Jarkko Hartikainen. Radix. a brass quintet

Transcription

1 22 0 Jarkk Hartikainen Radix a brass quintet 201-1

2 Cyright by the Cmser All Rights Reserved N art this ublicatin may be cied r rerduced in any rm r by any means ithut the rir ermissin the cmser Distributin: Music inland Music Library Urh Kekksen katu 2 C, th lr I Helsinki inland musiclibrary@musicinlandi musicinlandi Helsinki, 201

3 Jarkk Hartikainen Radix (2011) a brass quintet 1 min Cmmissined by Ensemble Scherunkt ith unds by the Madetja undatin (Madetja-säätiö) and the Sedish Cultural undatin in inland (Svenska kulturnden) Trumet in C Trumet in Bb Hrn in / Bb Tenr Trmbne (in ) ractise mute, cu mute ractise mute, cu mute st mute cu mute, harmn mute ractise mute all extended techniques are exlained in the scre, un ccurrance questins, sund samles, arts, and urther cmmissins: jhartika@gmailcm Big thanks t brass layers Miikka Saarinen, Annu Salminen, Sakari Kekla, Janne Ahnen, Max Murray and Matthe Brn r their invaluable hel during the cmsitin rcess I e yu guys s many drinks (and erhas sl ieces )! I als like t extend my thanks t Bill rman, Duglas Hill, Stehen Altt, Mike Svbda and Charlie Prter, all h, althugh mstly unaare, heled and insired me a great deal in my quest ith all things brass, rimarily thrugh recrded and ritten media My inal thank yu must g t the tubist Harri Lidsle r believing in me enugh t recmmend me t Ensemble Scherunkt as a rmising yung innish cmser they shuld cmmissin

4 Radix (lat rt, the number unique digits in a sitinal numeral system, ie base ) Quite early in the cmsitin rcess my brass quintet Radix (201), it became clear that the brass instruments have many interesting ssibilities hidden inside them With the hel several brad-minded brass layers in my gegrahically mst immediate circle musicians, e investigated the ssibilities by starting truly rm the rt the matter: air, tubes, vibratins Later: cmbining, alying, resitining Radix as cmmissined by the remarkable Ensemble Scherunkt (Sitzerland), ith unds rvided by Madetja undatin (Madetja-säätiö) and Sedish Cultural undatin in inland (Svenska kulturnden) It is dedicated t the members Ensemble Scherunkt: Janne Jakbssn (né Ahnen), Matthe Brn, Cecilie Hel, Mikael Rudlssn, and Matthe Sadler (c) Jarkk Hartikainen 201 Jarkk Hartikainen TEOSTO

5 Transsing Scre Trumet 1 (C) Trumet 2 (B b) Hrn in Trmbne e = 0 inhale vilently (as in shck) l hh(a) Bell sitin: Hal-valved "Helicter" (muthiece rd, tngue attacks) L (acing the audience) " " (muthiece reversed) Hand s # R (aay rm audience) Unisn treml beteen a nrmal and a tubular tne b b remve muthiece, reverse it Radix Jarkk Hartikainen 2011 'n Blechbläserquintett "Helicter" (muthiece rd, tngue attacks) Unisn treml beteen a nrmal and a tubular tne b (muthiece reversed) Bell sitin: "Helicter" (muthiece rd, tngue attacks) L (acing the audience) " " b aly sted mute, reare the next tubular tne L (aay rm audience) # " " R (aay rm audience) # (muthiece reversed) Tt 1 (C) Tt 2 (B b) R (acing the audience) L (acing the audience) " " L (aay rm audience) # " " R (aay rm audience) # R (acing the audience) L (acing the audience) " # " R (aay rm audience) L (aay rm audience) # " " # R (acing the audience) b st mute Unisn treml beteen a nrmal and a tubular tne L (acing the audience) R (aay rm audience) " # " b # 1 1 b b # n # b b n ut muthiece back n A Tt 1 (C) Tt 2 (B b) 1 # " " b L (aay rm audience) # Playing and singing (aim r even 2-nte beating) R (acing the audience) ut the remved slides (r tubular tnes) back n L (acing the audience) " # " R (aay rm audience) (=) q = 0 L (aay rm audience) R (acing the audience) # # L (acing the audience) b st mute Playing and singing (hal-valve ith P) # d "a a" by inger int ( ) and ut ( ) the bell end the mute remve mute singing rhythm ree: as needed t ind the th artial U R (aay rm audience) # U u listen r the high, "histling" cmbinatin tne created by the trmbnist U U this is arximately the tne that shuld ring U ssia histle singing and laying q = Hand s b Slit tnes singing # #

6 2 / 1 Radix (2011) v102 Tt 1 (C) 1 aly ractise mute Practise mute b Tt 2 (B b) Tngue Slas (sunds an ctave ler) 12 VS 12 VS (muthiece n) b ssia: tngue slas muth sitin: - i - -i - -i- - i- - i- - i--i--i - -i--i--i--i--i--i--i- - i - # b b b # b laying and singing = # Tt 1 (C) 2 " " # " " # Tt 2 (B b) (muthiece n) # # # # b b # (muthiece reversed) # # ut the muthiece back n, ace the instrument dnards, the slide resting n the lr Hand s # ssia: tngue slas b b # b B Tt 1 (C) 2 b Slit tnes 1 Tt 2 (B b) # # aly ractise mute Practise mute Slit tnes 1 # # # slide resting n the lr, itched hand s are rduced by raising and lering the instrument # Hand s b # # ssia: tngue slas b b b n # # b 1 1 # b # b # # # # b # 1 b b

7 Radix (2011) v102 / 1 Tt 1 (C) change t Cu mute Tt 2 (B b) b b b change t Cu mute # # b n # b b Playing and singing (aim r even 1-nte beating) = sing va i necessary resume nrmal laying sitin remve muthiece, reverse it (muthiece reversed) b b b # n b b remve muthiece, reverse it (muthiece reversed) # # n # b C Tt 1 (C) Tt 2 (B b) Cu mute (clsed) Cu mute (clsed) b l l l # # d d d b l l l d # n d b b n b # n # # b b n b b # b b b b n # b n b # # b Tt 1 (C) Tt 2 (B b) d # d lz i ssible (nly this nte) # # d # n P d # # d # # # b b # l l b # # # d b # # # b # b n b b # b

8 / 1 Radix (2011) v102 Tt 1 (C) Tt 2 (B b) 2 d b # # # # # # b b n # # # # # n d b n # n b b b n # # n # n d d b b b # # # ut muthiece back n a c c e l e r a n d a l remve mute remve mute d n b rd # b # # ut muthiece back n D Tt 1 (C) Tt 2 (B b) d d D d d > q = 2 d d rd rd d d ^ b b ÿ ÿ ^ ^ n # ^ d ^ n ^ ^ # ^ # n ^ ^ ^ n d # d ^ ^ ÿ b ÿ Tt 1 (C) Tt 2 (B b) 2 { b ÿ n ß ß ^ W ^ ÿ { L # b n { ÿ # b # # (muthiece reversed) # b } # ÿ # ÿ

9 Radix (2011) v102 / 1 E Tt 1 (C) Tt 2 (B b) } # ÿ # b } } # ÿ # # b b } # # ÿ ÿ b # (muthiece reversed) ÿ ÿ b } ÿ ÿ # Tt 1 (C) Tt 2 (B b) (muthiece reversed) d # { # } rd (muthiece n) b rd # b 2 2 { Tt 1 (C) Tt 2 (B b) 0 d n { d b b b # # { b d

10 / 1 Radix (2011) v102 Tt 1 (C) G q = 0 q = Tt 2 (B b) d n b b b b b ick the tem rm the revius measure (beating in the trumets) b Tt 1 (C) 2 (muthiece reversed) # b b n b b 2 Tt 2 (B b) (muthiece reversed) # b b n b 2 ut muthiece back n # Hand s # # 2 Hand s # 2 Hand s # # # # 2 Tt 1 (C) n b # Tt 2 (B b) 2 n # # b 2 b b b b # # 2 b b n b b n b 2

11 Radix (2011) v102 / 1 Tt 1 (C) 110 b b b b # 1 b b b b n Tt 2 (B b) # b # b # b 1 b b b b # n # b # # n # # # n # b b b # b # n # b b Tt 1 (C) 11 G # 1 reeat as many times as needed r the tubist t ut the srdin n (min x) Tt 2 (B b) b 1 # # (muthiece reversed) # b 1 n rd ÿ # # b # (muthiece reversed) # b b # # n # n b b b 1 1 aly ractise mute b H q = Tt 1 (C) 12 2 b (muthiece reversed) 2 x # Tt 2 (B b) # n (ithut muthiece) 2 2 # b # 2 (muthiece reversed) 2 Tngue sla (sunds vb) b b rd 2 n # b (muthiece reversed) 2 Practise mute # 2 b b Practise mute 2 b

12 / 1 Radix (2011) v102 I Tt 1 (C) 1 (ithut muthiece) (muthiece n) (muthiece n) # b Tt 2 (B b) (muthiece n) st mute # rd Cu Mute (clsed) # # rd l # Tt 1 (C) 1 b 2 n 2 Tt 2 (B b) Harmn mute (/stem) 2 2 b mute Tt 1 (C) 1 b n b b n # Tt 2 (B b) # n b b b Harmn mute (/stem) rd

13 Radix (2011) v102 / 1 Tt 1 (C) 11 b # J b 2 Tt 2 (B b) b n Cu Mute (clsed) # b # # # b rd # # b B b2 (G b) b (muthiece n) the errmer is elcme t ind her/his n ingerings r the glissandi b > 2 2 Kee the given ingering during the gliss, hich ccurs as ntated via gradual hand muting 2 b 12 (B) n > B b1 (A b) b b > b 2 Tt 1 (C) Tt 2 (B b) 1 B b12 (G) b rd > rd (muthiece n) # > 1 (C) 1 (E b) > (muthiece n) # b rd B b2 (G b) # b > rd 0 () b > b # B b2 (A) (muthiece n) # > b 2 (D b) b b 2 b Tt 1 (C) 1 LIP DOWN rd 2 Tt 2 (B b) d B b12 (G) 1 (C) b l > b (muthiece n) Pedal tnes b b rd = 12 (D) B b1 (A b) d n 2 # (E) n 12 # (B) B b b2 (G d b) ssia: hal-sted b # b B b2 (G b) n b #

14 10 / 1 Radix (2011) v102 Tt 1 (C) Tt 2 (B b) 12 B b0 (B b) ȯ b # b b b # b b 0 () K D ÿ ÿ ÿ ÿ ß # ß ß ß Tt 1 (C) Tt 2 (B b) 1 ÿ # > > # # # # # b # # # # # d b d # # # d d b d b d ( ) # ß # Tt 1 (C) Tt 2 (B b) 11 # # # # # # # d # # # # # # # # # # # # n d d # d

15 Radix (2011) v / 1 Tt 1 (C) 1 b b b b Tt 2 (B b) d d d # b d b b n Tt 1 (C) Tt 2 (B b) 1 b b b b d # # # d L # d # d W # Tt 1 (C) Tt 2 (B b) 202 # { G G b b

16 12 / 1 Radix (2011) v102 M Tt 1 (C) 20 } b b # b n n Tt 2 (B b) b # n # b b n da lntan { b b b da lntan # Tt 1 (C) 211 b n # b n n b b n b b n # b b b b # Tt 2 (B b) # # # n b n n # n b # # n # n # n # n # # # b b n n # # # Hand s # # b N Tt 1 (C) 21 b b n # q q q = q q q = 11 # b # n n b # b Tt 2 (B b) # b # b n # b > b b b n # n # b b b # > b > > n > b n b b n b b b n b # b # b # # # b n

17 Radix (2011) v102 1 / 1 Tt 1 (C) 221 b n b n Tt 2 (B b) b n # n # b n b n b b n b # n # n # b # n # # n # n # n b n b n b n b b # b n b b Hand s b n Tt 1 (C) 22 "Helicter" (muthiece rd, tngue attacks) # # # # Tt 2 (B b) b # b n n b n # # n # # n # n # n # # n # n # n # # b b n b # n # # n # n # # n # n # b # # b # # O Tt 1 (C) 20 # # Tt 2 (B b) "Helicter" (muthiece rd, tngue attacks) # # n # n # n # b n b n b n b n # b b b b

18 1 / 1 Radix (2011) v102 Tt 1 (C) 2 # # # Tt 2 (B b) # # # b n b b b b b b b b P Tt 1 (C) 2 # Hand s Tt 2 (B b) # Hand s # Hand s b b # # b # b # b # b b # Tt 1 (C) Tt 2 (B b) 2 # n # # b b b b b b b i n e n b b 20201