Harriet. I. Araminta's Escape II. Stranger in a Strange Land III. Moses. for Wind Symphony. O'Neal Douglas [2010] Commissioned by
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- Arlene Anthony
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1 Harriet I Araminta's Escae II Stranger in a Strange Land III Moses or Wind Symhony O'Neal Douglas [2010] Commissioned y The Cali School o Music Commissioning roect or the Montclair State niersity Wind Symhony, Montclair, Ne ersey, Thomas McCauley, Conductor World remiere erormance, riday, Aril 2, 2010, in the Alexander Kasser Theater
2 Harriet I Araminta's Escae II Stranger in a Strange Land III Moses Instrumentation iccolo lutes 2 Ooes 2 Bassoons Contraassoon Clarinet in E Clarinets in B 2 Bass Clarinets in B 2 Alto Saxes Tenor Sax Baritone Sax Trumets in B Horns in Tromones ( Tenor, 1 Bass) Euhonium (2 or more reerred) Tua Doule Bass iano Timani ercussion 1: Brake Drum, Glockensiel, Virahone ercussion 2: Triangle, Maracas, Chimes, Xylohone ercussion : Susended Cymal, TamTam, HiHat, Cymals, Claes, Crotales ercussion : Tamourine, Wind Chimes, Marima ercussion 5: TomToms, 2 Conga Drums, Crash Cymals ercussion : Bass Drum ercussion Chart
3 rogram Notes rom childhood throughout my adult lie, there hae een many eole rom history that I hae looked uon as heroes, eole ho hae exhiited courage and a sellessness that goes ell eyond the normal limits othe aerage indiidual One such hero is Harriet Ross Tuman, orn Araminta Ross (122191) The act that she escaed to reedom ut then took on the resonsiility o returning to here she had escaed rom to ree others to a etter lie is amazing and insiring to me With slae catchers and ounty hunters on the search, she ut hersel in harm's ay many times to hel others Most o Harriet Tuman's ork heling slaes to the north as done y means o the nderground Railroad, a large netork o eole ho gae hel to ugitie slaes to get to the Northern states o the S or to Canada The system as not actually underground or a railroad ut got its name ecause o its methods The system did hoeer use railroad terms to descrie certain asects Rest stos ere called stations or deots, eole in charge o stations ere called stationmasters, and eole in charge o moing eole rom one station to another ere called conductors, or hich Harriet Tuman as the later Tuman also ecame reerred to as Moses, named ater the ilical man ho led the eish oulation rom Egyt Tuman ould later sere as an antislaery adocate, articiate in the omen's rights moement, and sere as a nurse, scout, and sy or the nion Army When Harriet Tuman arried at lantations, she used coded songs/sirituals to gather, grou and gie instructions to ugitie slaes or trael northard These coded songs originated in the churches o Arican American slaes Songs like Wade in the Water roided escae instructions in the lyrics The title o the song is actually an instruction to ade across streams as a method to kee loodhounds rom scenting their tracks ollo the Drinking Gourd not only contained hidden instructions, ut also coneyed a detailed ma o ho to reach Canada The Drinking Gourd reerred to the constellation the Big Dier or hich the North Star is included Slaes kne that i they olloed it they ere headed north Another aorite song o Harriet Tuman, Go Don Moses as used as a signal to let slaes kno that she as in the area and that a tri northard as eing lanned I chose to use this song as thematic material or this comosition ecause o its comelling and haunting nature, and its amiliarity Other comositional elements contained in Harriet are ased on the melodic and harmonic structure o Go Don Moses I had een aiting or the right oortunity to rite a comosition insired y Harriet Tuman or years so hen Dr Thomas McCauley aroached me ith the ossiility I immediately acceted the commission I hae knon Tom a numer o years no and eery roect e hae collaorated on has een a antastic, siritual exerience Tom alays rings a irant dynamic to the music that goes ell eyond ust the notes on the age, and he is a irst class artist The remiere y Tom and his antastic grou as amazing, and as so emotional it rought tears to my eyes I thank him and his students or such an amazing musical exerience inally, there ere many tyes o eole inoled in the nderground Railroad The success o the nderground Railroad deended uon eole o dierent races, creeds, and colors orking together or a common good This is ust another examle o hat can e accomlished i e ork together and realize that Our Destinies Are Tied Together, None O s Can Make It Alone Moement I Araminta's Escae Harriet Tuman as orn Araminta Ross Ater her escae, she took on the irst name Harriet and used her married name o Tuman My aim in this 1st moement as to reresent hat must hae een a dangerous, terriying and anxiety ridden irst escae There are short quotes rom the song Go Don Moses throughout or the last section o this moement, I used the song Go Don Moses to reresent her lieration into a ne lie and her resole to hel others to reedom Moement II Stranger in a Strange Land This moement reresents the solitude o eing aay rom home and amily It as during this time that she inds ork to und her return tris and makes intricate lans to return to Maryland to hel ree her amily and others Moement III Moses The eginning o this moement returns to the tension and anxiety o articiating in the escaes o other slaes including amily memers, through the nderground Railroad The title is a reerence to the act that many reerred to Harriet Tuman as Moses The middle section o this moement returns to the song Go Don Moses It ends in a siritually eocatie mood reminding us o Harriet s courage and heroic accomlishments in the ace o danger and adersity
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5 iccolo lute 1, 2 lute, Ooe 1, 2 Relentless q = 1 Harriet I Araminta's Escae Commissioned y the Cali School o Music Commissioning roect or the Montclair State niersity Wind Symhony, Thomas McCauley, Conductor World remiere erormance, riday, Aril 2rd, 2010, in the Alexander Kasser Theatre n n O'Neal Douglas 2010 English Horn Bassoon 1, 2 Contraassoon Clarinet in E Clarinet in B 1, 2 Clarinet in B, Bass Clarinet 1, 2 aggressie r # aggressie E Clr r n n n Alto Sax 1, 2 Tenor Sax Baritone Sax Trumet in B 1, 2 Trumet in B, Horn in 1, 2 Horn in, Tromone 1, 2 Tromone Bass Tromone Euhonium Tua Doule Bass iano Timani ercussion 1 ercussion 2 ercussion # # # # # # rake drum Setu:, B, C, E # # # # # # VII stoed + + stoed I VI I n n triangle ercussion ercussion 5 ercussion ass drum tamourine tomtoms Coyright 2010 OD Music ulications esite onealdouglascom contact mail@onealdouglascom
6 I Araminta's Escae icc l 1, 2 l, 5 O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 n ä ä ä ä â â â â 5 n T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh 5 oen oen Tua DB no Tim erc 1 erc 2 triangle n â â â â â â â â 5 n rake drum erc erc tamourine erc 5 erc ass drum
7 I Araminta's Escae icc l 1, 2 l, 1 A ^ # ^ ^ O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 n # n ^ ^ # # ^ ^ ^ # ^ ^ ^ ^ ^ # ^ ^ aggressie r # aggressie r # n aggressie r n erc erc erc 5 erc tomtoms
8 I Araminta's Escae icc l 1, 2 l, O 1, 2 E Hn Bsn 1, n ä ä ä ä ä ä ä ä ä ä ä ä ä ä ä ä 5 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 n # n 9 ä ä ä ä ä ä ä ä 5 A Sx 1, 2 T Sx B Sx n # ä ä ä ä ä ä ä ä B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn n n 9 # n n n n 5 Euh Tua DB no Tim erc 1 erc 2 erc n 9 n n rake drum triangle 5 erc tamourine erc 5 erc ass drum
9 I Araminta's Escae 9 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn 0 "ar o silence" B Susended, hoering duet /euh n E Cl B Cl 1, 2 B Cl, B Cl 1, 2 # # # # A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn # # # # # # # # # # Euh Tua 1 only duet /icc CBsn n DB no Tim erc 1 erc 2 # # # # # # ^ ^ ^ maracas "sirl" erc erc erc 5 erc
10 10 I Araminta's Escae icc 0 C Relentless q = 1 l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn aggressie r n aggressie r n n E Cl B Cl 1, 2 B Cl, # B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB all # VI V VII IV II aggressie r n aggressie r n IV no Tim erc 1 erc 2 maracas erc erc tamourine erc 5 erc tomtoms ass drum
11 I Araminta's Escae 11 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim n n n n n n n n # ä n ä ä n ä ä ä ä ä # # # # # # # # # ^ # rit ä ä ä ä ä ä ä ä ä ä ä ä erc 1 erc 2 erc erc erc 5 erc
12 12 I Araminta's Escae icc 5 ruato D Grooacious! q = 1 l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl l l l l l l B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 ä ä ä ä ä ä ä ä ä ä ä ä ä ä "train histle" # # l l l l l l # # Tn B Tn Euh l l l l l l Tua DB no Tim erc 1 solo â â â all erc 2 erc erc erc 5 erc susended cymal triangle tamourine congas ass drum
13 I Araminta's Escae 1 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 l l l l l l l l l E Clr l l l n n n l l l # n # n l l l l l l lyrical lyrical n n n n lyrical n l l l lyrical lyrical lyrical # n # n n T Sx B Sx B Tt 1, 2 l l l l l l l l l l l l l l l l l l l l l l l l B Tt, Hn 1, 2 # Hn, # Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc l l l l l l l l l l l l l l l n l l l l l l l l l
14 1 icc l 1, 2 E 2 I Araminta's Escae n n n n l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl l l l l l l l l l l l l lyrical lyrical l l l l l l n l l l l l l B Cl 1, 2 # n # n B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 l l l l l l l l l l l l lyrical lyrical l l l # l l l l l l n l l l B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua l l l l l l l l l l l l lyrical lyrical l l l l l l l l l l l l DB no Tim erc 1 erc 2 glockensiel triangle erc erc tamourine erc 5 congas erc ass drum
15 I Araminta's Escae 15 icc l 1, 2 0 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, l l l l l l l l l l l l l l l l l l l l l l l l B Cl 1, 2 A Sx 1, 2 # T Sx B Sx B Tt 1, 2 l l l l l l l l l l l l l l l l l l l l l l l l B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh l l l l l l l l l l l l l l l l l l l l l l l l Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc
16 1 I Araminta's Escae icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn l l l l l l l l l l l l l l l l l l l l l l l l E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 # T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 l l l l l l l l l l l l l l l l l l l l l l l l Tn B Tn Euh Tua l l l l l l l l l l l l l l l l l l l l l l l l DB no Tim erc 1 erc 2 triangle erc erc susended cymal tamourine erc 5 congas erc ass drum
17 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 9 l l l n n n n n l l l # n # n n G l l l I Araminta's Escae 1 l l l l n l l n l l l l l l l l l # T Sx B Sx B Tt 1, 2 l l l l l l l l l l l l l l l l l l l l l l l l B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh l l l l l l l l l l l l l l l l l l l l l l l l Tua DB no Tim erc 1 erc 2 glockensiel erc erc erc 5 erc
18 1 I Araminta's Escae icc l 1, 2 l, 10 n O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 l l l l l l l l l # l l l l l l l l l l l l B Cl, B Cl 1, 2 A Sx 1, 2 # T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 l l l l l l l l l l l l l l l l l l l l l Tn B Tn Euh l l l l l l l l l l l l l l l l l l l l l Tua DB no Tim erc 1 glockensiel erc 2 triangle erc erc tamourine erc 5 congas erc ass drum
19 I Araminta's Escae 19 icc 111 H l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn l l l l l l l l l n n n n l l l l l l l l l E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn l l l l l l l l l l l l l l l l l l # n # n # n n n n # n l l l l l l l l l l l l l l l l l l Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc
20 20 I Araminta's Escae icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim 11 l l l l l l l l l n n n n n n n # n l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l n n n n l l l n n n n n n # # n n # l l l l n n n # n l l l l erc 1 erc 2 triangle erc erc tamourine erc 5 erc congas ass drum
21 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc 125 l l l l l l l l l susended cymal n l # n # # # # n # # # l l # # # # # # # # # # # n # # # # # n l l l l l # # ## # # # # n n # # n n # l l l l I Araminta's Escae 21 l l l l l l l l l â â â â ä ä â ä â ä â â ä ä â â
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23 icc l 1, 2 l, O 1, 2 Sullen q = 5 Harriet II Stranger in a Strange Land not too ast on trems not too ast on trems # # E Hn Bsn 1, 2 C Bn E Cl esress # esress # B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 esress # 5 # # # 2 5 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim Setu: G, B, D CBsn/DB esress # esress # erc 1 erc 2 erc erc erc 5 erc chimes # tamtam ind chimes glockensiel LV semre # # # tomtoms solo r ass drum
24 2 II Stranger in a Strange Land icc rit l 1, 2 l, O 1, 2 E Hn # # 2 # E Clr 2 Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 n n n # # 2 # # # 2 solo "leading" T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim n n 2 CBsn 2 # # # IV V I 2 (slo glissando ts 2,, ass) 2 # V VII II # erc 1 erc 2 erc erc glockensiel n chimes tamtam susended cymal erc 5 erc tomtoms ass drum solo
25 II Stranger in a Strange Land 25 icc 1 A Ruato B Little aster q = l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 5 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB DB izz izz n no Tim erc 1 erc 2 erc erc erc 5 sus cym /metal eater tamourine "thum rolls" erc
26 2 II Stranger in a Strange Land icc 25 l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 solo dolente C Bn E Cl B Cl 1, 2 EH solo dolente B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no () Tim erc 1 erc 2 erc erc chimes sus cym /metal eater glockensiel tamourine erc 5 erc ass drum
27 II Stranger in a Strange Land 2 icc 1 C l 1, 2 l, O 1, 2 E Hn # duet Bsn 1, 2 1 duet dolente # # C Bn E Cl B Cl 1, 2 # B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB # # # # no () # # Tim erc 1 erc 2 erc erc erc 5 erc
28 2 II Stranger in a Strange Land icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn # # n # n D Dolce, graceul E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx 1 B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no () # # # # # # # # # # # # Tim erc 1 erc 2 erc erc erc 5 glockensiel chimes sus cym /metal eater tamourine susended cymal # # erc ass drum
29 II Stranger in a Strange Land 29 icc l 1, 2 # # l, # n O 1, 2 # E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 # # # A Sx 1, 2 # T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua # DB # no Tim erc 1 erc 2 erc erc erc 5 erc
30 0 II Stranger in a Strange Land icc l 1, 2 9 l, # O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 # # # T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc susended cymal erc 5 erc ass drum
31 II Stranger in a Strange Land 1 icc l 1, 2 l, O 1, 2 E Hn 55 # # # oco rit n start sloly, increase seed start sloly, increase seed start sloly, increase seed E Meno mosso q = 5 not too ast on trems not too ast on trems not too ast on trems Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim # # arco solo oco rit start sloly, increase seed start sloly, increase seed # start sloly, increase seed # start sloly, increase seed r # # # not too ast on trems not too ast on trems # r # # soaring soaring soaring # # # erc 1 erc 2 erc erc chimes tamtam erc 5 erc
32 2 II Stranger in a Strange Land icc rit l 1, 2 l, O 1, 2 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 # # # # # # # # # 2 T Sx # # # # # # B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh # # # # 2 Tua DB no Tim 2 erc 1 erc 2 erc chimes tamtam # erc erc 5 erc ass drum
33 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB Tim erc 1 erc 2 erc erc erc 5 erc no * 9 # # # # # tamtam Ruato LV LV LV E Clr (let ring into next ar) # n # # n # # n # Temo rimo CBsn, n, # #, n, #, n, #, DB ot II Stranger in a Strange Land
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35 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc With drie q = 12 # # # # # Setu:, B, C, E chimes hihat closed ass drum # # # # # # # Harriet III Moses # # # # # # # # # n # n # n # # n # n # # # n # # n # n # # n # # n # n # # n # # n # n # n VI VI (glissando) # A Violent, ith intensity n n n n n n n n n III III rake drum tamourine tomtoms ^ ^ ^ n n ^ 5 ^
36 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 # # # # # # C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 # # # # # # # # # # # # A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh # N # # # # # # # # # # # # # Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc rake drum chimes # tamourine tomtoms ^ ^ ^ ^ ^ ^ ^ ^ # ^ ^ ^ ^ ^ sus cym /stick ^ ass drum ^ ^
37 III Moses icc l 1, 2 l, O 1, 2 15 B # n # # n # # n # # # E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 # ^ # # n ^ ^ n # # # # ^ ^ n # # # # ^ ^ n # # # # T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no I II IV TI # ^ ^ IV V # VII TIII ^ # ^ # ^ ^ ^ # ^ ^ # ^ # ^ ^ ^ ^ # ^ ^ ^ ^ # ^ # ^ ^ ^ ^ # ^ n ^ ^ ^ ^ ^ ^ Tim erc 1 erc 2 erc ^ ^ ^ ^ ^ xylohone ^ ^ ^ ^ ^ ^ ^ ^ ^ erc erc 5 erc
38 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc 2 # n n # n # n # n # n # n # n # n # n n # n n # n n # # n # # ^ ^ # ^ ^ # ^ ^ ^ xylohone sus cym /stick C # # # n n # n # # # n # suito # # suito # n suito suito # suito # ^ ^ suito n suito suito suito ^ suito # # # # # # ^ ^ ^ # # # # # # # ^ ^ ^ # # # # # # # # ^ ^ ^ # # # # # # # ^ ^ ^ # # # # # # # # # # ^ ^ ^ erc erc 5 tamourine suito erc ass drum suito
39 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 1 # # # # # D # # # III Moses 9 E Clr C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 # # # # # # # # # # # # A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 # # # # # # # ^ ^ ^ # # # # # # # ^ ^ ^ # # # ^ ^ ^ susended cymal n ^ ^ ^ # # ^ ^ ^ # # ^ ^ ^ # # # ^ ^ ^ # # ^ ^ ^ ^ ^ ^ ^ ^ ^ erc
40 0 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 0 # # # # # # # # # # # # # # # # # # # # # E n n n # # n n # n n # n n # ^ # # # # n # n # # # n # # n # n # # ^ # # # # n # # # n # n # n # n # n n # ^ # # # # n # # # B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no # ^ n # n # ^ # n # # n Tim erc 1 erc 2 erc ^ ^ xylohone ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ rake drum ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ erc erc 5 marima ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ erc ass drum
41 III Moses 1 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 n n n n n # # # # # # # # n ^ ^ ^ ^ ^ ^ ^ ^ ^ suito n n n ^ ^ ^ suito suito suito n suito n suito suito suito suito # ^ ^ ^ suito suito suito suito suito suito suito ^ ^ # ^ ^ ^ ^ ^ # ^ ^ ^ # # ^ # # # ^ # n n l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l erc suito l l l l
42 2 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 55 n l l # l l l # # l l # l l # l l l l l l l l l l l l rake drum # n # # n # # # # n # # # # n n # # "ri" "ri" VII VII IV III I IV III IV III str mute # # str mute stoed + + stoed + IV solo + erc 2 erc xylohone erc erc 5 erc ass drum l
43 III Moses icc 2 G Still driing, ut sudued l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 # # # # # # # # T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 oen soaring oen soaring oen soaring oen soaring # # # Tn B Tn Euh Tua DB CBsn soaring no Tim erc 1 erc 2 erc erc erc 5 erc triangle tomtoms marima
44 III Moses icc 0 l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 # # # # B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 # # # B Tt, # # # # Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 triangle erc erc marima erc 5 tomtoms erc
45 III Moses 5 icc H l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 # # # # # # # # B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 # # # # # 2 B Tt, # # 2 # Hn 1, 2 Hn, # # # # 2 2 Tn 1, 2 Tn B Tn Euh Tua DB 2 no Tim erc 1 erc 2 erc erc erc 5 erc
46 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 # # # # # # # B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 # # 2 # B Tt, # # 2 Hn 1, 2 2 Hn, 2 Tn 1, 2 Tn B Tn Euh 2 Tua DB no Tim erc 1 erc 2 triangle erc erc marima erc 5 tomtoms erc
47 icc l 1, 2 l, 9 III Moses I O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx # # # # # # # # # # # # # # # # B Tt 1, 2 B Tt, Hn 1, 2 # Hn, # Tn 1, 2 Tn reathe as needed B Tn Euh Tua DB reathe as needed di no Tim erc 1 erc 2 erc erc erc 5 erc ass drum
48 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB 102 n # # reathe as needed # # reathe as needed # # # # n # # # # # # # n # # n # n # n # # n n n With itality # n n # # # a2 # a2 # # # uni # n n no Tim erc 1 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ 5 erc 2 erc erc tamtam erc 5 erc ass drum
49 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, 110 # # n # # # # # # # # # # # # # # # # # # # n III Moses # # # n n n # n # # # n # 5 5 n n n # n # # n # # # n # # # n n # # # n # # # n # # # # n n # # # # n # # n # K Rhythmic n n n n n n n n n n 9 Hn 1, 2 Hn, Tn 1, 2 n n n n # # # # # 5 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc n n n n n n n n # # 5 xylohone claes erc 5 erc tomtoms
50 50 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no 11 n "train histle" # # n n # # Ë # E Clr solo # Ë # ^ # Ë # Ë # Ë # solo # Ë Ë # Tim erc 1 erc 2 erc claes erc erc 5 erc tomtoms ass drum tamourine
51 III Moses 51 icc 12 l 1, 2 l, 10 2 O 1, 2 E Hn Bsn 1, 2 C Bn # # # E Cl # # # # B Cl 1, 2 B Cl, B Cl 1, # # # # A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, 10 2 Tn 1, 2 Tn B Tn Euh Tua DB no Tim 10 2 erc 1 erc 2 erc erc erc 5 erc
52 52 III Moses icc l 1, 2 l, O 1, 2 E Hn # # n n n n n n n Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, # 5 5 # # 9 # n B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 n B Tt, Hn 1, 2 Hn, Tn 1, # # # n n Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc tamourine erc 5 erc ass drum
53 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc L Triumhant 1 triangle n n n III Moses # # 5 erc erc 5 erc
54 5 III Moses icc 1 # l 1, 2 l, O 1, 2 # # # # # n # # n n E Hn Bsn 1, 2 C Bn E Cl # # # # # B Cl 1, 2 B Cl, # # B Cl 1, 2 A Sx 1, 2 # # # # T Sx # # n B Sx B Tt 1, 2 # B Tt, Hn 1, 2 Hn, Tn 1, 2 # # # # # n n # Tn n # n B Tn Euh Tua DB no Tim n # # # # # # n erc 1 triangle erc 2 erc erc tamourine erc 5 erc ass drum
55 III Moses 55 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 1 # # # # # # # # # # # # # # # # # # # # # # # # # # rit n n n n n V V V V V V V erc 2 erc erc erc 5 V erc
56 5 III Moses M oignant q = ca 5 icc 155 V *Sing l 1, 2 When Is rael as in Egyt's land, Let my eole go O ressed so hard they could not stand Let my eole go Go don Moses, 'ay don in l, O 1, 2 V *Sing E Hn When Is rael as in Egyt's land, Let my eole go O ressed so hard they could not stand Let my eole go Go don Moses, 'ay don in Bsn 1, 2 C Bn E Cl V *Sing B Cl 1, 2 When Is rael as in Egyt's land, Let my eole go O ressed so hard they could not stand Let my eole go Go don Moses, 'ay don in B Cl, B Cl 1, 2 A Sx 1, 2 V *Sing T Sx When Is rael as in Egyt's land, Let my eole go O ressed so hard they could not stand Let my eole go Go don Moses, 'ay don in B Sx B Tt 1, 2 V *Sing B Tt, When Is rael as in Egyt's land, Let my eole go O ressed so hard they could not stand Let my eole go Go don Moses, 'ay don in Hn 1, 2 Hn, Tn 1, 2 V *Sing Tn When Is rael as in Egyt's land, Let my eole go O ressed so hard they could not stand Let my eole go Go don Moses, 'ay don in B Tn Euh Tua DB V *Sing When Is rael as in Egyt's land, Let my eole go O ressed so hard they could not stand Let my eole go Go don Moses, 'ay don in no Tim erc 1 erc 2 erc erc chimes irahone crotales marima erc 5 erc V *Sing When Is rael as in Egyt's land, Let my eole go ass drum *Singers should sing the line/register hich est suits their oice (Balancing o arts to e determined y conductor) O ressed so hard they could not stand Let my eole go Go don Moses, 'ay don in
57 III Moses 5 icc 1 V N q = 5 l 1, 2 E gyt's land Tell old ha roah: Let my eo le go l, O 1, 2 V E Hn E gyt's land Tell old ha roah: Let my eo le go Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 V V E gyt's land Tell old ha roah: Let my eo le go as legato as ossile as legato as ossile T Sx E gyt's land Tell old ha roah: Let my eo le go B Sx B Tt 1, 2 V B Tt, E gyt's land Tell old ha roah: Let my eo le go Hn 1, 2 Hn, Tn 1, 2 V ith eloquence ith eloquence Tn E gyt's land Tell old ha roah: Let my eo le go B Tn Euh Tua ith eloquence DB V E gyt's land Tell old ha roah: Let my eo le go no Tim erc 1 erc 2 erc erc erc 5 V ith eloquence erc E gyt's land Tell old ha roah: Let my eo le go
58 5 III Moses icc 1 l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 irahone erc 2 erc crotales erc marima erc 5 erc
59 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc 1 rit Molto cresc tamtam ass drum III Moses O esante' chimes crash cymal # # # n 59
60 0 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc 190 # irahone chimes marima # # # n # n # tamtam crash cymal ass drum solo rit
61 III Moses 1 icc l 1, 2 l, 19 aster q = 1 O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx # # # # # # # # # # # # # # # # # # # # # # # # # # # B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn # # B Tn Euh Tua DB no Tim erc 1 erc 2 chimes erc erc erc 5 erc tamourine "thum rolls" tomtoms
62 2 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl # # # # # # # # # B Cl 1, 2 B Cl, # # # # # # # # # 10 B Cl 1, 2 A Sx 1, 2 # # # # # # # # # T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh # VII VII VII I I I # # 10 Tua DB no 10 Tim erc 1 irahone erc 2 chimes erc erc tamourine erc 5 tomtoms erc ass drum
63 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, Q # # # # # # # # # # # # # # # # # # # # # # # # n n # # n # # n # # n # # # n # # # n # # n # # # # # n # # # # # # n # # # # # n # # # # # n # # # # # # n # # # # n # # # # # # n n n n n n # # # # # # # # # # # # # # # # # # # B Tt, Hn 1, 2 Hn, 10 # # Tn 1, 2 Tn B Tn Euh Tua # # # # # # # # # # DB no Tim 10 # # n n n # # erc 1 erc 2 erc erc erc 5 erc
64 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, R With drie # suito # # suito # suito # suito # # # # # suito # # # # # # # # # # # # # # # # # # # 5 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 # # suito # # suito # # suito # # # # # # # # # # # # # # # suito # # # # # # # # # # # # # # # # # # # # # # # # # # 5 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua # # # suito # # suito # # # # # suito # suito # suito # # # # # # # # # # # # # # # # # # # # # # # # # # n VII VII # # # # # # # # # # # 5 DB no # suito # # # # # # # # # # 5 Tim erc 1 erc 2 erc chimes suito hihat closed suito erc erc 5 erc ass drum suito
65 III Moses 5 icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Violent, ith intensity # # # # # # # # # IV IV # # # # # # # # # Tua DB no 5 Tim erc 1 erc 2 erc erc erc 5 rake drum tamourine tomtoms ^ ^ ^ ^ ^ ^ ^ ^ susended cymal ^ ^ ^ ^ ^ # # ^ ^ erc
66 III Moses icc l 1, 2 l, O 1, 2 E Hn Bsn 1, 2 C Bn E Cl B Cl 1, 2 B Cl, B Cl 1, 2 A Sx 1, 2 T Sx B Sx B Tt 1, 2 B Tt, Hn 1, 2 Hn, Tn 1, 2 Tn B Tn Euh Tua DB no Tim erc 1 erc 2 erc erc erc 5 erc 20 # rake drum chimes susended cymal tamourine tomtoms ^ # # # ^ ^ ^ n n â â â â â â ^ ass drum ^ ^ â â â â â â ^ â â â â â â ^
67
68
IGOR STRAVINSKY. Excerpts from THE RITE OF SPRING. Arranged by Robert Buckley INSTRUMENTATION
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