo/lute st lute nd lute rd lute st Ooe nd Ooe English Horn st Bassoon nd Bassoon E Clarinet st B Clarinet nd B Clarinet rd B Clarinet E Alto Clarinet
More informationSAMPLE. Kyrie/Lord, Have Mercy 39. j œ œ œ. & b 4 4. j œ. œ œ. œ œ œ. œ œ œ. J œ. œ œ œ. œ œ. œ œ œ. Mass of Saint Ann. Ed Bolduc
Kyrie/Lord, Have Mercy 39 & 7 /All Ky Lord, (Gma7/ B) B ma7/d All & & (q = ca 92) apo 3: & 4 4 SAMLE antor Ky Lord, (a7/ # ) ma7/e - ri - e, e - lé - i - have mer - - ri - e, e - lé - i - son hri - ste,
More informationIntro to Scientific Computing: Solutions
Itro to Scietific Computig: Solutios Dr. David M. Goulet. How may steps does it take to separate 3 objects ito groups of 4? We start with 5 objects ad apply 3 steps of the algorithm to reduce the pile
More informationRequiem for Peace. Percussion CYPRESS CHORAL MUSIC. CP 1185 REQUIEM FOR PEACE/ Larry Nickel Chamber Version. music from Canada
CP 1185 REQUIEM FOR PEACE/ Larry Nickel SATB with iano Chamber Version Percussion Requiem or Peace Listen to a good recording o this music at cyresschoral.com CYPRESS CHORAL MUSIC www.cyresschoral.com
More informationAlpha Individual Solutions MAΘ National Convention 2013
Alpha Idividual Solutios MAΘ Natioal Covetio 0 Aswers:. D. A. C 4. D 5. C 6. B 7. A 8. C 9. D 0. B. B. A. D 4. C 5. A 6. C 7. B 8. A 9. A 0. C. E. B. D 4. C 5. A 6. D 7. B 8. C 9. D 0. B TB. 570 TB. 5
More informationFAREWELL TO SHADOWLANDS. for Wind Ensemble. A Thesis Composition. presented to. the Faculty of the Graduate School
or Wind Ensemle A Thesis Comosition resented to the Faculty o the Graduate School at the niversity o MissouriColumia In Partial Fulillment o the Requirements or the Degree Master o Music y GRANT FONDA
More informationGRADIENT DESCENT. An aside: text classification. Text: raw data. Admin 9/27/16. Assignment 3 graded. Assignment 5. David Kauchak CS 158 Fall 2016
Adi Assiget 3 graded Assiget 5! Course feedback GRADIENT DESCENT David Kauchak CS 158 Fall 2016 A aside: text classificatio Text: ra data Ra data labels Ra data labels Features? Chardoay Chardoay Piot
More informationMARCH: THE LION S GATE. Preview Only. Mvt. I from the suite SEA TO SKY RALPH FORD (ASCAP) INSTRUMENTATION
SYMHONIC BAND Conductor C iccolo st lute nd lute Oboe Bassoon st B Clarinet nd B Clarinet rd B Clarinet E Alto Clarinet B Bass Clarinet E Contrabass Clarinet st E Alto Saxohone nd E Alto Saxohone B Tenor
More informationGuide to Applying Online
Guide to Applyig Olie Itroductio Respodig to requests for additioal iformatio Reportig: submittig your moitorig or ed of grat Pledges: submittig your Itroductio This guide is to help charities submit their
More informationPhilip Moore. Requiem. For soprano solo, mixed voices and organ. Vocal score
Phili Moore Requiem For sorano solo, mixed voices and organ Vocal score Scorings This Requiem can e erormed ith to dierent instrumentations: 1. or organ. or chamer ensemle Vocal scores are availale on
More informationCS 111: Program Design I Lecture 16: Module Review, Encodings, Lists
CS 111: Program Desig I Lecture 16: Module Review, Ecodigs, Lists Robert H. Sloa & Richard Warer Uiversity of Illiois at Chicago October 18, 2016 Last time Dot otatio ad methods Padas: user maual poit
More informationCap Rock Wind. by Kyle Gann ( )
or mezzo-sorao ad chamer orchestra (1,1,1,alto sax,1; 1,1,1; el gt, vi, o; strigs) text rom House o Earth y Woody Guthrie (19) y Kyle Ga (01-16) (01-16) Scored or mezzo-sorao ad chamer orchestra: lute,
More information! Given the following Structure: ! We can define a pointer to a structure. ! Now studentptr points to the s1 structure.
Liked Lists Uit 5 Sectios 11.9 & 18.1-2 CS 2308 Fall 2018 Jill Seama 11.9: Poiters to Structures! Give the followig Structure: struct Studet { strig ame; // Studet s ame it idnum; // Studet ID umber it
More information