Martin Schlumpf. Streams» Doppelkonzert für Klarinette, Bassposaune und 17 Instrumente
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1 Martin Schlum Streams» Doelkonzert ür Klarinette, assosaune und 17 Instrumente
2
3 Streams Double concerto or clarinet, bass trombone and 17 instruments, ritten beteen anuary and November 2010 or Matthias Müller and David Taylor Total duration 18:45 Min martinschlumch Martin Schlum Streams» or clarinet, bass trombone and 17 instruments Streams is dedicated to Matthias Müller and David Taylor Edition Kunzelmann GmbH, Sitzerland, kunzelmannch
4 Streams Scoring ( ith the abbreviations used in the score ): Solo instruments: Clarinet in b () ass trombone ( Tbn) Orchestra: lute (l), Oboe (Ob) doubling English horn (EH), Alto saxohone (A Sax) doubling aritone saxohone ( Sax), assoon (n) doubling Contrabassoon (Cbn), Horn (Hn), Trumet (Tt), iano (no), ercussion (erc) Gran Cassa, 2 snares, Rührtrommel, 4 bongos, 4 temleblocks, 4 cymbals, 2 temlebells, gongs, 1 tamtam, logdrum, 9 crotales: Db, Eb, Ab, A, D4, E4, Gb4, G4, b4; vibrahone; 2 irst Violins (Vln I), 2 second Violins (Vln II), 2 Violas (Vla), 2 Cellos (Vcl), 1 5-string bass (a) Anmerkungen Alle Instrumente sind klingend notiert, ausser den oktavtransonierenden Instrumenten: Crotales klingen eine Oktave höher, Kontrabass und Kontraagott eine Oktave tieer als notiert Rationale Temosrünge erden als ganzzahlige Verhältnisse beschrieben, z : 2 Dies bedeutet, dass das neue zum alten Temo im Verhältnis : 2 steht Zischen Zier M (T 21) und (T 284) indet eine eitgehend imrovisierte Kadenz der beiden Soloinstrumente statt Ab Zier T (T 8) tauchen Motive aus ranz Schuberts «Der Doelgänger» au (Schanengesang Nr 1) iano: Quasi Gongschlag = Entsrechende Saite im Innern ganz am Anang (beim Steg) abdämen und normal anschlagen erkussion: ord = ür das eeilige Instrument übliche Schlegel Höchster Ton au dem eeiligen Instrument: Searates Stimmmaterial ür Auührungen ist bei Edition Kunzelmann erhältlich Remarks All instruments are notated at sounding itch excet or those transosed by an octave: crotales sound an octave higher than notated, double bass and contrabassoon an octave loer roortional temo leas are ritten in hole-number ratios, eg :2 This means that the ne temo stands in a :2 relation to the old one A largely imrovised cadenza or the to solo instruments occurs beteen letters M (m 21) and (m 284)
5 Motis rom ranz Schubert s lied Der Doelgänger (no 1 rom Schanengesang) cro u beginning at letter T (m 8) iano: quasi gong stroke = damen the given string near the bridge inside the instrument and strike it in the normal ay ercussion: ord = standard sticks or the given instrument Highest itch on given instrument: Searate arts or erormance uroses can be obtained rom Edition Kunzelmann
6 Martin Schlum 1947 orn in Aarau (Sitzerland), on December Studies music in Zurich: clarinet (Hansürg Leuthold), iano (Warren The and Evelyne Dubourg), conducting (erdinand Leitner), theory and comosition (Rudol Kelterborn) 1974 urther comosition studies ith oris lacher in erlin roessor o music theory at Zurich University o the Arts Teaches additionally grou imrovisation at Zurich University o the Arts Until 1980 Mainly activ as a comoser o contemorary art music, inning many aards, incl irst rizes at Zurich Cometition (1972, 1979) and Tonhalle Cometition (1975) Returns to imrovised music, irst as a bass layer in «Trio 80» (ith Urs löchlinger) and rom 1982 as saxohonist and bass clarinetist in on grous (esecially «ERMUDA VIERECK») and many other roects Member o Aargau Saxohone Quartet as sorano saxohonist 1990s - Widely active in borderlands beteen imrovisation and comosition, ith increasing emhasis on comosing in a ne «ostmodern» style and a strong interest in comlex olymetrical structures (research roect on Conlon Nancarros studies) combined ith increased comositional use o the comuter Catalogue o comositions (selection): «5 Stücke» or large orchestra (197); «Todesuge» or seaking chorus (197); «Tenebrae» or solo voices, mixed chorus, brass, harsichord and string quintet (197-77); «Stratiications» or solo trumet, obligato iano and orchestra (1977/78); «eux» or clarinets (1979); «Ostinato I and II» or imrovising musicians and orchestra (1980/82); «Onyx» or alto saxohone and cello (1985); «Winterkreis» or saxohone quartet (1991); «December Rains» or solo iano (1992-9); «Mouvements» or iano and orchestra (1994); «Sring» or ercussion quartet (1995); «au lattern mit» or 4 omen s voices (1995); «Clarinet Trio» (1997); «Rattalasma 2» or clarinet and comuter (2001); «Waves» cello concerto ith electronics (2002); «Atemsuren» or bass clarinet and accordion (2005); «ulsar_1» or 4 instruments and comuter (200-07); «Summer Circle» or string quartet (2007); «ulsar_2» or voice, lute, iano and comuter (2009); «Streams» or clarinet, bass trombone and 17 instruments (2010); «uzzle» or bass clarinet and comuter (2011); «The ive oints» or clarinet and string quartet (2012); «Dan» or SARe bassclarinet and orchestra (2012); «Mirror Images» or viola, cello and iano (201); «ush and ull» or accordion solo (201) Sound recordings (ith on comositions): Martin Schlum: Siss usion 84 Live (Unit records, utr 4009), Noblesse galvanisée (lainishare, L /21) ith Martin Schlum s ERMUDA VIERECK, Martin Schlum s ERMUDA VIERECK (Unit records, utr 408), Cumuli (Unit records, utr 4049) ith Martin Schlum s ERMUDA VIERECK, Siss ercussion Ensemble + Christoh aumann (Unit records, utr 4089), 1995, ith «as time goes by» Vier ahreszeiten (MG, Musikszene Scheiz, CD 129), 199 ith «Winterkreis», «Sring», «Sommerbogen» and «aulattern mit» Die Kunst des Temokanons, C Nancarro - M Schlum (artistcd 810 2), Timegrid_01 (tgmusic 47101), 2008 ith ZWEIZEIT: A rey and M Schlum ulsar_1 (ZHdK Records 15/09), 2009 ith «ulsar_1», «Atemsuren» and «Rattalasma 2» Summer Circle (Navona Records, NV587), 2012 ith «December Rains», «Clarinet Trio» and «Summer Circle» Streams (Navona Records, NV5918), 201 ith «Mouvements», «Waves» and «Streams» rahms-schlum-müller (NEOS 2105), 201 ith «The ive oints»
7 Martin Schlum Streams» or clarinet, bass trombone and 17 instruments Solo Clarinet Solo ass Trombone 1 The hole score is ritten in C con sord molto 4 b b 4 b 4 4 b b lute Oboe Alto Saxohone assoon b # Horn Trumet iano ercussion oco Drumsticks Ride 1 Cu t GrC SN2 Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (Quasi gong stroke: damen the given string very near the bridge ith one hand inside the instrument hile striking the resective key normally: ull sound) SN1 molto ord Ride 2 (Sizzle) y Violin I 1/2 Violin II 1/2 Viola 1/2 Cello 1/2 ass 1) # b 201 Edition Kunzelmann GmbH, Sitzerland
8 2 Tbn no erc 5 b r b # Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~ b b oco b b oco * # 4 r r n # n # b # b b Ÿ ~~~~~ 8 b # # n # b Tbn 4 # # # b b b no # # erc ~~~~~~~~~ China ord x
9 Tbn A Sax no erc Vla 1 Vcl 1 11 b 4 b b b # b 4 4 b n 4 b b oco * Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ y b # b b n b b Tbn no erc Vln I 1 Vla 1 14 # 4 4 b b b b n n b N 4 b b r b # # # # # R 5 b Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n # *
10 4 Tbn l Ob A Sax n Hn Tt no erc Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a 1 # b # b b b n # arco izz arco # # 5 # # 5 # # # b b b b Slash y b b b # b oco accel # b # A b 4 4 b b s s b b O qȻ oco O b O o o III IV b oco b arco b O O b b oco O O O o o oco oco III oco molto b O o b b IV b b b R O O b b O b b O b O oco oco oco oco o b o via sord III b oco
11 5 Tbn 20 b oco s s b b b 5 b b b b b b r b b b b b r b b b b l Ob A Sax n Hn Tt no erc b R R oco b R b b R N ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ride 1 yÿ X X oco b b R R b b R oco oco b b b Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a s s s b b oco b s s s s b s b o s b molto s molto s molto s molto s molto s molto s molto s molto s molto s sord sord
12 Tbn 24 b b b b b b b b b b b l Ob A Sax n Hn Tt b R b b b R b b b r no () b b R b b R b b erc GrC r r
13 7 Tbn 28 b b b molto b b b b b b b b b b b b b b b l Ob A Sax n Hn Tt no b b b b oco b b oco oco () b b - b N oco b N b N - * b b b oco b oco b b b b b b b b b b b R oco b b b b b b b b b b b b b b b b b b b b b Cn b b b sord b R R erc r r Vln I 1 Vln I 2 b b b b b Vln II 1 Vln II 2 b b b b b
14 8 1 b b b b b b b b b b b b b Tbn l Ob b b b b b b b b b b b b b b b b b 4 b b b Hn b R no * erc oco Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a cs b b b molto arco b b b izz b b b b b cs b # b b # b b b b molto b b b b izz b b b b b b # b b b b b b # b b b b b b b b
15 Tbn Hn no erc Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a 4 b b b b rit b 4 b b b b b b b # b # b b b b b b b b b b b b N b b b b r b r n b b b b b # b b b b b b b b b b # b b b b b molto # al q» º # b 12 8 b * # # N N N arco N arco sv sv sv sv sv sv sv sv N sv 9 #
16 10 Tbn 7 # # b # b b b b b b b # b n ucket sord # 15 8 oco rit l A Sax Ÿ # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ n ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ # ~~~~~~~~~~~~~~~~~~~~~ # Ÿ b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b Ÿ # ~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ # ~~~~~~~~~~~~~~~~~~~~~~~~~~~ # no erc # b () yÿ ~~~~~~~~~~~~~~~~~~ Ride 1 y y Ride 2 (Sizzle) y (Roll ith elt sticks) b N b N b n b * * (Wie ith brushes) # # # # b b b g n g * * Ÿ y ~~~~ China z Tamtam 1 (Roll ith elt sticks) Vln I 1 Vln I 2 # Vln II 1 Vln II 2 Vla 1 # via sord Vla 2 via sord Vcl 1 # molto s
17 Tbn l Ob A Sax n C Hn Tt no erc Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a 40 q» º 12 8 b # # n oco b b b r # ss ss # # b b b cs(cu) R oco oco Cn y ~~~~~~~~~~~~~~ oco # # b Tamtam 1 # # b b Ÿ b ~~~~~~~~~~~~~~~~~~~~ # # # Ÿ n ~~~~~~~~~~~~~~~~~~~ n Ÿ n ~~~~~~~~~~~~~~~~~~~~ Ÿ b ~~~~~~~~~~~~~~~~~~~~ Ÿ n ~~~~~~~~~~~~~~~~~~~~ b # R # # * g elt sticks Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Y y b N s b Ÿ b n ~~~~~~~~~~~~~~ s ord oco Ÿ n ~~~~~~~~~~~~~ s ord oco Ÿ n ~~~~~~~~~~~~~~ s # ord # b oco b Ÿ # ~~~~~~~~~~~~~~ ord oco Ÿ # ~~~~~~~~~~~~~~ ord oco b ord oco ord oco s b s s s s oco oco ord ord 11
18 12 Tbn l Ob A Sax n C Hn Tt 42 # # # Ÿ n ~~~~~~~~~~~~~~~~~~ # Ÿ # ~~~~~~~~~~~~~~~~~~ b Ÿ n ~~~~~~~~~~~~~~~~~~ Ÿ # ~~~~~~~~~~~~~~~~~~ b # # n # n b b # n b b n b oco Ÿ n ~~~~~~~~~~~~~~~~~~~~ # Ÿ # ~~~~~~~~~~~~~~~~~~~~ b oco Ÿ n ~~~~~~~~~~~~~~~~~~~~ Ÿ n ~~~~~~~~~~~~~~~~~~~~ b no erc Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a # # b # b R oco b g * y Rub edge o tamtam ith ooden stick # # b b b n b b # b b ~~~~~~~~~ b s ord ~~~~~~~~~ s ord ~~~~~~~~~~ # s ord ~~~~~~~~~~ s ord ~~~~~~~~~~ # s ord b s ord s ord g # b # * y (on edge) R Ÿ n ~~~~~~~~~~~~~~~~~~~~~~~ # â oco r # oco b oco N oco # n oco r N # oco b oco oco b oco
19 1 Tbn 44 # # oco rit oco oco l Ob A Sax C n Hn Tt no erc Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a b Ÿ b # ~~~~~~~~~~~~ n ~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~ b ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ elt sticks Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Y ord s r # ord s ord s # b ord s ord # s R ord s R # ord s b ord s b via sord # # mv mv mv mv mv mv mv mv mv b b # # b b b # n n b n oco b Ÿ n ~~~~~~~~ molto ed b b * Drumsticks Ÿ ongos ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 1! Ÿ n ~~~~~~~~~~~~~~~~~~~~~~~~~~ ord b molto s ord ord ord ord ord ord ord ord oco # # Ÿ # ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ b ~~~~~~~~~~~~~~~~~~~~~~~~~~ b molto s Ÿ b ~~~~~~~~~~~~~~~~~~~~~~~~~ molto s # Ÿ n ~~~~~~~~~~~~~~~~~~~~~~~~~~ molto s # Ÿ n ~~~~~~~~~~~~~~~~~~~~~~~~~ molto s b n Ÿ # ~~~~~~~~~~~~~~~~~~~~~~~~~~ molto s n b Ÿ n ~~~~~~~~~~~~~~~~~~~~~~~~~~ oco molto s molto s
20 14 Tbn l Ob A Sax C n Hn Tt no erc Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a 4 C N a temo : 1 e» º # molto 9 8 molto molto # oco # # # # N # # 8 # b b b Ÿ n ~~~~~~~~~~~ Ÿ n ~~~~~~~~ Ÿ # ~~~~~~~ # n b # n b n b n # b n Ÿ n ~~~~~~~~~~~ R Ÿ b ~~~~~~~~ Ÿ n ~~~~~~~ sord b b # # b Ÿ b ~~~~~~~~~~ Ÿ n ~~~~~~~~~~~ b Ÿ b ~~~~~~~~~~~~~ Ÿ n ~~~~~~~ Ÿ n ~~~~~ # Ÿ # ~~~~~~~~~~~~~ # # b n b n # b n b n # () g ~~~~~~~~~~~~~~~~~~ Ÿ ~~~~~~ t oco oco mv # b ord b o o R oco ord mv b b R o o o oco mv # ord b n R o o o oco # mv ord oco R # oco mv ord # # R o oco b n ord mv b b oco R oco oco # ord mv # R oco # n ord b n oco b mv R oco oco mv n b n # oco oco rit a temo 1 : q» º # Irregular gliss 15 8
21 49 N oco a oco accel b b : 1 q» b b oco 15 Tbn no b b r b (senza ed) * b 4 b erc Vln I 1 Vln I 2 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 a () o o o o o o o o o o o molto o b molto molto molto molto molto molto molto molto b o o o o o o o o o o o o o o o molto molto b molto molto molto molto b molto Temlebloks Overtone gliss Hard elt sticks o o o o o s s
22 1 52 b b b b b b b b b b b Tbn morendo via sord l A Sax Tt cs b b (Cu) b b b b b b b b b b b b b no b b b cresc oco a oco b b b b b b b erc Vln I 1 Vln I 2 o Overtone gliss I sord b b b Vln II 1 o Overtone gliss o II sord Vln II 2 o o Overtone gliss o III sord Vla 1 o o o Overtone gliss o III sord Vla 2 o o o o Overtone gliss o IV Vcl 1 Vcl 2 A
23 57 b b b b b b D Slightly sloer 17 l A Sax Tt b b b b b b b b b b b no b b b b b b b molto * molto secco b N # b b erc ongos Tbl Vln I 1 Vln II 1 Vln II 2 Vla 1 Vla 2 Vcl 1 Vcl 2 sord b b b b cs cs cs cs b b # # b izz sord b b b # b # b
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